This collection contains the papers of Lloyd Mifflin, including diaries, his poetry, typescripts, galleys with marginal notes, Mifflin family material, and a scrapbook of newspaper clippings. Lloyd Mifflin was a poet and painter from Columbia, Pa. He is best known as a writer of sonnets, publishing over 500.
Admin/Biographical History
Lloyd Mifflin (1846-1921), artist of landscape and portraiture, was also "America's greatest sonneteer." He was born and lived much of his life in Columbia, Lancaster County, Pennsylvania where he was free to wander the banks of the Susquehanna River and its tributaries.
His father, J. Houston Mifflin, of English Quaker descent, was Lloyd's first teacher in drawing and sketching. His mother, Elizabeth A. Heise, came from German heritage. She was born in Columbia and died when Lloyd was very young. His father, a kind and patient man, noted that Lloyd was a rather weak child and provided equestrian and water sports to improve his health.
Lloyd was taught in the public schools in Columbia, including the Washington Classical Institute. The Mifflin family supported local education by bequeathing two houses from their estate, the cottage known as "Norwood" and the grand house, "Cloverton," as well as the estate itself. The school district annually planted a flower on his birthday, September 15, and read one of his sonnets, "A Picture of My Mother."
At the age of 14, Lloyd undertook drawing and sketching with his father. He also had Thomas Moran as an instructor in painting and worked with Isaac Williams of Philadelphia for a short time. In 1869, he traveled to Europe where he studied with Henry Herzog at Dusseldorf, Germany. His adventures also took him to Italy, France, England, and Scotland. He returned to Columbia from Europe and continued painting scenes from along the Susquehanna-from Cooperstown, NY to the Chesapeake Bay. As did most other painters of the time, he earned money from portraiture.
In his paintings, he captured the natural with refined color and light, which yielded firm and balanced forms. He preferred to capture the peacefulness of a woodland path or other quiet spots, rather than the noise of an industrial area. Later in his life he liked seasonal paintings, since they gave him a chance to probe deeper into a philosophical spirit.
Mifflin turned to poetry at the age of 51. According to what he wrote in The Hills, his first volume of poetry (1896), he claimed that the fumes of the paint made him sick. In his lifetime he filled twelve books of verse with two hundred poems and more than six hundred sonnets. He wrote more sonnets than William Shakespeare, John Milton, and William Wordworth. John Keats, however, was his favorite. He preferred Keats for his expression regarding the love of beauty, both real and ideal; his forms were always poised and dignified. During this time he also taught himself the art of etching, using this technique to illustrate The Hills.
Mifflin stressed a strong love of beauty in his poetry as he did in his painting. His imagination and beautiful sense of harmony characterize his verse. The main source of his ambition, inspiration and consolation are clearly seen in The Invocation.
He devoted his greatest efforts to the category of the sonnet, considering it the most distinguished and exalted of all forms of English poetry. He enjoyed the structure, the metrical and rhythmic beauty, the plan of metrical rhyme and diction. Mifflin found it much like a musical composition.
Sonnets bipartite in structure usually have a combination of eight lines followed by six. The rhyme schemes and diction include many metaphors and an extensive vocabulary. His one hundred and fifty nature sonnets emphasize the descriptive, not the intuitional. To sample his poetic styles, one should turn to his three hundred and fifty collected sonnets, published in 1905 with a second edition in 1907. A large number came from earlier books.
As a poet, Mifflin was an idealist and respected the ideal of Greek mythological beauty. In the Echoes of the Greek Idylls and Slopes of Helicon, we find no roughness of spirit. There was a conscience of a spiritual presence. His religious sonnets were grounded in the faith of a personal God which related more to his aesthetic feelings than to traditional Christianity. Themes of life and death occur in many sonnets. His poetry inspired faith, hope and deep emotion. These sonnets were more descriptive than philosophical.
Mifflin's personal ambition was to excel; he wanted to write the perfect sonnet. Like the classical Greeks, he hoped his poetry would obtain an immortality. Mifflin thought the world had largely ignored him, even though his poetry received high praise. At his life's end he changed his opinion and credited his readers with more accolades than he had earlier thought. Perhaps he was too hard on himself. Lloyd Mifflin carried the name "Hermit of the hills" who walked the 'world as one entranced' and 'in life's turbid wave', dropped ' the crown-jewel of his melody.'"
E. Hershey Sneath. America's Greatest Sonneteer. The Clover Press (Geo. D. Hall): Columbia, PA.,1928.
Collection contains correspondence, poetry, and newspaper articles.
Admin/Biographical History
Blanche Nevin (1841-1925), artist and poet, was born in Mercersburg, Franklin County, Pennsylvania. She was the daughter of John Williamson Nevin, a theologian, teacher, and minister, and Martha Jenkins, daughter of the politician and iron master at Windsor Forges, Robert Jenkins. When Dr. Nevin became the president of Franklin & Marshall College in 1855, he moved the family to Lancaster. They moved to Windsor Forges (or Windsor Place) from 1856 to 1858, while Dr. Nevin acted as executor of his mother-in-law's estate, and then moved permanently to Caernarvon Place on Columbia Avenue (the present site of Degel Israel Synagogue). The Nevin children were well-educated and cultivated for society, as their parents had been.
Blanche was the nation's first noteworthy sculptress. In 1889, she sculpted the statue of Revolutionary War General Peter Muhlenberg, which stands in the National Statuary Hall at the U.S. Capitol. She also sculpted the bust of President Woodrow Wilson. Lancastrians are most familiar with her Lion in the Park (1905) at Reservoir Park and her horse drinking fountain (1898) at the intersection of Columbia Avenue and West Orange Street. Blanche composed a number of poems and set several to music; many were inspired by Lancaster County, her travels, and family and friends. Her poems include: "Great-Grandma's Looking-Glass" (1895), "One Usual Day" (1916), and "To My Door" (1921).
She bought Windsor Place in Caernarvon Twp. in 1897, restored the mansion house and the name Windsor Forges, and added a studio. Furniture and other influences from her travels adorned the house and grounds. She also owned a house in Manasquan, New Jersey; spent time with friends in New York and Philadelphia; and traveled a great deal, especially during the winter.
Her obituary in a Lancaster County newspaper states, "The simple, unpretentious neighbors of Miss Nevin never questioned her foreign ideas and eccentricities, but accepted her for the true, human qualities which she so abundantly possessed."
The Phyllis Brubaker Collection contains notes, photocopies of articles and images and research of Phyllis Brubaker in the writing of her book The Lion in the Park. Published in 1997, the book describes the life and works of Lancaster County poet and artist Blanche Nevin.
Admin/Biographical History
Phyllis Brubaker was a guidance councelor for Solanco School District and Ephrata Area School District. She published "The Lion in the Park", a biography of the life and works of Blanche Nevin, in 1997.
