Blanket chest, walnut with dark brown stain, by Henry Slaugh, showing stylistic influences of Colonial Revival, Italian Renaissance and Arts & Crafts (per donor). Elaborate carving on front & two bottom drawers. Unusual tenoned dado joint used in case construction. Secured with nails.
Hinged lid is unadorned except for double string inlay on edges.
Front, at top, is a frieze with two 1.75"-wide panels of intricate relief carving on either side of a shield inlay keyhole escutcheon. Centered within each carved panel are the first and last names in overlapping letters of the attorney who commissioned the chest "REDMOND" "CONYNHAM". The date of 1916 is also carved at sides of names. In the top corners of the front are carved rectangular boxes with relief carved initials, "H" on left and "S" on right for the maker, Henry Slaugh. Within the relief carving are smaller incised letters, "F" and "W" on left and "E" and "R" on right." Henry Slaugh Workshop.
Center panel has a long rectangle of string inlay with hollow upper corners. Applied, carved ionic columns at extreme left and right are decorated with vertical string inlay. At the top and bottom of the central panel is a thin molding with double string of inlay. The bottom molding and inlay continue around the sides.
Below the center panel are two drawers with double brass bail pulls and central shield inlay keyhole escutcheons and string inlay around the perimeter of each drawer. Flanking the drawers are two inlaid oval paterae. There is a thin molding under the drawers that continues around the sides with a double string of inlay.
Chest has French feet with spurs. Interior contains two fitted sliding drawers.
Redmond Conyngham (1863 - Jan. 8, 1929) was a Lancaster lawyer whose longtime office address was 53 N. Duke. His home at 134 N. Duke was the same residence of his mother & step-father. Later it was 304 N. Lime some time before his death. The 1912 Lancaster Business Guide, p. 11, lists Conyngham, lawyer, and Wm. H. Hager, Dept. Store, at 134 Duke St. Mrs. Wm. H. Hager was his half sister Mary Wilson Hager(1871-1956). Their mother was Mary E. Miller Conyngham Wilson, M.D.; Redmond's father was John Redmond Conyngham(b. 5-26-1842 d.?).
Provenance
Donor purchased chest for $1,000 at the Mary Hager sale held by Horst Auction, Jan. 29, 2000. Chest passed to Conyngham's half-sister who died in 1956, Mary Wilson Hager (Mrs. Wm. H. Hager).
Horst records only say "From the home of Mary Hager." Many items were consigned this way, apparently by a bank that was administering the estate.
Moderate soil and abrasions overall. A 1-inch-long discoloration on top is11.75" from right edge and 22" from front. Chips along top edge of lid. Left column partially separated from chest. Wear near bottom of feet. Back left foot has large loss and some chipping. Chip on right front foot. Loss at left drawer escutcheon;some cracks in others. Scrape below carved numeral "9".
Object ID
G.00.05.1
Place of Origin
Lancaster
Credit
Gift of John J. Snyder, Jr. in honor of the Krote Cousins, Heritage Center Collection
A: Homemade awl or piercing tool with hand-shaped shank with turned up tip set into a crude wooden handle with no finish. L: 5.25"
B: Awl or bodkin with decoratively turned walnut or rosewood handle fitted with a foresection of bone set into handle that tapers to a sharp point. L: 5"
C: Section of cow's horn (thumb protector?) L: 3.25"
D. Section of cow's horn (thumb protector?) L: 3"
Provenance
These four items were designated as basketweaving tools by donor. Unknown origin.
Pen nib of gold. Marked on top is "MABIE / TODD & CO / NEW YORK / 4". This company had roots in the 1840s, but established as Mabie, Todd & Co. in New York around 1907. They were known for their gold nibs, pencils and pens.
Taped to card with "See Minutes" in pencil. Accompanying cut envelope is addressed to LCHS with postmark from Seattle, Washington 26 Sep 1976. In pen is written "Gold Pen Point Box 23." Crossed-out name below is "Ann Hoeck(?)".
Provenance
A present from Thaddeus Steven to Eli Lybe--with memorandum "Thaddeus Stevens pen. Presented to Eli Lybe by young Thad."
Lancaster Amish quilt is a Center Square pattern, c. 1920. Notable because of added corner blocks. Although Center Square pattern is considered early, the usd of turquoise, the added corner blocks and the simpler and less fluid quilting patterns suggest a later date.
Top: Plain- and twill-weave wool. Turquoise inner border makes a striking tonal statement, making the quilt much brighter than the previous three.
Back: Black-and-white plain-weave cotton chambray (a pain-weave cotton having warp and weft threads of different colors, in this case, black and white). Chambray is frequently used as backing for Amish quilts.
Quilting: Center if filled with waffle pattern. Inner border has cable with a 7-petal flower at each corner, a later and less common inner border pattern. Outer border has basket quilting (usually associated with the 1920s and 30s). These baskets appear to be fruit-filled with coiled handles, creating a more interesting pattern than mere basket outlines. Corners have fine wreath quilting.
Near Peach Bottom, southern end of Lancaster County
Provenance
Esprit purchased from the Holsteins for $10,000 on 6-12-80. Robert Bishop writes that the quilt came from a farm near Peach Bottom in southern Lancaster County (Amish: The Art of the Quilt).
Lancaster Amish quilt is a Diamond in the Square patern, c. 1910. Herr writes: "The use of dark colors in similar tones suggests that this quilt was made in early 20th c."
Top: Plain- and twill-weave wool. Corners of inner border are pieced, and one of the four is comprised of two joined pieces. Blue binding.
Back: Black & white plain-weave cotton chambray.
Quilting: Interwoven feathers, each frond has a tulip at its end. Inner border has pumpkin seed flowers within a diamond pattern. At each corner is a 6-pointed star; all are double lined except on. Triangles are waffle quilted. Center diamond has a large star and 6 small stars within a feather wreath. Corners have a pattern of intersecting circles.
Provenance
Esprit purchased from the Holsteins for $9,000 on 6-12-80.
Lancaster Amish quilt, Diamond in the Square pattern, circa 1925.
Top: plain- and twill-weave wools. Maroon center diamond and turquoise triangles. Inner border of the same maroon. Outer border of gray-blue. Red binding is 1 1/2" wide. (The turquoise wool dates from the 1920s or later.)
Back: plain-weave cotton with a gray-and-white twill-print. Two different fabrics joined; a narrow strip of darker print was used along one edge. This type of fabric is commonly used on backs.
Quilting: Diamond has a large feather wreath with large 8-point star centered within with 8 additional small stars surrounding star. Outside corners have a grape-and-leaf design and outer edges are lined with a row of scallops. Turquoise triangles of square have a rose and tulip branch pattern (normally seen on later quilts). Inner border has "pumpkin seed" flowers within a diamond pattern. Outer border has scrolling feather motif with a pair of 8-point stars centered at two sides only. A row of scallops lines inner edge.
Provenance
Esprit purchased from Phyllis Haders for $9,000 in May of 1984.
See file for Esprit condition report for details: small moth holes and worn areas. Additional holes/worn areas noted. Also light stains scattered over surface. Back has some large areas of light brown stain.
Lancaster Amish quilt, Diamond in the Square pattern, circa 1925.
Top: all twill-weave wools. Red diamond is on a square of dark blue. Both diamond and square have a narrow border (3 3/4" wide) of the same purple. Dark blue binding is 1 1/4" wide.
Back: Black sateen-weave cotton, four pieced panels.
Batting: Many sections of wool batt laid side by side, causing visual and textural changes to the front fabrics.
Quilting: Diamond has large feather wreath with an 8-pointed star centered within and double-stitched foliate motif in outside corners. Triangles of center square have branching tulip-and-rose design. Both inner borders have the same triple-stitched cable motif and 10-petal flowers in corners. Outer border has curving feather design with additional feather strips filling in where possible. A row of scallops are on inner edge, next to inner border.
Provenance
Esprit purchased from Bettie Mintz of Bethesda, MD in Feb. 1984 for $9,500.
Issued as U.S. postage stamp, August 9, 2001. (Samples in Esprit file). Featured on cover of Esprit book "Amish: The Art of the Quilt."
See file for Esprit condition report for details: small moth holes and worn areas. Additional holes/worn areas noted. Also light stains scattered over surface. Back has some large areas of light brown stain.
Lancaster Amish quilt, Diamond in the Square pattern, c. 1925. This classic wool quilt is pieced from a pleasing selection of intense colors that might have been used earlier in the century, but the rose motif quilting suggests a date of mid-1920s or later.
Top: Plain-and twill-weave wool. Diamond of light red (24" square) has narrow purple border and outside the turquoise center square is another purple border. Wide outer border of deep red. Binding of gray-blue is 1 1/4" wide. It has machine stitching with white thread on front.
Back: Printed plain-weave cotton is maroon with tiny white motifs.
Quilting: Within a large feather wreath is a large center 8-pointed star surrounded by 8 smaller stars. Corners outside wreath have floral quilting. Triangles of square have a branching tulip and rose motif. Both inner borders have a grapevine pattern not common until the late 1920s and 1930s. Outer border has usual feather quilting that is less dense than usual, so additional floral device helps to fill in space: two small 9-petal flowers are stitched between feather ends at the center of each side of outer border.
Provenance
Esprit purchased from Edward Brown of San Francisco for $5,200 on April 7, 1981.
See file for Esprit condition report. A 1/2-inch patched hole on wide red border is near center area. Many small, scattered stains and soil are especially visible in turquoise triangle and red outer border. Scattered small holes on front and back of binding. Prominent dark liquid stain on backing.
Lancaster Amish quilt, Diamond in the Square pattern, c. 1925
Top: plain-weave wools. Center diamond of purple is on a square of red triangles. The inner border repeats the same purple with corners of the same red. The outer border is a muted medium blue with corners of the same red. The binding is very dark green.
Back: blue-and-white plain-weave cotton chambray.
Quilting: Diamond has a large feather wreath encircling a multiple-line 6-point star within and unusual 3-branching flower with 6-petal blooms outside in each corner. Triangles of center square have branching rose and tulip motif. Inner border has "pumpkin seed" flowers within a diamond pattern. Corners have a ring of four tulip-like flowers. The four sides of the outer border each have four S-scrolled feathers with a C-scroll at each end. Corners have a well-executed compote of fruit.
Former label: "Wool absorbs dyes in an especially concentrated way, providing Lancaster Amish women with their particular lush palette. They characteristically balanced large, starkly geometric designs with elaborate, curvilinear quilting designs. While all of the quilting designs on this fine Diamond are from the standard repertoire, they have been selected from the fanciest end of the spectrum. Notice, especially, the floral urns in the large red squares."
Provenance
Esprit purchased from Kiracofe and Kile of San Francisco for $6,000 on June 9, 1981.
See existing Esprit condition report for numerous clusters of small moth holes and some soil. Most significant moth holes are in blue outer border, many of them about 1/8 inch dia. In addition are two 1" to 1.5" smears of light liquid soil near center of diamond.
Lancaster Amish quilt, Diamond in the Square pattern, c. 1925.
Top: plain-weave wools except for twill wool binding. Center diamond is dark blue henrietta cloth, once used in the maker's dress.** Center square is gray; inner corner is salmon with light red corner blocks; outer border is purple(?) with blue corners. The 1-1/4-inch binding is heavy blue twill.
Back: green twill-weave cotton flannel.
Quilting: Large feather wreath in diamond with waffle interior and unusual double-stitched floral motif in corners. The triangles of the inner square have a branching rose-and-tulip motif with double-stitched stems; also included are two small poorly spaced stars filling in a few corners, flanking two opposing points of the center diamond (4 total). Inner border has pumpkin seed flowers surrounded by a diamond pattern. Corner blocks have a 5-petal flower. Outer border has scrolling feather pattern with a small flower added in each corner.
String tag, now removed, states quilt was frozen 05/12/92.
**Esprit book (Amish: Art of the Quilt) quilt caption claims that the maker's daughter recalled the fabric of the center diamond as "the dark blue from my mother's dress." (No maker's name, however) The label continues: "The Lancaster Amish use the term "henrietta" to describe a variety of fabrics, but it usually refers to the fine wools they favor for their quilts. Lancaster quilts are most often square and symmetrically arranged, almost always ranging from 72 to 88 inches square."
Provenance
Esprit purchased from the Holsteins for $8,500 on June 12, 1986.
Existing Esprit condition report details various stains, fading, very fragile fraying in center blue, etc. Highly significant, visible problems such as (1)shredded, fraying areas of blue center (2) orange stains of large corner block and (3) large area of fading within outer border, lighter stains in dark areas.
