This collection contains a sketchbook and copybook of Jacob Stauffer and his son, David McNeely Stauffer. The sketch of a log house and watercolor of the Mathiot House are both attributed to David McNeely Stauffer. Letters written to D. M. Stauffer refer to The Intelligencer, genealogy related to a portrait, and his collection of signatures.
Admin/Biographical History
David McNeely Stauffer (1845-1913)
Stauffer's extraordinary life began in 1845, in Mount Joy. His father was Jacob Stauffer and his mother was Mary Ann McNeely. He was raised by his stepmother since his mother passed when he was only a year old. His childhood home had somewhat of a local legend which claimed it was haunted by the unpleasant pirate who built it.
Around 1858, economic trouble forced the Stauffers to relocate to Lancaster City. His father took a job at the Lancaster Athenaeum library (on the 3rd floor of the old city hall) for small pay with the arrangement that he could establish his patent office there. David was inseparable from his father and spent more time at the library than he did at his home on North Duke Street.
From a young age David was enormously successful in school, no doubt due to his long hours at the library and absorbing the teachings of his father who was interested in natural sciences. He graduated from high school at an accelerated pace and earned his diploma at the age of 16. From there, he attended Franklin and Marshall college on a scholarship.
A crisis strikes Lancaster in 1862 with the invasion of the confederate army into Maryland. David, along with fellow classmates, were raised into a slapdash and disastrously ill prepared unit. They were eventually involved in the battle of Antietam if one uses the term "involved" loosely. Having virtually no experience or training they were kept out of the fight. After the short-lived adventure David returned to school for another year but, possibly hoping to see more action, he rejoined the service as an artillery man. Later, he accepted a job on the railways before he was offered an appointment as Master's Mate in the navy and he once again joined the military.
After his service, he returned to railroad work where he was determined to become an engineer. By 1870 he had achieved this goal, being appointed head engineer for construction of a Philadelphia street bridge. David was 25 years old. He worked diligently as an engineer for many years and finally opening his own business in New York as a consulting engineer in 1882. Stauffer was in high demand as he was considered an expert in his trade and was widely known. He was the second American to ever become a member of the Institute of Civil Engineers in London. He also became part-owner and chief editor for "Engineering News" for 23 years.
He was very active socially, largely invested in civic improvement, and belonged to numerous societies and clubs. He was also well-traveled. Appreciative of many arts, he took a particular interest in engravings which he collected. He even published a book which is critical to many collectors today: "American Engravers upon Copper and Steel".
Stauffer married rather late in life, at the age of 47, but his meeting with his wife is so extraordinary it sounds more like a sketch from a Melville novel. A shipwreck is the romantic occasion upon which these two lovers met, David and his future wife, Florence Scribner. David had been asked on an assignment for the Engineering News and Florence had been accompanying her father on a steamship when it wrecked in the Caribbean. They were married no more than a year later and set up residence in Yonkers, New York where he died in 1913.
Stauffer's passion for sketching was no doubt due to his father whose botanical sketches are still widely admired today. Of note is David's bookplate design used by Lancaster County Historical Society, which is one of many that he designed. He also left a legacy of no less than 70 drawings of early Lancaster City buildings, an unparalleled collection. Some buildings he documented still stand today; some weren't even standing when he drew them. He drew some earlier buildings that had been destroyed using only the descriptions from those who remembered them and historical documents.
Sources:
"David McNeely Stauffer". Elizabeth Clarke Kieffer. Papers of the Lancaster County Historical Society, vol. 56. 1952 no.7David McNeely Stauffer could be called many things: scholar, soldier, traveler, engineer, artist, collector, author. Clearly a man of many talents and many pursuits, in his life he seemed determined to collect a wide variety of experiences.
"Biographical Sketch of David McNeely Knox Stauffer". John W. Jordan. The Pennsylvania Magazine of History and Biography, vol. 37. (Philadelphia : PA).
"David McNeely Stauffer: The Little-Known Legacy He Left to Lancaster." A Talk to the Lancaster County Historical Society by C. Eugene Moore. May 7th, 1996.
"David McNeely Stauffer Aids Today's Scholars" in Artists' Album/Lancaster County. Gerald S. Lestz. Science Press, 1983.
See also: David McNeely Stauffer drawings in the Curatorial Collection
Access Conditions / Restrictions
Please use digital images and transcriptions when available. Original documents may be used by appointment. Patrons must make an appointment with the Director of Archival Services to view the sketchbook in Folder 1. Please contact research@lancasterhistory.org at least two weeks prior to visit.
Copyright
Collection may not be photocopied. Please direct questions to Research Center Staff at research@lancasterhistory.org.
Permission for reproduction and/or publication must be obtained in writing from LancasterHistory.
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Other Numbers
MG-369
Other Number
MG-369
Classification
MG0369
Description Level
Fonds
Custodial History
Processed and finding aid prepared 2010; revised 2014, 2015.
Watercolor on paper of "Old Court House Lancaster" gives a head-on view of a 2-story brick building with four chimneys and a clock/bell tower. A wagon with a team of four horses and a driver a re shown in front of the building. (Written by Scott Sagar.)
The lower right corner is creased and partially detached. What appears to be an early sketch of the top of the bell tower can be seen to the right of painted bell tower. There are glue stains from a previous backing on the corners of the reverse.
The piece is currently mounted in hinged (on the left side) window matting and the area of the paper that shows through the window is slightly darker than the outer edges.
Object ID
P.77.31.15
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Watercolor on paper of "Plough Tavern. N.E. Cor. W. King & Charlotte. 1881." A 2-story gray stone building with multiple entryways, and green doors and shutters. A tilting lamppost is in front of the building. A sign for Charlotte Street can be seen at the corner of the building on the side facing to the viewer's left.
This building was apparently built in stages over many years, but the earliest elements were from 1745. It was demolished on April 1, 1924. (Written by Scott Sagar.)
There is some buckling along the top edge. Glue stains from a previous backing are visible on the corners of the reverse and have bled through slightly at the two upper corners.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.19
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Ink drawing over a pencil sketch of "Ye Fountain Inn- S. Queen St./ FD 1758" dated Nov. 1881. On lower right: "Lancaster. Pa./ Nov. 1881." In upper right corner there's a drawing of a sign picturing a fountain with "Fountain Inn" above it. Hanging below the sign: "Geo. Hastings."
Another building to the viewer's left has been drawn in pencil but not inked.
The site is presently (2000) occupied by the Lincoln Hotel building.
The left corners are 90-degree angles and the right corners are rounded.
The edges of the paper are slightly browned and the upper right corner is torn off. Some brown markings are visible in the lower right area of the drawing, to the right of the signpost. There are the remains of a previous backing on the corners of the reverse.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.18
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Pen and ink drawing of "Swan Hotel. /S. Queen & Vine Sts-./ Lancaster.-Pa.". Dated " Nov. 1881" in lower left corner with "Dr. P. Cassidy" written in lower right. In the upper left corner there's a small insert drawing labeled: "window Top-." A sign with a swan hangs in the upper right corner with "D.M.Moore" below it.
Watercolor on paper of the German Reformed Church: "GER.REF.CHURCH. BUILT. 1753. TAKEN.DOWN. 1852. LANC.PA:" Marked at base of drawing are streets: 'Orange St; on the left and "Christian St." on the right.
Watercolor drawing of "The Grape Tavern, N. Queen St. Lancaster" A 3-story building with 2 entryways and green-shuttered windows on the second and third floors. The tavern sign, a bunch of grapes, hangs out over the sidewalk from above the second story windows.
The edges are slightly darker than the rest of the paper, possibly as a result of being in window matting. There are the remains of a previous backing on the corners of the reverse.
Hinged within a window mat..
Condition
Good
Condition Date
2023-06-22
Condition Notes
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.22
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Watercolor on paper drawing of "Lamb Tavern, West King St. Lancaster. Built 1747." A 3-story brick building on a stone foundation with a raised double entryway and basement entrance. The tavern sigh is posted on the sidewalk in front, showing a lamb with the word "LAMB' above and the name "J.S. KAUFFMAN" below. There is a date stone on the third floor that says "1747".
Beneath the drawing, lower right: "Co. Frazer's House."
The edges of the paper are slightly darker than the rest, possibly to result of window matting. There are the remains of a previous backing on the corners of the reverse.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.24
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Ink drawing on paper of "Donegal Meeting House-/ Lancaster Co. Pa-". Includes walled graveyard with visitors in foreground. Congregants chat. Horses and carriages are near the meeting house and adjacent building. While the buildings and people are drawn in simple style, the trees and wall of the cemetery are done in more detail.
Ink drawing of 2-story stone building the sign "ROTHARMEL" on side facing viewer. Written at the base of the drawing (in the street) on left: Nov. '81."; and to the right: "Dr. Abra. Breneman./ S.W. Cor. S. Queen & German./ Lancaster: Pa."
