One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
Large trunk (a) with two large shelves (b, c) that lift out, and one smaller shelf (d). Exterior of the trunk has brown-striped canvas with three horizontal wood straps on the front, back, and hinged lid. There are wrought iron straps riveted at the corners of the trunk to reinforce the construction. Iron handles, one each side. Two sides covered with shipping labels.
Traveling trunk. Large chest-shaped with metal sheet strips at corners. Studded wooden bands at front, back, and top over canvas-covered wood. Two metal catches on lid, remains of leather strap. Lid is rounded. Exterior has remnants of travel destination stickers and one end cap has Henry Elliot Johnston's initials stenciled 'HEJ'.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth & Baptismal Certificate (B & BC) attributed to teacher K. F. Seybold (arctive c. 1813-1846) for Catharina Laugomar, born 16 Mar 1828 in the kingdom of Wurtenburg, now Germany. She was baptized by Magister Frass & witnessed by Johan Georg Abele and wife Anna Catharina, nee Bay(in).
Executed on wove paper with ink & unusual coloring. Yellow, blue and red are used. Page is pasted onto paperboard. Within a line border is an off-center heart in upper 3/4 of design. Heart has a bible verse in upper section and short prayer below, followed by 1847. Heart decorated with flowers along top & sides with color-striped curtains (?) draping off upper sides of heart. Bottom tip of heart has long, radiating, colored leaves, also decorated with colored "pearls". is a text block in German noting the birth and baptism of Anna Catharina Laugomar, born 1828 in Wurtzburg (now in Germany). Master Frass baptized Anna Catharina and Joh. Georg Abele and wife Ana Catharina nee Bay(in) were witnesses. At bottom of design, outside of border has swags edged in more colored "pearls". Reverse side has typed translation (not pencil corrections by Fred Weiser) by Rev. Harvey Swanson, 538 W. Chestnut St., Lancaster.
Pasted onto paperboard. Darkening from acid burn; blotchy staining overall but darker at top center and left as well from heart bottom to bottom of text. Vertical tears at top center; tape stain visible underneath. Bottom left corner torn off. Needs to be removed from acidic board.
Object ID
2017.999.22
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #21 during this event.
Artist Karl Friedrich Seybold immigrated from Germany to America in 1806. By 1813 he was a schoolmaster in Northampton Co. and later in Lancaster Co.
Printed Birth & Baptismal Certificate for Lidia Rothrock, born 9 Jan 1842 to parents Jacob Rothrock and wife Elizabeth nee Epler(in) in Londonderry Twp., Dauphin Co. Baptised 31 Aug 1842 by Pastor Gerhard; parents were sponsors.
Conventional angel form has tall text block between confronting angels; one holds a wreath, the other a bird. Eagle at top center and large perching birds at bottom corners. Imprint at very bottom is "Gedruckt und zu haben bey G.S. Peters, -- Harrisburg, Pa." This color-printed form was printed between 1840 and 1842. See K. Stopp, The B & BCs of the Pa. Germans, Vol. 3, pp. 70-74
Printed in Harrisburg, PA by G. S. Peters; Infill & decoration likely Londonderry Twp., Dauphin Co.
Provenance
Unknown. Donor Kathryn Feagley (1895-1986) and husband Joseph C. Feagley (1895-1971) were Lancaster City residents.
Some brown stains, hazy stains from bottom center to page center and Southeast of the eagle. Some foxing at side edges. A 2 1/4" tear at left center and 1" tear above right center. Small adhesive paper stick on back.
Object ID
1975.031
Notes
One of the fraktur collection appraised by Pastor Fred Weiser, 2 Sept 1988. Numbered #33.
This color imprint was produced by Gustav S. Peters between 1840 and 1842 according to Klaus Stopp, The B & BCs of the Pa. Germans, Vol. 3, pp. 70-74.
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
