Religious text by Christian Strenge on wove paper, pasted on Kraft type brown paper and mounted in a hinged window mat. Horizontal orientation.
Within heavy black borders with red corner blocks are multiple lines of text, each separated by several motifs resembling a sideways ampersand. Top line is "Preiset mit mur den herren und lasset uns" done with large open letters and decorative infill. Followed by 3 lines of fraktur red lettering, ending with the reference Psalm 34 verses 4, 5 and 6. Remaining text is script, ending with "April 1788."
Dominating fraktur design are two very large distinctive, colorful flowers drawn with a compass. Main stem with drooping tulips & other flowers at sides and is rooted in a heart containing verse. A bold red predominates
First line translation is "Praise with me the Lord and let us...". On fraktur back is printed "property of Lancaster County Historical Society."
Extensive damage. Very dark with overall acid burn. Multiple losses, especially at left side and upper left corner with very ragged edges and holes. Additional heavy paper losses at bottom, right of center and significant holes extend across area above "Preiset". Paint is chipped, abraded and missing, especially black. Thin wrinkle extends across bottom about 1 inch from bottom. Pasted to acidic Kraft type paper.
"Needs restoring" according to Pastor F. Weiser (appraisal of 1988)
Object ID
2003.077
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He suggests looking at article by David Johnson in Reggeboge for early examples of Strenge.
Fraktur birth certificate for Lydia Glasz / Glass, daughter of Leonard Glass and wife Christina, nee German. Hand drawn and colored on paper. Unusual confronting women with yellow dresses and red parasols flank central textblock within border. Tree of life above textblock; undulating plant w/ flowers sit on shelf at sides. Triple-line outside border.
German text translates to "Lydia Glasz daughter of Leonard Glasz and his wife Christina a born German. Was born 25th day of Jan. in the year of our Lord 1811.
Some buckling of paper overall. Some bleeding of ink, causing brown marks around letters; also in entire upper left corner. Small 1.4" brown streak below the word "Christina" in center panel.
Condition report of 1986 by the Conservation Center for Art and Historic Artifacts in Phila. in file. No documented treatment. Matted and framed in 1996 by conservator Brian Howard.
Object ID
P.77.12
Notes
Similar to designs of Plate #61 in Weiser & Heaney, Penna. German Fraktur of The Free Library of Phila., v.1.
Research: Ancestry.com gives the marriage of fraktur recipient Lydia Glass to John Kempfer on 20 Nov. 1828 in Ephrata at the Bethany United Church of Christ. Husband John was born 19 Feb. 1809, died 4 April 1865. Lydia died 24 June 1853. Their daughter Elizabeth Kempfer (1836-1909) married David Rudy Buch (1834-1925) and lived in Lititz.
Ancestry also gives the 1810 Census in Earl, Lancaster Co. that lists Leonard Glase with 4 household members under 16 yrs., 1 at 16-25 yrs., and 2 over 25 yrs. Total of seven in home. Lydia was born the following year in 1811.
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Fraktur is a Vorschrift made for Eva Kauffman & attributed to schoolmaster Christian Alsdorff. Horizontal design is hand drawn, lettered and colored on wove paper. Alsdorff uses black iron gall ink with red and black watercolors. Very busy design has lettering surrounded by multiple flowers and leaves.
First 3 lines of text are oversize, esp. the first. Appears to be "Ihr Kinder Send / Bedenck Deinen Schopfer in deiner Ill / Gehorsam Luren Eltern Dann das ist hillis Ehre Vatter." Nine lines of German script follow, and finally a last line of numbers. An area in the bottom right corner is boxed off by a red line border. Several lines written there are "Diese Vorschrifft Gehoret / Eva Kauffman in / ??????? Schullerin 2 Merz 1793."
This design is similar to that of the Vorschift belonging to Clarke Hess pictured in Papers for Birth Dayes, p. 51.
Formerly known as the "Earl Township Artist", Alsdorff was a schoolmaster at the Hempfield School and the Earl School in Lancaster County. Kauffman families did live in the area between Marietta Pike and Rt. 283. The 1869 Directory of Lancaster Co. has 18 Kauffmans listed in East Hempfield Twp and 15 in West Hempfield Twp. None were listed in the Earl townships. On the same day (March 2nd) Eva Kauffman received hers, Alsdorff presented a similar Vorschrift to Jacob Brubacher, noting he was a student at the Hempfield School. Eva most certainly was too.
Mounted in a dark wood frame with beveled face, white window mat. Significant pieces of the fraktur are hidden behind the matboard.
Hempfield School (in area of the Hempfield Townships), Lancaster County
Christian Alsdorf (c. 1760-1838, active c.1789-1821), attributed by Weiser.
Breaking and broken at fold lines; the vertical center line appears to be completely separated. It has two 1.5" long pieces of cellophane tape at top and bottom. Large ragged hole centered on fold line. Lots of brown stains cover much of surface. Iron gall ink has bled outward from motifs have strong concentrations of the ink. Watercolors are alligatored and individual pieces are cupping and lifting. In need of conservation.
Object ID
2002.160
Notes
Pastor Fred Weiser inventoried the fraktur collection in 1988; see forms in file. Weiser refers to the article on Alsdorff by David Johnson in Der Reggeboge (copy in object file).
See pages 51-53 in Russ and Corinne Earnest's "Papers for Birth Dayes" for article on Christian Alsdorff. He was prolific in creating his fraktur; over 50 are known.
Fraktur presentation piece on wove paper, horizontal orientation. Green and brown designs and lettering. Has a foliate border w/ flowers at top center and corners. Large heart dominates design with 5 lines of religious text, and signed at the bottom stating fraktur was made for Anna Funck on 15 Dec 1824 by J. Eberman, schoolmaster. Acanthus like leaves surround heart with several flowers. Five baskets with flowers complete design.
Text: "Jesus ist der schonste nam / Aller, die von himmel kommen, / Huldereich, prachtig, tugendsam, den Gott / Selber angenommen, seiner grossen / lieblichkeit, gleicht kein name weit und breit. / Gemacht von Anna Funck, den 15ten December 1824. J. Eberman / Schul Meister".
Translation: "Jesus is the most beautiful name of all who which came from heaven full of protection, glittering, virtuous, whom God himself, except; His great loveliness is equalled by no name far and wide. Made for Anna Funck 15 December, 1824 (J. Eberman, Schoolmaster)"
Very light age coloring. Two large brown stains / burns at lower left corner. Smaller stains elsewhere. Dog-eared corners. Mounted in a white window mat hinged at top.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate is hand done by artist using design elements from printed fraktur. Multicolor text is enclosed in a central arched arbor w/ flame finials. Text names Christian, a son of Jacob and Barbara (KIndig) Bachman, born 1827 in Lampeter Twp. Two confronting angels flank arbor and 2 additional text blocks of religious verse support arbor. A pavilion at bottom is flanked by blue trees & large colorful pinwheel flowers.
Border at sides and top have colorful, repeating floral/foliate motifs; top is arched. Hearts and flowers fill top corners. Above arbor is a large 4-point stylized star flanked by reclining trees.
Artist uses red, blue, light blue, black, yellow, white, green, orange and brown.
Inscribed on reverse in black ink is "No 4 made by Eli Haverstick 1834."
Provenance
Descent in Bachman family to donor. Two nearly identical birth certificates are known, for older sister Anne, b. 1823 (private owner-Barbara Ann Mable) and younger brother John, b. 1832 (G.96.9.1). Similarity suggests all were made at the same time in 1834.
Bachman family genealogy in file. See info on Christian Bachman in Mennonite Arts, 2002, pp. 56-57.
Conserved by Susan Duhl in 2001. Generally worn and discolored. Repair to edge tears & corner loss. Abrasions & paper fill in top right corner were in-painted with watercolor. Tape at back of top edge is now removed w/ remaining stain. See report in file.
Object ID
G.00.23.1
Notes
Haverstick is believed to be a teacher due to being absent on tax rolls for Conestoga Twp.
Christian Bachman (1827-1901) became a prominent cabinetmaker in eastern Lancaster County, just like his father Jacob Bachman (1798-1867). He married Barbara Buckwalter in 1855. After marriage, he moved to Strasburg where he set up his own shop.
Place of Origin
Conestoga Twp.
Role
Artist
Credit
In memory of Charles Bachman, grandson of Christian Bachman, by his son Charles Bachman, Jr. and family.
Family register for Metzger family, hand-drawn, lettered and watercolored, horizontal orientation on wove paper, attributed to Karl Seybold (arctive c. 1813-1846). Format is the English style of register rather than Pa. German. Framed in molded softwood frame with very dark brown finish.
Within an inked double-line border is a grouping at top of rectangles with text re: parents. Father George Metzger born in Conestoga Twp.(1799-1845) and mother Maria Huber Metzger born in Boro of Strasburg (1804-1890), married 1821. Polychrome flowers surround text blocks. Father was Lutheran, mother (daughter of Abraham and Maria Longenecker Huber), apparently Mennonite (unbaptized as a child).
Below text blocks are 8 circles bordered w/ polychrome stylized flowers. Each circle records birth of a child. Birthplaces indicate pattern of residence:1st child born Lancaster Boro (1824), 2nd & 3rd Lancaster Twp (1827-1829), 4th & 5th in Manheim Twp (1831-1833) and last three in Warwick Twp (1836-1841).
Karl F. T. Seybold came to America in 1806, becoming a school teacher in Northampton Co. by 1813. His desire to join the Harmony Society in Ambridge, Pa. was unfulfilled, so he moved with his wife to Lancaster Co. in the 1830s, reportedly at the urging of his mother-in-law. He taught school and apparently lived in a Menno. community, doing mostly birth records and family registers for them (names like Funk, Hostetter, Herr, Kauffman, Huber, Miller, etc.).
Provenance
Unknown provenance before acquisition from sellers. Earnests do list the source of this fraktur as "Der Kurier" 9/93 p. 4. This is the newsletter of the Mid-Atlantic Germanic Society, published quarterly in March, June, September, and December. It is indexed in the Periodical Source Index by the Allen County Public Library, Ft. Wayne, Indiana and the Genealogical Periodical Annual Index by Heritage Books Inc, Bowie, Maryland
Old cardboard back has mailing label from L.E. Waterman Co. in New York City to W.H. Corey, Jr. of Owego, N.Y. A 12-cent stamp affixed to corner dates from early 20th century.
Paper soiling, foxing and scattered stains overall; significant moisture stains along bottom right border and smaller ones near center as well as along paper edges. Paper has significant spidery, stained cracks extending inwards from both right and left edges, clustered at center. Each side is repaired on reverse with a 2.5" - 3"-wide vertical band of paper tape, causing the dark staining seen at cracks on front. Vertical paper cracks at fold lines extend in from top and bottom. Frame has been recut to current size and has nicks and moderate wear. Corrugated cardboard backing replaced with acid-free board, Dec. 2004..
White porcelain bowl lid, no bowl. Round, domed lid has a wide pink band at lower section of outer surface with bands of gold edging. At top center is a circle with slightly raised radiating ridges. Rising at center is a one-inch high knopf shaped like a fruit-filled compote with raised decoration on top.
Attributed to Feuillet. Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Some wear overall; esp. gold at bottom edge. Edge is unpainted and unglazed with wear.
All gold decoration is worn, esp. at rim.
Object ID
2015.029.9
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
