Walnut schrank has two paneled doors on rat tail hinges, separated by a vertical panel; two drawers below with two brass handles and a keyhole each. Bold projecting removable cornice. The sides have two panels each. The schrank rests on five turnip feet, one at each corner and one at front center. The left interior has wooden pegs around all three sides near the top, and the right interior has three shelves.
Each door has two panels decorated with a carved fleur-de-lis motifs at corners and sulphur inlay which reads:
Upper left panel: "ABRAHAM/REIST"
Upper right panel: "ELISABETH/REISTIN"
Lower left panel: "ANO 1775"
Lower right panel: "DEN 8 MERTZ"
Clarke Hess research notes that Elizabeth Reist was a Kauffman and not a Metz (who was a later wife). The published Reist genealogy is incorrect on this point.
John J. Snyder, Jr. believes the shop that produced the sulphur inlaid furniture was likely located in central or north central Lancaster County.
Provenance
The schrank was owned by Abraham Reist (1737-1810), and then possibly by his son Abraham (1770-1852), who inherited his father's farm. According to previous owner, Henry T. Muth, the schrank was purchased at the Reist family sale for one dollar by Christian Martin in 1845 in Sun Hill, Penn Township. He owned it for 20 years. From 1865-1905 it was owned by Christian's son Tobias D. Martin, who gave it to his daughter Elizabeth Bausman Martin Muth (Mrs. William Henry Muth) who owned it from 1905-1940. It was then given to their son, Henry T. Muth, who owned it for 37 yrs. (1940 to 1977) after which he sent it to sale.
The schrank was refinished in the early 1900s by Elizabeth and William H. Muth at their home in Lititz. Son Fred Muth recalls the job being done by an old man from Lititz who came to their house to perform the job in their huge attic.
Lovebird mark, albeit is not completely struck, which is two facing birds with the initials LO and VE.
Inscription Type
Hallmark
Object Name
Plate, Food
Material
Pewter
Makers Mark
The plate was not made in London as one mark suggests. The love mark was used over a long period of time, ca. 1750-1840, and by a succession of Philadelphia pewterers.
Blown glass bottle with flared lip, short narrow neck and an eight panel body. Enamel painted flower decor in green, yellow, red and milk-white. Squiggle decoration. Glass is hand-blown crystal, thin and clear.
Birth record in German for Barbara Eschlemann made on laid paper by Johannes Schopp/Schopf Artist. Paper has Ephrata watermark (CIB in tulip design). Framed in old frame of softwood with dark, crazed finish and applied blocks at corners.
Execution is typical of this artist's design with horizontal orientation, outer and inner double-line borders with central heart having an open ring at top from which emanate vining flowers. Space between inner and outer borders is especially full with typical flowers of muted colors as well as a crown at top and shells at top and a large one at bottom center.
(By Wendell Zercher)
Within the hearts is the text including Barbara Eschlemann's birthdate: 8 January 1777.
Provenance
Purchased by Irene Walsh from Russell D. Earnest Associates for $1,750.00. Received on 7 Dec. 2004.
Breaking at fold line; two corners missing and two corners with small holes. 3-inch tear extends from left bottom corner to right side. Tear at bottom, 2" from right corner, extends upward 1/2 inch. Additional tears with losses at bottom, esp. at center. Two extensive tape repairs made on reverse. Several moisture stains along bottom.
Fraktur presentation piece for Susanna Netzlin (Nissley?) Pressure-mounted on tan matboard and framed in small frame.
Watercolor and ink on rectangular, laid paper, done in dark brown red and yellow. Three bars of color at perimeter in red, yellow and dark green create outside border. Filling top half of inner space is the name of "Susanna Netzlin" written in large red letters, incorporating leafy vines with three different flowers.
Bottom half of page is filled with seven lines of German religious verse. Another leafy vine fills the bottom space adorned with four different flowers.
(Written by Wendell Zercher)
Provenance
Donor, Mr. Clarke E. Hess of Lititz, PA, describes this page as a presentation piece done for Susanna Nissley (?) probably in Warwick Twp. Hess cites another example of this unknown artist's work in the book Pennsylvania German Fraktur and Color Drawings by Landis Valley Associates, 1969, plate #48 (a vorschrift done in 1769).
The $975.00 cost was reimbursed by Irene. N. Walsh.
Paper embrittled and very weak. Multiple breaks, holes and tears. Large holes at center of dark brown border on right side and bottom. Multiple areas of paint loss. White fibers attached to red border at left side and bottom. Soiled and stained overall. Paper edges are uneven with minor losses, especially corners at top and bottom left. Horizontal fold across center.
Deed printed on laid paper (with scalloped top edge) by Francis Bailey. Heading at top has "This Indenture made" in large fraktur-like lettering, surrounded by ornamentation including architectural device of architrave supported by squat columns of balusters with the words 'Peace and Plenty" interspersed within. At very top is "LANCASTER: Printed by FRANCIS BAILEY, in King's-Street."
Printed text has blanks filled in by hand in black ink as well as signatures below, on June 18 & 20 of 1774. Walter and Elizabeth Newman of "Hydelberg" Twp of Lancaster County are selling to "Frederick Kapp of "Hydelberg" Twp. Berks County a piece of ground in Heidelburg Twp of Berks Co. (at or near the "Town of Newbury"). Signed three times at bottom by Justice of the Peace Peter Spycker.
Two overlapping diamond shapes of paper affixed with sealing wax near bottom right. Reverse side has handwritten description of legal deed transaction for a Berks Co. property being sold by Walter Newman and wife to Frederick Kapp.
Bailey was the official printer to both the U.S. Congress and the Commonwealth. He operated a printing office at 14 W. King St. from 1773-1780, from where he produced many historic imprints including Thomas Paine's "Crisis No. 4" and the Articles of Confederation (1777).
Generally good with weakening fold lines and small holes at the intersections of fold lines. Minor soiling and staining, especially along the three vertical and one horizontal fold lines as well as edges.
Weathervane constructed in shape of rooster of painted sheet iron with hand forged hinges. "1759" cut out from center. Streaks of paint to represent feathers on tail and from neck. Yellow beak and red comb and chin.
From old hotel on the Lincoln Highway east of Lancaster, PA. Purchased at the sale of the estate of the Misses Metzger by donor.
Walnut single-drawer tavern table. Removable three-plank top. Dovetailed drawer. Mortise and tenoned joints throughout the rest of the table. Turned and planed square legs terminating in bun feet. Full stretcher base.
Mold-blown glass mug with applied handle. Straight sides flare out slightly toward top; lower third has crudely formed vertical ribs. Painted multichrome floral decoration with central shield-shaped, blue cartouche reading "Forget me not" in gold cursive lettering. Pontil mark on bottom centered within a deeply molded 8-pointed star impression.
One of a set of five; mold-blown drinking glass of bubbly clear glass has straight sides tapered out to gold-painted rim. Polychrome fruit and floral decoration encircles sides. Interior bottom of cup has a pronounced, raised hemisphere of glass. Cup is set on stem with bold central knop. Stepped foot formed of two disks. Pontil mark on bottom.
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Eight-day, tall case clock by John George Hoff, Sr., in a flat-top Chippendale walnut case.
Brass dial has pewter chapter ring with Roman numerals for the hour and Arabic numerals for the seconds. Separate seconds dial below XII. Pewter spandrels. "George Hoff" engraved at bottom of dial, above a calendar window. Painted moon wheel at top has moon on a field of stars.
Bonnet has molded cornice, arched door and arched side windows. Engaged columns at all four corners. Waist has wide chambered corners with lambequins at top and bottom. Door has arched top and molded edges; brass escutcheon (replaced?); door is hung by two brass steeple butt hinges. Base has plain sides and chamfered corners that match those at waist. Molding above four ogee bracket feet.
J.J. Snyder notes that this clock case with wide chamfers relates to other pieces with the same feature, e.g. G.03.1.1 (Jenkins family bookcase on desk) and P.78.76 (Old family bonnet top high chest). The Hoff clock chamfers, however, are not fluted like the large case pieces.
See photo of clock in Wood and Kramer's clock book, p. 37.
Provenance
Professor Kauffman said on 4-23-99 that he purchased this clock from a dealer after Joe Kindig refused it because it was a flat top. A receipt (now in file) was tacked to inside of clock case documenting the purchase from collector/dealer Melvin Hubley of Lancaster City in 1955 (cost $545).
Modest wear, right side light is cracked, molding missing at right side of waist at bottom. Base is scarred, some cracks, especially aroung feet and moldiing. Unfilled nail repair holes at base.
Finish has orange peel surface.
Object ID
G.96.37.1
Place of Origin
Lancaster
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Lathe-turned wooden tar bucket with fitted lid and remnants of leather straps. Cylindrical vessel has slight taper inward toward middle. Decorated with two double score marks below center. Above center are shoulders jutting outward with vertical holes through which straps of leather handle pass. Handle also passes through lid of conforming shape, although one strap broken off at shoulder while the other is broken off 3 inches above shoulder.Center hole in lid apparently accepted a now-missing stick used to apply tar to wheels. Broken-off 5-inch length of leather strap rests inside. Tar residue in bucket.
Lancaster County or region.
Provenance
Donor believes bucket descended from family members to his parents who displayed it on their mantle. Donor inherited it from parents.
Bookcase on desk, Queen Anne, walnut, owned by the Jenkins family of Churchtown area in Caernarvon Twp. Upper section has a scroll pediment with shallow-carved round rosettes with button centers above a plain tympanum. The three turnip finials are replacements. Distinctive chamfered, fluted front corners terminate in lamb's tongues. Two doors have two raised panels and stationary shelves within. Maker is unknown.
Restored straight bracket feet, four lipped graduated drawers with two candle drawers flanking the top drawer. Interior has a central prospect door with tombstone shape and applied outer moldings creating the impression of frame-and-panel construction; center panel has highly figured wood. Flanking manuscript drawers faced with wide fluted columns on plinths with capitals. Each side of central section has four pigeon holes above two tiers of drawers, four each side.
Snyder states most of the brass hardware has been "correctly restored." Inscription on the side of one drawer reads: "David and Martha Jenkins" in script. David Jenkins (1731-1797) was the ironmaster at Windsor Forge near Churchtown.
Snyder notes the distinctive chamfered, fluted corners of this secretary relate to the Old family highboy (P78.76) as well as to a highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar corners on a George Hoff clock w/ brass face as well as some Reading clocks, and some furniture made by Phila. and Maryland cabinetmakers.
Provenance
History of ownership is soundly documented, according to Snyder. (See his appraisal in file, pp. 5-6). It passed down within the Jenkins family until sold at public auction in Churchtown from the estate of Miss Mary Irwin, a direct Jenkins descendant. Purchased by Elaine Holden.
Robert E. Jenkins, Jenkins Family Book, Chicago, 1904.
At LHO are:
- Jenkins family file
- 1797 David Jenkins estate inventory
- 1815 Direct Tax for Caernarvon Twp.
David Jenkins' 1797 Will, # G-1-98, is in the Archives, Lancaster Co. Courthouse.
Height (cm)
264.16
Height (ft)
8.6666666667
Height (in)
104
Width (cm)
96.52
Width (ft)
3.1666666667
Width (in)
38
Depth (cm)
57.15
Depth (ft)
1.875
Depth (in)
22.5
Condition
Good
Condition Date
2017-03-08
Condition Notes
Finish has been stripped; metal polish residue clogs pores of wood around hardware. Restoration and replacement of various parts, including feet, finials, patch on upper lip of upper drawer, and all large drawer bottoms. Breakout at points above bottom drawers where lock strikes.
Object ID
G.03.01.01
Notes
Furniture Exhibit in Gerhart Gallery
Related Item Notes
John J. Snyder notes the distinctive chamfered, fluted corners of this secretary relate to those of the Old family highboy (P.78.76) and a Q.A. Phila. highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar chamfered corners on a George Hoff clock w/ brass face, some Reading clock cases and some case furniture made in Maryland and Philadelphia (Joseph Armitt and Jonathan Gostelowe).
Credit
Gift of Elaine Ewing Holden, Heritage Center Collection
Hand-drawn, lettered and colored fraktur is a Birth and Baptismal Certificate made for Johannes Muller b. 13 Apr 1771 in what was then Lebanon Twp. Lancaster Co. (Lebanon created 1813). Center text block has biographical information and 3 lines of scripture below mentioning the cedars of Lebanon (final 3 words). Double-line blue border surrounds top and sides of text. Along top of border are 28 green trees (likely cedars of Lebanon) and a winged cherub's head over all. A pair of identical redcoat soldiers are at each side of text block, one above the other. Each has a tall black hat with "tail", a long cane, a sword, moustaches and a long pigtail tied with a bow. Top two soldiers have a leafy twig extending from mouths, and all four stand on small green trees, similar to the above. At bottom is an arched branch of stylized leaves, a center 8-point flower and two downturned tulip-like flowers at sides. Colors used are green, yellow and red with blue line border.
Parents were Johannes(?) Muller and wife Susanna, born an Alomer(?). REb. Buchry(?) baptised him at unknown date. Witnesses were Johanes Schweigert and wife Lehnore.
Pencil calculation done under first text block is "Died Sept. 13, 1860. Aged Eighty nine years & five months."
Lebanon Twp., Lancaster Co. (now Lebanon Co., formed in 1813)
Perhaps made by Christian Mertel or similar artist (per F. Weiser).
Structurally intact but color still good. Some breaking at fold lines and some raised and folded fold lines. Brown moisture stains over most of surface with dark, heavy tide lines. Two pieces of cellophane tape along left side where soldiers' hat "tails" have iron gall ink losses. Paper edges worn, torn, with losses, creases and folds. Various losses (holes), mostly where iron gall ink was used. Frame not likely original to fraktur. High profile beaded moldings on a walnut frame; finish aged with craquelure.
Object ID
2017.999.2
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He says it was reproduced in Landis Valley catalog.
The Fraktur was included in a Landis Valley publication called "Pennsylvania German Fraktur and Color Drawings, Exhibited at Pennsylvania Farm Museum of Landis Valley, Lancaster, Pennsylvania," 1969. Plate #71. In LancasterHistory library (740 P415)
Fragment of very significant colored drawing by Sussel-Washington artist of colonial lady on horseback, titled "Laydy Washingdon" at bottom. Muted colors of red and brown. Only the center portion with right and bottom sides remain.
Sussel Washington Artist, active 1760-1785. Lancaster or Berks County
Remnant of original is pasted onto highly acidic brown Kraft paper. About half remains, with strong damage with loss of top and left sections. Extensive silverfish damage with holes and very ragged edges along left side. Additional surface/paint loss on horse's neck and chest. Darkened from acid and age. Blotchy stains overall. Taped at top to matboard with hinged window mat.
Object ID
2017.999.14
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. He states value of whole would be at least $35,000. Marked fraktur #17 during this event.
Birth record on small piece of laid paper. Mounted in off-white window mat with 2 paper hinges at top. Outside border is 0.375" wide with dotted line zig-zags and small comma like motifs decorating remaining space. Some of lower border was cut off. Appears to be a partial page, cut from the same source as the pair of full-page Tschantz family record (2017.999.29) recording 4 births. It is certainly the same handwork & almost certainly pages removed from a Bible.
This entry for Abraham Tschantz consists of 7 lines of German text, fraktur style lettering, randomly alternating from red to black ink. Reads: "Anno 1750 auf Faustinus Tag, / d 15ten Febr. ist Abraham Tschantz, / gebohren im Zeichen des Schorpian. / Gedenck im allen, was du thust, dass / du nur Gott gefallen must, dies sey dein / gantzes Werck auf Erden, wen du wilst / Gottes Burger werden." (In the year 1750 on Faustinus Day, 15, Feb., Abraham Tschantz was born in the sign of Scorpio. Ponder in everything you do that you must only please God. Let this be your whole work on earth if you wish to be God's citizen.)
10th "Series" of Penna. Archives, Vol. 156, p. 423.
See related pages (2017.999.29) executed by same scrivener/artist who recorded Tschantz births.
Height (cm)
13.0175
Height (ft)
0.4270833333
Height (in)
5.125
Width (cm)
18.415
Width (ft)
0.6041666667
Width (in)
7.25
Dimension Details
Matboard is H: 7" W: 9"
Condition
Good
Condition Date
0017-08-24
Condition Notes
Light darkened and embrittled/fragile. Edges are very ragged with losses and folded back paper. A 3 1/2 " long curved tear/break from bottom left to the word "Febr.". Bottom of page with border has been cut off.
Object ID
2017.999.20
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #24 during this event.
See pair of related pages for birth entries of (2017.999.29) executed by same scrivener/artist who recorded birth of Abraham.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
Mounted Family Record on 2 pages of laid paper, almost certainly from a Bible, with entries for children of Abraham Tschantz (See his record by the same artist/scrivener as 2017.999.20). Page edges have a border decorated with dotted line zig zag motif with squiggles. In fraktur hand in German, the birth entries are listed under a heading "Verzeichnis" (record/list) on first page that translates "Register of my children when they were born." Lettering is done in either black or red ink.
Two births listed on first page are Jacob born 31 Dec 174(?) on St. Silvester's Day in the Sign of Aquarius. Next is Johannes born 29 Feb 1748 on St. Nestor's Day in the Sign of the Lion. Horizontal border under heading and also between birth entries. Each has a few religious lines exhorting them to follow Jesus.
Second page lists Barbara born 28 Jan 1754 on St. Charles Day in the Sign of the Ram, immediately followed by "In the year 1767 on Sept 4th the Lord took her from this world into eternity. Next entry is David born 17 Sept 1759 on St. Lambert's Day in the Sign of the Lion, but in the year 1767 on Aug 25 the Lord took him into eternity. Both children died within about 10 days of each other.
See related half page birth entry for father Abraham Tschantz (2017.999.20) executed by same scrivener/artist who recorded births of Tschantz children.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
Height (cm)
30.48
Height (ft)
1
Height (in)
12
Width (cm)
17.78
Width (ft)
0.5833333333
Width (in)
7
Dimension Details
Mount is 16" x 20"
Condition
Fair
Condition Date
2017-10-02
Condition Notes
Mounted together in double window. Pages are brown with age and have some small stains. All edges are battered with small tears, small-to-medium losses, and folds. Significant number of red letters have bled. Most edges of each page have cellophane type tape on back to stabilize.
Conservation needed.
Object ID
2017.999.29
Notes
Appraised by Rev. Fred Weiser 2 Sept 1988 as # 25. Valued at $800.
Abraham "Shannts", born 1750, is listed in Ten "Series" of "Pennsylvania Archives", Vol. 156, p. 423.
A Lancaster Menno. Hist. Society record states he is listed in the Hannes Eby Burial Record: death ca.26 May 1838 in Leacock, PA.
In 1810 Census, an Abraham Tschantz is listed with 9 household members in Warwick Twp.
LHO library's Family File for JOHNS family notes Abraham is buried near Mechanicsburg, Upper Leacock Twp., apparently along with his brothers Jacob (b. 1746) and Johannes (b. 1748). Reference is made to the Tschantz Family Bible in LHO collections which records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822.
Transcription & translation Oct 2017 by Elsbeth Steffensen.
