Leather multi-compartment Wallet. Some remnants of a red printed logo on interior flap. Contained the Civil War discharge papers of William Sweigart, Private, 195th Regiment.
Color-printed Marriage Certificate on heavy tan paper. Inside border on brown field is an overarching banner with "Jesus Christus along with 3 bible verses. Surround a white field with text are 5 color scenes in circles and ovals along with flowers. Text block has a small angel with putti flanked by "Traus" and "Schein" (Marriage Certificate). Infilled in cursive with black ink. Bridal couple are Joseph W. Houk and Marie A. Schleeger, both of Columbia, married 30 June 1902 in St. Paul Evangelical Lutheran Church in Columbia. Witnesses were Martin Schwarz, Louis Schleeger, Frederick Schleeger and August Witte. It is signed at the bottom "Harrisburg den 5ten Februar 1902 / Eduard H. Paar, / Ev. Luth. Pastor." Below the outside border is "No. 104" at left and "Verlag von Ernst Kaufmann, 330 Pearl Street, New York." at right. Reverse side has "White & gilt / 85" written in pencil.
Printed in New York City by Ernst Kaufmann. Infilled in Columbia or Harrisburg, likely by pastor Eduard H. Paar.
Dark smudges at top center. Brown liquid stains along bottom and upper right corner. Along left edge are two minor creases and one small tear. Reverse shows acid burn from backing board while framed as well as brown soil around all edges. Liquid stains evident particularly in bottom corners. Dark smudges along top.
Object ID
2004.743
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. This certificate designated #43.
Color lithographed Memento Mori on heavy tan paper depicts a scene in a church graveyard. A grieving couple, likely the parents, dressed in early 19th c. black mourning clothes, stand by a church with a large urn-topped tombstone underneath a green weeping willow tree. Gentleman gestures toward the stone with the side printed at top "IN / MEMORY / OF", followed by 2 sets of 4 lines in ink. First is "Henry Augustus was / born Sept, 10th 1829, / Departed this life / August 27th 1833,". Next is "Nathaniel was born / January the 24th 1835 / Died January 25th / Anno Domini 1835". These 2 sons both died an early death. No surname is given.
Printed underneath the border of this scene is "LITH. & PUB. BY N. CURRIER" at left and "2 SPRUCE ST. N. Y." at right. The number "280" is at center. Printed in New York City.
Printer: Nathaniel Currier, Infill by unknown
Provenance
Memento Mori - Remember that you have to die. Printed by Nathaniel Currier, circa 1830s
Artwork designed to remind the viewer of their mortality and of the unpredictable nature and fragility of life. This scene depicts a church graveyard and a grieving couple all in black mourning clothes. The urn on top of the tombstone symbolizes death since urns were often used in Greece and Rome to store cremated remains. The weeping willow, so named because of the way raindrops run down its long leaves causing some to think it looks like the tree is crying, serves to reinforce the emotions of grief and mourning.
The remembrance is particularly somber since it mentions the name of two children - Henry Augustus (1829-1833) and Nathaniel (1833).
Considerable foxing with gray soil darkening the paper at upper corner area but smaller areas extending along both right edge and top edge. Some soil at upper left side. All edges have been hand-cut. Reverse has heavy foxing with streaks of dark brown soil and acid burn from backing. Some ink spots. Stamped "PROPERTY OF / LANCASTER HISTORICAL SOCIETY".
Object ID
2004.744
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. This certificate designated #44.
Memento mori is a Latin phrase meaning 'remember you must die'. It is the medieval Latin Christian theory and practice of reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits.
Nathaniel Currier (1813-1888) in 1840 began to move away from job printing and into independent print publishing. He printed this and other versions of this scene in the 1840s.
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
