Pencil/charcoal and watercolor drawing of Eichholtz home on S. Lime St. in Lancaster. Drawn on orange paper and signed by Florence Taylor, 1969. Double-matted outer tan, inner green. Cherry wood colored frame labelled "Eicholtz home, S. Lime St." Framed by Dream Framer, Creative Framing and Gallery, 1645 Main St., Mountville, PA 17554. Ron Ettelman (717) 285.4931.
Watercolor,Bringing Home Christmas, "shows a winter scene with many trees and fences. The main subject is a man in a horse-drawn sleight with a Christmas tree following a dog onto a covered bridge. A stream runs through the middle of the scene and under the bridge. Several house appear in the background as well as a man cutting down a tree in the upper left and deer in the upper right.. (Scott Sager, 01/26/2001)
Artist's name, Hattie K. Brunner, written lower left of the primitive painting.
Taped to back, 3 newspaper articles: 1) "Local Artist Gains Fame...at 83" , 9/18/1973; 2) "$3,100 for a Hattie Brunner" no date; 3) "Hattie Bruner, Antique Dealer, Artist Dies," 8/2/1982. Hattie was 92 years old when she died.
Provenance
Given in memory of J. Nelson Newcomer, V.M.D., by his sisters, Beatrice N. Stauffer and Ethel N. Herr.
Brown paint on frame rubbed off on some corners and edges. A chip reveals light wood on upper right back edge. No cover on back sealing painting from outside dirt. Acidified clippings about the artist glued to the back
Jan. 6, 2001: A correction to the painting has been done in the lower left area, under the sleigh: a roughly triangular area about 1.5 " across and 1.25" high has been white out and the fence and tree leaves re-done. (Scott Sagar)
Water color portrait of a young man on wove paper. The subject depicted in full-length profile, facing to the viewer's left, with right foot in front of left. He has short black hair and is wearing a dark blue coat, white shirt with high collar, blue and white checked vest, dark gray pants and black boots. He is holding a top hat upside-down in his right hand.
The background is dominated by a blue sky with a few clouds, an orange or light brown horizon, blue-green hills and bushes (probably faded green) and brown ground.
According to the sellers, the subject is one of the Reitz (or Ritz) brothers. Catherine Reitz was the great-great grandmother of the seller, Guiles Erisman Costolo. For more info on the provenance see the file.
Artist Jacob Maentel (1763-1863) was an important itinerant portrait painter in watercolor who worked extensively in northwest Lancaster County during the first quarter of the 19th century.
Some horizontal buckling on left side, vertical buckling along top edge, but otherwise in good condition.
Conservation treatment and matting done in Feb. 1989 by CCAHA in Phila. Mat must have later been removed, so this piece was matted and framed by conservator Brian Howard in 1996.
Water color portrait of a young man on wove paper. The subject depicted in full-length profile, facing to the viewer's right, with the left foot in front of the right. He has brown hair that curls up at the neck and is wearing a dark blue coat, white shirt with high collar, blue and white checked vest, dark gray pants and black boots. He is holding a top hat upside-down in his right hand.
The background is dominated by a blue sky with four white clouds, an orange or light brown horizon, blue-green hills and bushes (probably faded green) and brown ground.
According to the sellers, the subject is one of the Reitz (or Ritz) brothers. Catherine Reitz was the great-great grandmother of the seller, Guiles Erisman Costolo. For more info on the provenance see the file.
Artist Jacob Maentel (1763-1863) was an important itinerant portrait painter in watercolor who worked extensively in northwest Lancaster County during the first quarter of the 19th century.
Some slight buckling down left side. Some small brown spots in upper left corner, below the cloud; also spotted across the non-blue portion of the sky. There is a crease running from the extreme right edge (at approximately the height of the subject's hand) to the bottom, ending slightly less than an inch from the lower right corner.
Conservation treatment and matting done in Feb. 1989 by CCAHA in Phila. Mat must have later been removed, so this piece was matted and framed by conservator Brian Howard in 1996.
Large watercolor of Amos Slaymaker's Lancaster Inn or "Pennsylvania Arms," done on heavy watercolor paper; straight edge on right, "torn" edges on the other three sides.
Carlson depicts the Georgian, 5-bay brick building in the early 1800s with four people on the side walk dressed in period dress, one man pushing a wheelbarrow with a dog beside him. Also, there is a carriage without horse, parked nearby in the street.
Signed at lower left is the artist's signature, "C.X. Carlson," followed by what appears to be a two-digit date which is no discernible (perhaps "64"?). Watercolors are strong and vivid. (Written by Wendell Zercher)
Provenance
This hotel/tavern was located on the site of the present McCrory's store (north side of the first block of E. King Street), according to the card attached to the back of the photo of a print of the establishment. This card, generated by the Slaymaker family, states that the "Arms" was owned b Amos (1755-1837)and his brothers Henry and Samuel from the 1790's until the 1840s. C.X. Carlson obviously used this print as a basis for his painting. Both include people, a wheelbarrow and a dog in front of the building..
This painting may have been part of a series of watercolor illustrations Carlson made for the book Old Lancaster, although this painting is not included in the 1964 book, according to Gerry Lestz. (Written by Wendell Zercher)
Very good condition; some acid burn visible in window mat and some paint loss along leading edge of frame. Kraft paper on reverse is fragile and tearing at top.
Later removed from acidic framing (Aug. 1998) including removing the petrified, discolored masking tape which held painting in window mat. Reframed at Lancaster Graphics with museum-quality materials. (Sept. 1998)
Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
3/4 profile bust portrait of "James Sproul of Octoraro . 1781 -1847 ." Subject's face towards viewer. See notes for additional information regarding date of gift and donor.
According to the "Papers Read Before the Lancaster County Historical Society, February 1, 1907, Minutes of the February meeting:
The following donations to the Society were announced by the Librarian: A large frame photograph of James Sproul, once a prominent citizen and iron master on the Octoraro Creek, below Christiana, donated by his grandson, Hon. W. C. Sproul, of Chester Pa.
The presentation of the Sproul portrait was made by Dr. J. W. Houston, who accompanied it by an address of considerable length, in which the career of Dr. Sproul was sketched, showing him to have been a man of mark in the earlier period of the county's history.
William Cameron Sproul (September 16, 1870 – March 21, 1928) was the 27th Governor of Pennsylvania from 1919 to 1923. He also served as a state senator from 1896 until his election as governor in 1919.
Oil Painting on paper of General John Steele. Gen. Steele is seated with his right arm on the arm of a chair, left hand on his right wrist. He's attired in a black coat high with high back collar. A high white collar around his neck has a bow tied in the front with a ruffled front.
Adam Reigart Jr. (original catalog description was Capt. John Steele)
Description
Oil portrait on canvas of Adam Reigart, Jr. (1765-1844). (Original catalog description was: "Painted portrait of Captain John Steele by Jacob Eichholtz". This ID correction approved by Tom Ryan).
Half-length male figure, faces slightly to left, gray hair brushed forward over forehead in thin wisps, long sideburns, his left ear visible; white turned down collar, light color waistcoat and white stock and frill. Black double-breasted coat. Plain brown background.
Modern wood frame 1.75" wide, painted black with gold beaded inner edge.
See G.86.09.2 for an identical oil on canvas portrait of Reigart by Eichholtz. (On art racks)
Painting has strong tears and needs cleaning. This is the condition in which it was received. Large irregular tear 7.5" x 4/5" across his left chest & shoulder. Small 1" x 1/2" tear above shoulder. Another irregular tear 2" x 1" on right shoulder. Straight line dent w/ some tearing below this. Another straight line dent 3.5" to left of head.and a 1"-long dent with tear above head. Extensive craquelure, esp. in upper 2/3.
Modern wood frame 1.75" wide is painted black with gold beading on inner edge. Round, blue sticker at top back of stretcher reads: "(W)alnut Lan(e) / Art Shop / German(town) / Philad(elphia).
