Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Rev. Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago."
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Object ID
G.97.39.9
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Tall case clock, Chippendale case with eight-day movement. Dial is painted white with rose spandrels, moon wheel, and is signed very faintly, "Peter Spycker/ Williamsburg." John Peter Spyck(h)er's clocks are rare.
Walnut case with poplar backboards is highly carved. Three flame finials rest on reeded plinths atop scroll pediment with dentils and 12-point rosettes. Tympanum is relief-carved with a central flower flanked by vining. Waist and base have vine-carved quarter columns with smooth lamb's tongues. Arched waist door accented by a deeply incised shell carving near top. Base has raised base panel with corner volutes and central shell. Ogee replacement feet.
Made by Peter Spycker (1756?-1830). Case attributed to Peter or John Rank or Daniel Arndt.
Jonestown (formerly Williamsburg), PA (almost certainly)
See Notes
Provenance
1783-1883 White Horse Tavern near Jonestown; 1883-1914 Bross family of Brosstown (near Rt 72 & 22); 1914-1963 Harry Lesher of Jonestown; 1963-1979 Donald L. Mohn, Jonestown; 1979-1981 William DuPont, Wilmington, DE; 1981 to donor. (Info from Donald L. Mohn)
Jonestown's White Horse Tavern was kept by John Rank (Peter Rank's brother) in the early years of the 19th c. (Clock is based on design sketch from Peter Rank's account book.)
Reported by Carter Harris: a #1 is scratched on front plate of movement and front of seatboard.
Inscription Type
Inscription
Object Name
Clock, Tall Case
Material
Wood, Glass, Brass
Height (cm)
256.54
Height (ft)
8.4166666667
Height (in)
101
Width (cm)
61.595
Width (ft)
2.0208333333
Width (in)
24.25
Depth (cm)
29.5275
Depth (ft)
0.96875
Depth (in)
11.625
Condition Notes
Flame finials replaced recently (copied from similar Heinselman clock at York Bank in York); ogee feet replace bracket feet which replaced earlier feet; door escutcheon replaced; severe crack in base with loss of wood; dentil molding on front replaced. Movement overhauled by Carter Harris, 1982.
Object ID
G.81.20
Notes
JJ Snyder research (in file) identifies maker as Peter Spycker, Jr., the clockmaker recorded on Tax Lists for Tulpehocken Twp, Berks Co., in 1789 as "Peter Spycker Junr. - Clock Maker". In June 1803, Spycker purchased property in Jonestown(Williamsburg) & he may have rented before this date. An 1829 deed mentions "Peter Spyker of Swatara Twp. in the Co. of Lebanon...Clock Maker..." Williamsburg (Jonestown), when founded about 1761 by William Jones, was part of Lancaster Co., then Dauphin Co. in 1785 and part of Lebanon Co. in 1816.
Snyder states "all major elements of the design of this case are virtually identical to a design sketch for a clock case in the account book of a Jonestown joiner, Peter Rank (1770-1851). This account book is in the Joseph Downs Manuscript and Microfilm Collection of the Winterthur Museum." Snyder also notes that the handwriting of this sketch's label is not Rank's. It is possible that these sketches may have been done by joiner Daniel Arndt, whose name also appears in the manuscript."
See "Jonestown School" in Cooper & Minardi, Paint, Pattern & People, pp. 89-91.
Snyder notes it is likely that this clock case illustrates the closest relationship to a design sketch known for any American Chippendale furniture.
The white dial precludes a date earlier than the 1780s.
Place of Origin
Jonestown, Lebanon County, Pennsylvania
Related Item Notes
Very similar carving to a Heinselman tall case clock in York Bank & Trust Co., York, PA.
Usage
White Horse Tavern, Jonestown
Credit
Gift of Herbert B. Weaver in memory of father Isaac Hoover Weaver (1864-1920), Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Birth and baptismal certificate imprinted 1788 at Ephrata Cloister printshop; infill and fanciful hand-decorated borders by Arnold Hoevelmann. Watercolor decoration includes various fantastical flowers on arching vines emanating from huge pumpkin-like flower at the top, with vines arching down to each side ending in large tulips. Additional flowers below. Hunter is in colonial dress with large black hat, firing his rifle at a stag on the far left side. Strongly colored with mostly red, blue, purple, and yellow. Hoevelmann consistently used a flower motif decorated with what some believe to be a capital letter "H" (his monogram). This fraktur is a rare example of human figures being depicted.
Ephrata Cloister 1788 imprint; artwork by Arnold Hoevelmann (1749-1804)
Certificate done for Jacob Stuart, born December 29, 1784. son of Jacob Stuart and wife Maria Catharina (no maiden name). It appears he was born in "Mauntschey" (Mt. Joy) Twp. Pastor Wilhelm Hendel baptized the child but no date is included. Hoevelmann wrote "Witnesses" at the end, but no names. Later ink inscription added at lower right appears to be subject's age (69) at time of death, 2nd Jan. 1854." Pencil calculation of age at top, to left of large orange flower.
Provenance
Ex-Unger collection, Pottsville.
In 1974, Richard F. and Joane Smith entrusted this BBC to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection when established.
Fragile, with overall buckling and pronounced wringling across surface. Areas of foxing.
Conserved by the Conservation Center for Art and Historic Artifacts 1988-89: cleaned, removed paper backing, mended and matted for original frame (report in file). Remounted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
G.77.50.9
Notes
Family tradition says Hoevelmann was born in Prussia in 1749, came to America along with LaFayette and served as a surgeon during the American Revolution. It is likely he and his wife Eva Susanna lived in Lancaster Co. since two sons were baptized at Holy Trinity Lutheran Church (1780 and 1793). He worked in many PA counties, including Washington Co. in MD, and is believed to be buried at Frieden's Church near Shiremanstown, Cumberland Co. Based on the many known B&BC's by Hoevelmann, it appears he used printed forms early in his career and completely hand-done certificates later in life.
Allthough born in Lancaster Co., Jacob Stuart appears to have lived in Lebanon County during much of his adult life. He and his family attended Trinity Tulpehocken Reformed Church, Jackson Twp., Lebanon Co. was where he was married, 31 Dec 1805 and appears to have had at least 7 children according to church records of 1800-1856. Jacob "Stewart", his wife Elizabeth and two daughters (Henrietta & Clementine) are buried in Mt. Hope Cemetery, Myerstown, Lebanon Co. The 1850 Census shows Jacob "Stewert", Elizabeth and Clementine living in Marion Twp, Berks Co. (Marion Twp. borders Jackson Twp., Lebanon Co.)
See:
1. Shelley, Donald A., The Fraktur-Writings or Illuminated Manuscripts of the Pa Germans, Pa. German Folklore Society, 1961, plate #84.
2. Earnest Associates, Papers for Birth Dayes, pp. 399-401.
3. Kline and Weiser, "A Fraktur Fest" in Der Regebogge, Sept-Dec., 1970, Vol. 4, pp. 3-5.
4. Stopp, Klaus, The Printed Birth & Baptismal Certificates of the German Americans, Vol. II, pp. 150-151. (This example is numbered 246.3 by Stopp)
5. Photo on p. 120 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Heritage Center slide collection #27-2-5 (now in Photo Collection)
Place of Origin
Ephrata
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Printed fraktur taufschein (B&BC in German) for Michael Ruthisill, born Aug. 17, 1808 and baptized Aug. 30, 1808 by Pastor (Gotthilf Henry Ernestus) Muhlenberg at the Lutheran Church in Manheim Township, Lancaster County. Parents were Philip and Susanna (Schreiner) Ruthisill and the sponsors were Michael and Catharina Ruthisill (grandparents?).
Certificate printed by Lancaster printer Benjamin Grimler in 1803. Penwork & decoration attributed to the "Ruffled Tulip Artist" by the Earnests (9-14-98). See object file for info.
Printed on laid paper, fraktur has a large central heart and two smaller hearts at bottom with verses in German in each. Large heart has main text, with blanks filled in by scrivener/artist in red ink. 1/4-inch-wide yellow border around perimeter. Hand-drawn floral motifs surround the large heart: large tulip-like flowers at top and bottom center, flowering vine at sides and smaller flowers above small hearts and within large heart. Colored in red, green and yellow.
The "Ruffled Tulip Artist" was working circa 1799-1813. He drew distinctive ruffles around large and folky tulips and infilled in German on printed three-heart forms, of which seven are known - all birth & baptismal certificates.
Klaus Stopp, The Printed Birth & Baptismal Certificates of the German Americans, Vol. III, p. 128.
Ellis and Evans, History of Lancaster County, p. 498.
Earnests, Papers for Birth Dayes, Vol.II, pp. 659-60.
Provenance
Donor reports his wife has Rudisill ancestors. He and his wife received this fraktur with instructions to sell the piece upon their demise in order to pay for funeral expenses. The fraktur was never sold, even now that his own wife has died. See genealogy of Rudisill family in file, given by Lisa Garrett, cousin of donor's wife. Lisa says donor died in 1998.
Condition when received: Entire piece buckled, pasted onto brown Kraft paper. Multiple tears and losses, especially at center of right and left sides; tears and small hole at center. Some foxing, general soiling, and water damage to colors in vining at sides. Color smears and fingerprints, esp. at top and bottom floral device. Small tears and curling at most edges.
At present: Conserved, matted and placed in sealed package by Marilyn Kemp Weidner in 1999 for $1,553. Framed by Lancaster Galleries.
Object ID
G.98.27.1
Notes
Four other copies of Grimler's printed certificate known, according to Klaus Stopp (The Printed Birth and Baptismal Certificates of the German Americans Vol. III, p. 128). Three of these were filled out for Warwick Twp. residents;the other for a Manheim Twp. resident. This 1803 print preceded Grimler's partnership with brother Henry which opened in 1804. From 1799-1812, when Lancaster was the seat of State government, the two brothers were employed by the Legislature to do the State printing. Benjamin was elected to the Lower House of the Assembly in 1824 and died in 1832.
See Rudisill genealogy in file, given by Lisa Garrett. It states John Michael Rudisill was born 17 Aug 1808 and died 8 Nov 1843. He married Maria Magdalena Kurtz on 17 May 1829, daughter of Conrad Kurtz and his wife Susanna Barbara Erb.
Large 8" x 10" color transparency in object file.
Place of Origin
Manheim Twp.
Role
Artist
Credit
Gift of Daniel S. Kauffman, Heritage Center Collection
Reward of merit, elaborately cut out of laid paper, watercolored. It is one of four found in a family Bible. Bestowed upon a deserving student by a school teacher, this piece portrays a variety of stylized flowers, done in the unique style of Jacob Botz.
This symmetrical papercut was created with one vertical center fold. Overall design is six main flowers; top pair of flowers have human faces. Scherenschnitte is decorated with polychome watercolors.
See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small piece broken off stem at right center. Blue-painted petals at center are flaking. Multiple stains around perimeter.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.2
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
This is a reward of merit, a fraktur given to a deserving student by a school teacher. This cut-out piece is done on a rectangular piece of laid paper, has a large sunflower-like flower with a face drawn in its center. Extending from the stem is a pair of daisies and a pair of tulips. Has a yellow border edged in red and at bottom is the name of "Margaretha Lindenmuthin" inscribed in the same red. Yellow dominates, followed by red, then lesser use of blue and green. See NOTES.
Manor Twp. or Mount Joy area
Provenance
This is one of four small Frakturs found in a Family Bible (the Bible was ultimately given to another party). Russ and Corinne Earnest served as brokers for these four frakturs. The owner wished to remain anonymous, but desired that all four remain intact as a group. Total purchase price was $19,800, but reimbursed by Irene N. Walsh.
The Earnests reported that the owner's family has roots in Manor Twp., but it is unknown if the fraktur descended in this family.
Original condition: Small broken element still attached, at right of center (stem of tulip). Multiple dark stains around perimeter. Blue-painted petals at center are dessicated with significant losses due to flaking.
Conserved & mounted in a 4-window mat package by Susan Duhl, Sept. 2001. Then framed by Lancaster Galleries in black frame H: 13 1/8" W: 23".
Object ID
P.01.18.4
Notes
Research in: Papers for Birth Dayes (Russ & Corinne Earnest) and The Pa. German Fraktur of the free Library of Phila., Weiser & Heaney, 1976, #221.
Family genealogy provided by Jim Nissley of Mt. Joy, 1/14/05. Research on Jacob Botz by Irene Walsh.
The Lindemuth family first settled in the Mount Joy-Maytown area. According to Clarke Hess & Jim Nissley, Margaretha (Margaret) Linde(n)muth was born June 26, 1790 and died Dec. 31, 1875, a daughter of George Lindenmuth (1752-1818) and granddaughter of Ludwig Lindenmuth (1716-ca.1777) who immigrated from Germany in 1750.
Later contact with owner/seller, Jim Nissley of Mt.Joy (653-4798), who discovered Lindemuths in his family tree. Margaretha's niece (daughter of her brother Jacob), Sarah Lindemuth (1833-1908) married Daniel B. Nissley (1829-1919). They are Jim's great great grandparents. (See Biog. Annals entry on D.B. Nissley & other records of Jim Nissley in this file.)
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
