Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
Woman's cotton lawn headcovering. Crown is two separate pieces of fabric, with additional small pieces at the lower front corners. Plain ruffle around front and bottom. Two hemmed cotton ribbons attached at lower front corners; narrow where they attach, widening at the bottom. (Written by Scott Sager.)
Provenance
This pieces was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great grandmother of the donor'ssabalo husband, Rich Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his granddaughter-in-law, Anna Huber Hess, who gave it to her daughter-in-law, the donor Mary Jane Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
22.86
Height (ft)
0.75
Height (in)
9
Width (cm)
24.13
Width (ft)
0.7916666667
Width (in)
9.5
Condition
Good
Condition Date
2001-05-23
Condition Notes
Roughly rectangular outline of brown stains at the back; several lighter brown marks on public right side.
Woman's headcovering with a 'dotted Swiss' pattern. Netted ruffle around front and bottom. Black silk ribbons attached at bottom front with metal hooks.
This piece was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great-grandmother of the donor's husband, Richard Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his grand-daughter-in-law, Ann Huber Hess, who gave it to her daughter-in-law, the donor, Mary Jane Mann.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Richard (Mary Jane) H. Mann. Given in memory of Dr. Richard H. Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
22.86
Width (ft)
0.75
Width (in)
9
Condition
Fair
Condition Date
2001-05-23
Condition Notes
Brown stains on both sides and around ruffle. Black silk ribbons are very worn and frayed, especially the one on the proper left side.
Cane or walking stick of wood. The handle end is carved with the bust of a man.
Carving is the likeness of General Lafayette (1757-1834) who, according to family tradition, presented this cane to Amos Slaymaker when Lafayette visited White Chimneys and dined at the Slaymaker's tavern/hotel "The Pennsylvania Arms" during his grand U.S. tour in 1825. Carved gentleman wears a coat, jabot and high collar and is highly detailed. Executed in light toned hardwood, hair has light brown stain and pedestal portion is stained dark. Band of copper alloy below pedestal. Shaft of cane tapers to an end and is stained brown. Two-piece copper alloy tip, secured with two small nails.
Provenance
Passed from Amos Slaymaker through 5 generations of Slaymaker family and donated by Mrs. Samuel R. Slaymaker II.
Multiple minor nicks in carving and shaft with some loss of finish, esp. near bottom tip. Superficial checking/splitting in wood. Copper alloy tip is discolored with minor corrosion and band at top has multiple small dents. Cane tip not worn, thus not used.
Object ID
G.98.12.8
Notes
See page 30 of History of the Slaymaker family.
Place of Origin
France
Credit
Gift of Mrs. S.R. Slaymaker II, Heritage Center Collection
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Pictorial sampler by Elizabeth Martin, dated 1825, depicting Rock Ford plantation house. Silk embroidery on linen is 3 shades of blue, dark green, light green, white, black, grey, and at least 4 shades of brown (including tan). Original frame is likely walnut with reeded molding and corner blocks; lapped corner joints.
Strawberry vine border. Alphabet top is centered over 1825 date and flanked by 8-pointed star each side. Beneath date is brick residence, showing front and gable end, believed to be Rock Ford plantation house. The 3-bay dwelling has 2 arched doorways, 8 windows, and two chimneys. House is flanked by a near-symmetrical arrangement of 2 large flowering tree motifs at each side; outer one surmounted by a large bird. Small crown at each side next to border.
Three verses below house; main verse at center states: "Elizabeth Martin is my name / Lampeter is my Station / heaven is my dwelling Place / and christ is my salvation / When i am dead and in my Grave / and all my bones are rotton / When this you see remember me / Least i should be forgotton." Flanked by verse of wisdom at left and religious verse at right, each framed by a flowering vine. Under verses is a horizontal row of 9 sets of initials all ending in the letter "M", certainly indicating Martin family members.
Bottom third of sampler is a large, central flowering plant flanked on either side by confronting female figures, each holding a bird on raised hand toward the central floral motif. Each woman is standing in front of a large satin-stitch embroidered haystack(?), with a large bird atop each.
See NOTES.
Photos: Negative is "Samplers" #43c. Slides are 45-3-1 to 45-3-6 and 45-9-3 to 45-9-8
Provenance
Inherited by Winona Ressler, then passed on to sister Elizabeth Ressler (Findley) upon Winona's death. Maker was the great, great, great grandmother of donor's wife Elizabeth Ressler Findley (born July 31, 1918) and her sister Winona. Descent in family through their maternal grandmother. Family history states sampler was made when Elizabeth Martin was 10-12 years old.
Research: Parents of Ressler sisters were Jacob and Emma K. Mowrer Ressler. Maternal grandmother was likely Mrs. Mowrer?
Age darkened linen. Dark around edge to upper left, across top, above house and around upper right edge area. Slight fraying in some areas around edge.
Stain around stem of right flower in bottoom central flowering design motif. Two dark stains above the word "my" in right phrase, a 3rd stain to right at base of flowering plant.
Conserved and remounted in original frame by Dora Shotzberger of Winterthur in 1986.
Object ID
P.85.05
Notes
Sampler is possibly influenced by the Leah Galligher school of Lancaster Borough. See Betty Ring, "Girlhood Embroidery" Vol. II pp. 410 ff.
Place of Origin
Lampeter Twp.
Credit
Heritage Center Collection through the generosity of James Hale Steinman Foundation
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
Dressing table w/ mirror has Sheraton and Empire features, is made of solid mahogany and veneers with secondary woods of poplar and pine. This is a rare form.
Top has veneered half-column mirror frame supported by turned stiles which are set into top with a double tenon set at a backward cant. Mirror corners are blocks with turned bulls-eyes. Inner cove-molded fillet has vestiges of gilding.
Oblong table top comprised of solid 3/8" thick mahogany laminated onto 1/2" thick poplar, and secured to carcase with screws. A rounded molding is applied to front and ends.
Veneered carcase contains five dovetailed drawers faced with mahogany veneers: one long flanked by two short, over two long. The top drawers have a rounded profile while the two bottom drawers are cockbeaded. All drawers have replacement pulls of hollow, rounded brass knobs with a pierced floliate design. The two bottom drawers are fitted with locks; keyholes have brass insets but dark ghosting indicates missing escutcheons.
Baluster-turned legs extend from table top to floor. They support a low shelf 11 1/2" from floor. Shelf is shaped with recessed cutouts at front and ends.
Inscription: Interior of top central drawer has "J.F. MARKLEY/ CABINET MAKER/ Locust St./ COLUMBIA." stamped within an oval laurel wreath.
Also in collections is a J. F. Markley Empire chest of drawers (P77.02).
Provenance
Provenance: This dressing table was previously owned by an acquaintance of John J. Snyder, Michael Stinchcomb of ???, who recently changed his mind about using this piece in his bathroom when he realized the veneers would suffer. He consequently consigned it to sale at Pook and Pook.
Cracking in veneer on mirror. Numerous spots of corrosion on mirror. Moderate cracking in veneer on front and sides. Minor chips and scratches overall. Top has two cracks, one is 2" long at left and one is 6 1/2" long at right side. Bottom shelf has 6 1/2" crack at right side. Nails have been added to secure top to carcase; back of top is not secure due to stripped screws. Top left drawer has significant wood removed with rasp at front of sides.
Within a twisted foliate border is a central block depicting Adam & Eve flanking a tree with a serpent wound around the trunk offering Eve an apple. This is an engraving executed by Gabriel Miesse of Reading; his name appears at lower right followed by "sc" for "sculpsit", indicating the engraver. Two columns of verse flank the central block, telling the story of "the Fall" in conversational form. At top of broadside is the title in German: "Adam und Eva im Paradies." A subtitle reads: "Mel. Herzlich thut mich Verlangen, etc."
At bottom is: "Gedruckt in der Druckerey des Adlers von H.W. Villee, Lancaster, Pa. allwo alle Sorten Bilder, Bucher,/ Schriebmaterialien und Arzneyen zu haben find." This indicates the broadside was printed in the Lancaster Eagle's printshop (a newspaper started by Villee and Jacob Baab on Oct. 26, 1826). Villee was also selling pictures, books, stationery and even medicines out of his shop on N. Queen St.
See biographical info about Villee from Klaus Stopp's book in this file. He was born in France, served as a captain under Napolean, had to leave France in 1815 and ended up in America in 1820. Villee entered the printing business by working at "the Eagle," a newspaper in Reading. Villee was not successful as a printer in Lancaster, and he left sometime in 1832 or soon after, going to places like Lewisburg, Sunbury and Milton. After moving to Northumberland Co. and becoming a teacher, he finally died in 1842.
The Earnests note that Adam & Eve were popular fraktur subjects, especially among German-language printers of SE PA. They note that there are only about a half dozen Adam & Eve broadsides by Villee known.
Exhibited in Fraktur Exhibit in Masonic Lodge circa 2004 through 2007 (removed spring 2008).
See also P.01.60.1 and P04.48 for examples of a Heaven & Hell broadside by Villee.
North Queen St., Lancaster (printer); Reading, PA (engraver). Villee, Herman W., printer; Gabriel Miesse, engraver; unknown colorist
Paper darkened and soiled overall, wrinkled with fold lines and rough-edged with minor tears and folds. Stains scattered over surface with darkest stains within right text above center. Small hole at center of top foliate border.
Frame is homemade of stained and varnished tiger maple. Acidic cardboard backboard replaced with acid free matboard.
Object ID
P.04.48.1
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
Butler's desk with bookcase, cherry, Federal style. Secondary wood is poplar. Bookcase section is 54.5" high, has restrained cornice over frieze over two large double-panelled doors. Doors rails are through-tendoned into stiles. Interior bolt at bottom of left drawer missing. Stamped eagle lock escutcheon likely a replacement. Interior side dadoes support four original shelves w/ molded front edge; A fifth shallower shelf is a later addition.
Desk section is 43 1/2" high. Butler-type top drawer over three lower graduated drawers w/ diagonally striped veneer facings and cockbeaded edges that have been planed flat. Stamped oval brasses replace original round pulls (marks visible underneath). Lock escutcheons are brass insets. Large butler's desk drawer hinges down to reveal interior w/ center bank of pigeon holes under a single long center drawer, all flanked by vertical manuscript drawers which are in turn flanked by four stacked, graduated drawers at each side. Most drawers are numbered on bottom and most fitted with tiny brass pulls. Reeded quarter columns at front and back corners. Applied strips of reeding at front and side edges of top. Four turned feet with reeded cuffs.
Inscriptions: inside central drawer above cubby holes are pencilled names in modern cursive: Barbara Fisher/ Ellie McMellen, Sadie McMellen/ ( ? ) McMellen."
Maker unknown.
Provenance
According to John J. Snyder, Jr., secretary was owned by James Buchanan's physician, Dr. Henry Carpenter. Original owner was likely either father-in-law John Mathiot (elected sheriff of Lancaster Co. in 1818 and Mayor of Lancaster City in 1831) or his father Henry Carpenter (1773-1835), a surveyor and merchant. Passed down within Carpenter family until 1977 when Snyder, Jr. purchased it at public auction. Donated to Buchanan Foundation May 6, 1988 in memory of Snyder's spaniel Sukey. Transferred to HCLC due to lack of space at Wheatland.
Carpenter, born in 1819, was one of the community's leading physicians. He was founder of the Lancaster County Medical Society in 1844. Dr. Carpenter lived in a brick house on the west side of the first block of South Queen Street.
Sound;refinished. Several wide horizontal cracks at sides of desk. Scars overall; deep dent to top front edge of chest, just right of center; large burn mark at left as well as dark stains. Bottom of top drawer repaired and patched along lower edge, especially at left. Drawer hardware replaced, inside bolt on left door missing; several small interior drawer pulls missing with some large holes.
Object ID
G.04.28.1
Place of Origin
Lancaster County
Usage
Carpenter family
Credit
Gift of James Buchanan Foundation, Heritage Center Collection
Bunch of grapes, carved wood, gessoed and painted dark purple/blue with green leaves. Iron hanging ring attached at top; cluster hangs from a reproduction decorative hanger (see notes).
This bunch of grapes was said to have hung at the Grape Tavern (Sign of the Grapes) at 32-34 North Queen Street, Lancaster, most likely on the interior. This fragile object would not have stood up to outside weather. (Ellis & Evans, writing in 1883, state, "The wrought iron bunch of grapes now hanging in front of the hotel was made for, and used by, Adam Reigart.")
The Grape tavern was built in 1741 by John Harris, then sold at sherrif's sale to Adam Reigart, Sr. in 1769. He ran it from 1769 to March 3, 1794, when John Michael took over ownership. During his ownership, the tavern began its most opulent elegance as well as being called by various names including The Grape, Conestoga Waggon (sic) and Michael's Hotel. He ran it until May 5, 1821, when it was purchased by his son John Michael, Jr. who kept it until 1839, restoring the original name. According to Ellis & Evans, John Michael, Jr. moved the tavern, with the "old familiar sign" to the adjoining lot in 1839. It was then known by the original name as well as Michael House.
Provenance
Once owned by W.U. Hensel (1851-1911) who lived at the historic "Bleak House" near Kinzer, where it hung on the porch. He had a collection of early Lancaster signs.
Pictured on frontispiece of booklet of Hensel's address in 1912 on "Jacob Eichholtz, Painter." The grape sign was sold at the estate sale (March 1947?) of Hensel's daughter Elizabeth Hensel Nauman and purchased for $320 by William Lebzelter of Lancaster City, whose family owned the American House which was successor to the Grape Tavern (Groff and Wolf Dept. Store at time of sale).
No record in file later than this other than the name of seller, Marian L. Schaffner. She was the wife of physician Meade D. Schaffner, on Columbia Ave.
Paint chipping in some spots; some wood loss at tips of some individual grapes. Iron hanging ring has minor rust spots. Minor losses of gesso repaired, gesso loss between grapes at bottom. Nail repairs. Repainted at some date prior to 1984; painted at least once before. Wood at top shows deterioration.
Object ID
P.77.72
Notes
Ellis & Evans, pp. 363, 394 1/2 and 395.
Multiple references in this file including newspaper articles.
Booklet entitled "Jacob Eichholtz, Painter", an address given by W.U. Hensel Nov. 22, 1912 (eve of portrait exhibit at Woolworth's)
Hanger is a reproduction scrolling wrought iron bar with eight small swirls along the top, and is attached to a heart-shaped iron mounting plate. Made by Thomas C. Moore of Glen Rock in January 1978, based on a drawing and painting by David McNeely Stauffer (P77.31.57 and P77.31.22).
Maker is unknown.
Place of Origin
Lancaster County
Usage
Grape Tavern
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collecti
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Bronze bell cast by the firm of John Wilbank in 1825 for use in the cupola of the Lancaster County Courthouse on Penn Square that replaced the first building and bell destroyed by fire in 1784. The 2nd courthouse was rebuilt 1784-1787 and razed in the Spring of 1853. Bell has raised lettering at top of side: "CAST BY JOHN WILBANK/ PHILADA 1825."
Bell itself (H: 19" W: 23 1/2") has classic shape. There are heavy, curved "loops" of brass at top by which the bell is suspended from a yoke-like assembly secured by heavy bolts. The two side arms of the yoke rest atop pivot points of two A-shaped cast iron supports at each side of bell. This entire arrangement rested on a square base of heavy oak beams which was mounted in the belfry of the Rohrer farmhouse located at the east edge of East Petersburg. A large wooden wheel serving as a pulley was affixed to one side of the yoke of bell and a rope could be used to swing and thus ring the bell from below. (All wood was quickly removed & destroyed due to winged ant/termite infestation and advanced rot.)
Bell was regularly used in courthouse to strike the hour via the tower clock as well as for announcing a range of other events and news, e.g. election results and marking the start of business in city market houses on market days.
Provenance
When the courthouse was razed in 1853, the bell was acquired by veterinarian Jacob Rohrer (1792-1872) who installed it in a small belfry in his 1812 farmhouse on Fruitville Pike east of East Petersburg. It was then installed in a new (1857) farmhouse built to the west toward E. Petersburg by son Peter Bachman Rohrer (1827-1900). It remained here until removed and donated to HCLC except for a brief period in 1918 when it was allowed by owner P. Bachman Rohrer (1875-1949) to return to Penn Square for installation in the "Liberty House", a replica of the old courthouse (now in Bachman Park at F&M). See 1918 newsclipping in file. See also a 1942 newclipping giving an undocumented history of a courthouse bell used 1787-1852. (?)
Overall bronze surface weathered and darkened with age & use, deterioration & repairs evident on sides, lip at bottom has extensive chipping. Iron yoke, etc. heavily rusted.
Object ID
G.08.09.1
Notes
Newsclipping "Bell is Discovered", Oct. 14, 1918.
Newsclipping "The Farmer Hid The Bell", June 13, 1942
Bachman history by David Johnson
Place of Origin
Philadelphia, Pennsylvania
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Empire style chest of drawers, mahogany veneer on pine or poplar. Four drawers, each with two pressed glass pulls & keyhole and each with bookmatched veneer of highly figured mahogany. The top drawer overhangs lower drawers and has a curved front (top-to-bottom), while the three lower drawers have flat fronts. Freestanding ionic columns flank drawers with carved plinths. Sunken panel construction at sides. Two extensively carved paw feet in front; two ball feet in back.
In April 1982, the entire case was disassembled and discovered to be signed and dated by Markley, behind the left front stile above the column. (Not seen in 2011. Inscription appears on top of thick drawer divider supporting top drawer.) Also stamped by maker within oval on upper surface of top drawer bottom: "J.F. MARKLEY/ CABINETMAKER/ Locust Street/ COLUMBIA."
According to file, the 1830-1846 Columbia Borough tax records list Markley variously as a doctor, cabinetmaker, contractor or gent.
See also a gentleman's dressing table with mirror, P00.39.01.
Piece of veneer 1.5" x 0.5" is missing from top right above drawer. Small spots and scratches overall, and two large cracks on top: one near front right corner, and one at rear center, partially filled in. The left pull on the second drawer up from the bottom is split in half; held in place with string windings.
Two toes on the right front foot were pieced and recarved by Joseph Molz of Lancaster City. Some veneer was also pieced.
Object ID
P.77.02
Notes
More info in file. There was a discrepancy in the research with two different Jacob Markleys. It appears that the maker of this chest of drawers was Jacob Fry Markley (1800-1854), born in boro of Strasburg to parents Jacob Markley, Sr. (1765-1829) and Barbara Fry Markley. Jacob Sr. was also a cabinetmaker.
Son Jacob is listed with different occupations over the years. He was living in Columbia in 1830 and possibly as late as 1841. He moved to Spring Grove, Philadelphia County by 1850 and is listed as a druggist in the 1850 Census with wife Ann & 5 children. "JACOB F. MARKLEY M.D." is on his tombstone in the Hatboro Cemetery. Thus Jacob Markley claimed to be a cabinetmaker, druggist and doctor (Doctor is perhaps what he called a pharmacist).
Place of Origin
Columbia
Role
Cabinetmaker
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Flintlock long rifle by Melchoir Fordney has a 44-inch octagonal rifled barrel, 44 caliber, with tooling & brass insets has "M Fordney" on top near lock. Elaborately relief-carved full-length curly maple stock has engraved mounts: side plate (w/ squared ends), trigger guard (few did this), butt plate, muzzle cap and rear ramrod pipes. Cheek side of stock has a silver inlaid double eagle; engraved oval silver plate on top of stock behind lock. Engraved brass patch box with horse head terminal is of the later Lancaster type due to exposed wood between lid and upper & lower plates. Hickory ramrod.
The top of the barrel is signed "M Fordney" in script. The engraved lock is marked "DREPPERD", a lock used by many Lancaster gunmakers. See NOTES.
Trigger and lock rusted. Minor wear on wood and brass. Long crack in stock under barrel has amateur glue repair (seen when ramrod removed).
Object ID
P.77.04
Notes
See:
The PA-Kentucky Rifle, Kauffman, pp. 229-231.
Joe Kindig, Jr., Thoughts on the Kentucky Rifle..., pp. 130 ff. (this rifle on p. 136).
Reprint of Lancaster Examiner and Herald, Wed, Oct. 21, 1846; 1847 "Report of the Trial & Conviction of John Haggerty..."
H.J. Kauffman writes Fordney was 1st listed as a gunmaker on Lancaster Borough's tax lists in 1813 (an 1846 news article states 1811 and gives his genealogy). His shop was in the 5th block of So. Queen where he worked until his tragic death in 1846 at the hands of an axe-wielding neighbor. Fordney created guns in a unique style with old-style carving and engraved patterns that were "cut deeply and profusely," comparable to some of the best in Pa.
Kindig notes Fordney was first listed as a gunmaker on tax list of 1811 in Lancaster. In 1835 he and his wife agreed to separate and in 1839 he sold his home on S. Queen St. While apparently living elsewhere in town in 1846, his death occurred at the hands of a neighbor, John Haggerty, a religious fanatic who was incensed because Fordney was living with a common-law wife. He attacked Fordney outside, then inside, his gun shop, killing him with blows to the head with an axe.
Kindig states Fordney was one of the finest Lancaster gunsmiths, making "distinctive rifles that are particularly outstanding for their engraving." He likely engraved "more extensively" than any other gunmakers during the Golden Age; he was one of a few who engraved the trigger guard. HJ Kauffman notes his wood carving is also exceptional.
This was one of four guns stolen from a wall case Aug. 17, 2000 by workmen in the Masonic Lodge, but later recovered.
Place of Origin
Lancaster
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Hand-done Birth and Baptisimal Certificate, on tan paper with cursive English, for William Coleman by Henry Keim. Design inspired by the printed angel-type fraktur, although this one is horizontally oriented. Main text at center within a rectangular line border. There is also very faded text above and below box, apparently religious. Text is flanked by two confronting angels with lyres standing on polka dot clouds. Strong-jawed angels with black cap-like hair have yellow skirts and wings and black vest. Also taken directly from the angel B&BCs, are the two birds perched on flowering stems in each lower corner. Entire fraktur is edged with a striped border. Colors used are yellow, green, blue teal, black, brown and cream.
The main central text reads: "Certificate of birth and babtism(sic)/ William a son of George Coleman/ Catherine Lowry was born on the 20th/ day of March in the year of/ our Lord 1820 in the/ Township of Elizabeth in the/ the County of Lancaster in the/ state of Pennsylvania in north/ America; and was babtised(sic)/ in the year of our Lord 1820/ by the Revd Mr Shaffner/ of Marietta". Signed "Henry, Keim" at lower corner within squiggled box.
See NOTES.
Lancaster County, perhaps Marietta or Elizabeth Twp.
Fading in text. Pronounced breakage & small holes through vertical fold line at center has been mended (see reverse). Darkened in this area from top to bottom. Short breaks also mended, eg. between bottom edge and breast of left bird. Wrinkles throughout. Paper darkened overall due to soiling and acid or light damage. Liquid staining. Blotchy stains particulary in left half.
Frame: Moderate wear with scratches and chips. Removed from frame due to acidic mount. Remains mounted on tan matboard with hinges at top corners.
Object ID
P.00.19.1
Notes
See copy in file of Pastoral Records 1808-1835 of Henry B. Shaffner, Reformed Pastor, p. 100. Listed under Baptisms of Manheim is son William Coleman, whose birth is recorded as 29 March 1820 & baptism on 4 June. The witness/sponsor was "Gorg Long w Fr (Frau?)." Most significantly, in the column listing parents, Shaffner writes "Gorg Coleman with / his housekeeper". In other words, Wm. Coleman was an illigitimate child, born to unwed parents, likely creating a scandal in this important, wealthy Coleman family. The grandparents were ironmaster Robert Coleman and his wife Anne Coleman.
George Coleman (1790-1821) only lived to age 31 and is buried in Brickerville United Lutheran Cemetery. Note that the Find A Grave record for George Coleman also lists a son William (1820-1890), buried in Mt. Lebanon cemetery. 1860 census for Lebanon, PA lists William married to Maria McCloud, working as a shoemaker and having 6 children, the oldest of whom was named George Coleman, apparently after his father.
The scrivener/artist, Henry Keim, may possibly lived at one time in Chester County. See letter in file.
Bound German New Testament with fraktur bookplate pasted inside front cover. The NT has a reddish-brown leather cover with two small leather and metal clasps attached to back cover.
Bookplate fills entire page of inside front cover, albeit sideways. Infill attributed to Cocalico Twp schoolmaster & fraktur artist/scrivener Samuel Bentz, it reads "Margaret Weidman/ her/ Testament." These words are intertwined with red and green vining tulips growing from a red base across the bottom.
The name "Andrew Weidman" is written on the last page of the NT.
Attributed to Samuel Bentz (2-26-1792 to 3-21-1850, active c. 1810-1848).
Provenance
The donors acquired this NT with bookplate at a farm sale in Cocalico Township, along with G.77.50.8 (Weydman fraktur). Given to LCHS with the understanding that it would become part of the Heritage Center Collection.
Bookplate has several tears around the edges and brown marks around the black and red areas of the design. The lettering has bled through the first two pages of the book.
A condition assessment and proposal for storage was made by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1986.
Numerous scratches and marks on the NT cover; significant crackling on the spine. The metal latches are rusted where they connect to the leather.
Object ID
G.77.50.5
Notes
See G.77.50.8 for Birth Certificate of brother Jacob Weydmann, born 1762.
See also Paul Flack Sale of Oct 2012 by Pook & Pook for Birth Certificate of sister Catharina, born 1768.
See Bentz entry in Papers for Birth Dayes, p. 90.
Place of Origin
Cocalico Twp.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
One of a pair of push-up candlesticks: G99.40.1&.2. Stepped, round base supports a hollow cylindrical shaft topped by a candle cup above a decorative ring. Candlestick shaft is fitted with an inner cylinder with attached knob that raises and lowers candle. Thumb screw knob slides via a slot on side of candlestick and screws tight to secure position.
Compass housed in a round, turned brass case with fitted lid. Scored circles decorate exterior. Inside case bottom is paper printed with decoration and cardinal points. Blued needle has gold-stenciled "N" on one end. Flat glass window on top held with brass retaining ring. Lid screws onto case bottom.
Handwritten note states compass brought to America from Nuremburg, Germany by immigrant ancestor John Leonard Ellmaker(1697-1782) in 1726.
Unknown German maker
Provenance
Descent within Ellmaker family to donor, then donated to the Heritage Center.
