Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Framed fraktur birth & baptismal certificate (taufschein/B&BC) for Elisabetha Elser, drawn, lettered and colored by hand on laid paper. Symmetrical, horizontal design is attributed to the "Ehre Vater" artist. Fraktur is mounted on thick paperboard with beveled edges, and is float-mounted on a buff-colored matboard within a modern black frame.
At center is a large circle painted red and green. Inside the circle, set onto yellow ground, is a heart with blue border and pinkish interior. Interior text states Elisabetha Elser was born in Warwick Twp, Lancaster Co. on 19th Nov 1803. Her parents were Peter Elser and wife Elisabetha, born a Wachter. Baptism was held by Pastor Schulz and the sponsors were Georg Wachter and his wife Margaretha (believed to be a sister of Peter Elser). Below circle are two lines of religious verse, translated by Weiser as "A heart that loves Jesus knows no worries -- much cross, need and pain are his days of joy."
At lower right and lower left are two large compass-drawn spheres colored with green, yellow, red, blue and pink. Out of each sphere is a flowering plant on which large parrot-like birds perch, similarly colored.
Attributed to the "Ehre Vater Artist" (active c. 1782-1828).
Some surface soil. Good color retention. Needs to be removed from backing board and conserved.
Object ID
2017.999.1
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. He attributes fraktur to the Ehre Vater artist, a prolific artist who travelled far and wide producing fraktur for many years. This fraktur likely related to Johannes Schnierer B&BC, 2004.718, due to Johannes Schnierer (b. 1786) later marrying an Elser (Catharine).
Papers for Birth Dayes notes on page 227 that this fraktur was exhibited as #38 in the , Allentown Art Museum show in Allentown, PA, "Pennsylvania Folk Art," October 20-Dec. 1, 1974.
The Elser, Weidman/Weydmann, and Wachter families were intermarried.
Fraktur is a simple hand done birth record in German for Adam Kindig and Anna Kindig. Page is likely removed from a Bible. Adam was born 17 Sept 1794 in Conestoga Twp. and Anna was born 22 Oct 1799 in Conestoga Twp. Layout of Fraktur lettering with serifs is simple and straightforward but not with an accomplished hand. Letter colors vary from red to ochre to green. No additional decoration except for curlicue lines surrounding the upper case "A" of both Adam and Anna.
Mounted in a brown modern frame with white window mat. Kraft paper dustcover on back. A "#10" is written small in pencil at lower right corner.
Paper has foxing, brown stains and fly specks (bottom right). Two horizontal fold lines across middle; the one with the greater crease shows breaking and some holes at several points.
Object ID
2017.999.6
Notes
See Mylin Family Genealogy 929.M513 in library.
Adam is the son of Christian Kendig and Barbara Mylin. Anne is the daughter of Michael Haverstick and Eve Bender. Adam Kendig married 1) Anne Haverstick and 2) Mary Helm. Six children by Anne, nine children by Mary Helm. Anne H. Kendig was b. 22 Oct 1799 and d. 17 Jan 1833. Likely buried in Reformed Church, Conestoga Centre or Rush Farm, New Danville.
Adam and Anna's daughter Mary Amanda Kindig was born 1821 and baptised 1837 by Pastor Martin Bruner of the Reformed Church in Lancaster City. Her Taufschein in English is done free hand by Eli Haverstick and is signed on reverse "E Haverstick / No. 11" This document is in the collections of the Evangelical & Reformed Historical Society. Eli Haverstick was likely a relative of the family and was almost certainly a schoolmaster. (See similar examples done for brothers John and Christian Bachman in the Heritage Center Collections).
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. A slide transparency is in file.
Birth & Baptismal Certificate (B&BC) is a printed angel type fraktur on wove paper. Mounted in modern silver frame by The Country Framer of West Chester.
Putto on blue-colored cloud at top; standing angels with paint-decorated clothing stand on blue clouds at sides of center text. Birds on branches at bottom corners. A small block of German verse within border is at each top corner. A large bordered text block at center extends to bottom, entitled "Geburts-und Tauf-schein". Text in upper half has subject's infill done with accomplished hand. At center of text block is a rarely used pair of billing birds. Four stanzas of verse within bottom section have tailpiece of cornucopia & wheat between. Under a line border at bottom is "Reading: / Gedruckt bey Johann Ritter und Comp. / im jahr 1812." Ritter's imprints were never dated except for 1811 & 1812.
Infill gives birth of Elisabeth Lang (Long) born in Rapho Twp. to Johann Lang and wife Margaretha, nee Lindemuth(in). Baptised July 2, 1815 by Pastor Baethis; sponsor was Elisabeth Bartruff.
Reading imprint, Johann Ritter; scrivener and artist unknown, perhaps Lancaster County.
Fraktur is apparently a religious text with multiple flourishes along top and a wide margin at left filled with a large stylized tulip on a thin stem with other flowers and leaves densely filling space. Penwork is black iron gall ink on laid paper. The paper seems to be small pages from a book, pasted together to created a larger sheet. Reverse has strips of paper pasted onto seams (some replaced with later cellophane tape) from a book.
Top line of text is large fraktur lettering "Mein Gott ich Klopff(?) an(?)", with initial "M" enlarged and decorated. Seven lines of script follow, with a line of upper and lower case letters below. Across bottom is "My Child y wil you learned a Was of the bast you must butt (put) your trust of God at last" Final line is tiny script and in the center of this line is written in red ink "Hinerich Sleo(?)". With the alphabet, this piece is like a Vorschrift.
Appears to be 4 small pages pieced together to create a large one. Paper strips pasted on back at seams and some cellophane tape. Multiple problems. Paper overall is age darkened with multiple small brown stains, some large blotches. Holes in iron gall ink, esp. the large tulip. Some paper seams are breaking with with one hole just above center. Edges ragged, torn and folded back. 1' x 2" loss of top left corner; 1" x 3/4" loss of top right corner, and similar loss at bottom left corner. Paper hinged onto matboard with ivory window mat.
Watercolored drawing on wove paper. Symmetrical design has a heart at bottom center with religious text. It reads: "Gottes brune/lein hat wasser / die Fulle Amen." (God's little well has an abundance of water). Growing out of the heart is a tall flowered stem extending to top of page. Top flower is a large tulip of yellow, red and blue. Large, confronting birds perch on small side branches terminating with small tulips. Birds have yellow bodies, blue wings and head, with red beaks and neck ring. Red and yellow carnations on side branching stems below. Heart is flanked at bottom by two birds with blue bodies, yellow wings and red heads. Mounted in an off-white window mat with two paper hinges at top. This is drawn by the same artist as 2017.999.18 and executed at the same time. Colors are the same.
Overall light brown age darkening. Several small brown stains; worst one is under top left bird. Very light creases/buckling across surface. Right edge is wavy. Upper left corner has crease where folded back.
Object ID
2017.999.17
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #28 during this event.
Watercolored drawing on wove paper. Symmetrical design has a heart just below center with religious text written in red. It reads: "Das blut Jesu Christ des sohnes Gottes macht und rein von allen sunden Amen." (The blood of Jesus Christ, the Son of God, purifies us from all sins. Amen). Growing out of the heart are three stems: the center one has a small flower but the side ones terminate with tulips and have birds perching just below. Tulips are red and blue; birds have red bodies, blue wings and yellow heads. In each bottom corner is a prancing blue horse.
Mounted in an off-white window mat with two paper hinges at top. This is drawn by the same artist and at the same time as 2017.999.17. Identical colors used.
Overall light brown age darkening. Several small brown stains appear similar to foxing. Wavy horizontal wrinkle across page near top. Three light creases in bottom half. Bottom left corner has crease where folded. A 1/2" tear at bottom, one inch from right corner.
Object ID
2017.999.18
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #16 during this event.
Family record written on both sides of a detached page from a Bible. First side has a foliate perimeter border w/ three flowers along top. Additional flowers decorate inside corners. Large oval contains family info, but only the first 1/3 of the page is written in Fraktur style lettering (father, mother, marriage and one daughter). Attrib. to John Eberman who has drawn lines as guides for his scrivening. At top is Johannes Kredi, born 24 Dec 1794, his wife Magdalena, born 16 Jan 1797 and their marriage 20 Feb 1823. Following is daughter Veronica, b. 1824 (later called Fanny).
Additional entries in plain German handwriting. First entry lists both John, born 1826 and death of mother the same year; certainly caused by childbirth. Below a line border entry records John and new wife "Margred" b. 1807, married 11 Oct 1827. Below a line border is birth of Jacob, 1828.
Second side has 4 entries within the bleed-through of the large oval, each separated with a border filled with "X"es and each line hand-ruled. First is Henry, b. 1830; second is "Davit" b. 1834; third is "Benjemin" b. 1836 and fourth is Elizabeth b. 1839.
Yellowed paper has fooxing and fairly dark stains throughout, esp. heavy along bottom border. Vertical and horizontal fold lines are fragile with some breaking at page edges.
Object ID
2017.999.21
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #34 during this event.
Johannes died 31 March 1851. One year before his death, family is listed in 1850 Census in Manor Township:
Printed angel form B & BC for unknown daughter born 4 June1823 in Lancaster County. Infill is in German script. Father appears to be Abraham --racht? and mother is Catharina, nee ??. Baptism information not infilled, except for daughter's name.
A variant of the standing angel form has angels flanking center text block titled "Geburts- und Taufschein". Scene at top is Jesus' baptism by John the Baptist. At bottom is a domed temple and perching birds are at bottom corners. Five smaller bordered boxes contain religious verse. Bottom-most box has "Reading, / Gedrckt (sic) und zu haben bey / Heinrich B. Sage." Color decorated throughout.
Light soil, small stains and strong foxing. Fold lines breaking, esp. vertical fold, which also has some holes. Three half-circle chunks of paper have been torn out at left edge and two are at right edge. All mended by cellophane tape. All edges ragged and dark brown. Inserted into mylar sleeve.
Object ID
2017.999.26
Notes
Not found in the list of the Fraktur Collection appraised by Rev. Fred Weiser, Sept. 1988.
This imprint by Heinrich Sage of Reading is a variant of the angel form numbered 739.1 or 740 in Klaus Stopp's "The Printed BBCs of the German Americans", vol. IV, page 265. Note the word Gedruckt (printed) is misspelled, missing the "u".
Hand-done B&BC on wove paper is torn and pieces attached to a larger, light brown paper with 5 straight pins. Tall columns with molded caps on top, in turn with round balls on top. Table-saw-like motif at top center is a circle divided in quarters of red and yellow, with a fringe of small slanting leaves.At bottom is a flowering plant. This decoration resembles that of Samuel Bentz.
Text block filling center is hand-printed German in black ink, copying the form of a printed B&BC with spaces for someone to infill later. Title at top is in red: "Geburts und Tauf Schein." and next line is in blue: "Diesen beyden Ehegatten als." Curlicues trail off the tops of the "ascenders" of letters in the first several lines. Blanks of this form infilled with very faded red scrawled script. A daughter was born 22 Dec? 1823. Names and places uncertain.
Paper onto which fraktur is mounted is H: 13 W: 11
Condition
Poor
Condition Date
2017-10-03
Condition Notes
Paper is pliable but soiled with blotches of brown staining, some very large. Colors faded. Much of fraktur is missing, esp. upper left and lower left. Large section of upper right corner torn off and pinned in place next to main section. Both fraktur and esp. paper onto which it is mounted are irregularly cut with many wrinkles, folds and tears.
