Copper pint measure or mug. Straight sides taper in toward mouth with rolled lip edge. Strap handle anchored with 2 rivets at top; one at base. Keyed seam beneath handle. Some tinning remains on interior.
Handle is stamped "(E)ICHHOLTZ". Letter "E" is partially hidden at top.
Provenance
Purchased by Gunnions at Conestoga Auction circa March 1986.
Heritage Center purchased from Gunnion Antiques Aug. 1986
Tom Ryan, The Worlds of Jacob Eichholtz., pp. 1-3 and 82.
Henry Kauffman, American Copper and Brass, p. 119.
Height (in)
4.5
Width (in)
4.5
Diameter (in)
3.25
Condition
Good
Condition Date
2013-11-18
Condition Notes
Interior worn with some corrosion. Handle split below top left rivet. Small to significantly larger dents on sides and bottom. Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn.
Object ID
P.86.3
Place of Origin
Lancaster
Credit
Heritage Center Collection, Acquired through the generosity of the James Hale Steinman Foundation.
Water color portrait of a young man on wove paper. The subject depicted in full-length profile, facing to the viewer's left, with right foot in front of left. He has short black hair and is wearing a dark blue coat, white shirt with high collar, blue and white checked vest, dark gray pants and black boots. He is holding a top hat upside-down in his right hand.
The background is dominated by a blue sky with a few clouds, an orange or light brown horizon, blue-green hills and bushes (probably faded green) and brown ground.
According to the sellers, the subject is one of the Reitz (or Ritz) brothers. Catherine Reitz was the great-great grandmother of the seller, Guiles Erisman Costolo. For more info on the provenance see the file.
Artist Jacob Maentel (1763-1863) was an important itinerant portrait painter in watercolor who worked extensively in northwest Lancaster County during the first quarter of the 19th century.
Some horizontal buckling on left side, vertical buckling along top edge, but otherwise in good condition.
Conservation treatment and matting done in Feb. 1989 by CCAHA in Phila. Mat must have later been removed, so this piece was matted and framed by conservator Brian Howard in 1996.
Water color portrait of a young man on wove paper. The subject depicted in full-length profile, facing to the viewer's right, with the left foot in front of the right. He has brown hair that curls up at the neck and is wearing a dark blue coat, white shirt with high collar, blue and white checked vest, dark gray pants and black boots. He is holding a top hat upside-down in his right hand.
The background is dominated by a blue sky with four white clouds, an orange or light brown horizon, blue-green hills and bushes (probably faded green) and brown ground.
According to the sellers, the subject is one of the Reitz (or Ritz) brothers. Catherine Reitz was the great-great grandmother of the seller, Guiles Erisman Costolo. For more info on the provenance see the file.
Artist Jacob Maentel (1763-1863) was an important itinerant portrait painter in watercolor who worked extensively in northwest Lancaster County during the first quarter of the 19th century.
Some slight buckling down left side. Some small brown spots in upper left corner, below the cloud; also spotted across the non-blue portion of the sky. There is a crease running from the extreme right edge (at approximately the height of the subject's hand) to the bottom, ending slightly less than an inch from the lower right corner.
Conservation treatment and matting done in Feb. 1989 by CCAHA in Phila. Mat must have later been removed, so this piece was matted and framed by conservator Brian Howard in 1996.
Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
3/4 profile bust portrait of "James Sproul of Octoraro . 1781 -1847 ." Subject's face towards viewer. See notes for additional information regarding date of gift and donor.
According to the "Papers Read Before the Lancaster County Historical Society, February 1, 1907, Minutes of the February meeting:
The following donations to the Society were announced by the Librarian: A large frame photograph of James Sproul, once a prominent citizen and iron master on the Octoraro Creek, below Christiana, donated by his grandson, Hon. W. C. Sproul, of Chester Pa.
The presentation of the Sproul portrait was made by Dr. J. W. Houston, who accompanied it by an address of considerable length, in which the career of Dr. Sproul was sketched, showing him to have been a man of mark in the earlier period of the county's history.
William Cameron Sproul (September 16, 1870 – March 21, 1928) was the 27th Governor of Pennsylvania from 1919 to 1923. He also served as a state senator from 1896 until his election as governor in 1919.
Oil Painting on paper of General John Steele. Gen. Steele is seated with his right arm on the arm of a chair, left hand on his right wrist. He's attired in a black coat high with high back collar. A high white collar around his neck has a bow tied in the front with a ruffled front.
Adam Reigart Jr. (original catalog description was Capt. John Steele)
Description
Oil portrait on canvas of Adam Reigart, Jr. (1765-1844). (Original catalog description was: "Painted portrait of Captain John Steele by Jacob Eichholtz". This ID correction approved by Tom Ryan).
Half-length male figure, faces slightly to left, gray hair brushed forward over forehead in thin wisps, long sideburns, his left ear visible; white turned down collar, light color waistcoat and white stock and frill. Black double-breasted coat. Plain brown background.
Modern wood frame 1.75" wide, painted black with gold beaded inner edge.
See G.86.09.2 for an identical oil on canvas portrait of Reigart by Eichholtz. (On art racks)
Painting has strong tears and needs cleaning. This is the condition in which it was received. Large irregular tear 7.5" x 4/5" across his left chest & shoulder. Small 1" x 1/2" tear above shoulder. Another irregular tear 2" x 1" on right shoulder. Straight line dent w/ some tearing below this. Another straight line dent 3.5" to left of head.and a 1"-long dent with tear above head. Extensive craquelure, esp. in upper 2/3.
Modern wood frame 1.75" wide is painted black with gold beading on inner edge. Round, blue sticker at top back of stretcher reads: "(W)alnut Lan(e) / Art Shop / German(town) / Philad(elphia).
Oil painting of person walking on road toward river where 3 sailboats are visible. Red and yellow leafed trees with hill on opposite side of river visible in background. Painting on piece of highly acidic wood. On reverse "EICHOLT PAINTING FROM PONTZ ESTATE." Frame is three eighths inches with gilded top/front surface and one eighth inch curved bevel.
Oil painting of fall colored trees on land jutting our into river. Two small white sails on water. backed on a piece of highly acidic wood. Frame is three eighths inches, gilded top/front surface with one eighth in curved bevel.