Sand Painting Dedicated to Chaplain/Colonel Christian H. Martin, Jr.
Description
Sand Paintings for the late Colonel & Chaplain, Christian H. Martin, Jr, presented for service in the Air Force.
Within in circular bands of gold and white, 3 stars form a triangle around an eagle perched on a a blue-green shield depicting both a cross on the left and a magen david/Star of David atop two tablets on the right. Colors: teal, blue, white, brown, silver, yellow, black
Some of what is written in ink on the back: "Presented by/ Kirtland AFB/ Chapel Family/ May 1982"...USAF Chaplaincy Seal or Emblem. Until 1940, Army Chaplains were in the Army Air Corps; 1940-47, the Army Air Force until 1947. Dept. of Defense started and we were USAF. Chaplain ? Martin."
"This--very special--done with N.M. sand & given to me at Kirtland AFB, Albuquerque, near Trinity site (!) 1st A-Bomb detonation."
Provenance
Donated by Chaplain/Colonel Christian Hess Martin Jr., USAF Retired, son of LCHS officer and worker.
This frog doorstop serves as an iconic symbol of James Buchanan's attachment to his favorite spring at his Wheatland farm, and was donated because it was an appropriate piece.
Lignum vitas wood caster with round, bowl-like top, pierced for shaking out pounce. Base is ring-turned tapers smaller to broad top, flat bottom. Small, shallow dotted pattern in two bands near bottom. Lip at top has thin groove. Top screws onto base that would be filled with pounce, which is a fine powder made from powdered cuttlefish bone. Pounce was used both to dry ink and to sprinkle on a rough writing surface to make it smooth enough for writing.
Esther 'Hetty' Parker, James Buchanan's housekeeper, chose this among several other household items that Buchanan noted she was to be allowed to choose after his death. Miss Hetty gave this to the daughter of her neighbor. Miss Steckman donated this to the Wheatland collection in 1938.
Fraktur is a Vorschrift made for Eva Kauffman & attributed to schoolmaster Christian Alsdorff. Horizontal design is hand drawn, lettered and colored on wove paper. Alsdorff uses black iron gall ink with red and black watercolors. Very busy design has lettering surrounded by multiple flowers and leaves.
First 3 lines of text are oversize, esp. the first. Appears to be "Ihr Kinder Send / Bedenck Deinen Schopfer in deiner Ill / Gehorsam Luren Eltern Dann das ist hillis Ehre Vatter." Nine lines of German script follow, and finally a last line of numbers. An area in the bottom right corner is boxed off by a red line border. Several lines written there are "Diese Vorschrifft Gehoret / Eva Kauffman in / ??????? Schullerin 2 Merz 1793."
This design is similar to that of the Vorschift belonging to Clarke Hess pictured in Papers for Birth Dayes, p. 51.
Formerly known as the "Earl Township Artist", Alsdorff was a schoolmaster at the Hempfield School and the Earl School in Lancaster County. Kauffman families did live in the area between Marietta Pike and Rt. 283. The 1869 Directory of Lancaster Co. has 18 Kauffmans listed in East Hempfield Twp and 15 in West Hempfield Twp. None were listed in the Earl townships. On the same day (March 2nd) Eva Kauffman received hers, Alsdorff presented a similar Vorschrift to Jacob Brubacher, noting he was a student at the Hempfield School. Eva most certainly was too.
Mounted in a dark wood frame with beveled face, white window mat. Significant pieces of the fraktur are hidden behind the matboard.
Hempfield School (in area of the Hempfield Townships), Lancaster County
Christian Alsdorf (c. 1760-1838, active c.1789-1821), attributed by Weiser.
Breaking and broken at fold lines; the vertical center line appears to be completely separated. It has two 1.5" long pieces of cellophane tape at top and bottom. Large ragged hole centered on fold line. Lots of brown stains cover much of surface. Iron gall ink has bled outward from motifs have strong concentrations of the ink. Watercolors are alligatored and individual pieces are cupping and lifting. In need of conservation.
Object ID
2002.160
Notes
Pastor Fred Weiser inventoried the fraktur collection in 1988; see forms in file. Weiser refers to the article on Alsdorff by David Johnson in Der Reggeboge (copy in object file).
See pages 51-53 in Russ and Corinne Earnest's "Papers for Birth Dayes" for article on Christian Alsdorff. He was prolific in creating his fraktur; over 50 are known.