Oil on canvas portrait of Rev. Hans Herr (1639-1725), attributed to Baron Leon von Ossko, unframed.
Painting depicts elderly gentleman with nearly shoulder-length hair and long beard, wearing a plain brown coat with two buttons showing at front; plain dark background. Up-cast eyes and unsmiling face denote a properly pietistic expression for this patriarch and pastor of the first group of Mennonites to settle in Lancaster County in 1710. At upper right hand corner in block letters is painted "HANS HERR."
Canvas is attached with tack to sides of a mitered stretcher. The miters are fitted at back with a cast iron device embossed with two patent dates of 1883 and 1885.
The book Genealogical Record of Rev. Hans Herr & His Lineal Descendants depicts a copy of this painting, noting that it was painted by John Funk. Von Ossko reportedly produced a number of these paintings for the Herr descendants, apparently copying the original Funk portrait. The artist married a descendant of Hans Herr, Ella Louisa Breneman, in 1884. They lived in Lancaster City. Marrying into the Herr clan likely sparked the idea for generating copies of the patriarch on canvas.
(Written by Wendell Zercher.)
Provenance
The Farmers (Mr. and Mrs. C. Richard Farmer) say they obtained painting from an unknown source. They gave it to their son years ago, but he never used it.
This painting was after the original by John Funk of Strasburg.
Puncture of 1/2" x 1/2" to right of sitter's left eye; near complete puncture at bottom, 7" in from right corner, with pigment loss. A ft-long scratch begins at right of sitter's curl and extends obliquely to lower right corner. Some pigment loss at edges; deterioration of canvas and tacks failing along left edge. Soiled overall. A small piece of paper is affixed at back to repair the major puncture. Recent tacks added to secure canvas at sides.
Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Wool work picture of a basket of flowers on a buff cotton background in a frame. A wide range of stitches was use, including satin stitches and French stitches. Brown, lattice-worked basked holds a very full arrangement of variegated flowers in bright hues. Flower types include tulips, carnations, forget-me-nots and a tiger lily. The arrangement also has leaves and branches. The double frame is molded and deep and woolwork is covered by old bubbled glass. The cotton background is stitched to an underlying fabric whit is in turn glued to the cardboard backing.
Inscription on reverse of cardboard backing is faintly printed in pencil:
WORKED IN WOOL BY MARY
BRINTON LEACOCK TOWNSHIP
IN PENNSYLVANIA 1849
(Written by William Carter.)
Provenance
Stitched by Quaker Mary Brinton in 1849.
Bought at sale at Brinton property by Vernon Gunnion. Same as drawing by Susan Brinton (P.96.11.1) 259-A Mascot Rd.
Pole firescreen with mounted sampler by C. Carpenter. Late Federal style firescreen, tripod form, with Hepplewhite legs supporting a tapering, turned pillar with urn and inverted trumpet turning above legs and a ring and button turning below legs. Turned ball-and-ring finial doweled into top.
Sampler is set into a walnut frame (22.75 inches square) and attached to pole by two loops of strap iron screwed to back of frame. Sampler is worked on scrim with polychrome wools. A floral vine border has a spray of flowers inside each corner and a large floral bouquet at center. Underneath central bouquet are three lines: "Wrought by /Christiann Carpenter/ AD 1843."
The outside border of green silk is over 2 inches wide and has a pleated circle of the same silk at each corner. Reverse side is covered by green velvet.
Provenance
Mrs. Isaac (Hilda) Weaver states she is unable to track down maker. Isaac Weaver's mother was Dorothy Christine Hartman (m. Herbert Bachman Weaver); her father was Isaac Carpenter Hartman; his parents were John Ives Hartman and his first wife Anna Weidler; and Ann's father was Dr. Isaac C. Weidler of Upper Leacock. Mrs. Weaver surmises the Dr. Weidler's middle name was Carpenter.
Given in memory of Dorothy Hartman Weaver, mother of donor.
Top of standard has repaired break (plugged hole at back). Scarring and screw holes along shaft. Legs reglued with nail heads visible near top of each as well as glue residue at joints and under turned bottom.
Sampler is generally good; scrim is puckered overall as is silk border. Marked moisture stains at top right and bottom center. Dark soil/stains in area of inscription.
Woman's cotton lawn headcovering. Crown is two separate pieces of fabric, with additional small pieces at the lower front corners. Plain ruffle around front and bottom. Two hemmed cotton ribbons attached at lower front corners; narrow where they attach, widening at the bottom. (Written by Scott Sager.)
Provenance
This pieces was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great grandmother of the donor'ssabalo husband, Rich Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his granddaughter-in-law, Anna Huber Hess, who gave it to her daughter-in-law, the donor Mary Jane Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
22.86
Height (ft)
0.75
Height (in)
9
Width (cm)
24.13
Width (ft)
0.7916666667
Width (in)
9.5
Condition
Good
Condition Date
2001-05-23
Condition Notes
Roughly rectangular outline of brown stains at the back; several lighter brown marks on public right side.
Woman's headcovering with a 'dotted Swiss' pattern. Netted ruffle around front and bottom. Black silk ribbons attached at bottom front with metal hooks.
This piece was owned and worn by Elizabeth Schneider Mann (1780-1870), the wife of Johannes Mann (1774-1843). She was the great-great-grandmother of the donor's husband, Richard Hess Mann. Elizabeth Schneider Mann's son, George Snyder Mann, gave the piece to his grand-daughter-in-law, Ann Huber Hess, who gave it to her daughter-in-law, the donor, Mary Jane Mann.
(Written by Wendell Zercher)
Provenance
Donor, Mrs. Richard (Mary Jane) H. Mann. Given in memory of Dr. Richard H. Mann.
Year Range From
1820
Year Range To
1840
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
25.4
Height (ft)
0.8333333333
Height (in)
10
Width (cm)
22.86
Width (ft)
0.75
Width (in)
9
Condition
Fair
Condition Date
2001-05-23
Condition Notes
Brown stains on both sides and around ruffle. Black silk ribbons are very worn and frayed, especially the one on the proper left side.
Black silk quilted woman's bonnet with large visor attached to small crown at back. Long skirting around nape of neck is not quilted. Bonnet is hand-quilted with a running stitch in two wide outer bands having a zig-zag pattern, and nine narrow inner bands. Cotton batting.
The lining at the back of interior is cotton print of squares in tan, white, blue and plum.
Two black tying strings are pinned to the bottom--one partial tie is sewn on.
Year Range From
1840
Year Range To
1870
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 13
Storage Shelf
Shelf 3
Storage Container
Box 0059
Object Name
Bonnet
Height (cm)
33.02
Height (ft)
1.0833333333
Height (in)
13
Width (cm)
25.4
Width (ft)
0.8333333333
Width (in)
10
Depth (cm)
20.32
Depth (ft)
0.6666666667
Depth (in)
8
Condition
Good
Condition Date
2001-05-18
Condition Notes
Small losses to silk on outside; larger loss on interior silk. Fraying in interior where black silk meets lining.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate is hand done by artist using design elements from printed fraktur. Multicolor text is enclosed in a central arched arbor w/ flame finials. Text names Christian, a son of Jacob and Barbara (KIndig) Bachman, born 1827 in Lampeter Twp. Two confronting angels flank arbor and 2 additional text blocks of religious verse support arbor. A pavilion at bottom is flanked by blue trees & large colorful pinwheel flowers.
Border at sides and top have colorful, repeating floral/foliate motifs; top is arched. Hearts and flowers fill top corners. Above arbor is a large 4-point stylized star flanked by reclining trees.
Artist uses red, blue, light blue, black, yellow, white, green, orange and brown.
Inscribed on reverse in black ink is "No 4 made by Eli Haverstick 1834."
Provenance
Descent in Bachman family to donor. Two nearly identical birth certificates are known, for older sister Anne, b. 1823 (private owner-Barbara Ann Mable) and younger brother John, b. 1832 (G.96.9.1). Similarity suggests all were made at the same time in 1834.
Bachman family genealogy in file. See info on Christian Bachman in Mennonite Arts, 2002, pp. 56-57.
Conserved by Susan Duhl in 2001. Generally worn and discolored. Repair to edge tears & corner loss. Abrasions & paper fill in top right corner were in-painted with watercolor. Tape at back of top edge is now removed w/ remaining stain. See report in file.
Object ID
G.00.23.1
Notes
Haverstick is believed to be a teacher due to being absent on tax rolls for Conestoga Twp.
Christian Bachman (1827-1901) became a prominent cabinetmaker in eastern Lancaster County, just like his father Jacob Bachman (1798-1867). He married Barbara Buckwalter in 1855. After marriage, he moved to Strasburg where he set up his own shop.
Place of Origin
Conestoga Twp.
Role
Artist
Credit
In memory of Charles Bachman, grandson of Christian Bachman, by his son Charles Bachman, Jr. and family.
Jacquard coverlet, cotton warp and wool weft. Wool is dyed with madder red, indigo blue and green. Made with a 4 & 1 tiedown weave structure. Joined at center seam.
Corner block reads: "Made by J. Witmer, Manor Township, for Mary Shopf, 1840."
Note: Mary Shopf''s 1841 sampler is G.80.137.1.
Witmer, Jacob (1797 - 1887) Extant coverlets: 1837-1851
Provenance
Descent: Maker Mary Shopf Hertzler to daughter Mary Hertzler Herr to son Amos Herr to daughter and donor Anna C. Herr Wilkinson.
Genealogy: Mary Shopf (1 Feb 1823 - 12 Mar 1903) m. Rudolph Hertzler, dau. Mary Hertzler (16 Aug 1849 - 14 Apr 1929) m. Christian Herr, son Amos Herr (b. 1876) m. A.M. Hollinger, dau. Anna C. Herr m. Harold Wilkinson." (Anna is donor)
Maker was possibly the daughter of Henry Shopf & Elizabeth K. Kauffman. Henry was from Manor Twp.
Family register for Metzger family, hand-drawn, lettered and watercolored, horizontal orientation on wove paper, attributed to Karl Seybold (arctive c. 1813-1846). Format is the English style of register rather than Pa. German. Framed in molded softwood frame with very dark brown finish.
Within an inked double-line border is a grouping at top of rectangles with text re: parents. Father George Metzger born in Conestoga Twp.(1799-1845) and mother Maria Huber Metzger born in Boro of Strasburg (1804-1890), married 1821. Polychrome flowers surround text blocks. Father was Lutheran, mother (daughter of Abraham and Maria Longenecker Huber), apparently Mennonite (unbaptized as a child).
Below text blocks are 8 circles bordered w/ polychrome stylized flowers. Each circle records birth of a child. Birthplaces indicate pattern of residence:1st child born Lancaster Boro (1824), 2nd & 3rd Lancaster Twp (1827-1829), 4th & 5th in Manheim Twp (1831-1833) and last three in Warwick Twp (1836-1841).
Karl F. T. Seybold came to America in 1806, becoming a school teacher in Northampton Co. by 1813. His desire to join the Harmony Society in Ambridge, Pa. was unfulfilled, so he moved with his wife to Lancaster Co. in the 1830s, reportedly at the urging of his mother-in-law. He taught school and apparently lived in a Menno. community, doing mostly birth records and family registers for them (names like Funk, Hostetter, Herr, Kauffman, Huber, Miller, etc.).
Provenance
Unknown provenance before acquisition from sellers. Earnests do list the source of this fraktur as "Der Kurier" 9/93 p. 4. This is the newsletter of the Mid-Atlantic Germanic Society, published quarterly in March, June, September, and December. It is indexed in the Periodical Source Index by the Allen County Public Library, Ft. Wayne, Indiana and the Genealogical Periodical Annual Index by Heritage Books Inc, Bowie, Maryland
Old cardboard back has mailing label from L.E. Waterman Co. in New York City to W.H. Corey, Jr. of Owego, N.Y. A 12-cent stamp affixed to corner dates from early 20th century.
Paper soiling, foxing and scattered stains overall; significant moisture stains along bottom right border and smaller ones near center as well as along paper edges. Paper has significant spidery, stained cracks extending inwards from both right and left edges, clustered at center. Each side is repaired on reverse with a 2.5" - 3"-wide vertical band of paper tape, causing the dark staining seen at cracks on front. Vertical paper cracks at fold lines extend in from top and bottom. Frame has been recut to current size and has nicks and moderate wear. Corrugated cardboard backing replaced with acid-free board, Dec. 2004..
Dressing table w/ mirror has Sheraton and Empire features, is made of solid mahogany and veneers with secondary woods of poplar and pine. This is a rare form.
Top has veneered half-column mirror frame supported by turned stiles which are set into top with a double tenon set at a backward cant. Mirror corners are blocks with turned bulls-eyes. Inner cove-molded fillet has vestiges of gilding.
Oblong table top comprised of solid 3/8" thick mahogany laminated onto 1/2" thick poplar, and secured to carcase with screws. A rounded molding is applied to front and ends.
Veneered carcase contains five dovetailed drawers faced with mahogany veneers: one long flanked by two short, over two long. The top drawers have a rounded profile while the two bottom drawers are cockbeaded. All drawers have replacement pulls of hollow, rounded brass knobs with a pierced floliate design. The two bottom drawers are fitted with locks; keyholes have brass insets but dark ghosting indicates missing escutcheons.
Baluster-turned legs extend from table top to floor. They support a low shelf 11 1/2" from floor. Shelf is shaped with recessed cutouts at front and ends.
Inscription: Interior of top central drawer has "J.F. MARKLEY/ CABINET MAKER/ Locust St./ COLUMBIA." stamped within an oval laurel wreath.
Also in collections is a J. F. Markley Empire chest of drawers (P77.02).
Provenance
Provenance: This dressing table was previously owned by an acquaintance of John J. Snyder, Michael Stinchcomb of ???, who recently changed his mind about using this piece in his bathroom when he realized the veneers would suffer. He consequently consigned it to sale at Pook and Pook.
Cracking in veneer on mirror. Numerous spots of corrosion on mirror. Moderate cracking in veneer on front and sides. Minor chips and scratches overall. Top has two cracks, one is 2" long at left and one is 6 1/2" long at right side. Bottom shelf has 6 1/2" crack at right side. Nails have been added to secure top to carcase; back of top is not secure due to stripped screws. Top left drawer has significant wood removed with rasp at front of sides.
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Broadside printed on white wove paper (now darkened) has bold title at top: "Haus-Segen." The smaller subtitle of two lines reads: "Das mogen meine Kinder lesen,/ Wenn ich in der Erde thu' verwesen." (Apparently "These words are something my children should desire to read when I am moldering in the grave".)
Within a variant of the Greek key border is the printed text, done in old German type. Underneath the two titles there are two columns of text, each with 28 lines. Text is a religious theme done in rhyming couplets. The name "David L. Beiler" is printed at bottom right. Beiler is most likely an Old Order Amish printer.
Broadside had been folded back along all four sides to make it fit a wooden frame (not original, since other screw holes indicate a previous use). Old acidic cardboard backing was originally used as a backing for an early 20th century photo of a group of firefighters dressed in full uniform with musical instruments, titled "Junior Fire Company -- Reading, PA." Photocopy of fire company in object file.
Provenance
Seller purchased broadside at Horst Auction, April 16, 2003, a sale of household goods consigned by Ruth E. Stoltzfus (Mrs. Morris A. Stoltzfus). There were a number of Amish items for sale that seller believes the family obviously had in storage for many years. Morris and Ruth Stoltzfus were far removed from Morris' Amish roots and would not have valued or displayed them. Mrs. Stoltzfus has since died (6-25-03). See obit. in object file.
Clarke Hess says David Luthy (Canada) would know who this David L. Beiler was. The 3 candidates in the Fisher book appear to all be too recent.
Darkened, some "bleached" damp-stained corners & edges, minor foxing. Embrittled and fragile; all edges folded over with resulting tears including nearly detached section at center left and upper left. Involved tear extends upward from bottom, 2" from bottom right corner. Another is 1" to left of upper right corner. Several interior tears at "Haus" and as well as several holes (near lower left corner and throughout lower right quadrant. Paper strip 1 1/4" wide pasted along upper edge at fold line. Acidic cardboard backing removed. Later conserved by Maria Pukownik (returned Feb.2004 - CD w/ photos in file). Then framed for 2006 Printed Word Exhibit.
Object ID
P.03.20.2
Notes
David Luthy is an Old Order Amish writer and editor for Pathway Publishers. (Their address: 10380 Carter Road, Aylmer, ON N5H 2R3). Clarke E. Hess suggests contacting him to learn the identity of David L. Beiler.
Place of Origin
Lancaster County
Credit
Gift of V. Ronald Smith, Heritage Center Collection
