Needle case of turned hardwood (maple?). Cylindrical body was turned in two pieces and strong chamfers at each blunt ends. Center band of glossy black with three scored lines at midpoint. Ends also painted black with a score line on each. Additional daubs of black paint on unpainted body.
Cylinder is hollow for holding needles. One third of body pulls off like a cap, sliding off a male extension of the 2/3 section. No contents.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Needle case of cast silver is a square-bodied long container that tapers from one end to the other. Made of 2 pieces, the thickest end is the cap that fits on a male extension of the main body. The length of each side of case is constructed of identical cast pieces of silver with a soldered seam still visible.
Decorated with low-relief roses on cap; grapevine and football shape are on main body. Small panels on narrower sides have a slogan in German: "ZUM / ANDENKEN / KEINE ROSEN / OHNE DORNEN" which translates as a warning to not prick one's self with the needle. Literally, it states "Remember (there are) no roses without thorns."
Possibly Germany
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Needle case with needle threader, two pieces, a long metal tubular case of bronzed metal. Most of the object is the hollow tubular handle, 2.75" in length, with one rounded end and male-shaped "cap" fitting into opposite end. Handle has bery fine ribs running lengthwise on exterior. Cap end is very short with a smooth exterior. It has one rounded end while opposite end - that fits into handle - is fitted with a fine wire loop used to thread needles. The loop is mounted into red-painted wood which is in turn set into cap's hollow end. To use tool, cap is removed, reversed end for end, and reinserted into hollow handle.
On side of cap is stamped "GERMANY."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Sewing kit, rectangular box shape consists of folding exterior of black-brown leather that wraps around an inner box of rigid leather covered sides that has a flap lid with snap closure. Inner box and outer wrap both covered with the same pliable black-brown leather with pink satin lining. Wrap has stitched compartments inside as well as three graduated size rectangular flaps of fabric for holding pins & needles. Top flap embroidered with pink floral design.
Box inside has empty interior except for a corner loop for holding a 1) thimble of non-ferrous, darkened metal (long oblique crack on side continues along nearly-flat top; flattened shape) and 2) an inexpensive ferrous metal scissors having stamped scrolls on handles.
Inscriptions: Paper label found in case w/ leather residue on reverse says "Shaker Chrome Leather." This was likely the name of the leather finish of this case.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Needle and thread case, heart shape. Folded paper form creating six flat sections appears to be a geometric heart when closed with top strap fitted with snap closure. Exterior covered with dark blue silk with white polka dots. Interior lined with dark blue silk. Efge embroidered with button hole stitch in red.
Interior fitted with six straps of white elastic for holding small cards of thread or pieces of fabric pierced with needles and pins. Currently holds three small color-printed cards of white, blue-green and blue thread as well as one swatch of fabric with needles and pins.
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
30-hour clockworks installed into a built-in walnut corner cupboard with softwood interior painted white. Constructed in two parts: Upper section has an upper section of 3 doors, glazed central dial door flanked by two blind doors. Below are three glazed doors, central pendulum door flanked by two doors leading to shelves. Base section of cupboard has central false door flanked by two blind doors. Recent addition of brass lock escutcheons on all but dial door. Clock dial is white with paint decoration; calendar wheel; signed "John Hoff/ LANCASTER." Cupboard was built into home of Daniel Zittle/Sittle (1773-1855) of Lampeter Square and removed about 1887 by later owner Dr. J. Henry Musser. Plywood backing added then.
Clockworks by John Hoff (1776-1818), Lancaster Borough, and cubboard by an unknown joiner in the vicinity of Lampeter Square.
Provenance
From Daniel Zittle to son Cyrus Zittle who sold property in 1887 to Dr. J. Henry Musser (b. 1845 in Lampeter), where he practiced medicine1866-1916. Dr. Musser removed the clock to his Lampeter residence. Then removed to son William M. Musser's Lampeter home in 1923. Then given to his son (donor) in 1952 for his home at 1768 Rockvale Rd., Lancaster, PA. Then moved to home of donor's son William M. Musser, III at 1525 Mission Dr., Lancaster, PA. Finally gifted to Heritage Center May 26, 1994.
Fewer than six cupboards with centrally positioned clockworks are known. John Hoff's account book has an August 19, 1812 entry noting the sale of an alarm clock with 12" dial to Daniel Sittle of Lampeter Square, to be done in 2 months. Later entry notes "Took the Clock away Nov. 28, 1812"
Clock functions, minute hand partially broken and hour hand bent. Cupboard has old crazed finish, not original. Cornice molding replaced at right corner; side pieces of molding missing at mid-line; nail holes and damaged areas at lower sides and bottom edges where attached to floor and walls. Holes and indentations remain where missing latches were attached at four lower and middle doors. Mullions removed on glazed doors. Waist section gouged out at sides to allow pendulum room to swing.
Object ID
G.94.10.1
Credit
Gift of William Musser in memory of Dr. J. Henry Musser, Heritage Center Collection
Tall case clock w/ 8-day movement housed in a cherry Chippendale style case with scroll pediment, carved floral rosettes and three flame finials. Arched glass door and side lights. Partially engaged, smooth columns at front corners, forming part of the hinged door.
Brass dial has Roman numeral chapter ring, C-scroll and vining foliate engraving at spandrels as well as above and below moon wheel which is painted with a star-spangled sky and moon with face. Engraved "Wilton Atkinson" on lower dial.
Waist has broken arch door and recessed, plain quarter columns. Base has raised, scalloped panel at front with quarter columns that match those in the waist section. Feet are bold ogee bracket style.
Atkinson is believed to have been the son of Matthew Atkinson of Lampeter Twp. Wilton was in the Borough as early as 1763 as a cutler. In tax records, he was listed in 1770 as a watchmaker and in 1772 and 1773 as a clockmaker. He married Anna Maria, daughter of the early Borough clockmaker Abram Laroy. Legend states that Anna Maria also made clocks in Lancaster that were sold bearing her husband's name. The Atkinsons eventually moved to Baltimore where, following his death, Anna Maria conducted business until 1819. (Clockmakers of Lanc. Co.)
Snyder notes on p. 40 of Clockmakers of Lanc. Co, that this case is considered one of the earliest examples of the Chippendale style in Lancaster Co., based on the brief working career of Atkinson (1770-1773).
Provenance
Owned by Dr. George Rohrer, then to son Henry A. Rohrer, then to daughter Mary Louise Webster. Tape adhered to reverse side of dial has the name of the donor's father, "Henry Rohrer/ 9-22-87."
Case has been overcleaned, finished with a glossy varnish then handrubbed with steel wool to remove gloss. Vertical scratch on right side of base; feet marred. Crack at lower right corner of base, below raised panel. There are about nine nail holes over the expanse of the tympanum suggesting missing carving. Heavy dent on dial at left edge, center, and hammer marks at this point on reverse side. Lower left corner distorted.
Object ID
G.01.49.1
Notes
Entry for Wilton Atkinson in "Clockmakers of Lancaster Co. and Their Clocks 1750-1850" notes that: "Atkinson married Anna Maria, a daughter of the early Borough clockmaker Abrum Laroy and legend states that she also made clocks in Lancaster that were sold bearing her husband's name. "
Brochure of the First Reformed Church (UCC) notes that in the 1760s, "the French Laroys" belonged to this church. "One chronicler called the LeRoy sisters (four daughters of a local clockmaker) the 'Belles of the congregation.'... Anna Maria, the youngest of the sisters, learned her father's trade and was said to be 'as good a clockmaker' as he was. She and her husband, Wilton Atkinson, took over the family business." (Note: Abrum Laroy died in 1763).
Above brochure is http://visithistoricalancaster.com/pdf/02LP109 HOW-FR-UCC
Call to church office & conversation with paster Dana Schlegel offered no clues to source of above information (Jan. 2017).
Place of Origin
Lancaster
Credit
In memory of Dr. George Rohrer and Mrs. & Mrs. Henry A. Rohrer by Mary Louise Webster, Heritage Center Collection
8-day clock works by George Hoff, Jr. (1788-1822) installed in a curly maple Federal style case signed by either J(acob) Stein/Stine or J(osiah) Shufflebottom (inside waist section). White painted dial signed with maker's name and "Lancaster". Moon wheel above. Scroll pediment has turned roundels and urn finials. Bonnet has applied carving under center finial, free-standing turned columns at front and back, arched side lights and reeded base moldings. Chamfered quarter columns on waist and base. Reeded moldings at top and bottom of waist. Door has shield inlay at lock escutcheon and ghosting from a now-removed metal escutcheon. French bracket feet.
"Hertzler" is etched onto top surface of bonnet top. Signed inside waist: appears to be either Josiah Shufflebottom or Jacob Stein/Stine.
Provenance
Donor states clock was part of the furnishings in the home of her grandparents John B. and Emma (Groff) Hertzler at 131 E. Orange St., Lancaster. Hertzler was a banker at The Lancaster Trust Company in early 20th c..
John J. Snyder states Stine was listed on tax lists 1817-19 and Shufflebottom worked c. 1811-1848. Both were cabinetmakers in Lancaster Borough.
Dial paint is crazed. Base has large cracks on both sides and lifting veneer and crack at front. Dents and other scarring on cove molding at top of base. Small cracks on left side of hood.
Works cleaned and repaired by Paul Warfel, 1980. Glazing in door replaced by curator Bruce Shoemaker, 1983, due to crack.
Object ID
G.77.25.1
Place of Origin
Lancaster
Credit
Gift of Elizabeth H. Nichols in memory of John and Emma Groff Hertzler, Heritage Center Collection
Eight-day tall case clock w/ cherry case & walnut inlay. White-painted arched dial has Arabic numerals, sweep seconds and calendar hands, exceptionally well painted dial w/ fan-decorated spandrels & rare rope-like border on chapter ring. Signed "Martin Shreiner" over "No. 182". Clock expert Gary Sullivan says dial was made by Samuel Curtis & Knowles of Boston who later operated out of Philadelphia (see Notes).
Bonnet has four free-standing corner columns, broken arch pediment with inlaid fylfot rosettes at terminals and three urn finials (likely replacements) on tall plinths and a central keystone medallion at the tympanum.
Above rectangular thumbnail molded waist door with hollow top corners is an inlaid eagle within an inlaid walnut oval within multi-line inlay. Eagle has wax-infilled shield and banner in his beak that reads, "Bluribus Unum," (without the initial "E" and Pluribus misspelled). Large inlaid oval on door and brass steeple butt hinges on door. Quarter columns have reeded chamfers which extend only 3/4 of the way up, terminating in lambs tongues.
Facade of base is veneered with mitered corners surrounding a large inlaid square with fan corners. At bottom is horizontal double line of string inlay. There is a drop apron and four French feet. The weights, winding key and door lock & key are not original.
Notes: J.J. Snyder has studied eagle inlaid clock cases and notes in 12/5/96 letter to HC Director, "It is virtually certain that the workshop of Emanuel Deyer of Manheim was the source of many of these..." In 12/15/96 letter he notes that two eagle types were used - symmetrical & asymmetrical, as on this clock.
Stacy Wood's 1995 article on Martin Shreiner notes on p. 580 that a Shreiner clockworks numbered #180 is dated 1815. Thus, we can safely say that this clock - #182 - would be dated about the same year.
Lancaster Borough (clockworks) and probably Manheim (case)
Provenance
Donor is great, great, great-grandson of Shreiner. Clock descended through the Cochran family to him.
Case cracked in many places, e.g.across eagle & cove molding above base. Heavily refinished. Urn finials likely replaced. Infill at cracks and separated joints. Strip added to left side of door opening where door locks, and repair at upper left corner. Wood loss at left hollow corner of door; door lock replaced; one-inch-long gouge in veneer of base at left side of front. Chipped at corners and feet; dents on base front. Dial overpainted at many places.
Object ID
G.96.31.1
Notes
See commentary on clock by John J. Snyder, Jr. in his letter of 5 Dec 1996. He notes the clock has "mediocre surface and finish, many repairs and patches, and questionable urn finials."
In 2015, clock expert Gary Sullivan stated that Shreiner used dials made by Samuel Curtis of Boston (commonly have a paper label on reverse, reading "Curtis Manufactory for Patton & Jones, Phila.) Popularity of tall case clocks lasted longer in PA, so Curtis moved to Phila. Abraham Patton & Samuel C. Jones formed a partnership in 1797 called "Patton, Jones & Co." Changed to "Patton & Jones" in 1798. Parnership failed in 1814 when they could no longer get materials from England due to the War of 1812. Tell tale sign is the banner sign spanning the globes under the moon wheel.
Works made by Martin Shreiner, Sr. (1769-1829). Case attributed to Emanuel Deyer.
Credit
Gift of Paul A. Mueller, Jr., Heritage Center Collection
Coffepot (A) and lid (B) of blue transfer-printed pearlware. On a pedestal base is an octagonal pear-shaped body flaring back out at recessed rim. Gooseneck spout with cap at tip. High arching handle of C-scrolls. Domed octagonal lid has an octagonal knop/finial and tiny vent hole.
Transfer decoration is a Chinese scene with people, trees, water and pagoda with bridges. Additional decoration at top and base is a filigree-edged band dominated by 3-leafed vine.
Glazed soft paste porcelain coffeepot (A) with lid (B). Handpainted "King's Rose" pattern decoration on pale blue body - pearlware. Inverted pear-shaped body sits on a pedestal foot. Wide shoulders curve in to form a neck above which is a round, flared mouth on which sits the lid. Leaf molded spout and applied C-scrolled handle both have red striping. High domed lid has acorn finial painted red. Decorated pink bands at neck and bottom or domed lid.
Impressed with "GOOD" (?) on bottom and incised "6" or "9". Later inscribed with "C 106" over "17.50". There is a nearby X.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Pedestal bottom is soiled with some wear. Minor soiling and interior staining. Small nicks and scratches to paint as well as significant paint loss at least on one green "leaf".
Object ID
G.98.51.21a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Compass housed in a round, turned brass case with fitted lid. Scored circles decorate exterior. Inside case bottom is paper printed with decoration and cardinal points. Blued needle has gold-stenciled "N" on one end. Flat glass window on top held with brass retaining ring. Lid screws onto case bottom.
Handwritten note states compass brought to America from Nuremburg, Germany by immigrant ancestor John Leonard Ellmaker(1697-1782) in 1726.
Unknown German maker
Provenance
Descent within Ellmaker family to donor, then donated to the Heritage Center.
Corkscrew of heavy gauge wire twists to form shaft and screw. Simple turned-wood handle is inserted perpendicularly into wire shaft for turning screw. Additional hollow tube of turned wood serves to sheath the sharp corkscrew to prevent injury.
Handle is printed with advertisement for "The Largest, The Cheapest/ ROHRER'S/ Liquor Store,/ 24 & 25 Centre Square,/ Lancaster, Pa." Underneath, in tiny lettering is "EASTERN BOTTLING SUPPLY 99, N.Y."
Butter crock, stoneware, blue-gray ground with cobalt floral decoration. Lip is 7/8 inch high with scored decorative rings below. Applied handle at each side near top.
Clarke Hess says this crock is known "in the trade" as a cake crock.
Several cracks: one extends 2 1/4 inches down from lip to exterior air bubble on surface, one extends down side from top to bottom (especially visible at lip and exterior. Crazing over much of surface. Salts visible at lip, inside and outside
Object ID
G.04.23.07
Credit
Gift of Sarah Muench, Heritage Center Collection, LancasterHistory.org
Miniature cruet set of four bottles and caddy, clear glass and non-ferrous base metal.
Four tall vial-like, clear glass bottles, one with its metal cap. Bottles appear to be mold-blown, cylindrical and have a pronounced ring extending outward at mid point, a long narrowing neck and flared lip. Bottles fit into a rotating metal carrying ring at midpoint of caddy, suspended by their glass protruding ring. An oval ring handle on stem with threaded end fits into female-threaded pedestal base which flares out toward bottom.
A raised letter "W" appears twice underneath base.
Provenance
Descent to Sarah Muench from family, perhaps her Aunt Alice Potter Fordney, an antiques dealer.
Straight sided child's maxim cup with applied handle and recessed bottom. Cream-colored body has a red transfer-printed scene on the side depicting a hay wagon drawn by four oxen. Three males are working with the hay. House, trees and mountains in background beneath shining sun. Underneath printed scene is the saying "MAKE HAY WHILE THE SUN SHINES."
Tiny straight sided child's cup with applied arched handle and recessed bottom. Covered overall with yellow slip and decorated with luster painted stripes at rim, base and handle. Red transfer-printed decoration consists of "A Present/ for Eliza" printed on a large angular cartouche, which in turn is superimposed over a stylized floral or foliate design largely obscured.
Provenance
Small handwritten note on rolled paper inside cup reads: "Bought from/ Kathryn Grabill/ East Petersburg" and at bottom is "XX . 7." Note now in object file.
Tinned sheet iron. Single tulip with full bulbous shape and two curving petals. Design outlined with one1/2" wide metal strip soldered to perforated base. One large central air hole and one small nail hole.
Tinned sheet iron. Running rabbit design facing right. Formed with two 3/4" wide metal strips soldered to base with one large air hole and two nail holes. Overlapped seam.
