Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
Rectangular top inset with brown/black leather. Molded edge, straight flat sides. Two longer sides have two drawers, each with two round concave areas with small knobs at center. Four legs with bun-and-cylinder turned feet. Legs taper down to feet with two buns terminating on the smaller bun foot.
Grand National Democratic Banner. Heads of James Buchanan and John Brekenridge at center. Draped red and gold curtain at top with stars and eagle and 'One Country_One Constitution_One Destiny'. Eagle stands upon 'Union'. At bottom, figure of Americas wit
Framed lithographic image of John C. Breckinridge,14th Vice President of the United States. Mr. Breckinridge head and torso is facing to his right, wearing a black cravat with gold tie pin over a stock standing collar, black vest and black suit coat. Background includes the oval back to a chair, velvet red drapery and the base of a column.
Carved teak(?) 2-pedestal desk of three parts. The two pedestal bases have 3 drawers on one side only & false drawers on the other. Desk section rests on top of bases. Extensive carving over most surfaces: variations of grapes, vines & leaves. Desk section has long center drawer w/ 2 short side drawers; opposing side has matching "dummy" drawers. All functioning drawers are one side only. All drawers have wood pulls. Flanking drawers in bases are tapering pilasters (split columns) with vine and grape leaf carving. Bottom of bases has gadrooned edge with egg-and-dart carving. Both bases sit on 4 bun feet w/ some carving.
Worn finish, with some areas very "weathered/sunbleached", especially lower sections of bases below dummy drawers. Some areas of liquid staining. Desk top also has wear and marring with one chipped corner and a long crack extending in from right end. One drawer pull missing. Drawer slides resurfaced
Object ID
2013.008.017
Notes
A private gift from an acquaintance in India to President-elect James Buchanan. Buchanan used it in the White House.
Place of Origin
India
Credit
Gift of the Family of Eleanor N. Henry (John D. McNeill Jr., Mary Catherine Henry West, James Buchanan Henry IV, and Elizabeth Henry Richardson)
Serpentine-back, enclosed arm sofa, Louis XV (Rococo Revival), has yellow upholstery, finger-molded exposed frame of rosewood or mahogany and a rounded back crested with central cartouche of high relief carved fruit and leafage. Outline of rounded back slopes down to rounded shoulders that descend and curve back in to arms that enclose the sitter. Low arm rests have upholstered arm pads. Cyma-curved arm supports extend to short cabriole legs at front. Square, curving legs at back. Serpentine seat front and serpentine lower outline of seat frame.
One of a pair of Empire side chairs (with 2013.008.22) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid slip seat upholstered in an ivory cotton brocade. Front legs have a slight cyma curve.
One of a pair of Empire side chairs (with 2013.008.21) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid seat. Front legs have a slight cyma curve.
Empire side chair of walnut with yellow upholstered trapezoid seat. Elements of entire frame are flat with rounded fronts. Both front legs and back uprights have slight cyma curve. Scroll-cut and carved wide crest rail with concave shape. It is faced with bookmatched crotch veneer, with kidney-shaped handhold at top center. Outline of two C-scrolls flank hole along top. Paired cyma curves form outline of bottom edge. Rounded ends. Scroll-cut horizontal splat is pierced with low-relief carved confronting C-scrolls at center and scrolling "legs" extending to chair posts. Bowed front seat rail and flattened cabriole front legs.
Walnut rocking chair has caned back and seat. Frame of oval back is finger-molded and is connected to seat frame by two curving legs. Cyma-curve short, low arms connect oval back to seat, with foliate carving at top end. Seat frame is a rounded "D" shape with round outside edge. Ring-turned legs are all connected by a baluster-turned stretcher and sit on rockers with front ends barely extending beyond the front legs.
James Buchanan, Fifteenth President of the United States
Description
Framed Currier print of James Buchanan. Buchanan sits at center, face diagonally to the left. He wears a white button-up shirt with high collar and white bow tie under chin. Black vest with four buttons all buttoned. Black jacket with lapels, two buttons
Color lithographed Memento Mori on heavy tan paper depicts a scene in a church graveyard. A grieving couple, likely the parents, dressed in early 19th c. black mourning clothes, stand by a church with a large urn-topped tombstone underneath a green weeping willow tree. Gentleman gestures toward the stone with the side printed at top "IN / MEMORY / OF", followed by 2 sets of 4 lines in ink. First is "Henry Augustus was / born Sept, 10th 1829, / Departed this life / August 27th 1833,". Next is "Nathaniel was born / January the 24th 1835 / Died January 25th / Anno Domini 1835". These 2 sons both died an early death. No surname is given.
Printed underneath the border of this scene is "LITH. & PUB. BY N. CURRIER" at left and "2 SPRUCE ST. N. Y." at right. The number "280" is at center. Printed in New York City.
Printer: Nathaniel Currier, Infill by unknown
Provenance
Memento Mori - Remember that you have to die. Printed by Nathaniel Currier, circa 1830s
Artwork designed to remind the viewer of their mortality and of the unpredictable nature and fragility of life. This scene depicts a church graveyard and a grieving couple all in black mourning clothes. The urn on top of the tombstone symbolizes death since urns were often used in Greece and Rome to store cremated remains. The weeping willow, so named because of the way raindrops run down its long leaves causing some to think it looks like the tree is crying, serves to reinforce the emotions of grief and mourning.
The remembrance is particularly somber since it mentions the name of two children - Henry Augustus (1829-1833) and Nathaniel (1833).
Considerable foxing with gray soil darkening the paper at upper corner area but smaller areas extending along both right edge and top edge. Some soil at upper left side. All edges have been hand-cut. Reverse has heavy foxing with streaks of dark brown soil and acid burn from backing. Some ink spots. Stamped "PROPERTY OF / LANCASTER HISTORICAL SOCIETY".
Object ID
2004.744
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. This certificate designated #44.
Memento mori is a Latin phrase meaning 'remember you must die'. It is the medieval Latin Christian theory and practice of reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits.
Nathaniel Currier (1813-1888) in 1840 began to move away from job printing and into independent print publishing. He printed this and other versions of this scene in the 1840s.
