Nearly square printed fraktur mounted in a window mat and a modern flat black frame. This three-heart design made by Friedrich Krebs has his name "F. Krebs" printed at the bottom of the large central heart. Likely custom-printed in Reading at Adler's. Text within large heart is "Geburts- und TaufSchein." Standard main text has blanks infilled by Krebs. A daughter Elisabetha Miller was born 21 Feb 1809 in Cocalico Twp. to parents Peter Miller and wife Anna, born a M-caale(?). Daughter Elisabetha was baptised 14 May 1809 by Rev. Nuszky(?) and the sponsors were Peter Ellser and his wife Elisabetha. Smaller hearts below have religious verse.
Folksy decorations include coloring the heart border lines and adding many pasted-on cutouts, six of which are imprints of well dressed medieval people, two are pattern embossed paper urns/vases at bottom and two are small birds at top (right one missing). Extensive use of ink and watercolor to portray flowers, 4 suns/moons with faces and an unusual butterfly/moth drawing at top center. Borders of hearts are embellished with watercolors.
Printed in Reading, likely by Adler's Print Shop. Infilled and decorated in Cocalico Twp by Friederick Krebs (c. 1749 - c. 1815).
Fred Weiser, "The Mad, Lovable World of Friedrich Krebs," Der Reggeboge, 1988.Vol. 22, No. 2, pp. 49-88.
Alfred Shoemaker, "Notes on Frederich Krebs, The Noted Fractur Artist," The Pennsylvania Dutchman, Nov. 1, 1951, Vol. 3, No. 11.
Klaus Stopp, The Printed B&BC of the German Americans, Vol. 1, 1997, pp. 77-78 and pp. 140-144.
Height (cm)
31.75
Height (ft)
1.0416666667
Height (in)
12.5
Width (cm)
39.37
Width (ft)
1.2916666667
Width (in)
15.5
Dimension Details
Measurements are estimated based on what is visible in window mat.
Dimensions of frame are H: 15.375" W: 20.25"
Condition
Fair to Poor
Condition Date
2017-06-20
Condition Notes
Overall age yellowing with slight foxing. Multiple fold lines and other wrinkles. Large areas in right and left corners have heavy losses (holes), folded over edges and mending with cellophane tape adhered to back and staining the paper. Many pasted-on paper cutouts are detaching with folded-over edges. At least one cutout of bird is missing at top and perhaps additional missing cutouts where holes exist at upper corners. Abrasions on lower left cutout as well as some painted motifs.
Object ID
2017.999.8
Notes
Appraised by Rev. Fred Weiser in Sept. 1888. It was numbered # . See another B&BC by Krebs, 2017.999.28.
Johann Jacob Friederich Krebs was probably born April 3, 1749 and probably died in July 1815, according to Russ & Corinne Earnest's Papers for Birthdayes, pp. 460-467, He was active circa 1784-1812 in most counties of southeast PA and even New Jersey. He is considered the most prolific of all fraktur artists. He lived between Hummelstown and Harrisburg, Dauphin Co. and was a Schoolmaster in Swatara Twp.
He went through phases of decoration such as pasted-on cutout paper, stamped-on birds, his own freehand sketches, etc. He purchased large sheets of colored Augsburg brocade paper having Baroque decoration with pictures of Saints, animals and flowers. He cut out these figures to paste on fraktur as well as cut out his own shapes.
He used Adler's printshop in Reading for most of his printed B&BCs, often supplying the paper himself. He preferred 3-heart prints having no decoration, since he provided his own decoration.
A Peter Miller was a West Cocalico Twp. Supervisor in 1850 (Ellis & Evans, p. 722). The 1860 Atlas shows two "Pr. Miller" properties in East Cocalico Twp. just south of Knops Ridge. The 1869 Co. Directory lists 14 Millers in E. Cocalico, including a Peter Sr., a Peter Jr. and a Peter K. Miller, all in Reamstown or Swartzville.
Printed 3-heart form B&BC in German, on laid paper, is infilled with red ink for Anna Bofenmeyer/Bosenmeyer, born 29 May 1805 in Warwick Twp. and baptized by Emanuel Schultz. Sponsors were Peter and Anna Miller. Parents were David Bofenmeyer/Bosenmeyer and wife Magdalena nee Conrad. This main text within large central heart has title "Tauf = Schein". Below main text is added: "Ich bin confermiert und das erste was zum Abendmahl gegangen." (I was confirmed and went to Holy Communion for the first time 26 May 1821). Below this text is a tailpiece of birds with spreading wings and below this is the imprint "EPHRATA: Gedruckt bey / Samuel Baumann." Two small hearts flank tip of large heart, with religious verse. Borders printed with 3 large sprays of flowers at top. Center of sides is rose blossom at left and 2 billing birds at right. At lower corners are birds perching on branch growing out of the small hearts. Running stagsat very bottom corners and two large leaves at bottom center. Strong, dark-printed border line at bottom supports stags and 2 leaves.
Klaus Stopp writes in B&BCs of the German Americans, on p. 216 of Vol. 2, that this paper carries a watermark of "B & JB" and a flying bird indicating Benjamin and Joseph B, sons of papermaker Christian Baumann (1755-1815). Clarence Spohn has evidence that these 2 sons rented the Ephrara papermill from 1816-1819. Since Samuel Baumann sold his business in 1816, this printed edition had to have been made in this year. Stopp numbers this B&BC edition #276 (p. 216) and lists among the examples, this Bofenmeyer fraktur.
Infill in Warwick Twp., unknown; Printed in Ephrata by Samuel Baumann.
Large, heavy liquid stains over most of surface. Fold lines are breaking or broken with holes and tears in numerous places, esp. the left half. Very ragged and folded over edges. Paper has high rag content and is very pliable.
Object ID
2004.742
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. This fraktur designated #42.
This B&BC is related to 2004.738 and 2004.739 due to common surname.
Adam Reigart Jr. (original catalog description was Capt. John Steele)
Description
Oil portrait on canvas of Adam Reigart, Jr. (1765-1844). (Original catalog description was: "Painted portrait of Captain John Steele by Jacob Eichholtz". This ID correction approved by Tom Ryan).
Half-length male figure, faces slightly to left, gray hair brushed forward over forehead in thin wisps, long sideburns, his left ear visible; white turned down collar, light color waistcoat and white stock and frill. Black double-breasted coat. Plain brown background.
Modern wood frame 1.75" wide, painted black with gold beaded inner edge.
See G.86.09.2 for an identical oil on canvas portrait of Reigart by Eichholtz. (On art racks)
Painting has strong tears and needs cleaning. This is the condition in which it was received. Large irregular tear 7.5" x 4/5" across his left chest & shoulder. Small 1" x 1/2" tear above shoulder. Another irregular tear 2" x 1" on right shoulder. Straight line dent w/ some tearing below this. Another straight line dent 3.5" to left of head.and a 1"-long dent with tear above head. Extensive craquelure, esp. in upper 2/3.
Modern wood frame 1.75" wide is painted black with gold beading on inner edge. Round, blue sticker at top back of stretcher reads: "(W)alnut Lan(e) / Art Shop / German(town) / Philad(elphia).
Oil painting of person walking on road toward river where 3 sailboats are visible. Red and yellow leafed trees with hill on opposite side of river visible in background. Painting on piece of highly acidic wood. On reverse "EICHOLT PAINTING FROM PONTZ ESTATE." Frame is three eighths inches with gilded top/front surface and one eighth inch curved bevel.
Oil painting of fall colored trees on land jutting our into river. Two small white sails on water. backed on a piece of highly acidic wood. Frame is three eighths inches, gilded top/front surface with one eighth in curved bevel.
Oil on wood panel. Profile painting, half length, of a young woman facing left front, hands not showing; medium light reddish hair, center part with comb at top of head. Curls in front of ears, grey eyes; high-waisted white gown with double lace ruffle collar around neck, pink rose at collar opening, gold double chain necklace, red shawl around shoulders covering arms; gold colored chair back right, greenish-grey background. (Beal)
Inscriptions: Ink script at top of frame back is "Elizabeth Cecilia Leman / Born 1814 died 1834." This is repeated in script at board back. At top left in script is "Adelia Leman / 1880."
Recent paper label by previous owner William Shand, at frame bottom is: "Young Woman of Leman Family / Possibly Elizabeth Cecilia Leman / (1814-1834), by Jacob Eichholtz / #459 in 'Jacob Eichholtz' by / Rebecca J. Beal / See Ellis & Evans 'History of / Lancaster County', p. 523 / W.S." Smaller paper sticker alongside reads "Young Woman / of the / Leman Family / by Eichholtz".
The number G.80.130.2 is painted at top right of wood panel. This was a Heritage Center number, due to an ownership dispute. See File.
Provenance
Beal writes on page 136, "Collections: Miss Adelia Leman, Lancaster; Mr. and Mrs. William Shand, Lancaster."
Painting is mounted in reproduction gold frame, held in place with four mending plates at sides. Remnant of old paper dust cover on back along frame. Conserved in 2002.
Portrait of George Graeff, oil on wood panel. Portly, middle-aged man in profile, facing right. Has long dark hair tied with a ribbon and is wearing a black coat with white shirt and lace jabot. Dark background. Frame is wood veneered with single metal hanging ring at top.
Label on frame back states "Col. Geo. Graeff." A hatter, Graeff (1756-1823) is credited with building Graeff's Tavern on S. Queen St. He was captain of a volunteer company of Lancastrians at the Battle of Long Island during the Revolution. Was County Treasurer from 1787-1802 and the second president of Farmers Bank, after 1814. More info in file; see NOTES.
See NOTES
Provenance
Descent within the family, on the Hager side. Donor is gr. gr. gr. grandson of Geo. Graeff.
Colonel Geo. Graeff to son Graeff to daughter Annie M. (m. Charles F. Hager to son Walter C. Hager (single) to brother Charles F. Hager to daughter Susan (m. Richard P. Rohrer) to son Charges Hager Rohrer (donor).
Multiple small areas of paint loss. Small pieces of veneer missing from corners of frame; larger piece missing at lower left, abut 2" from corner. Painting and frame conserved by James Vallano, Ja. 2003, for 2003 exhibit "Worlds of Eichholtz".
Object ID
G.86.13.1
Notes
John J. Snyder, Jr. reports that on Oct 1, 1818, Eichholtz recorded a portrait of Graeff costing $20. He notes that this may be one of the latest profile portraits on panel done by Eichholtz.
Included in the 1912 Portraiture exhibition held in the Woolworth bldg., listed as #99 on page 25. See copy in file. The painting was owned and loaned to the exhibition by Graeff's great-grandson, Walter C. Hager (1859-1930).
Rebecca Beale includes this painting on page 96, but notes it is unlocated.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Portrait of George Washington by Jacob Eichholtz. Likely copied frm Gilbert Stuart's Vaughn portrait of Washington. Eichholtz travelled to Boston during which time he met Stuart and saw his studio and many of his works.
