Cast Iron Hubley Motorcycle with driver. Red "Indian" motorcycle with sidecar has a removable policeman with uniform, goggles, badge, sidearm, cap, boots and gloves. Cycle is painted red with silver handlebars, engine and highlights; sidecar seat is black. Decal on left side of gas tank has "Indian" on gold ground. Policeman is painted black with silver goggles, badge and buckle; face is pink. Three tires are marked "HUBLEY MFG CO. BALLOON" w/ size and "CORD". Metal "clicker" underneath. Sidecar policeman missing.
Moderate overall wear with soiling and significant scattered rusting and corrosion. All tires are flattened with some additional deformation.
Object ID
2010.023.2
Notes
Hubley Toy Company produced many different models, sizes and compositions of motorcycles during the years they were in production. Most of the motorcycles were based on Harley Davidson and Indian in the earlier years and then expanding to the BMW and perhaps others. Indian models are the most sought-after and have the highest value.
World War I Homecoming Medal for Returning Soldiers
Description
World War I Medal or award. Bronze stylized inner seal of Lancaster. Given to soldiers returning from WWI in 1919. (Safety pin sewn to ribbon on back.) See Journal article, vol. 97, #2.
Dovetail construction, wire nails used on interior. Inside is a till and a sliding drawer; shoe molding on all bottom inside corners. Below mid-line molding are two thumbnail-molded, side-by-side drawers with nailed joints and fitted with locks, escutcheons and bail-type brasses in batwing style.
Lid is two joined boards with ends tenoned into end boards and pegged, cutting board fashion. Edge molding is intrinsic, not applied, except for light molding attached to underside to create lip. Lid has strap hinges with fishtail terminals and is fitted with a lock and brass batwing-type escutcheon. Medallion is relief-carved into center of lid top with "18 SF 40." The meaning of this 1840 date is a mystery.
Molding at the base of chest; four ogee bracket feet.
Provenance
Provenance: One of twelve pieces of furniture transferred to this museum from the Lancaster County Historical Society. These pieces were part of the estate of Sarah Ann Stauffer (1913-1996) whose property, Lime Kiln Farm, was bequeathed to LCHS upon her death in 1996.
Clarke Hess had suggested the chest may have been made for Sarah Ann Frantz and the 1840 date may be her birth year. Often, he says, pieces of furniture were made for a child or heir at the time of the settling of an estate.
Research: Sarah Ann Frantz (sister of Sarah A. Stauffer's gr-grandfather Henry L. Frantz) was born 1835, Grandfather Samuel O. Frantz was born 1861, so this theory is incorrect. (The East Hempfield Twp. farm of Sarah A. Frantz is located on both the 1875 and 1899 Atlases, SW of Rohrerstown and S.O. Frantz is shown nearby on 1899 Atlas.)
Top has large crack through center and many dents, scratches and score marks. Loss at right end of mid--line molding of front. Multiple cracks in sides. Repairs done to feet. Refinished with heavy stain and varnish on lid and all interior surfaces. Original finish on front is heavily alligatored; finish on sides is crackled. Interior surfaces have had paper and textiles adhere to wet varnish. Sliding drawer has crack in bottom.
Object ID
G.99.41.9
Place of Origin
Lancaster
Credit
Transferred from Lancaster Co. Historical Soc., Heritage Center Collection
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Self-made tool box, tinned sheet metal, rectangular form with hinged coffin lid (domed), copper hasp, hollow, shallow compartment in the bottom of box with opening at one end. Bail wire handle at top with wood grip. Box holds 20 metal worker's tools.
Made by metal sheet worker William J. Eppley of Lancaster City for his own use.
Provenance
Maker to daughter Ruth Eppley Ganse (1910-1949, Mrs. Charles N. Ganse) to son Robert ? Ganse to wife, the donor.
Well used with tin worn; has discoloration, dents, abrasions, deformed areas, corrosion especially inside, copper hasp deformed and bent with wear. Some solder repairs have been made to failing joints/seams.
Lignum vitae lead-dressing stick. odd shaped heavy wooden tool has flat bottom, flat front end and long round handle on opposite end. Dark lignum vitae wood, natural finish with white paint at various places on handle.
Lead dressing stick is used to "dress" or shape, flatten, and smooth sheet lead.
Provenance
Maker to daughter Ruth Eppley Ganse and spouse Robert N. Ganse to son
The first of limited edition reproductions of a Christian Eby 8-day clock. Produced by Hamilton Watch Company in 1982. Modeled after a c. 1790s clock privately owned in Lancaster.
Federal era case has extensive inlaid ornament: inlaid corner columns, rosettes on scrolled pediment, line inlay, and a fan patera within oval above waist door. Painted white dial with moon wheel.
Sheet brass sign, "The Slaymaker Lock Co." and "The Makers of Padlocks, Cabinet Locks, Hardware, Brass Castings, Plating, and Polishing" Marked, "TUCKER"
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ FRANK J. RIEKER." One of a pair with P00.42.2.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Rieker's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000.
Tankard, lidded barrel form. Copper body with brass handle, shell thumb piece and four bands encircling body. Interior is tinned. Engraved on opposite side from handle, "COMPLIMENTS/ OF/ JOHN G. SCHAUM/ TO/ JOSEPH HAEFNER." One of a pair with P00.42.3.
Believed to be a presentation piece given by Schaum in appreciation for all the work he was given in Haefner's brewery. Schaum did copper, tin and sheet iron work and was the son and one-time partner of plumber/ coppersmith John P. Schaum.
Provenance
Collection of J. Harlan Miller sold at Conestoga Auction Oct. 21, 2000. Transferred from Heritage Center Dec. 2012.
Heavy tarnish overall. Moderate scratching. Slightly dented in center of and below engraving. Small nicks on rim of lid. Minor corrosion where handle and thumb piece connect to body and on bottom. Some polish residue in crevices.
Chippendale style miniature blanket chest form. Mahogany-stained softwood, dovetail contruction, Lid with brass butt hinges, four ogee bracket feet. Edge molding on lid; chest bottom extends beyond sides to create look of molding. Interior till at left. All surfaces stained and glossy-varnished. Large brass batwing lock escutcheon; silvered key. Top of lid has central relief-carved cartouche incorporating the monogram of Frances Mayer Hershey "FMH" according to Clarke E. Hess. He believes chest was commissioned by Frances' grandparents Henry M. and Frances Mayer. Pencilled in cursive on bottom is "M. Mayer Rohrerstown." Frances' parents were Harry E. Hershey and Dora E. Mayer.
Attributed to Henry Slough, Sr. workshop.
Provenance
Descent from Frances Mayer Hershey to son Henry R. Outin. Purchased by Heritage Center at estate sale of Henry Outin of 2107 Wood St., Rohrerstown, held by Shaub at Willow Street Fire Hall. According to Clarke E. Hess, Outin died just a few months before the Sept.sale. He was the only child of Frances Mayer Hershey and her French husband, (?) Outin. Clarke recalls this couple lived in Algiers and perhaps other places abroad. Frances M. H. Outin left America with her husband in 1928, putting all her belongings in storage until she returned as a widow in 1967, at wich time Hess Builders built a home for her behind the Rohrerstown Mennonite Church. Mrs. Outin died later at age 92.
Lid is strongly abraded, notably a large oblong outline. Minor wear and abrasions overall. Several small cracks at left front at dovetails and a 2 3/4" long crack at midline. Interior abraded and scarred with accretions.
Object ID
P.00.38.1
Place of Origin
Lancaster
Credit
In memory of Anne Bausman Woodcock by Sally Slaymaker & Caroline S. Nunan
Large iron box lock from Conestoga Cotton Mill #3 gate. Very long rectangular box has four screw holes for securing to gate and two very small butt hinges attached with screws to back edge. A projecting hollow key escutcheon is riveted to front of box about 5" from one end. Key would be inserted into lock through escutcheon.
In addition, there is an iron latch plate with L-shaped projection mounted onto face of plate, for receiving a lift latch bar. It has five screw holes for mounting on gate.
Depth or thickness is box lock only. Overall thickness including projecting handle holder is 3".
Condition
Fair
Condition Date
2014-10-07
Condition Notes
Expected strong weathering, resulting in surface pitting, rust, white paint residue and 3 significant cracks branching out from one screw hole near latch holder. Latch plate is extremely worn with apparent missing sections. L-shaped projection has lost its original surface due to grinding. Interior of box lock also ground away in sections.
World War I medal consists a cast bronze pentagonal medallion suspended from a silk ribbon of green and white, pinned to an oblong buff colored card printed with "WELCOME HOME / BOYS!" at the top and "LANCASTER, PA. / MADE BY J.F.A.Co." at the bottom.
Medallion hangs from ribbon via two brass rings. Raised detail on face is "WELCOME HOME" written in a banner at top. At center is the Lancaster seal flanked by the date "1919". Banner at bottom reads "LANCASTER PA." Ribbon has a safety pin stitched to upper back side, and is mounted by pin onto printed card.
Inscribed in ink on card to right of medallion is "$6.50". Struck on reverse of medallion is "JFACo."
Bronze is very dark with tarnish and soil. Ribbon is in poor condition with losses of green threads at left and broken and separating threads at right side. Card is worn and darkened with bottom right corner missing.
Quilt of pieced silk hexagons, creating what is known as a Flower Garden pattern. Made by Jacob F. Trexler, M.D. a surgeon and physician on staff at St. Joseph (and also coroner, according to donor).
Quilt is made of a plethora of multicolored silks, pieced with the English template method. Each small hexagon was stitched over a cardboard template (still present). Plain, patterned and textured fabrics were used, and even some pompoms as "flower centers." Large "T" for Trexler is satin-stitched in gold on a dark blue velvet ground at center. Multiple letters, initials and monograms are embroidered on individual hexagons. These apparently represent family members since many end in "T," such as EMT (wife Ella Moore Trexler?), AFT, ENT, MAT (mother Mary A. Trexler?), MLT, MLW and MWT. Several symbols are also embroidered (sunburst w/ face, wheel, etc.)
Backing is a mustard colored quilted silk fabric.
According to donor, Dr. Trexler had his quilting frame set up on the 3rd floor of his residence at 134 N. Prince St. His office was on first floor. Donor owns three other quilts made by Trexler (he made many after retirement). These are a log cabin (silks with a polished cotton back), a star and an unfinished hexagon.
Provenance: Donor inherited the quilts from the Trexler family. In addition to other quilts, she possesses a 1920 photograph of Dr. Trexler.
Very good condition, minor soiling and fabric deterioration at some fabrics along edges.
See in file, pages from "Uncoverings 2003" Vol. 24 for article with comments on hexagonal quilts done with the "English paper-piecing" construction technique and their resurgence in popularity in the 1920 and 1930.
Cast-iron toy tri-motor Fokker aquaplane, painted yellow. Made of multiple castings fitted and securred with screws. Three wire spring cables are fitted to pulleys under plane, allowing the 4 rubber wheels to turn the 3 propellers and activate a noisemaker. Raised letters atop wings spell "FRIENDSHIP". "NX4202" is on tail and "Fokker" is on left side of fuselage. All letters painted blue. Inside hollow fuselage is "HUBLEY." Gold seal on left end of wing reads "It's a Hubley Toy". Profile of Earhart is cast into one of the two rear windows on left side.
The Friendship was flown across the Atlantic from Newfoundland to Wales, on June 17, 1928, with Amelia Earhart aboard. She was only a passenger, but this event won her immense fame, including a ticker tape parade in New York City, and started her career as a major celebrity. (see Notes on why this plane was made.)
Provenance
Plane was given to donor by his friend Charlie Reiger (sp?).
Moderate overal loss of paint; rust on exposed metal; cracking rubber on wheels.
Object ID
G.88.9
Notes
Hubley Mfg. Co. was commissioned by Pittsburgh industrialist Arthur E. Braun (1876-1976) to make 22 yellow aquaplanes modeled on Earhart's Friendship. Earhart signed each one and Braun gave the planes out as gifts at a reception in honor of Earhart, held at his own residence in Pittsburgh in June of 1929. This plane is unsigned, suggesting perhaps that this example may have been a factory extra.
In 1932, Earhart flew solo across the Atlantic, again achieving acclaim as the 2nd person and 1st woman to do so. She received the Distinguished Flying Cross from Congress, the gold medal of the National Geographic Society and the Cross of the Legion of Honor from France.
Place of Origin
Lancaster
Credit
Gift of Samuel S. Snyder, Heritage Center Collection
