Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate done in German for "Anna Schenkin" (Schenk), born in "Connostoge Taunschip Langster County", November 20, 1783. Hand drawn, colored and lettered on laid paper with iron gall ink. No baptism indicates a Mennonite family.
The text is enclosed within a heart, surrounded by various vining flowers and four birds, two above and two below. The design conforms with artist's normal pattern of having the vines emanate from a hole at the top center of the heart. This artist made fraktur for mostly Lancaster County Mennonite families. He was almost certainly a schoolmaster. There are about 15 of his fraktur that are documented.
"Johannes Schopf/Schopp Artist" (active c. 1774-1800)
Note written on frame's dust cover by Smith states this fraktur was exhibited in two shows: Allentown Folk Art Show (Nov. 1974) and William Penn Memorial Museum, F/A Show (Jan. 1975).
Slide #27-2-4 in Archives West.
Provenance
Purchased by Richard Flanders Smith at a public sale along Route 222, north of Willow Street. Given to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection with the establishment of that institution.
Foxing or brown spotting over much of surface. Some tears along the edges. Moisture or adhesive stain at bottom center.
A condition report and treatment proposal was done by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1986. Matted and framed by conservator Brian Howard of Carlisle in 1996.
Object ID
G.77.50.11
Place of Origin
Conestoga Twp.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Printed Birth & Baptismal Certificate infilled in German script for Elizabeth Meyle, born 12 Feb 1788 to parents Martin and Barbara (nee Bar(in) ) Meyle in Lampeter Twp. Even though the certificate is printed with a space to record the baptism, there was no child baptism because of being Mennonite.
Three heart form has one large heart created with a foliate line. Flanking the tip are two small slanted hearts. A fancy urn is in each bottom corner with flowering vine running around sides and top. Large heart has text block arranged in two sections; small hearts have religious verse. Decorated with some dark watercolors; red, blue-gray and yellowish tan are used. This 3-heart form was the first edition printed by Lepper alone, c. 1799.
On back at top in cursive is "Elizabeth Miller(?) / died March 10/67"
Printed by Wilhelm Lepper. Infill and decoration by unknown artist.
Infill & decoration likely done in Lampeter Twp.; Printed in Hanover, York Co.
Fragile certificate is pasted onto a brown paper backing, with some taped mends at some breaks. There are multiple breaks at fold lines and many irregularly shaped holes. Dark with soil and stains. Abrasions/loss of definition in some places, as in upper right corner.
Object ID
1980.01.2
Notes
In Fraktur Collection appraised by Rev. Fred Weiser, Sept. 1988. Numbered #30.
Copy of the original typed accession card found in Fraktur Box #537. It records both 80.1.1 and 80.1.2, framed. Donor is Mr. Norman B. McCulloch of Durham, NC, dated Dec. 30, 1979.
See Klaus Stopp, The Printed B & BCs of the German Americans, Vol. 2, pp. 226-227. This B & BC is listed on page 226. Form was printed c. 1799.
Mounted Family Record on 2 pages of laid paper, almost certainly from a Bible, with entries for children of Abraham Tschantz (See his record by the same artist/scrivener as 2017.999.20). Page edges have a border decorated with dotted line zig zag motif with squiggles. In fraktur hand in German, the birth entries are listed under a heading "Verzeichnis" (record/list) on first page that translates "Register of my children when they were born." Lettering is done in either black or red ink.
Two births listed on first page are Jacob born 31 Dec 174(?) on St. Silvester's Day in the Sign of Aquarius. Next is Johannes born 29 Feb 1748 on St. Nestor's Day in the Sign of the Lion. Horizontal border under heading and also between birth entries. Each has a few religious lines exhorting them to follow Jesus.
Second page lists Barbara born 28 Jan 1754 on St. Charles Day in the Sign of the Ram, immediately followed by "In the year 1767 on Sept 4th the Lord took her from this world into eternity. Next entry is David born 17 Sept 1759 on St. Lambert's Day in the Sign of the Lion, but in the year 1767 on Aug 25 the Lord took him into eternity. Both children died within about 10 days of each other.
See related half page birth entry for father Abraham Tschantz (2017.999.20) executed by same scrivener/artist who recorded births of Tschantz children.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
Height (cm)
30.48
Height (ft)
1
Height (in)
12
Width (cm)
17.78
Width (ft)
0.5833333333
Width (in)
7
Dimension Details
Mount is 16" x 20"
Condition
Fair
Condition Date
2017-10-02
Condition Notes
Mounted together in double window. Pages are brown with age and have some small stains. All edges are battered with small tears, small-to-medium losses, and folds. Significant number of red letters have bled. Most edges of each page have cellophane type tape on back to stabilize.
Conservation needed.
Object ID
2017.999.29
Notes
Appraised by Rev. Fred Weiser 2 Sept 1988 as # 25. Valued at $800.
Abraham "Shannts", born 1750, is listed in Ten "Series" of "Pennsylvania Archives", Vol. 156, p. 423.
A Lancaster Menno. Hist. Society record states he is listed in the Hannes Eby Burial Record: death ca.26 May 1838 in Leacock, PA.
In 1810 Census, an Abraham Tschantz is listed with 9 household members in Warwick Twp.
LHO library's Family File for JOHNS family notes Abraham is buried near Mechanicsburg, Upper Leacock Twp., apparently along with his brothers Jacob (b. 1746) and Johannes (b. 1748). Reference is made to the Tschantz Family Bible in LHO collections which records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822.
Transcription & translation Oct 2017 by Elsbeth Steffensen.
Family record by Christian Strenge (1757-1828), done on laid paper for Isaac Kauffman family. Within a yellow border are 17 lines of German text, penned in red with lines of curlicues separating each line. Text fills most of page, giving birth dates & Zodiac signs for Kauffman, his wife and 6 children. To right of text is a large stylized, round flower rising from a yellow heart and having side branches with tulips & other flowers. Serpentine flowering vine fills margin along left side. Reverse has some old, faint pencil inscriptions on right side: "Landis" (?) written twice and a nearby sum (17+4=21).
East Petersburg area
Has 19th c. frame with walnut veneer and flat profile. See NOTES on Kauffman family.
Provenance
Assumed to have descended to donor within Kauffman family.
Soil, foxing and staining overall. Two fold lines intersecting at center are breaking with some holes/losses. Repaired on reverse with various papers & tapes at different times. Holes and losses around perimeter. Pronounced damp stains at center fold line. Significant paint loss in leaves, stems and branches.
Frame is chipped and worn, missing some delaminated veneers. Repairs to veneers. Old acidic back boards of cardboard replaced in 2001 by curator w/ acid free foam board.
Object ID
G.96.37.8
Notes
According to fraktur scholar David Johnson, Isaac Kauffman was a farmer who lived on the south side of Leabrook Road from his parents. His parents, Jacob and Eve Kauffman, built the original nearby mill in 1755 (what is now Flory's Mill) and was operated by the Kauffman family until the late 19th century.
See: David R. Johnson, "Christian Strenge's Fraktur", 1995 and Fred Weiser, "Fraktur: Pa. German Folk Art, Science Press, X-mas 1973, pp. 10-12.
This family record is published in Earnest, Russel and Corinne, "To the Latest Prosperity: Pa-Ger. Family Registers in the Fraktur Tradition", 2004.
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
