Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Framed vorschrift on laid paper with German text penned on both sides with dark iron gall ink. Paper is folded with two strong creases, creating four quarters of the sheet. Half of "front" side contains illuminated vorschrift with four letter styles.
Top line in very large, ornate letters reads, "Wohl dem der..." Initial letter "W" is oversize and decorated with scrolling acanthus leaves. Arching over this line is a horizontal vine with flowers and pomegranate. The religious text in script ends with what appears to be Psalm 112. It ends with a final line in fraktur lettering reading, "Heinrich Miller, in Canastogen Townschip, Anno 1782."
One quarter of same side states, "Vorschrift Vor Heinrich Miller, in Canastogen Townschip, den 5ten Martz, Anno 1782."
Reverse side has a text in German script framed with a lined border. It has ten lines including numbers and alphabet, and it ends with the same line as above, "Heinrich Miller, in Canastogen Townschip, 1782."
Fraktur scholar David Johnson identified this artist as Friedrich Hartman, likely a schoolmaster. Hartman is found on no records but the 1790 Census, in Conestoga Twp., suggesting that he owned no property. Other Hartman pieces were found in the 1986 Fraktur Harvest (see this file).
This vorschrift relates closely to work done in northern Lancaster County near Ephrata Cloister although the artist is not known to have had connections in that community.
Provenance
HC purchased at Scott's sale through Christie's for $1265.00, Jun 11, 1994. This piece was likely collected by Scott in his usual manner, purchase at sale in Lancaster Co. or region.
Mounted in frame folded in half: H: 8.25" W: 13.125"
Frame is H: 16.25 W: 19.25"
Condition
Good
Condition Date
2016-10-24
Condition Notes
Overall soil with many stains. Edges are ragged, a 2-inch-long sections is cut from one corner. There is breaking at creases and losses where heavily inked. Paper loss where crease coincides with lettering as well as tulip-shaped flower.
Matted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
P.94.13.3
Notes
This fraktur is recorded in the Winterthur Library: Decorative Arts Photographic Collection, NEH 475, 17-19 (per Christie's)
Pictured on p.15, of Fraktur: Folk Art & Family by Corinne & Russell Earnest.
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
This frog doorstop serves as an iconic symbol of James Buchanan's attachment to his favorite spring at his Wheatland farm, and was donated because it was an appropriate piece.
Religious text by Christian Strenge on wove paper, pasted on Kraft type brown paper and mounted in a hinged window mat. Horizontal orientation.
Within heavy black borders with red corner blocks are multiple lines of text, each separated by several motifs resembling a sideways ampersand. Top line is "Preiset mit mur den herren und lasset uns" done with large open letters and decorative infill. Followed by 3 lines of fraktur red lettering, ending with the reference Psalm 34 verses 4, 5 and 6. Remaining text is script, ending with "April 1788."
Dominating fraktur design are two very large distinctive, colorful flowers drawn with a compass. Main stem with drooping tulips & other flowers at sides and is rooted in a heart containing verse. A bold red predominates
First line translation is "Praise with me the Lord and let us...". On fraktur back is printed "property of Lancaster County Historical Society."
Extensive damage. Very dark with overall acid burn. Multiple losses, especially at left side and upper left corner with very ragged edges and holes. Additional heavy paper losses at bottom, right of center and significant holes extend across area above "Preiset". Paint is chipped, abraded and missing, especially black. Thin wrinkle extends across bottom about 1 inch from bottom. Pasted to acidic Kraft type paper.
"Needs restoring" according to Pastor F. Weiser (appraisal of 1988)
Object ID
2003.077
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He suggests looking at article by David Johnson in Reggeboge for early examples of Strenge.
