Part of a four-piece dress. Blue velvet laced belt; white mesh stiffener; lined in navy satin. 5/8" wide navy woven tape with tubular metal clamps at both ends for lacing belt closed using 10 round hand-stiched edged buttonholes, 3 metal stays, one in back, 2 at front opening. Velvet tab attached to inside folds across lacing hoes in front. Lower edge tapers to a slight "v" in the back and a deeper "V" in front.
Part of a four-piece dress. Blue velvet bodice with pointed lower front edges. Raw edges at collar, sleeves, and along waist/ bottom edge. Fronts have two bust darts. Right front has 21 buttonholes finished in buttonhole stitch. Left front has threads where buttons (now missing) had been sewn on. Front has batting between velvet and lining. Finely finished interior with 11 places for contour stays -4 have stays; 2 each front and 1 behind each underarm seam. 4 1/2 inch long brown fabric piece with 5 hooks inside right front; piece with 5 eyes on inside left front, attached at waist to reduce strain of buttons/ buttonholes. Brown twill tape as backing for buttons.
With garment are two lined tabs, tacked together. Metal pieces inside tips. 3-parallel lines of stitching around outline of both tabs. Top edges are raw, unfinished edges, White mesh stiffener between velvet and lining.
Cape has finely over cast lower edge. Cape is fully lined with black wool with hemmed lower edge, tacked to outer cape every 8 to 15 inches.
Black wool collar with black velvet stiched to top side.
Underneath collar are two metal threaded pins that anchor metal ends with a chain for hanging the cape. This chain (3 inches) is inside at the neck above a label:
"JACOB REED'S SONS PHILADELPHIA"
2 ornate black cord frogs (7 inches in length) with a loop on the end to loop arouind a cord (2 inches). One on both sides. Sturdy hook and loop at neck.
Jacquard coverlet made by Samuel Hippert. Weft yarns are red, green and blue wool and warp is natural white cotton. Two loom widths sewn together in center.
Center field has circles of foliate motifs. Border includes a double row of 8-petal flowers. At foot end and sides is an inner borders of roosters.
Weaver's blocks in corners at foot: "S+ H+ ELI/ ZABETH/ TOWN/ PA 1858/ SARAH/ ANN/ FLURY". Band with "H PATENT" repeated along runs across coverlet between weaver's blocks.
Sides are self-fringes; foot edge finished with applied fringe. Top/head edge has red cotton tape handsewn over the raw edge.
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Corner blocks have "S.H. ELIZABETHTOWN PA 1838 SARAH ANN FLURY". Hippert worked in Mount Joy ca. 1833-1838 and in Elizabethtown ca. 1835-1841.
Family register for Metzger family, hand-drawn, lettered and watercolored, horizontal orientation on wove paper, attributed to Karl Seybold (arctive c. 1813-1846). Format is the English style of register rather than Pa. German. Framed in molded softwood frame with very dark brown finish.
Within an inked double-line border is a grouping at top of rectangles with text re: parents. Father George Metzger born in Conestoga Twp.(1799-1845) and mother Maria Huber Metzger born in Boro of Strasburg (1804-1890), married 1821. Polychrome flowers surround text blocks. Father was Lutheran, mother (daughter of Abraham and Maria Longenecker Huber), apparently Mennonite (unbaptized as a child).
Below text blocks are 8 circles bordered w/ polychrome stylized flowers. Each circle records birth of a child. Birthplaces indicate pattern of residence:1st child born Lancaster Boro (1824), 2nd & 3rd Lancaster Twp (1827-1829), 4th & 5th in Manheim Twp (1831-1833) and last three in Warwick Twp (1836-1841).
Karl F. T. Seybold came to America in 1806, becoming a school teacher in Northampton Co. by 1813. His desire to join the Harmony Society in Ambridge, Pa. was unfulfilled, so he moved with his wife to Lancaster Co. in the 1830s, reportedly at the urging of his mother-in-law. He taught school and apparently lived in a Menno. community, doing mostly birth records and family registers for them (names like Funk, Hostetter, Herr, Kauffman, Huber, Miller, etc.).
Provenance
Unknown provenance before acquisition from sellers. Earnests do list the source of this fraktur as "Der Kurier" 9/93 p. 4. This is the newsletter of the Mid-Atlantic Germanic Society, published quarterly in March, June, September, and December. It is indexed in the Periodical Source Index by the Allen County Public Library, Ft. Wayne, Indiana and the Genealogical Periodical Annual Index by Heritage Books Inc, Bowie, Maryland
Old cardboard back has mailing label from L.E. Waterman Co. in New York City to W.H. Corey, Jr. of Owego, N.Y. A 12-cent stamp affixed to corner dates from early 20th century.
Paper soiling, foxing and scattered stains overall; significant moisture stains along bottom right border and smaller ones near center as well as along paper edges. Paper has significant spidery, stained cracks extending inwards from both right and left edges, clustered at center. Each side is repaired on reverse with a 2.5" - 3"-wide vertical band of paper tape, causing the dark staining seen at cracks on front. Vertical paper cracks at fold lines extend in from top and bottom. Frame has been recut to current size and has nicks and moderate wear. Corrugated cardboard backing replaced with acid-free board, Dec. 2004..
Family register hand-lettered in black and red, with bronze/gold highlights, all within a frame-like band border filled with decoration including rosettes in corners. Executed for an Old Order Amish family by either John G. Doell or Elizabeth K. Beiler. In a modern frame.
Heading at top reads "The Family of / of [sic] my Father Noah Fisher / He was born on the 14th day of February, 1853 / and my Mother Catharine (Katie) Fisher. / She was born on the 28th day of January 1850." The register gives birthdates of the seven children. Toward bottom is the heading "Deaths" followed by 2 death dates, for Amos (1887) and a stillborn daughter (1894).
Near bottom reads "This was written on the 21st day of September in the Year 1901./for Emma Fisher". Roses drawn in bottom corners.
John Doell was "English" and appears to have worked exclusively among eastern Lancaster Co. Amish families, penning book plates, family records, etc. He likely traveled throughout the communities offering his services. Mennonite historian/collector, Amos Hoover, owner of Muddy Creek Farm Libray, notes that Doell came to America in 1857 and died in Zion's Home in 1908.
Doell's work is similar to Amish artist Elizabeth K. Beiler (see McCauleys' Dec. Arts of the Amish of Lancaster Co., p. 125.)
2009-2011 Amish exhibit, City Hall, 2nd floor.
Provenance
Provenance: Vendor Trish Herr purchased at the Mary H. Fisher sale held at the Paradise Fire Hall, April 19, 1989.
John G. Doell or Elizabeth K. Beiler (see notes in file)
Deep horizontal and vertical creases dividing the register approximately in quarters. Various small brown stains/marks appear overall; an especially dark stain in the upper left, 3 1/2" in from the corner.
Mounted in an off-white window mat and black, flat-profile frame with UV filtering glazing by Lancaster Galleries.
Object ID
P.89.07.4
Notes
See P 89.07.3 and .5 for additional registers of this family.
Earnest, Papers for Birth Dayes, pp.54 and 195-196. The fraktur hand of Elizabeth K. Beiler and John G. Doell are so similar that it can be difficult to attribute.
McCauley, Dec. Arts of the Amish of Lancaster Co., p. 125
Place of Origin
Lancaster County
Credit
Heritage Center Collection through the generosity of the James Hale Steinman Foundation
Fraktur family record of Amish family of Stephen and Hannah Miller Mast and ten children, done with ink and paint on heavy white paper in oak frame. Executed in the style of scrivener David C. Hoke by Old Order Amish Bishop John F. Glick (1912-Aug 30, 2003).
A contemporary scrivener who learned his craft by copying David Hoke, Glick records the family of his great grandmother Mary Mast (1832-1924). Fraktur has a wavy ribbon border with flowers at top and bottom. Heading at top is "Family Record" and 1/3 of the way down is "Children," both done in heavy red lettering with silver highlights. Three heads of wheat flank each side of "Children."
Parents' birth dates and marriage date are recorded, followed by ten children with birth dates. The sixth child, Mary, is underlined to indicate her significance as Glick's great grandmother. All 12 family members have a death date written in cursive under their birth date, mimicking a common practice of descendants who added this information years later.
At bottom center, Glick draws a scroll and pen and inscribes his name and the date (1997). At right he adds: "Mary Mast was my great grandmother."
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop on the Glick farm property, Cut Road, Salisbury Twp.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC as a result of visiting him in his farmhouse Jan 1997 to discuss his penwork. (The two other fraktur, based on the Stoltzfus family record, were specifically purchased for use in the 1997 Exhibit on fraktur.)
Fraktur-style family record of Amish family (Henry and Annie Stoltzfus) done with ink and paint on heavy white paper, framed.
Executed by contemporary Amish scrivener, Old Order Amish Bishop John F. Glick (1912 - Aug 30, 2003), in the style of scrivener David C. Hoke, using the names from a FR by Hoke (see 96.1.1). Fraktur has a vine with blue berries forming a border. Heading at top is "Family Record," done in pink, red, black and gold and heading 1/3 of the way down is "Children," done in pink, mustard, gold and black. Three heads of wheat, tied together, flank each side of "Children" and are used under the names, next to the inscription.
Parents' birth dates are recorded, followed by ten children with birth dates. The father and the son, Levi, have a death date written under their birth date, mimicking a common practice of descendants who added this information years later.
At bottom center, under the wheat decoration, Glick inscribes his name and the date (1997). At right he adds: "David C. Hoke Pattern/ back in the 20's."
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop right there on the Glick farm property, Cut Road, Gap, PA.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC for use in the 1997 Exhibit on fraktur.
Fraktur family record of Amish family of Henry and Annie Stoltzfus and ten children, done with ink and paint on heavy white paper in oak frame. Executed in the style of scrivener and artist David C. Hoke by Old Order Amish Bishop John F. Glick (1912-Aug 30, 2003).
A contemporary scrivener/artist who learned his craft by copying David Hoke, Glick records this family record in his own style. Here Glick uses the names from a Stoltzfus family record done by Hoke (see P.96.01.1). Glick has a wavy blue ribbon border with flowers at top and bottom. Heading at top is "Family Record" and 1/3 of the way down is "Children," both done in heavy blue lettering with silver highlights. Three heads of wheat flank each side of "Children."
Parents' birth dates are recorded, followed by ten children with birth dates. The father and son, Levi, have a death date written in cursive under their birth dates, following the practice of many descendants who added this information years later.
At bottom center, Glick draws a scroll and pen and inscribes his name and the date (1997).
Framed in a new oak frame with glazing, made by Glick's son, a woodworker, who has a woodshop on the Glick farm property, Cut Road, Gap, PA.
Group of three fraktur (P97.22.1-.3) was commissioned and purchased from Glick by HCLC as a result of visiting him in his farmhouse Jan 1997 to discuss his penwork. This fraktur was purchased for use in the 1997 Exhibit on fraktur.)
