Multicolored Vorschrift done by schoolmaster/fraktur artist Christian Strenge on rectangular laid paper. Bordered in a yellow band with red corners. German script text has an elaborately embellished large upper case letter "K" at upper left and multicolored floral design filling entire right side, surmounted by a distinctive yellow crested bird. Colors are red, yellow, blue and green. Modern frame.
Hand-printed in black ink above the letter "K" is the name of recipient, David Neff. Signed at the bottom by Strenge in German script: "Written in Hempfield Township in the year 1801 by Christian Strenge." Inscribed on reverse in script is "David Neff" in black ink.
The text begins with Psalm 95:1-4, "Kommt lasset(?) uns dem...," followed by two alphabets, the first in upper case and the second in lower case, and finally the numerals 1 - 14. (See translation on copy of nearly identical fraktur in file).
Provenance
Provenance: This Vorschrift was recently found in a book in the library of Sarah Stauffer on Lime Spring farm along the Marietta Pike. Consigned to sale at Conestoga Auction Co. and purchased 29 June 1998 with funds from V. Ronald Smith ($9,725) and the Donegal Chapter of the D.A.R. ($125).
John J. Snyder, Jr. researched Stauffer genealogy to discover a relationship to David Neff. See letters & charts in this file which explain the likelihood that the fraktur may have passed from Neff (probably when he went to Ohio, perhaps unknowingly hidden in a book, even as it was found recently) to his cousins, such as Anna Bear Lehman who is in the direct line of Stauffer descent. David Neff (1791-1866) was the son of Henry & Anna Oberholzer Neff. He would have been about 10 yrs. old when fraktur was made.
Generally good condition, although two folds show some breaking with tangential tears. Other minor tears and one small hole at right center. Some soiling, foxing and minor stains overall. Edges lifting in frame.
Conserved 1998 by Marilyn Kemp Weidner of Phila. Surfaced cleaned and losses repaired. Hinge-mounted on acid free mat and sealed in a package for framing. Mounted in modern black frame by Lancaster Galleries circa 2004.
Object ID
P.98.25.1
Notes
Christian Strenge was a Hessian soldier turned school teacher.
Place of Origin
East Petersburg, East Hempfield Twp.
Role
Artist
Credit
Gift of V. Ronald Smith and the Donegal Chapter of the D.A.R., Heritage Center Collection
Birth and baptismal certificate imprinted 1788 at Ephrata Cloister printshop; infill and fanciful hand-decorated borders by Arnold Hoevelmann. Watercolor decoration includes various fantastical flowers on arching vines emanating from huge pumpkin-like flower at the top, with vines arching down to each side ending in large tulips. Additional flowers below. Hunter is in colonial dress with large black hat, firing his rifle at a stag on the far left side. Strongly colored with mostly red, blue, purple, and yellow. Hoevelmann consistently used a flower motif decorated with what some believe to be a capital letter "H" (his monogram). This fraktur is a rare example of human figures being depicted.
Ephrata Cloister 1788 imprint; artwork by Arnold Hoevelmann (1749-1804)
Certificate done for Jacob Stuart, born December 29, 1784. son of Jacob Stuart and wife Maria Catharina (no maiden name). It appears he was born in "Mauntschey" (Mt. Joy) Twp. Pastor Wilhelm Hendel baptized the child but no date is included. Hoevelmann wrote "Witnesses" at the end, but no names. Later ink inscription added at lower right appears to be subject's age (69) at time of death, 2nd Jan. 1854." Pencil calculation of age at top, to left of large orange flower.
Provenance
Ex-Unger collection, Pottsville.
In 1974, Richard F. and Joane Smith entrusted this BBC to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection when established.
Fragile, with overall buckling and pronounced wringling across surface. Areas of foxing.
Conserved by the Conservation Center for Art and Historic Artifacts 1988-89: cleaned, removed paper backing, mended and matted for original frame (report in file). Remounted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
G.77.50.9
Notes
Family tradition says Hoevelmann was born in Prussia in 1749, came to America along with LaFayette and served as a surgeon during the American Revolution. It is likely he and his wife Eva Susanna lived in Lancaster Co. since two sons were baptized at Holy Trinity Lutheran Church (1780 and 1793). He worked in many PA counties, including Washington Co. in MD, and is believed to be buried at Frieden's Church near Shiremanstown, Cumberland Co. Based on the many known B&BC's by Hoevelmann, it appears he used printed forms early in his career and completely hand-done certificates later in life.
Allthough born in Lancaster Co., Jacob Stuart appears to have lived in Lebanon County during much of his adult life. He and his family attended Trinity Tulpehocken Reformed Church, Jackson Twp., Lebanon Co. was where he was married, 31 Dec 1805 and appears to have had at least 7 children according to church records of 1800-1856. Jacob "Stewart", his wife Elizabeth and two daughters (Henrietta & Clementine) are buried in Mt. Hope Cemetery, Myerstown, Lebanon Co. The 1850 Census shows Jacob "Stewert", Elizabeth and Clementine living in Marion Twp, Berks Co. (Marion Twp. borders Jackson Twp., Lebanon Co.)
See:
1. Shelley, Donald A., The Fraktur-Writings or Illuminated Manuscripts of the Pa Germans, Pa. German Folklore Society, 1961, plate #84.
2. Earnest Associates, Papers for Birth Dayes, pp. 399-401.
3. Kline and Weiser, "A Fraktur Fest" in Der Regebogge, Sept-Dec., 1970, Vol. 4, pp. 3-5.
4. Stopp, Klaus, The Printed Birth & Baptismal Certificates of the German Americans, Vol. II, pp. 150-151. (This example is numbered 246.3 by Stopp)
5. Photo on p. 120 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Heritage Center slide collection #27-2-5 (now in Photo Collection)
Place of Origin
Ephrata
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Liebesbriefe (love letter) papercut or scherenschnitte on laid paper, mounted on green paperboard within a black wooden frame. Intricately cut circular design has narrow sawtooth border and cutout hearts, urns and flowers (tulips and carnations) in a repeated design. Center has a large flower-like, scalloped edged shape outlined in blue and lines of text written in red ink around periphery. It reads: "Lieben und nicht haben ist harter dann stein graben, und nicht bey sammen seyn(?) / ist fur wahr die groste pein." Appears to read: To love and not have (have love requited) is harder than stone (graben?) and not by ? ? ? is in truth the greatest pain.
16 inverted hearts dominate outer area, arranged in a staggered fashion around periphery. Each heart is alternately edged in blue or red and each is numbered and infilled with an expression of love written in red ink. Eight 2-handled urns radiate outward from center filled with tulip plants that connect with the hearts. Vasiform paper shapes alternate with urns and are decorated with drawings of tulips and blue flowers. Watercolor decoration is typical color palette of red, yellow, blue and what originally was green foliage. On back of acidic paperboard is written "This is probably Christian Strange (sic) Cut-Out." Old paper label taped to back is printed "An Old Pennsylvania / German Valentine."
See David R. Johnson, Christian Strenge's Fraktur, East Petersburg Historical Society, 1995, for two other examples.
Diameter (cm)
33.3375
Diameter (ft)
1.09375
Diameter (in)
13.125
Dimension Details
Diameter of frame is 19.5"
Condition
Fair
Condition Date
2017-06-26
Condition Notes
Delicate cutout has heavy losses, especially sawtooth border, parts of flowers & leaves as well as 3 missing vasiform (resembling a tube/duct) shapes with the floral drawings. Fold lines are broken and breaking. Paper generally age-darkened with some scattered light brown stains. Multiple repairs detached elements and pieces of paper pasted onto back for support. Black painted frame has abrasions. Glass has some light molding on inside surface.
Object ID
2017.999.9
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He notes that the condition restrains the value. There is a large B & W transparency in the file.
See other examples in David R. Johnson's "Christian Strenge's Fraktur", 1995. (Copies in file, including translation of German).
Haus segen (House Blessing) printed by John Bauman and mounted in an old walnut veneered frame with flat face and projecting edge. Three heart design has very large heart dominating design, its outline printed with a "snowflake" type motif. Within, at top, in large letters is the title "Haus-Segen." followed by a short line break composed of "S * T"s in alternating pattern. Then 7 lines of text begin "IR GOTTES Namen geh ich aus, Ach HERR! regier du heut das haus: / Die Hausfrau und die kinder mein, Lasz dir, O GOTT! besohlen seyn." Text block followed by a short row of circular motifs. At very bottom of heart is "EPHRATA: / gedruckt, und zu ha- / ben bey JOHN BAUMAN. / 1801" Woodcut designs printed in red ink fill space outside of heart. At top is a tulip & carnation plant, parrots at both upper corners perched on flowering branches, and along very bottom are two hearts flanked with birds; flowering plant rising from top of hearts. Inside hearts is religious text printed in black. Tiny donor inscription in blue ink at edge of bottom center is "Presented to the Lancaster County Historical Society / by Albert K. Hostetter, -- February 2 - 1906." This info repeated at top of frame back in inked hand.
Pasted onto very acidic paperboard. (Fred Weiser notes "Should be removed from board even if it costs what the piece is worth as it will only fox and deteriorate more). Darkened from acid burn and small scattered brown stains & foxing. Ink has faded. Liquid stains along right side as well as paper losses due to insect damage. Tape apparently used along edge of right side. Significant tears especially along top and left edge. Finish on frame is good but dark, with some cracking of veneer at bottom left. Abrasions.
Object ID
1906.01.1
Notes
Klaus Stopp, The Printed B & BCs of the German Americans, Vol. II, p. 98 ff. Pages 194 and 197 depict two imprints of B&BCs similar to this Haus Segen, except of course for the text. This 1801 imprint of a Haus Segen is one of Bauman's earliest products. Stopp states He started printing "relatively late, at the age of 35 years, in his business as a printer, after he worked with his father as a papermaker in the Ephrata paper mill. He printed from 1800 to 1809, the year of his death."
Lee Stoltzfus of "Black Arts" website states: "John and his wife were married Cloister members. John purchased the Ephrata Cloister printing press in 1800, and moved it to his nearby Ephrata home. He previously had worked as a papermaker with his father Benjamin."
On accession record in file, curator Randall Snyder noted in May 1989: "Recorded in the minutes of the Lancaster County Historical Society, February 2nd, 1906, Vol. 10 No. 2, page 56. Also recorded in the "Catalog" kept by Librarian, S.M. Sener from 1896-1908, #1863.
See Fraktur Worksheet #31" for 1988 appraisal by Pastor Fred Weiser.
