a) Silver teapot with carved wooden handle; with three letter script monogram and decorative flourish on two sides; decorated base; gallery row. Stamped "D HALL" on bottom.
Oval top empire-style table with side skirt. Skirt has beaded top and bottom. Table divides to accomodate four leaves. Four-sided reeded central pillar with two turned feet underneath and four c-scrolled supports. Solid base with four radial, long legs w
Undocumented stories claim that this table was ordered by William Jenkins in 1828, the year he had the Wheatland mansion built, and that it has conveyed to each subsequent owner with the deed. The table dates from the first quarter of the nineteenth century and might attributed to the Bachman cabinetmakers.
Mahogany cased square piano has curly maple? frontispiece/nameboard painted with an oval cartouche with"John Wind / Lancaster" flanked by colorful floral sprays (likely painted by Eichholtz). Crossbanded mahogany veneer, front and sides and a diamond shaped ivory lock escutcheon centered at front of folding keyboad lid. Square tapered legs terminate with brass cuffs and casters. One high stretcher at both ends. Exposed head bolts at sides. Entire top hinges up exposing soundboard with strings and hammers.
Black keys are ebonized maple topped with ebony veneer. Ivory covered white keys. Dummy key at left end.
Inscription: Pencilled script on reverse of nameboard unclear (need UV light to read).
Made by John Wind (1783-1858). Owned by Aida Shaibly Myers, Lancaster, PA, 1812.
Provenance
Donor: Aida M. Houston (estate). Info derived from archives and donor cards. Note: 2015 research found probable identity & family members of Aida, in file.
Over-cleaned finish. Overall in better shape than other known Winds, per Ray Brunner. Soundboard is twisted in length due to string tension with some replaced strings. Many fine strings unattached & snarled at right interior. Dummy key at left end of keyboard. Bolt covers at leg tops missing. Scratch across front. NOTE: Hinge at left side of top board missing its pin; inserted nail.
Object ID
1964.016
Notes
In Historical Soc. of Pennsylvania's Daybook of J. Eichholtz on page 30 is an entry dated March 1, 1810 for John Wind: "To painting frontispiece" with a charge of 15. This is presumably for this, or another, piano.
An identical entry on page 20 for organmaker Conrad Doll dated May 19, 1809 lists "To painting a frontispiece" for the same charge of 15. (Copies of these pages in file P.86.3 for Eichholtz copper measure).
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate