Oil on canvas portrait of Rev. Hans Herr (1639-1725), attributed to Baron Leon von Ossko, unframed.
Painting depicts elderly gentleman with nearly shoulder-length hair and long beard, wearing a plain brown coat with two buttons showing at front; plain dark background. Up-cast eyes and unsmiling face denote a properly pietistic expression for this patriarch and pastor of the first group of Mennonites to settle in Lancaster County in 1710. At upper right hand corner in block letters is painted "HANS HERR."
Canvas is attached with tack to sides of a mitered stretcher. The miters are fitted at back with a cast iron device embossed with two patent dates of 1883 and 1885.
The book Genealogical Record of Rev. Hans Herr & His Lineal Descendants depicts a copy of this painting, noting that it was painted by John Funk. Von Ossko reportedly produced a number of these paintings for the Herr descendants, apparently copying the original Funk portrait. The artist married a descendant of Hans Herr, Ella Louisa Breneman, in 1884. They lived in Lancaster City. Marrying into the Herr clan likely sparked the idea for generating copies of the patriarch on canvas.
(Written by Wendell Zercher.)
Provenance
The Farmers (Mr. and Mrs. C. Richard Farmer) say they obtained painting from an unknown source. They gave it to their son years ago, but he never used it.
This painting was after the original by John Funk of Strasburg.
Puncture of 1/2" x 1/2" to right of sitter's left eye; near complete puncture at bottom, 7" in from right corner, with pigment loss. A ft-long scratch begins at right of sitter's curl and extends obliquely to lower right corner. Some pigment loss at edges; deterioration of canvas and tacks failing along left edge. Soiled overall. A small piece of paper is affixed at back to repair the major puncture. Recent tacks added to secure canvas at sides.
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Umbrella Manufactured by Follmer, Clogg & Co., Lancaster
Description
Umbrella, black silk-cotton canopy, metal ribs and shaft, carved J-shape wooden handle finished with dark stain and glossy varnish. Canopy appears to be a black blend of cotton and silk, having no glossy sheen.
Initials "FUMC" printed in white on applied piece of fabric on the underside of the canopy crown, apparently representing the maker, Follmer, Clogg & Co. (FUMC = Follmer, (Clogg) Umbrella Mfg. Co.) of Lancaster.
Bottom of wooden handle is relief-carved with a heart, inside of which are 4 raised diamonds, separating two sets of 3 leaves. Heart is surrounded by vertically carved 'slices' into the wood.
Black cotton-silk tape secures umbrella when closed, using a metal ring at one end and small black button at other end where sewn to bottom of canopy. (Michael Middleton)
Provenance
Donor is niece of former umbrella hand-carver working for Follmer-Clogg (claims donor). John I. Hartman says the company did not have any carvers as actual employees.
Year Range From
1920
Year Range To
1944
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 5
Storage Cabinet
Unit 46
Storage Shelf
Shelf 3
Storage Container
Box 0382
Object Name
Umbrella
Length (cm)
90.17
Length (ft)
2.9583333333
Length (in)
35.5
Dimension Details
42 inches wide when open
Condition
Good
Condition Date
1998-01-02
Condition Notes
Wear to metal shaft, with paint losses. Shaft tip has wear and corrosion.
Sketch box made of brown alligator skin / leather over wood. Flat rectangular base w/ raised section at right end has two sunken containers. Top one is oval with ornate raised decoration on hinged silver(?) lid; beaded oval trim at base marked "PAT. March. 25.90." Oval well lined with suede. Lower container has alligator-covered round hinged lid leading to another hinged metal lid leading to a small ink jar within.
Place of origin is unknown.
Large part is a padded alligator-covered lid hinged at top. Underside of lid has pouches of light brown leather. Writing/sketching surface has a blue paper blotter secured by leather corners. Leather loop at hinge holds a metal pen decorated with raised beaded rings.
Inscription on underside is pencil script: "From Charles / Xmas 1890". Alongside is a sticker with name and address of donor.
Provenance
Donor acquired this and many other Mifflin pieces from the Mifflin estate and, then donated it to the Heritage Center in 1995.
The alligator skin and leather are cracked, especially along the spine and bottom of the folder. The box with the two compartments is uneven on the top. The lid of the oval shaped compartment is tarnished, and the snap is broken. The ink jar is staine
Object ID
G.95.36.2
Credit
Gift of Mr. and Mrs. Lamar L. Libhart, Heritage Center Collection
Clear pressed glass compote and lid. Added decoration is wheel-cut. Body is a round vessel with upward curving sides and a ring of recessed ovals around its base. Sides decorated with a wheel-cut design of leaf-and-berry vine. Body sits on a pedestal with raised round foot stem with a decorative ball at center resembling a pineapple. Domed lid has same decorative ball as stem of compote. Same vine design as on the is wheel-cut into top and a ring of ovals is at bottom (same as ring of ovals on base). Note: Number appears only on bottom of compote. Lid is not marked.
(Written by Wendell Zercher.)
Provenance
Donors are brother and sister, Marianne Richman Replogle of Arizona and Merle Richman of Florida. The recall ownership of the compote bye their maternal grandmother Mable (Mrs. Charles) Wisner of 1016 Marietta Ave. in Lancaster. The believe the compote was used at their summer home at Landisville Camp Meeting (a Methodist campground of cottages). Compote then passed to the daughter (donors' mother) Louise Wisner Richman (1909-2006). Louise left Lancaster in 1931 after graduating from Lancaster General as a nurse. She later returned to Lancaster as a widow and resided in the home at Landisville Camp Meeting. Louise always wanted this compote to be given to a museum and not to the children.(Wendell Zercher.)
Year Range From
1900
Year Range To
1950
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
West Wall
Storage Cabinet
Unit 33
Storage Shelf
Shelf 4
Object Name
Compote
Material
Glass
Height (cm)
30.48
Height (ft)
1
Height (in)
12
Width (cm)
20.955
Width (ft)
0.6875
Width (in)
8.25
Condition
Good
Condition Date
2006-04-01
Condition Notes
Very minor scratches in some areas. Otherwise in very good condition with no chips or significant damage.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ JOSEPH HAEFNER." One of a pair with P00.42.3.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Haefner's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000. Transferred from Heritage Center Dec. 2012.
Heavy tarnish overall. Moderate scratching. Slightly dented in center of and below engraving. Small nicks on rim of lid. Minor corrosion where handle and thumb piece connect to body and on bottom. Some polish residue in crevices.
Tin candle mold with 2 rows of 4, mounted on a raised rectangular base. The 8 molds incline toward each other at their tips and are soldered together for strength. Wire finger ring attached to one side of base and large looped strap handle at other side.
Provenance
Provenance before donor is unknown. Transferred from Heritage Center, December 2012.
Copper sculpting/modeling tool hand fashioned to create a flattened, spoon-like handle leading to a rounded shank ending in another flattened end bent at the tip to create a short 1/2" extension bent to nearly a right angle for working in clay or plaster. End is squared off. Crude but effective tool for sculpting bears marks of hammering, especially underside of flattened handle. Used by Lloyd Mifflin. Tool presumed to have been fashioned by Lloyd Mifflin himself from a length of copper. Provenance: Mifflin to the Minnich sisters to the groundskeeper at Norwood to donors.
Yellow earthenware lobe-paneled spittoon decorated with streaked and spattered dark brown manganese under a clear lead glaze. Oval drain hole on side. Underside has impressed maker's name in block letters: "Eagle/ Porcelain Works / Lancaster City, PA / Henry Gast, S.Q. St. "
Saltglazed stoneware jug has beehive shape, thick lips at mouth and applied handle attached to neck and shoulder. Cobalt decoration is a horizontal flower on side under the impressed name "COWDEN & WILCOX/ HARRISBURG." Daubs of cobalt decorate both terminals of handle. Tan body has dark blotches created in firing. Glazed overall except for underside, which is scored with comb-like marks. Pencil inscription on bottom is perhaps "Daniel Hartman."
Ironstone china fish platter; long rectangular white molded specialized dish with a realistic overglaze painting of a large fish filling the recessed center of the platter. Rounded corners and ends of platter. Raised decoration is an identical design of scrolled roping from which hangs a flower and two branches of leaves extending sideways. Bottom has a conforming foot ring and center ridge, both unglazed. Impressed mark on bottom is "B.S." over "M." within a square with clipped corners.
Butter crock, stoneware, blue-gray ground with cobalt floral decoration. Lip is 7/8 inch high with scored decorative rings below. Applied handle at each side near top.
Clarke Hess says this crock is known "in the trade" as a cake crock.
Several cracks: one extends 2 1/4 inches down from lip to exterior air bubble on surface, one extends down side from top to bottom (especially visible at lip and exterior. Crazing over much of surface. Salts visible at lip, inside and outside
Object ID
G.04.23.07
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
One of two identical white china high-heeled 19th century woman's shoes, with molded floral decoration around entire shoe. Raised flowers trim front of shoe with a tied bow centered above. Lavishly painted with heavy lustrous gold paint around back and sides of shoe as well as the bow and centers of raised flowers. Printed on top of the shoe front is: "Souvenir/ of /Lancaster/ Pa."
The number "59" is handpainted on bottom of heel. Impressed underneath instep is: "A" over "1924"
One of two identical white china high-heeled 19th century woman's shoes, with molded floral decoration around entire shoe. Raised flowers trim front of shoe with a tied bow centered above. Lavishly painted with heavy lustrous gold paint around back and sides of shoe as well as the bow and centers of raised flowers. Printed on top of the shoe front is: "Souvenir/ of /Lancaster/ Pa."
The number "59" is handpainted on bottom of heel. Impressed underneath instep is: "A" over "1924"
Sugar bowl with lid, hard-paste eathenware has white clay body hand-decorated with cobalt blue. Squat, bulbous body sits on foot ring; pot-belly sides have a large beaded shoulder leading to a narrowed neck and finishing with an outward flaring rim w/ coggled edge. Four or five blue bands painted while on the wheel and remainder painted freehand. Bulbous section alternates with two different leaf designs suspended from the blue-painted shoulder bead. Large round dots are spaced between each leaf. Coggled edge is blue and top of rim has a leaf form painted in two rows. The domed lid has a bee skep finial painted blue, a wide blue strip at botom edge of lid and four leaves in mid-section of same two designs as on bulbous body. Clear glaze over all.
Small "S" impressed underneath at side, perhaps signifying the potter.
Good 3/8" long chip at coggled rim edge showing a very white clay which suggest a later date. Wear and soil at bottom and soil scattered over entire piece. Overall crazing.
Object ID
G.81.7
Credit
Gift of Florence Starr Taylor in memory of Annie Mottern Taylor, Heritage Center Collection
Crock w/ handle, redware, wheel-turned with applied strap handle.
Bulbous body is about 5" diameter at base and swells upward, curving back in to create a slight shoulder, capped with a thick, nearly vertical lip of about 3/4" high. Very dark brown manganese glaze on interior only.
Stamped "D.SWOPE & SON./ LANCASTER, PA." Father was Daniel (1812-1892) and son was George A. Swope.
"Lancaster Co. Pa. pottery," by Jeannette Lasansky, Magazine Antiques, Sept. 1982, pp. 538-547. Also her working list from 1982 Heritage Center Museum exhibit. 1869 and 1886 Directories. "The Makers of Pottery in Lancaster Co." by M. Luther Heisey, LCH
Height (in)
5.5
Width (in)
8
Diameter (in)
6.75
Condition
Good
Condition Date
2014-05-16
Condition Notes
Generally sound, but three hairline cracks extend across interior of bottom, two of which extend up the sides for no more than one inch. Several old chips on lip, one is larger and recent (about 2" from handle). Body is very good. Interior glaze has some spalling or chipping, esp. at bottom.
Object ID
P.01.33.1
Notes
Nice example of D. Swope letterhead in D.B. Landis Archive (P.04.14.1) in Metal Cabinet. Copy in this file.
Paperweight or keepsake of carved white marble has a carved reclining sheep, done in bas relief, is lying on a narrow ledge on an inch-thick slab of marble resembling a curved top tombstone. Incised name in block letters below the sheep: "E. M. Howell." Bottom edge below name is relieved with a carved cupid's bow design.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts. Great grandson Dick Witmer states E.M. Howell is certainly Howell's wife Elizabeth Michael who Charles married in 1841. She died 10-22-1877.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Paperweight or keepsake of carved white marble has a 3-D carved reclining sheep reclining on a half-inch-thick rectangular base, secured with a screw on underside. Base has chamfered top edges. Thin sheet of red rubber glued to underside of base.
Attributed to Charles M. Howell (4-24-1814 to 4-10-1903).
Provenance
Donor inherited two carvings from her Aunt Annie and Aunt Kate Willson. They were pupils in Charles M. Howell's Sunday School class at First Presbyterian Church and he passed them out as Christmas gifts.
Howell was an important in business and civic affairs. He operated a marble yard on N. Queen St. in Lancaster. Other carvings by Howell's employee,
Augustus Beck, are extant. Dick's brother Bob Witmer removed these large carvings (of lions?) that had been at the corner of a Howell residence at East Chestnut and Cherry Sts. to his home outside the city. Additional small carvings are reportedly owned by Lancaster collector Gene Charles.
Ironstone pitcher, one of a pair, has flattened pot-bellied white body with clear glaze. Exterior painted magenta except for large reserves at sides delineated by gold-painted foliate molding. "G.M.S." painted within side reserves in Old English letttering. Molded arched handle with thumbpiece. Gold-painted highlights on rim, spout and handle.
Initials represent George Michael Steinman (1847-1920). Marked on bottom in blue is an emblem with two concentric circles having illegible words within.
Provenance
Descent within family from Geo. M. Steinman to Sarah Myer Steinman (1839-??) who married George Mayer Franklin (1839-1899) who joined Steinman Hardware business in 1869. George and Sarah Franklin has a son Frederick Steinmand Franklin who has a son Frederick Steinman Franklin, Jr. who was the donor's (Carolyn Herr Franklin Long) father.
Large area of brown discoloration under glaze moving/spreading down from the top on both inside and outside. Visible crack from top, by handle, about 2 3/4 inches long. Chips at base. Extensive crazing. Gold paint worn at thumbpiece.
Object ID
G.03.29.1
Credit
Heritage Center Collection, gift of Mr. and Mrs. Henry Long
