Benjamin Harrison Ribbon, Citizens' Republican Club, 1892
Description
Pink ribbon with gold pin top and gold tassel fringe; says "Citizens' Republican Club. Lancaster, Pa., 1892." Picture of a man on ribbon (Benjamin Harrison)
Letter box with slant front, hinged-lid, and multi-compartment interior. Exterior is done in silver, ebony, ivory, and mahogany inlay in a cube and flower design. Interior is wood with circular inlay design with ivory, silver, jade, and red material. Key included.
Brought from Siam in the 1860s by Admiral William Reynolds, brother of General John Fulton Reynolds.
Tapered mahogany wooden cane with smooth dark finish. One and three quarter inch long golden brass cap/band at top of cane is engraved with a man's profile, President G. Cleveland, on top. 2.125 inch wide brass ferrule on bottom above .75 inch steel tip.
On side written longitudinally: Carried and presented to the L.C.H.S. by George W. Hensel, Jr. 1943.
Engraved horizontally: From Grover Cleveland to W.U. Hensel Easter Time 1893.
Engraving from Hensel to LCHS was a later engraving.
Black oil painted walking stick with metal tip and embellished gold crown. Decorative 2 inch long metal button's top engraved. Smoothly finished with dark, ebony like color. At tip, a 1 inch metal band and a .25 inch metal bottom .5 inch diameter. Stick on label reads: This cane belonged to the father of W. W. Griest, US Congressman for whom Griest building was named. Anne Griest Klaus great grand-daughter.
Engraving on top of crown reads, "June 17. / 182- 1894 / Edward Griest / Lancaster, PA. / From his children / and / grandchildren."
A Silver kugel in grape cluster form, silvered interior. Mold-blown glass is well formed. Top has patterned brass cap with wire hanging ring. 6.5" x 4.5"
B Green kugel in grape cluster form, with silvered interior. Mold-blown glass is well formed. Top has patterned brass cap with wire hanging ring. 5 x 3.5"
C Gold kugel with silvered interior, in grape cluster form. Mold-blown glass is well formed. Top has patterned brass cap with wire hanging ring. 5 x 3.25"
D Bag of twisted glass cylinders with tapered ends. One end twisted into a circle for metal hook.
Landscape, The Barns at Norwood, by Lloyd Mifflin, circa 1900. Oil on board with gold-painted floral-and-wheat -decorated flat frame w/ corner blocks.
Reverse is covered with grey-painted linen and is protected by Plexiglas. Central paper sticker reads "RUSSELL'S / CANVAS BOARD / " and "PATENTED MARCH 18, 1879." The number "120" is handwritten in ink in corner of sticker. At upper right is taped a magazine clipping depicting outbuildings and fencing surrounded by grass and trees. Entitled "Farm Scene - Autumn." A few lines follow, noting his (Mifflin?) return from abroad" and the pleasure of enjoying the "sheltered pastoral environment of his choice." A poem follows. Finally, a small paper sticker near top reads "RICHMAN / Bainbridge / Pa. 17502 / (717) 426-1860 / Cat: / P86 / 054-32-1198 / 181-32-7788". Written in marker in large letters at bottom right is "Local Scene / Norwood, Pennsylvania / near / Columbia, Pa. - About 1900 / (1846-1921)." Below this, In pencil, is "Painted by / Lloyd Mifflin / artist. Houston Mifflin, M.D. / Brother."
Provenance
Apparently purchased by Richman from the Minich sisters estate sale.
Flat profile wooden frame with raised corner blocks having gold-painted wheat, daisies and carnations.
Image Size
16 x 22 inches
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
21.5
Width (in)
27.5
Dimension Details
Frame dimension is H: 21.5 inches x W: 27.5 inches.
Condition
Good
Condition Date
2016-03-30
Condition Notes
Overall good condition, both painting and frame. On reverse of board are water stains. Glass covers board & secured with primitive wood strips.
Frame has multiple cracks, especially at miter joint at corner blocks.
Object ID
2015.017.1
Notes
The son of John Houston Mifflin, Lloyd followed in his father's footsteps. He also studied at the Pennsylvania Academy of Fine Art, studying under Thomas Moran, and would further his studies with a trip to Europe. He returned to settle in Columbia in 1873. Lloyd has gained greater recognition than his father, primarily due to his landscapes, particularly those of the areas surrounding his home in Columbia and scenes of the Susquhanna River. Lloyd Mifflin died in 1921.
