Six part wooden clarinet with five levered metal keys and 8 finger holes. Ivory-colored bands at each of the five joins. Maker's marks stamped onto instrument in five places.
Mahogany cased square piano has curly maple? frontispiece/nameboard painted with an oval cartouche with"John Wind / Lancaster" flanked by colorful floral sprays (likely painted by Eichholtz). Crossbanded mahogany veneer, front and sides and a diamond shaped ivory lock escutcheon centered at front of folding keyboad lid. Square tapered legs terminate with brass cuffs and casters. One high stretcher at both ends. Exposed head bolts at sides. Entire top hinges up exposing soundboard with strings and hammers.
Black keys are ebonized maple topped with ebony veneer. Ivory covered white keys. Dummy key at left end.
Inscription: Pencilled script on reverse of nameboard unclear (need UV light to read).
Made by John Wind (1783-1858). Owned by Aida Shaibly Myers, Lancaster, PA, 1812.
Provenance
Donor: Aida M. Houston (estate). Info derived from archives and donor cards. Note: 2015 research found probable identity & family members of Aida, in file.
Over-cleaned finish. Overall in better shape than other known Winds, per Ray Brunner. Soundboard is twisted in length due to string tension with some replaced strings. Many fine strings unattached & snarled at right interior. Dummy key at left end of keyboard. Bolt covers at leg tops missing. Scratch across front. NOTE: Hinge at left side of top board missing its pin; inserted nail.
Object ID
1964.016
Notes
In Historical Soc. of Pennsylvania's Daybook of J. Eichholtz on page 30 is an entry dated March 1, 1810 for John Wind: "To painting frontispiece" with a charge of 15. This is presumably for this, or another, piano.
An identical entry on page 20 for organmaker Conrad Doll dated May 19, 1809 lists "To painting a frontispiece" for the same charge of 15. (Copies of these pages in file P.86.3 for Eichholtz copper measure).
Tall case clock with inlaid borders and mitered, figured veneers and string inlays on front surfaces. White dial has paint-decorated spandrels with raised lines of paint. Signed "SOLOMON PARKE / Philadelphia" below center dial and calendar wheel. Roman numerals on painted chapter ring; moon wheel at top.
Bonnet has scroll pediment with "reeded" face on scrolls with small, round rosettes. Three ball and spire finials, center on on keystone outlined with lightwood string inlay. String inlay outlines tympanum. Bonnet door has veneer with lightwood escutcheon inlay. Four free-standing columns.
Chamfered corners on trunk and base with triple lines of vertical lightwood stringing. Figured wood on pendulum door and base panel surrounded by wide string inlay of tiger maple? edged with lighter wood. Straight bracket feet.
Parke worked as a clockmaker in Newtown, Bucks Co. for nearly 10 years before moving to a larger facility in Philadelphia in 1790. He produced clocks under his own name until about 1805 when he changed the signature on his clocks to "Solomon Parke & Son."
Provenance
Typescript page in file states clock was owned by Elmer Ellsworth Hansell (1863-1940) and Amanda Matilda Storch (1874-1966) of Philadelphia, married 1895.
Clock then passed to son Elmer Ellsworth Hansell, Jr. (1903-1974) and wife Virginia Palmer (1907- ? ), married 1935. Elmer Jr. was a civil engineer in Lancaster, working with John H. Wickersham Eng. & Construction Co.
Bottom of interior has broken out board. Some veneer damage with small repairs. Along top of base front are three plugged screw holes.
Object ID
2003.023
Notes
Notes in file state the Watch and Clock Museum in Columbia own a Solomon Parke clock as does Mrs. Chris. Martin (Mary), of Lancaster.
Research by volunteer : Solomon Parke worked in Newtown and Southampton, Bucks County as a clockmaker. He then moved to Philadelphia where he was listed in directories from 1791-1822. At different times he signed his clocks, "Solomon Parke, Philad," "Solomon Parke and Company," and "Solomon Parke and Son." Solomon is believed to be the father of watchmaker Charles B. Solomon. He had a large clock manufactory and employed French, German, and Swiss workers in the assembly of eight day movements.
Tall case clock with Rococo case of curly maple (no other curly maple Chippendale clocks known). Brass eight-day movement uses snail striking with English locking and anchor recoil escapement. White dial has a moon wheel; brass calendar wheel visible through the square aperture above the six, seconds dial below the twelve. Arabic hour numerals. Original steel hands.
The hood bears foliate and vine carving at both front and sides with central heart motif on the tympanum. Graceful scroll pediment with typical Lancaster carved rosettes. Three flame finials appear to be original. Tall, narrow arched side lights. Fluted columns on bonnet, fluted quarter columns on slender waist section, and elaborately scalloped raised panel on base. Arched pendulum door. Ogee bracket feet. Sides of the trunk interior have been heavily gouged out to accommodate the swing of the pendulum. This is unusual, but can also be seen in the corner cupboard with John Hoff clock G.94.10.1.
Attributed to Gottlieb Eberman (1759-1801).
Provenance
John Snyder states clock descended through many generations of the Habecker family of Manor Twp.
Multiple losses to applied vine carvings on hood. Painted dial repainted. Case was poorly refinished. Wear at feet. Replaced moon wheel drive; replaced seatboard for clockworks. Gouged out interior sides for pendulum. Single rosehead nail on left side of interior trunk.
Object ID
1991.999
Notes
See articles by J.J. Snyder, Jr. in the Magazine Antiques for May 1974; May 1975 and May 1984.
Eight day tall case clock with works by Isaac Chandlee. White dial has Roman numeral hours, a seconds dial under XII and a date wheel above the VI. Spandrels painted with stylized shells and arch at dial top depicts European bldgs. (a chapel?).
Walnut Chippendale case has unusual features. Scroll pediment has three urn and spire finials (spire sawed off center one), two on plinths at corners and one on a central raised keystone. Keystone and plinths have gouge-decoration in a vertical broken line pattern alternating with solid vertical lines. Four corner columns are scored to resemble flutingTympanum, pendulum door and raised panel on base each have figured grain. Unusual wing-shaped upper corners on pendulum door and base panel. Ogee bracket feet have spurs and sit on pads. Decorative center drop on skirt.
Provenance
Early 19th c. insect-eaten paper with former owner's name is affixed to back of trunk interior: "Octavian/Octavias Feinler Newprovidence(sic)." Additional lines of script damaged. Feinler was a tavern owner. Archives has applications for a tavern license 1835-1838, 1840-1841 and 1843. The 1840 census indicates he was then living in Lancaster City. Charged with assault & battery in 1842. Petitioned a writ of habeas corpus in 1856, claiming he was unjustly imprisoned.
Apparent later descent within the Brown family to donor.
Finish on clock is weathered and soiled, perhaps from storage in an outbuilding, Some areas of base have no finish remaining. Joint separation at left front corner of base. Checks / cracks in pendulum door.
Glass of bonnet door is broken at bottom left corner. Cracks on bonnet sides below windows. Interior bottom broken out / missing, with remaining bent rosehead nails at sides.
Object ID
2010.028
Notes
Clockmaker Benjamin Chandlee Jr. had 4 sons, all of whom would produce clocks. Isaac Chandlee, the youngest, was born in 1760 and began his career in a partnership with his brother Ellis. Ellis most likely made the clock works while Isaac did the finishing. Most of Isaac's clocks (including those made in partnership with Ellis) were probably made between 1792-1804. The Chandlee family also had a reputation for their scientific instruments and several surveying compasses with Isaac's signature are known.
Like his family, Isaac was a Quaker, and is described as "laboring quietly in the moral and religious duties assigned him." (Johnston's History of Cecil county, Maryland, pp.158-9) He never married, but kept house with his aunt, Susannah Folwell. Isaac remained in Nottingham his whole life and died in 1813.
