Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Color lithographed Memento Mori on heavy tan paper depicts a scene in a church graveyard. A grieving couple, likely the parents, dressed in early 19th c. black mourning clothes, stand by a church with a large urn-topped tombstone underneath a green weeping willow tree. Gentleman gestures toward the stone with the side printed at top "IN / MEMORY / OF", followed by 2 sets of 4 lines in ink. First is "Henry Augustus was / born Sept, 10th 1829, / Departed this life / August 27th 1833,". Next is "Nathaniel was born / January the 24th 1835 / Died January 25th / Anno Domini 1835". These 2 sons both died an early death. No surname is given.
Printed underneath the border of this scene is "LITH. & PUB. BY N. CURRIER" at left and "2 SPRUCE ST. N. Y." at right. The number "280" is at center. Printed in New York City.
Printer: Nathaniel Currier, Infill by unknown
Provenance
Memento Mori - Remember that you have to die. Printed by Nathaniel Currier, circa 1830s
Artwork designed to remind the viewer of their mortality and of the unpredictable nature and fragility of life. This scene depicts a church graveyard and a grieving couple all in black mourning clothes. The urn on top of the tombstone symbolizes death since urns were often used in Greece and Rome to store cremated remains. The weeping willow, so named because of the way raindrops run down its long leaves causing some to think it looks like the tree is crying, serves to reinforce the emotions of grief and mourning.
The remembrance is particularly somber since it mentions the name of two children - Henry Augustus (1829-1833) and Nathaniel (1833).
Considerable foxing with gray soil darkening the paper at upper corner area but smaller areas extending along both right edge and top edge. Some soil at upper left side. All edges have been hand-cut. Reverse has heavy foxing with streaks of dark brown soil and acid burn from backing. Some ink spots. Stamped "PROPERTY OF / LANCASTER HISTORICAL SOCIETY".
Object ID
2004.744
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. This certificate designated #44.
Memento mori is a Latin phrase meaning 'remember you must die'. It is the medieval Latin Christian theory and practice of reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits.
Nathaniel Currier (1813-1888) in 1840 began to move away from job printing and into independent print publishing. He printed this and other versions of this scene in the 1840s.
SA firefighter's belt marked Shiffler 7. A 2.325in wide black leather belther belt bound around edges in freen leather with a zig zag edge on the front center cut out portion revelas a red background with raised white letters "SH FFLER HOSE." There is a 2.75in wide moveable slide with edges bound in green and red cut out background with raised "7." A 9in leather strip attached to back holds slide. A 10in long x .75in wide belt with 10 holes is attached 14in from the rounded end witha small buckle at the opposite end. Taped to back, handwritten in ink "J./_ G. Goodman."
White metal helmet plate with brass banner with "SHIFFLER" at top, 3in high "7" in center, and banner with "S. FIre Co." at bottom. Names and numbers attached with 7 nuts in the back.
Firefighter's belt from the Shiffler Fire Company. 2.5in wide leather belt painted red, edges bound in blue painted leather iwth a scalloped edge on teh front. Center cut out portion reveals a blue background with raised metal letters "SHIFFLER." A silver colored metal buckle (3") displays in relief firefighting equipment. A shield in the center contains a #7. The bent edge attached to the back hooks over a link at the oppostie end of the belt. metal hooks at ends can be moved to various holes to adjust the size of the belt.
Firefighter's belt from the Shiffler Fire Company. 2.5in wide leather belt painted dark red, edges bound in green leather with a scalloped edge on the front. Center cut out portion reveals a green background with raised metal letters: "SHIFFLER." A silver colored metal buckle (3in) displays in relief fire fighting equipment. A sheild in the center contains a #7. The bent edge on the back of the shield hookos over a link at the pposite end of the belt. Belt size is adjusted by moving hooks (attached at both ends of belt) to various holes in the belt.
Note: A card, found loose in the box near this belt reads: "Shiffler Fire Co., No 7, Leather Belt. Presented by Mrs. Elizabeth Morrison, Bausman, PA."
A card, found loose in the box near this belt, reads: "Shiffler Fire Co., No 7, Leather Belt. Presented by Mrs. Elizabeth Morrison, Bausman, PA." No more information in known. 11/18/2015 VAP
Firefighter's belt from the Shiffler Fire Company. 2.5in wide leather belt painted dark red, edges bound in green leather with a scalloped edge on the front. Center cut out portion reveals a green background and raised metal letters: " SHIFFLER." A silver colored metal buckle (3") displays a #7. The bent edge attached to the back of the shield hooks over a link at the opposite end of the belt. Belt size is adjusted by moving hooks (attached to both ends) to various holes in the belt.
Spiral labyrinth, watercolor and ink on wove paper, signed by John A. Landis (15 Sep 1777 - 8 Mar 1862) of Lancaster City. Within a line border is a compass-drawn large circle filled with interwoven near-circles (paths of labyrinth) emanating from another center circle that is in turn filled with compass-drawn floral decoration. The near-circle pathways have text written within, beginning at the top with the words, "What is a gentleman?" Leafy vines with flowers fill the corners outside of the large circular labyrinth. Two distelfink-type birds are perched on lower vines. At bottom center is a heart in which vines are anchored. Within heart are 4 lines of neatly printed English: "Made By/ John A. Landis in the/ Year of our Lord 1852/ in the Seventy Fifth/ Year of his/ Age."
Reverse side of frame has two stickers; the top one reads: "MSC/ #135" and the lower one reads: "T76.10.37/ (MSC - 135)."
Unusual -- believed to be the only hand-done Lancaster City fraktur known. Samuel Baumann is the design source for Landis's birds, flowers and hearts. Baumann produced printed fraktur in Ephrata in the early 19th century. See NOTES
Provenance
Provenance: Dealer Hattie Brunner to Dr. & Mrs. Donald A. Shelley. Shelley collection sold at auction (Pook & Pook), Oct. 2004 to Heritage Center.
Paper is darkened overall; watercolored words of labyrinth are blurry and often illegible.
Object ID
P.04.45.1
Notes
According to Landis family genealogy & other sources, Landis operated a museum in Lancaster City at several successive locations. Article in Lancaster Gazette, 1825, lists detailed changes & additions Landis made to the museum.
Landis married twice, leaving no children and is buried in Shreiner's cemetery (tall monument along Mulberry St. side). The 1850 Census records him living, at age 72, with his wife Sarah in a hotel kept by Henry Nauman. He is also listed in the 1860 Census but of course gone by 1870.
Labyrinths have been made in various forms for centuries, traditionally of a spiritual nature. According to Michael Bird, "The labyrinth had pre-Christian roots in the worlds of Crete, Greece and Rome..." Landis's labyrinth is unusual in that it is not rooted in a spiritual or Biblical theme, but instead focuses on moral character. This compass-drawn design is not traditional Pa. German; it is likely Anglo-inspired.
This labyrinth was illustrated in Donald Shelley's "The Fraktur-Writings of Illuminated Manuscripts of the Pa. Germans", figure #223. See Klaus Stopp's The Printed B&BCs of the German Americans, Vol. II, pp. 208-217, for fraktur printed by the Baumanns of Ephrata. These show the source of motifs used in this labyrinth.
Scherenschnitte, freehand cutwork on light cream-colored wove paper folded horizontally, vertically, and diagonally, then cut out. Rectangular form is centered with an 8-lobed flower made of four hearts enclosing smaller hearts & a medallion with inscription Surrounded by figures of boys and girls as well as birds and hearts. Colored w/ red and blue paint/gouache and some details in blue ink.
Scotland area, Greene Twp., Franklin Co.
Handwritten in blue at center is: "Margarert [sic] Elizabeth / Farner / A present / By John Farner / March 11th 1854" Made for sister Margaret when John was age 11. Similar one is owned by Jim Gergat, done by Farner in 1854 for Isaac Shetter in Green Twp. in Franklin County. Jim has a photo of recipient Shetter. He owns an additional cutout w/ no written presentation. Gergat states Farner was a Civil War veteran and is buried in Centerville, Cumberland Co. (at intersection of Rt. 174/Walnut Bottom Rd. and Rt. 233 & associated w/ Centerville Lutheran Church, Carlisle).
Provenance
Given by Mr. and Mrs. Richard Flanders Smith to the Lancaster County Historical Society with the understanding that it would become part of the collections of The Heritage Center Museum with the establishment of that institution.
Small brown spots overall, especially in top half. Larger brown stains in top left area and central design; possibly faded brown coloring.
Matted and framed by conservator Brian Howard of Carlisle in 1996
Object ID
G.77.50.3
Notes
Earnest, Fraktur: Folk Art & Family, 1999, p. 118.
Informed 1-9-12 by Jim Gergat, former York Co. H. S. curator, of identity of John Farner. See photocopies of his two Farner cutouts in file. Gergat's phone # is (610) 473-0137.
Slide #27-2-10 and Transparency file under "Fraktur" #18.
Removed from Masonic Lodge Fraktur exhibit early 2008.
Exhibited Landis Valley Museum, scherenschnitte exhibit curated by Irwin Richman, May-Dec. 2008.
Place of Origin
Greene Twp., Franklin County, Pennsylvania
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Lithograph signed Print of Queen Victoria from painting by F. Winterhalter. Black ink, oval background. Victoria-body is 1/4 to her left, head front. Wearing crown, drop jewel earring, large stone necklace. Shoulder gown in trimmed with fur. Mounted in a The frame is a gilt decorated wood frame. Signed "Victoria R."
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.
