Butler's desk with bookcase, cherry, Federal style. Secondary wood is poplar. Bookcase section is 54.5" high, has restrained cornice over frieze over two large double-panelled doors. Doors rails are through-tendoned into stiles. Interior bolt at bottom of left drawer missing. Stamped eagle lock escutcheon likely a replacement. Interior side dadoes support four original shelves w/ molded front edge; A fifth shallower shelf is a later addition.
Desk section is 43 1/2" high. Butler-type top drawer over three lower graduated drawers w/ diagonally striped veneer facings and cockbeaded edges that have been planed flat. Stamped oval brasses replace original round pulls (marks visible underneath). Lock escutcheons are brass insets. Large butler's desk drawer hinges down to reveal interior w/ center bank of pigeon holes under a single long center drawer, all flanked by vertical manuscript drawers which are in turn flanked by four stacked, graduated drawers at each side. Most drawers are numbered on bottom and most fitted with tiny brass pulls. Reeded quarter columns at front and back corners. Applied strips of reeding at front and side edges of top. Four turned feet with reeded cuffs.
Inscriptions: inside central drawer above cubby holes are pencilled names in modern cursive: Barbara Fisher/ Ellie McMellen, Sadie McMellen/ ( ? ) McMellen."
Maker unknown.
Provenance
According to John J. Snyder, Jr., secretary was owned by James Buchanan's physician, Dr. Henry Carpenter. Original owner was likely either father-in-law John Mathiot (elected sheriff of Lancaster Co. in 1818 and Mayor of Lancaster City in 1831) or his father Henry Carpenter (1773-1835), a surveyor and merchant. Passed down within Carpenter family until 1977 when Snyder, Jr. purchased it at public auction. Donated to Buchanan Foundation May 6, 1988 in memory of Snyder's spaniel Sukey. Transferred to HCLC due to lack of space at Wheatland.
Carpenter, born in 1819, was one of the community's leading physicians. He was founder of the Lancaster County Medical Society in 1844. Dr. Carpenter lived in a brick house on the west side of the first block of South Queen Street.
Sound;refinished. Several wide horizontal cracks at sides of desk. Scars overall; deep dent to top front edge of chest, just right of center; large burn mark at left as well as dark stains. Bottom of top drawer repaired and patched along lower edge, especially at left. Drawer hardware replaced, inside bolt on left door missing; several small interior drawer pulls missing with some large holes.
Object ID
G.04.28.1
Place of Origin
Lancaster County
Usage
Carpenter family
Credit
Gift of James Buchanan Foundation, Heritage Center Collection
Lathe-turned wooden tar bucket with fitted lid and remnants of leather straps. Cylindrical vessel has slight taper inward toward middle. Decorated with two double score marks below center. Above center are shoulders jutting outward with vertical holes through which straps of leather handle pass. Handle also passes through lid of conforming shape, although one strap broken off at shoulder while the other is broken off 3 inches above shoulder.Center hole in lid apparently accepted a now-missing stick used to apply tar to wheels. Broken-off 5-inch length of leather strap rests inside. Tar residue in bucket.
Lancaster County or region.
Provenance
Donor believes bucket descended from family members to his parents who displayed it on their mantle. Donor inherited it from parents.
Bunch of grapes, carved wood, gessoed and painted dark purple/blue with green leaves. Iron hanging ring attached at top; cluster hangs from a reproduction decorative hanger (see notes).
This bunch of grapes was said to have hung at the Grape Tavern (Sign of the Grapes) at 32-34 North Queen Street, Lancaster, most likely on the interior. This fragile object would not have stood up to outside weather. (Ellis & Evans, writing in 1883, state, "The wrought iron bunch of grapes now hanging in front of the hotel was made for, and used by, Adam Reigart.")
The Grape tavern was built in 1741 by John Harris, then sold at sherrif's sale to Adam Reigart, Sr. in 1769. He ran it from 1769 to March 3, 1794, when John Michael took over ownership. During his ownership, the tavern began its most opulent elegance as well as being called by various names including The Grape, Conestoga Waggon (sic) and Michael's Hotel. He ran it until May 5, 1821, when it was purchased by his son John Michael, Jr. who kept it until 1839, restoring the original name. According to Ellis & Evans, John Michael, Jr. moved the tavern, with the "old familiar sign" to the adjoining lot in 1839. It was then known by the original name as well as Michael House.
Provenance
Once owned by W.U. Hensel (1851-1911) who lived at the historic "Bleak House" near Kinzer, where it hung on the porch. He had a collection of early Lancaster signs.
Pictured on frontispiece of booklet of Hensel's address in 1912 on "Jacob Eichholtz, Painter." The grape sign was sold at the estate sale (March 1947?) of Hensel's daughter Elizabeth Hensel Nauman and purchased for $320 by William Lebzelter of Lancaster City, whose family owned the American House which was successor to the Grape Tavern (Groff and Wolf Dept. Store at time of sale).
No record in file later than this other than the name of seller, Marian L. Schaffner. She was the wife of physician Meade D. Schaffner, on Columbia Ave.
Paint chipping in some spots; some wood loss at tips of some individual grapes. Iron hanging ring has minor rust spots. Minor losses of gesso repaired, gesso loss between grapes at bottom. Nail repairs. Repainted at some date prior to 1984; painted at least once before. Wood at top shows deterioration.
Object ID
P.77.72
Notes
Ellis & Evans, pp. 363, 394 1/2 and 395.
Multiple references in this file including newspaper articles.
Booklet entitled "Jacob Eichholtz, Painter", an address given by W.U. Hensel Nov. 22, 1912 (eve of portrait exhibit at Woolworth's)
Hanger is a reproduction scrolling wrought iron bar with eight small swirls along the top, and is attached to a heart-shaped iron mounting plate. Made by Thomas C. Moore of Glen Rock in January 1978, based on a drawing and painting by David McNeely Stauffer (P77.31.57 and P77.31.22).
Maker is unknown.
Place of Origin
Lancaster County
Usage
Grape Tavern
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collecti
Framed fraktur birth & baptismal certificate (taufschein/B&BC) for Elisabetha Elser, drawn, lettered and colored by hand on laid paper. Symmetrical, horizontal design is attributed to the "Ehre Vater" artist. Fraktur is mounted on thick paperboard with beveled edges, and is float-mounted on a buff-colored matboard within a modern black frame.
At center is a large circle painted red and green. Inside the circle, set onto yellow ground, is a heart with blue border and pinkish interior. Interior text states Elisabetha Elser was born in Warwick Twp, Lancaster Co. on 19th Nov 1803. Her parents were Peter Elser and wife Elisabetha, born a Wachter. Baptism was held by Pastor Schulz and the sponsors were Georg Wachter and his wife Margaretha (believed to be a sister of Peter Elser). Below circle are two lines of religious verse, translated by Weiser as "A heart that loves Jesus knows no worries -- much cross, need and pain are his days of joy."
At lower right and lower left are two large compass-drawn spheres colored with green, yellow, red, blue and pink. Out of each sphere is a flowering plant on which large parrot-like birds perch, similarly colored.
Attributed to the "Ehre Vater Artist" (active c. 1782-1828).
Some surface soil. Good color retention. Needs to be removed from backing board and conserved.
Object ID
2017.999.1
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. He attributes fraktur to the Ehre Vater artist, a prolific artist who travelled far and wide producing fraktur for many years. This fraktur likely related to Johannes Schnierer B&BC, 2004.718, due to Johannes Schnierer (b. 1786) later marrying an Elser (Catharine).
Papers for Birth Dayes notes on page 227 that this fraktur was exhibited as #38 in the , Allentown Art Museum show in Allentown, PA, "Pennsylvania Folk Art," October 20-Dec. 1, 1974.
The Elser, Weidman/Weydmann, and Wachter families were intermarried.
Fraktur is a simple hand done birth record in German for Adam Kindig and Anna Kindig. Page is likely removed from a Bible. Adam was born 17 Sept 1794 in Conestoga Twp. and Anna was born 22 Oct 1799 in Conestoga Twp. Layout of Fraktur lettering with serifs is simple and straightforward but not with an accomplished hand. Letter colors vary from red to ochre to green. No additional decoration except for curlicue lines surrounding the upper case "A" of both Adam and Anna.
Mounted in a brown modern frame with white window mat. Kraft paper dustcover on back. A "#10" is written small in pencil at lower right corner.
Paper has foxing, brown stains and fly specks (bottom right). Two horizontal fold lines across middle; the one with the greater crease shows breaking and some holes at several points.
Object ID
2017.999.6
Notes
See Mylin Family Genealogy 929.M513 in library.
Adam is the son of Christian Kendig and Barbara Mylin. Anne is the daughter of Michael Haverstick and Eve Bender. Adam Kendig married 1) Anne Haverstick and 2) Mary Helm. Six children by Anne, nine children by Mary Helm. Anne H. Kendig was b. 22 Oct 1799 and d. 17 Jan 1833. Likely buried in Reformed Church, Conestoga Centre or Rush Farm, New Danville.
Adam and Anna's daughter Mary Amanda Kindig was born 1821 and baptised 1837 by Pastor Martin Bruner of the Reformed Church in Lancaster City. Her Taufschein in English is done free hand by Eli Haverstick and is signed on reverse "E Haverstick / No. 11" This document is in the collections of the Evangelical & Reformed Historical Society. Eli Haverstick was likely a relative of the family and was almost certainly a schoolmaster. (See similar examples done for brothers John and Christian Bachman in the Heritage Center Collections).
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. A slide transparency is in file.
John Gundaker Brenner (according to family tradition)
Description
Framed oil on canvas portrait on panel; male figure, said to be John Gundaker Brenner (1808-1879/80) according to great aunt of donor. Body faces slightly right, head turned slightly to left. Brown hair parted on his left with wisps brushed forward onto forehead and onto left temple; long sideburns. Blue eyes. White collar and stock, light waistcoat, dark jacket has high, wide collar and double row of 8 brass buttons. Plain light background. Has 5"-wide gilded frame.
Provenance
Descent through family: To Ella Louisa Brenner Brenneman, granddaughter of subjects; to her niece Mrs. Laura C. Burks; bought at auction by Mrs. Henry C. Snowden (Elizabeth Brenner Snowden), a cousin of Mrs. Brenneman; to Mrs. Richard R. Murray (Marjorie Snowden), her daughter; to donor and gr. granddaughter of Mrs. Snowden and great-niece of Mrs. Murray.
Rebecca Beal, "Jacob Eichholtz, 1776-1842", #69 & #70, p. 21.
Height (cm)
74.295
Height (ft)
2.4375
Height (in)
29.25
Width (cm)
61.595
Width (ft)
2.0208333333
Width (in)
24.25
Dimension Details
Frame: 38.25" x 33.25" x 2"
Condition
Good
Condition Date
2017-07-19
Condition Notes
Moderate craquelure overall except for smooth 2"-wide strip bordering all four sides. Paper sticker on back states: "Rebacked and restored" in 1937 by Hannah Mee Horner, Upper Darby, PA. Gilt frame has strong wear to gilding. Miter joints do not close completely.
Ptg. secured in frame with copper strips at corners.
Object ID
2017.009.1
Notes
See Beale, page 21 for description and comments. She entitles this entry "Brenner Family, Presumed Man of."
Credit
Gift of Marjorie P. Stoddard in memory of Marjorie Snowden Murray
Mrs. John G. Brenner (according to family tradition)
Description
Framed oil on canvas on panel portrait. Half-length seated figure is a woman, said to be Mrs. John Gundaker Brenner according to great aunt of donor. Facing left, head slightly to front. Blue eyes. Dotted net cap w/ ruffles around face & small bow at left ear. Wearing a necklace. Long-sleeved dark dress w/ surplice (cross-over) white collar extends below waist in front. Left hand holds book/Bible on lap. Red chair back visible to right. Plain background. Has 5"-wide gilt frame.
Provenance
Descent through family: To Ella Louisa Brenner Brenneman, granddaughter of subjects; to her niece Mrs. Laura C. Burks; bought at auction by Mrs. Henry C. Snowden (Elizabeth Brenner Snowden), a cousin of Mrs. Brenneman; to Mrs. Richard R. Murray (Marjorie Snowden), her daughter; to donor and gr. granddaughter of Mrs. Snowden and great-niece of Mrs. Murray.
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Birth & Baptismal Certificate (B&BC) is a printed angel type fraktur on wove paper. Mounted in modern silver frame by The Country Framer of West Chester.
Putto on blue-colored cloud at top; standing angels with paint-decorated clothing stand on blue clouds at sides of center text. Birds on branches at bottom corners. A small block of German verse within border is at each top corner. A large bordered text block at center extends to bottom, entitled "Geburts-und Tauf-schein". Text in upper half has subject's infill done with accomplished hand. At center of text block is a rarely used pair of billing birds. Four stanzas of verse within bottom section have tailpiece of cornucopia & wheat between. Under a line border at bottom is "Reading: / Gedruckt bey Johann Ritter und Comp. / im jahr 1812." Ritter's imprints were never dated except for 1811 & 1812.
Infill gives birth of Elisabeth Lang (Long) born in Rapho Twp. to Johann Lang and wife Margaretha, nee Lindemuth(in). Baptised July 2, 1815 by Pastor Baethis; sponsor was Elisabeth Bartruff.
Reading imprint, Johann Ritter; scrivener and artist unknown, perhaps Lancaster County.