Oval tin box (A) with fitted, domed lid (B). Box has two raised bands on sides. Flat bottom of box is soldered to sides. Lid created by soldering a hammered, rounded oval top onto a 1/2" oval band. Interior of both A and B is tinned.
Used as a container for the miniature tea kettle G.00.03.1.
Lancaster County or region
Provenance
Ownership by donor's father, William A. Heitshu. Donor believes oval box was original container for teakettle.
Exterior surface has vestiges of an original finish, now oxidized with areas of corrosion. Abrasions over much of surface. Interior moderately rusted and corroded.
Object ID
G.00.03.2a-b
Credit
Gift of Martha Munster, Heritage Center Collection
Miniature stoneware crock made as an advertising piece for Steinman Hardware. Cylindrical body, molded rim at outside. Printed on side in cobalt blue is: "STEINMAN HDWE. CO./ LANCASTER, PA. Dark brown glaze on inside and top half of outside; bottom half is a tan glaze. Bottom unglazed with work marks over surface.
Stoltzfus family record on wove paper mounted in a thin, molded modern frame of tiger maple. Hand done family record of Lancaster Amish family attributed to David C. Hoke (active c. 1909-1935). Bold and colorful title is "Family Record" done with wide lettering of red and black with metallic gold highlights accompanied by green-leafed scrolling vines. Title continues on 2nd line with "...of Henry U. and Annie M. Stoltzfus." followed by the father's birth date & death date, then birth date of mother. Her death date is added later on same line with pencil. All lettering is black except for large, ornately illuminated upper case letters.
"Children" is the colorful bold heading for the remaining 3//4 of page listing 10 children with birth dates. The death date for 2-yr-old Levi is also recorded. Title has black and white letters, some red as well as metallic gold highlights. Surrounded by the same leafy scrolling vines and three upside down stalks of wheat at each side.
Remaining side borders have a vertical undulating vine with green leaves and blue clusters of grapes. Bottom is filled with a large cluster of three stalks of wheat.
Very minor stain spots, esp. at corners. Strongly creased horizontal fold line across center.
Object ID
P.96.01.1
Notes
Compare with large Esbenshade family record P.99.16.1. Hoke made Bible entries, bookplates and many large family registers in northern Lancaster County and southern Lebanon County. Large, ornate family registers made for the Amish seem to be a specialty of Hoke. He signed and dated much of his work, oftern including his home location of Quentin and later Lititz.
See file for:
1) Stoltzfus genealogy from "Fisher Family History."
2) Information sheet on David C. Hoke by Russ and Corinne Earnest "Papers for Birth Dayes."
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Coll
Shot glass of clear, pressed glass. Straight flaring sides have etched advertisement at one side: "Rohrer's/ A/ WHISKEY/ ROHRERS LIQUOR STORE/ LANCASTER, PA." This store was located where Watt & Shand building is on Penn Square.
Handwritten note of donor in file states "Probably an antique Sara Rohrer gave Daddy from Rohrer Liquor Store."
Provenance
Apparently Sarah Grove Rohrer (whose mother's family owned Grove's Liquor Store) gave glass to Paul A. Mueller, Sr. Inherited by son Paul A. Mueller, Jr., then he made gift to Heritage Center.
Shot glass of clear, pressed glass. Straight flaring sides have etched advertisement at one side: "CHAS. A. GROVE'S SONS/ G/ LANCASTER PA." Grove's liquor store was located next to Brown's bar or store on the NE corner of Penn Square near the entrance to Fulton Bank. The 1903 and 1909 City directories both list a 15 Penn Square address.
Charles A. Grove reportedly died 1907 and his sons Charles E. Grove and George F. Grove continued the business until Prohibition.
Provenance
Apparently Sarah Grove Rohrer (whose mother's family owned Grove's Liquor Store) gave glass to Paul A. Mueller, Sr. Inherited by son Paul A. Mueller, Jr., then he made gift to Heritage Center.
Shot glass of clear, pressed glass. Straight flaring sides of greater thickness than others in this collection. Has a heavy base that is 3/4" thick and fluted.
Shot glass of clear, pressed glass. Similar to a barrel shape, but curved sides rise from a smaller diameter base than mouth. Rolled lip and heavy 1/2"-thick base.
Miniature redware storage jar, reddish-brown body with manganese decoration on neck and shoulders with side drips. Tin glazed overall except for bottom.
Body is tall and cylindrical with slightly flared base, shoulders that slope upward to a minimal plain neck and mouth. Mid-line impressed band of "beads" and additional band very faintly impressed 1/4" above base.
Coloring is typical of pieces made by Jacob Medinger (1856-1932). Jacob's father, William Medinger, operated a pottery in Limerick, Montgomery Co., which was taken over by his three sons. By 1900, Jacob alone ran the pottery.
Perhaps Montgomery County, PA by Jacob Medinger (1856-1932).
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Ironstone pitcher, one of a pair, has flattened pot-bellied white body with clear glaze. Exterior painted magenta except for large reserves at sides delineated by gold-painted foliate molding. "G.M.S." painted within side reserves in Old English letttering. Molded arched handle with thumbpiece. Gold-painted highlights on rim, spout and handle.
Initials represent George Michael Steinman (1847-1920). Marked on bottom in blue is an emblem with two concentric circles having illegible words within.
Provenance
Descent within family from Geo. M. Steinman to Sarah Myer Steinman (1839-??) who married George Mayer Franklin (1839-1899) who joined Steinman Hardware business in 1869. George and Sarah Franklin has a son Frederick Steinmand Franklin who has a son Frederick Steinman Franklin, Jr. who was the donor's (Carolyn Herr Franklin Long) father.
Large area of brown discoloration under glaze moving/spreading down from the top on both inside and outside. Visible crack from top, by handle, about 2 3/4 inches long. Chips at base. Extensive crazing. Gold paint worn at thumbpiece.
Object ID
G.03.29.1
Credit
Heritage Center Collection, gift of Mr. and Mrs. Henry Long
Four-block squares alternate with squares of whole white print. Four blocks composed of two red squares of a red print and two squares of a white print. Perhaps ten different red prints are used alternately. All framed by three narrow borders using a red print for two and a blue print for the middle one.
Quilted shell patterns are used throughout along with a rope pattern at border, all stitched in an uneven hand. Roberta would likely have been around 65 years of age when the quilt was made.
Both the Penrose and the Carrigan families were Quaker and attended the Drumore Meeting (12 mi. south of Liberty Square). However, Enos Carrigan converted to Presbyterian, and after Roberta Penrose married him, they attended the Chestnut Level Presbyterian Church. Enos Carrigan was a farmer (did not follow blacksmith trade of his father) who also helped found and was one of the directors of the Farmers National Bank in Quarryville as well as the director of the Southern Mutual Insurance Co. also in Quarryville. In addition, he was Drumore Twp. school director at time of his death. Enos & Roberta are both buried in the Drumore Friends Meeting House cemetery.
Provenance
Donor believes the Penrose & Carrigan families were Scots-Irish, as were so many of the early settlers of Drumore Twp. She & her genealogist cousin are unaware of any Welsh ancestors. Ellis & Evans states (p. 969) that the Penroses emigrated from Bucks to Lancaster Co. in 1827.
Donor recalls as a little girl seeing her grandmother Roberta and her unmarried sister Sarah Jane (who was then in a wheelchair & living with Enos Carrigan family) both setting up the quilting frame in the living room during the winter months. It was likely during these years that this quilt was made.
Quaker-made quilt, silk block pattern called Square-in-Square or Economy Patch. Made by professional seamstress Addie Lamborn. Comprised of 25 pieced blocks 10" square, set straight in rows, 5 x 5. The silk dress fabrics are tan, blue and light yellow and are prints, solids and weaves.. Tan 3-inch sashing and dark blue cornerstones.
Handquilted inexpertly in dark thread with an overall large-scale grid. Stitches are large and uneven with crooked lines - not in keeping with the otherwise excellent workmanship. Perhaps the old note in file: "Hemstitched by Alice C. Lamborn Long Feb 1931" refers to this quilt?
Backing is a red, solid cotton and is brought to front to form binding. Thin-weight wool (cotton?) batting.
Appraiser notes the name of this quilt is Square-in-Square or Economy Patch
Little Brittain Twp. Lanc. Co until 1915, then West Grove, Chester County
Made by Addie (Ada) S. Lamborn (4-29-1875 to 1-30-1926)
Provenance
Addie S. Lamborn made this quilt for her grandnephew Howard Michener Long (b. circa 1922). Although made by Addie, quilt was apparently given as a gift by her sister Alice C. Long who was Howard's grandmother. Addie had a spinal deformity and lived with her sister's family working as a dressmaker/seamstress.
Finely crafted miniature copper teakettle with tinned interior. Classic late 18th-early 19th c. kettle shape with round body, goose neck spout, hinged arched handle and fitted domed lid with globular knop.
Keyed/dovetail joint at back side. Handle attached to riveted tabs with elongated tomahawk bases. Fits in oval tin box G.00.03.2.
Lancaster County or region
Provenance
Ownership by donor's father, William A. Heitshu. Donor believes she was told teakettle was a salesman's sample.
One of two identical white china high-heeled 19th century woman's shoes, with molded floral decoration around entire shoe. Raised flowers trim front of shoe with a tied bow centered above. Lavishly painted with heavy lustrous gold paint around back and sides of shoe as well as the bow and centers of raised flowers. Printed on top of the shoe front is: "Souvenir/ of /Lancaster/ Pa."
The number "59" is handpainted on bottom of heel. Impressed underneath instep is: "A" over "1924"
