Eichholtz oil on canvas portrait of Catherine Trissler Eichholtz (Mrs. Jacob Eichholtz 1791-1867). Middle-aged woman faces left, wearing a dark brown dress with wide white "collar" draped over shoulders. Has a wide lace edging. Draped over right shoulder, coveriing entire dress sleeve, is a white scarf with ornately floral-embroidered edge. Wearing a large, fancy cap of gold ribbons and lace. Tie strings are ribbon. Right hand covers left hand. Dark background shows no details. Lighter 4-inch wide section runs vertically from mid-point to top of left side. Small parts of a chair peek out at left side.
Inscriptions: Various numbers on frame sides and top. Taped to lower back of foam board back cover is an encapsulated old, faded printed card with #36 followed by "MR. BLOCH(?) / MRS. CHAS. ----- / BRYN MAWR PA / MRS. JACOB (EICHHOLTZ) / CATHERINE T(RISSLER)." Stamped at top center of frame back & stretcher is "The Warwick Galleries / NW Corner 17tth & Locust Sts. / Philadelphia Pa". Handwritten in pencil along top left of stretcher is "Property of Mrs. Chas. Walker, Mermont Plaza, Bryn Mawr".
Early 20th c. frame, painted bronze. Has bold profile with wide cove and projecting bead at outside edges.
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
30.25
Width (in)
25.125
Dimension Details
Canvas dimensions
Frame size: H: 35.5 inches x W: 30.5 inches
Condition
Good
Condition Date
2016-10-11
Condition Notes
Relined canvas has patched areas and many inpainted areas, including lips and both sides of hair. Large section along left side from center to top has been repainted.
Frame is good with several paint chips on bead section at both sides, right center and top left. Back of painting is covered with foam board.
Oil on wood panel. Profile painting, half length, of a young woman facing left front, hands not showing; medium light reddish hair, center part with comb at top of head. Curls in front of ears, grey eyes; high-waisted white gown with double lace ruffle collar around neck, pink rose at collar opening, gold double chain necklace, red shawl around shoulders covering arms; gold colored chair back right, greenish-grey background. (Beal)
Inscriptions: Ink script at top of frame back is "Elizabeth Cecilia Leman / Born 1814 died 1834." This is repeated in script at board back. At top left in script is "Adelia Leman / 1880."
Recent paper label by previous owner William Shand, at frame bottom is: "Young Woman of Leman Family / Possibly Elizabeth Cecilia Leman / (1814-1834), by Jacob Eichholtz / #459 in 'Jacob Eichholtz' by / Rebecca J. Beal / See Ellis & Evans 'History of / Lancaster County', p. 523 / W.S." Smaller paper sticker alongside reads "Young Woman / of the / Leman Family / by Eichholtz".
The number G.80.130.2 is painted at top right of wood panel. This was a Heritage Center number, due to an ownership dispute. See File.
Provenance
Beal writes on page 136, "Collections: Miss Adelia Leman, Lancaster; Mr. and Mrs. William Shand, Lancaster."
Painting is mounted in reproduction gold frame, held in place with four mending plates at sides. Remnant of old paper dust cover on back along frame. Conserved in 2002.
John Gundaker Brenner (according to family tradition)
Description
Framed oil on canvas portrait on panel; male figure, said to be John Gundaker Brenner (1808-1879/80) according to great aunt of donor. Body faces slightly right, head turned slightly to left. Brown hair parted on his left with wisps brushed forward onto forehead and onto left temple; long sideburns. Blue eyes. White collar and stock, light waistcoat, dark jacket has high, wide collar and double row of 8 brass buttons. Plain light background. Has 5"-wide gilded frame.
Provenance
Descent through family: To Ella Louisa Brenner Brenneman, granddaughter of subjects; to her niece Mrs. Laura C. Burks; bought at auction by Mrs. Henry C. Snowden (Elizabeth Brenner Snowden), a cousin of Mrs. Brenneman; to Mrs. Richard R. Murray (Marjorie Snowden), her daughter; to donor and gr. granddaughter of Mrs. Snowden and great-niece of Mrs. Murray.
Rebecca Beal, "Jacob Eichholtz, 1776-1842", #69 & #70, p. 21.
Height (cm)
74.295
Height (ft)
2.4375
Height (in)
29.25
Width (cm)
61.595
Width (ft)
2.0208333333
Width (in)
24.25
Dimension Details
Frame: 38.25" x 33.25" x 2"
Condition
Good
Condition Date
2017-07-19
Condition Notes
Moderate craquelure overall except for smooth 2"-wide strip bordering all four sides. Paper sticker on back states: "Rebacked and restored" in 1937 by Hannah Mee Horner, Upper Darby, PA. Gilt frame has strong wear to gilding. Miter joints do not close completely.
Ptg. secured in frame with copper strips at corners.
Object ID
2017.009.1
Notes
See Beale, page 21 for description and comments. She entitles this entry "Brenner Family, Presumed Man of."
Credit
Gift of Marjorie P. Stoddard in memory of Marjorie Snowden Murray
Mrs. John G. Brenner (according to family tradition)
Description
Framed oil on canvas on panel portrait. Half-length seated figure is a woman, said to be Mrs. John Gundaker Brenner according to great aunt of donor. Facing left, head slightly to front. Blue eyes. Dotted net cap w/ ruffles around face & small bow at left ear. Wearing a necklace. Long-sleeved dark dress w/ surplice (cross-over) white collar extends below waist in front. Left hand holds book/Bible on lap. Red chair back visible to right. Plain background. Has 5"-wide gilt frame.
Provenance
Descent through family: To Ella Louisa Brenner Brenneman, granddaughter of subjects; to her niece Mrs. Laura C. Burks; bought at auction by Mrs. Henry C. Snowden (Elizabeth Brenner Snowden), a cousin of Mrs. Brenneman; to Mrs. Richard R. Murray (Marjorie Snowden), her daughter; to donor and gr. granddaughter of Mrs. Snowden and great-niece of Mrs. Murray.
Eichholtz travelled to Boston in 1811-12 to study with accomplished portrait artist, Gilbert Stuart. This travel was sponsored by Rev. Thomas Barton, rector of St. James Episcopal Church. Barton also commissioned this copy of Stuart's portrait of Washington.
Acquisition was made possible by Mr. and Mrs. Robert J. Hamilton, The Thomas R. and Georgina T. Russo Family Foundation and The Richard C. von Hess Foundation
Painted portrait of William Albright (or Albrecht) (1793-1852) by Jacob Eichholtz, c. 1830
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, Pennsylvania to German printer, John Albright (1745-1806). He worked intermittently in Philadelphia as an ornamental painter, lithographic artist, limner, "dancing-master," and teacher of drawing from 1815 to 1845. Albright delineated the color plates for the "Floral Magazine and Botanical Repository" (Philadelphia, 1832-1834).
In 1820, Albright returned to Lancaster at his father's bequest, where until 1836, he published the "Staatsbothe" and continued the publication of the "New and Improved North American Almanac" started by Francis Bailey in 1775. On Christmas Day in 1821 he married Mary Weaver with whom he had one daughter, Anna M. Albright (1822-1855).
Albright returned to Philadelphia ca. 1837, and following a year as a dance master, taught drawing at 21 South Fifth Street until his death in 1852.
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, PA. During his lifetime he worked as a printer, ornamental painter, lithographic artist, limner, dancing-master and teacher of drawing.
Between 1820 and 1836, Albright published a German-language newpaper in Lancaster, the 'Staatsbothe,' as well as the 'New and Improved North Americna Almanac.' Albright moved to Phila. in 1837 where he spent his remaining years teaching art.
On Christmas Day in 1821 William Albirhgt married Mary Weaver. The had one daughter, Anna M. Albright (1822-1855). The birth and death dates of Mary Weaver Albright are unknown.
