Fraktur is a Vorschrift made for Eva Kauffman & attributed to schoolmaster Christian Alsdorff. Horizontal design is hand drawn, lettered and colored on wove paper. Alsdorff uses black iron gall ink with red and black watercolors. Very busy design has lettering surrounded by multiple flowers and leaves.
First 3 lines of text are oversize, esp. the first. Appears to be "Ihr Kinder Send / Bedenck Deinen Schopfer in deiner Ill / Gehorsam Luren Eltern Dann das ist hillis Ehre Vatter." Nine lines of German script follow, and finally a last line of numbers. An area in the bottom right corner is boxed off by a red line border. Several lines written there are "Diese Vorschrifft Gehoret / Eva Kauffman in / ??????? Schullerin 2 Merz 1793."
This design is similar to that of the Vorschift belonging to Clarke Hess pictured in Papers for Birth Dayes, p. 51.
Formerly known as the "Earl Township Artist", Alsdorff was a schoolmaster at the Hempfield School and the Earl School in Lancaster County. Kauffman families did live in the area between Marietta Pike and Rt. 283. The 1869 Directory of Lancaster Co. has 18 Kauffmans listed in East Hempfield Twp and 15 in West Hempfield Twp. None were listed in the Earl townships. On the same day (March 2nd) Eva Kauffman received hers, Alsdorff presented a similar Vorschrift to Jacob Brubacher, noting he was a student at the Hempfield School. Eva most certainly was too.
Mounted in a dark wood frame with beveled face, white window mat. Significant pieces of the fraktur are hidden behind the matboard.
Hempfield School (in area of the Hempfield Townships), Lancaster County
Christian Alsdorf (c. 1760-1838, active c.1789-1821), attributed by Weiser.
Breaking and broken at fold lines; the vertical center line appears to be completely separated. It has two 1.5" long pieces of cellophane tape at top and bottom. Large ragged hole centered on fold line. Lots of brown stains cover much of surface. Iron gall ink has bled outward from motifs have strong concentrations of the ink. Watercolors are alligatored and individual pieces are cupping and lifting. In need of conservation.
Object ID
2002.160
Notes
Pastor Fred Weiser inventoried the fraktur collection in 1988; see forms in file. Weiser refers to the article on Alsdorff by David Johnson in Der Reggeboge (copy in object file).
See pages 51-53 in Russ and Corinne Earnest's "Papers for Birth Dayes" for article on Christian Alsdorff. He was prolific in creating his fraktur; over 50 are known.
Fraktur presentation piece on wove paper, horizontal orientation. Green and brown designs and lettering. Has a foliate border w/ flowers at top center and corners. Large heart dominates design with 5 lines of religious text, and signed at the bottom stating fraktur was made for Anna Funck on 15 Dec 1824 by J. Eberman, schoolmaster. Acanthus like leaves surround heart with several flowers. Five baskets with flowers complete design.
Text: "Jesus ist der schonste nam / Aller, die von himmel kommen, / Huldereich, prachtig, tugendsam, den Gott / Selber angenommen, seiner grossen / lieblichkeit, gleicht kein name weit und breit. / Gemacht von Anna Funck, den 15ten December 1824. J. Eberman / Schul Meister".
Translation: "Jesus is the most beautiful name of all who which came from heaven full of protection, glittering, virtuous, whom God himself, except; His great loveliness is equalled by no name far and wide. Made for Anna Funck 15 December, 1824 (J. Eberman, Schoolmaster)"
Very light age coloring. Two large brown stains / burns at lower left corner. Smaller stains elsewhere. Dog-eared corners. Mounted in a white window mat hinged at top.
Fraktur Taufschein of Johannes Müller probably from Lancaster/Dauphin County. Artist, if not Christian Mertel, then similar. Circ 1795. (Appraisal by Pastor Frederick Weiser, 2 September 1988.)
Birth Record in German for Nancy Haberstich is hand executed on laid paper. The folksy design is a central heart with rope-like edging. Within is written Nancy Haberst / ich Ist Gebohren den 22 den / October 1799 Conostogo / Town Ship." Letter colors vary from black to red to yellow. Below text is a running stag and a nearby tree. Resting atop the heart is a large crown with red, yellow and green bands. Painted into the yellow band is "AM US 1812", perhaps indicating an artist w/ date of execution. Flanking crown are two angels with black wings, additional red wings on footheels and a snake-like object encircling their loins. Each angel extends a leafy branch toward the crown as in homage. Large red tulips with black leaves fill sides of fraktur, sheltering a pair of confronting birds standing at bottom.
Mounted in a modern brown natural wood frame with white window mat. Kraft paper dust paper on back has "#3" written in lower right corner. Inscribed at top left in pencil is "Anna ? " Inscribed in pencil on back is "#3".
Paper has light acid burn overall with several darker brown stains such as one above right tulip.overall yellowed from age and acid burn. Strong fold lines, especially the three vertical ones at center. Cellophane tape mends tears in fold lines at center and left. Fold lines are breaking and one is separated and curling. Several scattered brown stains. Paper losses, particularly at right top corner, some at top left corner and top center. Small holes at various points and tears extend into paper from edges. Bottom edge particularly damaged. Strong losses and breaks especially at bottom center and at left.
Object ID
2017.999.7
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988.
Framed fraktur birth & baptismal certificate (taufschein/B&BC) for Elisabetha Elser, drawn, lettered and colored by hand on laid paper. Symmetrical, horizontal design is attributed to the "Ehre Vater" artist. Fraktur is mounted on thick paperboard with beveled edges, and is float-mounted on a buff-colored matboard within a modern black frame.
At center is a large circle painted red and green. Inside the circle, set onto yellow ground, is a heart with blue border and pinkish interior. Interior text states Elisabetha Elser was born in Warwick Twp, Lancaster Co. on 19th Nov 1803. Her parents were Peter Elser and wife Elisabetha, born a Wachter. Baptism was held by Pastor Schulz and the sponsors were Georg Wachter and his wife Margaretha (believed to be a sister of Peter Elser). Below circle are two lines of religious verse, translated by Weiser as "A heart that loves Jesus knows no worries -- much cross, need and pain are his days of joy."
At lower right and lower left are two large compass-drawn spheres colored with green, yellow, red, blue and pink. Out of each sphere is a flowering plant on which large parrot-like birds perch, similarly colored.
Attributed to the "Ehre Vater Artist" (active c. 1782-1828).
Some surface soil. Good color retention. Needs to be removed from backing board and conserved.
Object ID
2017.999.1
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. He attributes fraktur to the Ehre Vater artist, a prolific artist who travelled far and wide producing fraktur for many years. This fraktur likely related to Johannes Schnierer B&BC, 2004.718, due to Johannes Schnierer (b. 1786) later marrying an Elser (Catharine).
Papers for Birth Dayes notes on page 227 that this fraktur was exhibited as #38 in the , Allentown Art Museum show in Allentown, PA, "Pennsylvania Folk Art," October 20-Dec. 1, 1974.
The Elser, Weidman/Weydmann, and Wachter families were intermarried.
Hand-drawn, lettered and colored fraktur is a Birth and Baptismal Certificate made for Johannes Muller b. 13 Apr 1771 in what was then Lebanon Twp. Lancaster Co. (Lebanon created 1813). Center text block has biographical information and 3 lines of scripture below mentioning the cedars of Lebanon (final 3 words). Double-line blue border surrounds top and sides of text. Along top of border are 28 green trees (likely cedars of Lebanon) and a winged cherub's head over all. A pair of identical redcoat soldiers are at each side of text block, one above the other. Each has a tall black hat with "tail", a long cane, a sword, moustaches and a long pigtail tied with a bow. Top two soldiers have a leafy twig extending from mouths, and all four stand on small green trees, similar to the above. At bottom is an arched branch of stylized leaves, a center 8-point flower and two downturned tulip-like flowers at sides. Colors used are green, yellow and red with blue line border.
Parents were Johannes(?) Muller and wife Susanna, born an Alomer(?). REb. Buchry(?) baptised him at unknown date. Witnesses were Johanes Schweigert and wife Lehnore.
Pencil calculation done under first text block is "Died Sept. 13, 1860. Aged Eighty nine years & five months."
Lebanon Twp., Lancaster Co. (now Lebanon Co., formed in 1813)
Perhaps made by Christian Mertel or similar artist (per F. Weiser).
Structurally intact but color still good. Some breaking at fold lines and some raised and folded fold lines. Brown moisture stains over most of surface with dark, heavy tide lines. Two pieces of cellophane tape along left side where soldiers' hat "tails" have iron gall ink losses. Paper edges worn, torn, with losses, creases and folds. Various losses (holes), mostly where iron gall ink was used. Frame not likely original to fraktur. High profile beaded moldings on a walnut frame; finish aged with craquelure.
Object ID
2017.999.2
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He says it was reproduced in Landis Valley catalog.
The Fraktur was included in a Landis Valley publication called "Pennsylvania German Fraktur and Color Drawings, Exhibited at Pennsylvania Farm Museum of Landis Valley, Lancaster, Pennsylvania," 1969. Plate #71. In LancasterHistory library (740 P415)
Family record written on both sides of a detached page from a Bible. First side has a foliate perimeter border w/ three flowers along top. Additional flowers decorate inside corners. Large oval contains family info, but only the first 1/3 of the page is written in Fraktur style lettering (father, mother, marriage and one daughter). Attrib. to John Eberman who has drawn lines as guides for his scrivening. At top is Johannes Kredi, born 24 Dec 1794, his wife Magdalena, born 16 Jan 1797 and their marriage 20 Feb 1823. Following is daughter Veronica, b. 1824 (later called Fanny).
Additional entries in plain German handwriting. First entry lists both John, born 1826 and death of mother the same year; certainly caused by childbirth. Below a line border entry records John and new wife "Margred" b. 1807, married 11 Oct 1827. Below a line border is birth of Jacob, 1828.
Second side has 4 entries within the bleed-through of the large oval, each separated with a border filled with "X"es and each line hand-ruled. First is Henry, b. 1830; second is "Davit" b. 1834; third is "Benjemin" b. 1836 and fourth is Elizabeth b. 1839.
Yellowed paper has fooxing and fairly dark stains throughout, esp. heavy along bottom border. Vertical and horizontal fold lines are fragile with some breaking at page edges.
Object ID
2017.999.21
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #34 during this event.
Johannes died 31 March 1851. One year before his death, family is listed in 1850 Census in Manor Township:
Birth & Baptismal Certificate (B & BC) attributed to teacher K. F. Seybold (arctive c. 1813-1846) for Catharina Laugomar, born 16 Mar 1828 in the kingdom of Wurtenburg, now Germany. She was baptized by Magister Frass & witnessed by Johan Georg Abele and wife Anna Catharina, nee Bay(in).
Executed on wove paper with ink & unusual coloring. Yellow, blue and red are used. Page is pasted onto paperboard. Within a line border is an off-center heart in upper 3/4 of design. Heart has a bible verse in upper section and short prayer below, followed by 1847. Heart decorated with flowers along top & sides with color-striped curtains (?) draping off upper sides of heart. Bottom tip of heart has long, radiating, colored leaves, also decorated with colored "pearls". is a text block in German noting the birth and baptism of Anna Catharina Laugomar, born 1828 in Wurtzburg (now in Germany). Master Frass baptized Anna Catharina and Joh. Georg Abele and wife Ana Catharina nee Bay(in) were witnesses. At bottom of design, outside of border has swags edged in more colored "pearls". Reverse side has typed translation (not pencil corrections by Fred Weiser) by Rev. Harvey Swanson, 538 W. Chestnut St., Lancaster.
Pasted onto paperboard. Darkening from acid burn; blotchy staining overall but darker at top center and left as well from heart bottom to bottom of text. Vertical tears at top center; tape stain visible underneath. Bottom left corner torn off. Needs to be removed from acidic board.
Object ID
2017.999.22
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #21 during this event.
Artist Karl Friedrich Seybold immigrated from Germany to America in 1806. By 1813 he was a schoolmaster in Northampton Co. and later in Lancaster Co.
Presentation piece is a square sheet of wove paper with hand-printed, multicolored lettering. It reads: "To / Miss Catharine Harnish / of West Lampeter Township, / Lancaster County, Pa."
In small, cursive handwriting in blue ink is "From your friend -- When this you sing remember me, / Though many miles we distant be,". Unsigned. Done by the same maker as the 1843 acrostic for Catharine Harnish, 2017.999.24, and probably the same time.
Acrostic for Catharine Harnish on vertically orientated page of wove paper, done by the same maker as the Presentation Piece, 2017.999.23.
Large cursive lettering in both red and blue at top, left and bottom. Top has "An Acrostic.", left side has "West Lampeter" and bottom has "Township, Lancaster / County, / Pa", followed in tiny lettering by "Feb. 26, 1843." Body of text is blue cursive except for ornate, red initial letters. Red letters, read vertically are "CATHARINE HARNISH" and lines compose a clever, original, rhyming poem of religious verse. Additional small writing along left side of poem has "When this you see, remember me, Though many miles, we distant be."
Light soil, smudges, with significant staining, esp. at edges. Dark stain on fifth line. Edges have some nicks. Bottom edge very rough with losses and two 1 1/2" long tears extending upward. A 2" ragged tear at top edge 2 3/4" from left corner; a 1/2" tear 2 1/2" from left corner. Puncture above "love" in first line.
Object ID
2017.999.24
Notes
One of the Fraktur Collection appraised by Rev. Fred Weiser, Sept. 1988. Numbered #41.
