Fraktur presentation piece on wove paper, horizontal orientation. Green and brown designs and lettering. Has a foliate border w/ flowers at top center and corners. Large heart dominates design with 5 lines of religious text, and signed at the bottom stating fraktur was made for Anna Funck on 15 Dec 1824 by J. Eberman, schoolmaster. Acanthus like leaves surround heart with several flowers. Five baskets with flowers complete design.
Text: "Jesus ist der schonste nam / Aller, die von himmel kommen, / Huldereich, prachtig, tugendsam, den Gott / Selber angenommen, seiner grossen / lieblichkeit, gleicht kein name weit und breit. / Gemacht von Anna Funck, den 15ten December 1824. J. Eberman / Schul Meister".
Translation: "Jesus is the most beautiful name of all who which came from heaven full of protection, glittering, virtuous, whom God himself, except; His great loveliness is equalled by no name far and wide. Made for Anna Funck 15 December, 1824 (J. Eberman, Schoolmaster)"
Very light age coloring. Two large brown stains / burns at lower left corner. Smaller stains elsewhere. Dog-eared corners. Mounted in a white window mat hinged at top.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
White porcelain bowl lid, no bowl. Round, domed lid has a wide pink band at lower section of outer surface with bands of gold edging. At top center is a circle with slightly raised radiating ridges. Rising at center is a one-inch high knopf shaped like a fruit-filled compote with raised decoration on top.
Attributed to Feuillet. Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Some wear overall; esp. gold at bottom edge. Edge is unpainted and unglazed with wear.
All gold decoration is worn, esp. at rim.
Object ID
2015.029.9
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
Printed taufschein (B&BC) on wove paper by Herman William Villee of North Queen St. in Lancaster, infilled by unknown hand for the Hirsch family and carefully hand-colored. It is one of two German-language editions printed by Villee.
Taufschein has outer border of a stylized floral motif except at bottom which is an entwined, spiraling leaf and flower design. Large text block at center within a border with heading, "Geburts und-Tauf-Schein." Two smaller text blocks at upper corners have religious verse. Two very small blocks with verse are at bottom center. The three Virtues are personified by classically robed females arranged at sides and top of central block. At top is Love holding a heart; at left side is Faith adorned with a cross; at right is Hope leaning on a large anchor. (These 3 images were used by other printers in Reading, Orwigsburg and Pottsville -- see p. 133 in Vol. III of Klaus Stopp). Immediately below central text block is an image of 2 babies reading a book.
At bottom is: "Gedruckt und zu haben bey/ H. W. VILLEE,/ In der Nordlichen Quien Strasse in Lancaster, (Pa.) Allwo alle Arten/ von Dructer Arbeit verfertigt werden." Mounted in a molded softwood frame with an outside bead and slanting face. Painted black with green-painted face.
Certificate made for birth of Anna Hirsch, daughter of Joseph and Magdalena Metz Hirsch, born Dec. 14, 1821 in Rapho Twp. Reverse has two lines of 19th c. script in black ink: "Amey Hersh Died March the 10/ In the year of our Lord 1844."
Printed by Herman William Villee (b. 1789 in France, d. 1842 in Northumberland Co.), North Queen St. Likely the infill by unknown scrivener in Rapho Twp.
Provenance
See this file and P04.48.1(Adam & Eve broadside) for info about Villee. Additional broadside is P01.60.1.
See Klaus Stopp, "The Printed B & BC of the German Americans", Vol. III, pp. 133-134.
Strong horizontal fold line at center with additional creases. Two 1/2 inch tears at top extending downwards. Top edge very ragged and folded back.
Some overall yellowing, small area of foxing at top right, small liquid stains along top. Corrugated cardboard backing replaced with acid-free matboard back within an old molded wood frame, painted green on face and dark brown at sides. Paint has moderate wear.
Object ID
P.04.48.02
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
Within a twisted foliate border is a central block depicting Adam & Eve flanking a tree with a serpent wound around the trunk offering Eve an apple. This is an engraving executed by Gabriel Miesse of Reading; his name appears at lower right followed by "sc" for "sculpsit", indicating the engraver. Two columns of verse flank the central block, telling the story of "the Fall" in conversational form. At top of broadside is the title in German: "Adam und Eva im Paradies." A subtitle reads: "Mel. Herzlich thut mich Verlangen, etc."
At bottom is: "Gedruckt in der Druckerey des Adlers von H.W. Villee, Lancaster, Pa. allwo alle Sorten Bilder, Bucher,/ Schriebmaterialien und Arzneyen zu haben find." This indicates the broadside was printed in the Lancaster Eagle's printshop (a newspaper started by Villee and Jacob Baab on Oct. 26, 1826). Villee was also selling pictures, books, stationery and even medicines out of his shop on N. Queen St.
See biographical info about Villee from Klaus Stopp's book in this file. He was born in France, served as a captain under Napolean, had to leave France in 1815 and ended up in America in 1820. Villee entered the printing business by working at "the Eagle," a newspaper in Reading. Villee was not successful as a printer in Lancaster, and he left sometime in 1832 or soon after, going to places like Lewisburg, Sunbury and Milton. After moving to Northumberland Co. and becoming a teacher, he finally died in 1842.
The Earnests note that Adam & Eve were popular fraktur subjects, especially among German-language printers of SE PA. They note that there are only about a half dozen Adam & Eve broadsides by Villee known.
Exhibited in Fraktur Exhibit in Masonic Lodge circa 2004 through 2007 (removed spring 2008).
See also P.01.60.1 and P04.48 for examples of a Heaven & Hell broadside by Villee.
North Queen St., Lancaster (printer); Reading, PA (engraver). Villee, Herman W., printer; Gabriel Miesse, engraver; unknown colorist
Paper darkened and soiled overall, wrinkled with fold lines and rough-edged with minor tears and folds. Stains scattered over surface with darkest stains within right text above center. Small hole at center of top foliate border.
Frame is homemade of stained and varnished tiger maple. Acidic cardboard backboard replaced with acid free matboard.
Object ID
P.04.48.1
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
