Bookplate is done on wove paper that is adhered to the detached front cover of a leatherbound New Testament and framed in a modern red and black frame. Unusual borders, motifs and strong primary colors of red, blue and yellow. Borders are bands of red and blue-painted rectangles at sides and red hears on a band of yellow at top and bottom. Additional red hearts flank side borders at top. Top 1/3 of bookplate has a compass-drawn motif of overlapping circles. The middle 1/3 of page is the text in German "Dieses Neue Testament/ Gerhort/ Henrich Scherch/ Ihm zur Lehr and Gott zur/ Ehr, Geshrieben im Yahr, 1823." Bottom of page has a large design of red and yellow fruit hanging from blue leaves dotted with red. (Written by Wendell Zercher)
Paper is generally good; colors have been smeared. lifted and muddled, esp. along top edge and bottom 1/3 of bookplate, probably due to moisture damage. Tear of 1 1/2" extends from left edged ( 1 1/2" up from bottom) into center of page. BP is adhered to detached front cover of NT that is deteriorated brown leather with metal hooks for clasps still intact; residue to glue at four corners.
Watercolor of bird, fraktur-type, done for an Amish female, attributed to Amish artist.
Bird perched in stylized tree, done on plain off-white wove paper. The tree has one main trunk with five small, arching branches terminating in a globular yellow fruit. Uppermost branch ends in a tulip. Three gray-blue leaves attach to trunk. Bird has yellow body decorated with inked texture marks, brown head and wings and gray-blue beak.
Inscriptions: At bottom right in inked German script is "May 1848." At upper left, written sideways in the same hand is "Fannie Hochstetler/ 1848/ Nannie H. Beiler/ 1896.
Mounted in brown paper window mat and frame (likely by sellers for sale). Frame is flat softwood with half-lap, mitered joints and paint-decorated with a dark glaze over a medium-brown ground. Hanging ring at top. (Written by Wendell Zercher)
Provenance
According to sellers' research this may have been a gift to Fannie Hochstetler in 1848, after which she may have married and become "Nannie H. Beiler." Gingerich and Krieder record a Veronica/Fannie/Franey Hostetler (HS5362) (1840-1914) of Mifflin County who married John K. Byler (BY3566) (1831-1904) also of Mifflin Co. Thus, the Earnests are suggesting the sideways description may have been added later than the original 1848 inscription at bottom.
Bought from Russell Earnest & Associates, Nov. 2, 2001, for $1300.00.
Paper has bee trimmed, probably on all four sides. Multiple fold lines with a cluster at upper left corner, a horizontal one at 2 and 2/1 inches from bottom and a vertical one at 1 7/8 inches from right edge. Moderate to heavy soiling, especially above May 1848 date. Upper left cover has minor loss all corners have paste and remnants of paper where previously attached.
Drawing has slid askew since earlier photo. It would be easy to fix. (MAW)
Fraktur-style birth certificate for Heinrich F. Eshbach done on white, rectangular paper with a vertical orientation. Drawn in pen and ink and decorated with polychrome paints in a nearly symmetrical design. From and layout suggest influence of Samuel Bentz and other fraktur artists.
Framing the text block at the sides are two columns decorated w/ vining plant with berries growing out of plinths and rising to the top where six ball shapes are arranged in horizontal design. Below the text block is a large central flower flanked by a pair of smaller flowers. Below these is a very unusual butterfly with hairy wings and feet and a face. The painting is handled inexpertly in a sloppy fashion and unevenly applied. Color are blue, red, green and a brownish yellow.
The text block is in German and state that Heinrich F. Eschbach was born the 29th of September, 1854, in Lancaster Twp., Lancaster County, to his parents Christian and Anna Eschbach. The last three lines appear to be a religious blessing or Bible verse....
The text is done in iron gall ink in a somewhat uneven hand. To nearly every downstroke of each letter, the penman has a a diagonal tail of double pen strokes giving the effect of shading or shadowing.
Original wood back on revers has the signature "Benjamin C. Eshbach" written in ink of adhesive tape.
Provenance
Acquired by Bd. of Trustees for HCLC in memory of Gladys Jane Swift Seibert. From Steven F. Still Antiques, Elizabethtown, PA, for $2000.00. Received July 1, 2001.
Paper is buckled (especially at top) and somewhat embrittled. Significant soiling at top in vertical streaks. Multiple stains/foxing overall, darkest stains at perimeter, including a moisture stain at bottom right corner. Accretions from frame attached to top edge and left edge. Original wood back board replaced with common matboard (acid-free tissue used as buffer). Frame has original finish which is nicked and scratched in many places, most significantly at center of right member and a large scratch to right of center on bottom member.
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
Printed taufschein (B&BC) on wove paper by Herman William Villee of North Queen St. in Lancaster, infilled by unknown hand for the Hirsch family and carefully hand-colored. It is one of two German-language editions printed by Villee.
Taufschein has outer border of a stylized floral motif except at bottom which is an entwined, spiraling leaf and flower design. Large text block at center within a border with heading, "Geburts und-Tauf-Schein." Two smaller text blocks at upper corners have religious verse. Two very small blocks with verse are at bottom center. The three Virtues are personified by classically robed females arranged at sides and top of central block. At top is Love holding a heart; at left side is Faith adorned with a cross; at right is Hope leaning on a large anchor. (These 3 images were used by other printers in Reading, Orwigsburg and Pottsville -- see p. 133 in Vol. III of Klaus Stopp). Immediately below central text block is an image of 2 babies reading a book.
At bottom is: "Gedruckt und zu haben bey/ H. W. VILLEE,/ In der Nordlichen Quien Strasse in Lancaster, (Pa.) Allwo alle Arten/ von Dructer Arbeit verfertigt werden." Mounted in a molded softwood frame with an outside bead and slanting face. Painted black with green-painted face.
Certificate made for birth of Anna Hirsch, daughter of Joseph and Magdalena Metz Hirsch, born Dec. 14, 1821 in Rapho Twp. Reverse has two lines of 19th c. script in black ink: "Amey Hersh Died March the 10/ In the year of our Lord 1844."
Printed by Herman William Villee (b. 1789 in France, d. 1842 in Northumberland Co.), North Queen St. Likely the infill by unknown scrivener in Rapho Twp.
Provenance
See this file and P04.48.1(Adam & Eve broadside) for info about Villee. Additional broadside is P01.60.1.
See Klaus Stopp, "The Printed B & BC of the German Americans", Vol. III, pp. 133-134.
Strong horizontal fold line at center with additional creases. Two 1/2 inch tears at top extending downwards. Top edge very ragged and folded back.
Some overall yellowing, small area of foxing at top right, small liquid stains along top. Corrugated cardboard backing replaced with acid-free matboard back within an old molded wood frame, painted green on face and dark brown at sides. Paint has moderate wear.
Object ID
P.04.48.02
Credit
Acquired through the generosity of Irene N. Walsh, Heritage Center Collection
Framed fraktur birth & baptismal certificate (taufschein/B&BC) for Elisabetha Elser, drawn, lettered and colored by hand on laid paper. Symmetrical, horizontal design is attributed to the "Ehre Vater" artist. Fraktur is mounted on thick paperboard with beveled edges, and is float-mounted on a buff-colored matboard within a modern black frame.
At center is a large circle painted red and green. Inside the circle, set onto yellow ground, is a heart with blue border and pinkish interior. Interior text states Elisabetha Elser was born in Warwick Twp, Lancaster Co. on 19th Nov 1803. Her parents were Peter Elser and wife Elisabetha, born a Wachter. Baptism was held by Pastor Schulz and the sponsors were Georg Wachter and his wife Margaretha (believed to be a sister of Peter Elser). Below circle are two lines of religious verse, translated by Weiser as "A heart that loves Jesus knows no worries -- much cross, need and pain are his days of joy."
At lower right and lower left are two large compass-drawn spheres colored with green, yellow, red, blue and pink. Out of each sphere is a flowering plant on which large parrot-like birds perch, similarly colored.
Attributed to the "Ehre Vater Artist" (active c. 1782-1828).
Some surface soil. Good color retention. Needs to be removed from backing board and conserved.
Object ID
2017.999.1
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. He attributes fraktur to the Ehre Vater artist, a prolific artist who travelled far and wide producing fraktur for many years. This fraktur likely related to Johannes Schnierer B&BC, 2004.718, due to Johannes Schnierer (b. 1786) later marrying an Elser (Catharine).
Papers for Birth Dayes notes on page 227 that this fraktur was exhibited as #38 in the , Allentown Art Museum show in Allentown, PA, "Pennsylvania Folk Art," October 20-Dec. 1, 1974.
The Elser, Weidman/Weydmann, and Wachter families were intermarried.
Fraktur is a simple hand done birth record in German for Adam Kindig and Anna Kindig. Page is likely removed from a Bible. Adam was born 17 Sept 1794 in Conestoga Twp. and Anna was born 22 Oct 1799 in Conestoga Twp. Layout of Fraktur lettering with serifs is simple and straightforward but not with an accomplished hand. Letter colors vary from red to ochre to green. No additional decoration except for curlicue lines surrounding the upper case "A" of both Adam and Anna.
Mounted in a brown modern frame with white window mat. Kraft paper dustcover on back. A "#10" is written small in pencil at lower right corner.
Paper has foxing, brown stains and fly specks (bottom right). Two horizontal fold lines across middle; the one with the greater crease shows breaking and some holes at several points.
Object ID
2017.999.6
Notes
See Mylin Family Genealogy 929.M513 in library.
Adam is the son of Christian Kendig and Barbara Mylin. Anne is the daughter of Michael Haverstick and Eve Bender. Adam Kendig married 1) Anne Haverstick and 2) Mary Helm. Six children by Anne, nine children by Mary Helm. Anne H. Kendig was b. 22 Oct 1799 and d. 17 Jan 1833. Likely buried in Reformed Church, Conestoga Centre or Rush Farm, New Danville.
Adam and Anna's daughter Mary Amanda Kindig was born 1821 and baptised 1837 by Pastor Martin Bruner of the Reformed Church in Lancaster City. Her Taufschein in English is done free hand by Eli Haverstick and is signed on reverse "E Haverstick / No. 11" This document is in the collections of the Evangelical & Reformed Historical Society. Eli Haverstick was likely a relative of the family and was almost certainly a schoolmaster. (See similar examples done for brothers John and Christian Bachman in the Heritage Center Collections).
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. A slide transparency is in file.
Birth & Baptismal Certificate (B&BC) is a printed angel type fraktur on wove paper. Mounted in modern silver frame by The Country Framer of West Chester.
Putto on blue-colored cloud at top; standing angels with paint-decorated clothing stand on blue clouds at sides of center text. Birds on branches at bottom corners. A small block of German verse within border is at each top corner. A large bordered text block at center extends to bottom, entitled "Geburts-und Tauf-schein". Text in upper half has subject's infill done with accomplished hand. At center of text block is a rarely used pair of billing birds. Four stanzas of verse within bottom section have tailpiece of cornucopia & wheat between. Under a line border at bottom is "Reading: / Gedruckt bey Johann Ritter und Comp. / im jahr 1812." Ritter's imprints were never dated except for 1811 & 1812.
Infill gives birth of Elisabeth Lang (Long) born in Rapho Twp. to Johann Lang and wife Margaretha, nee Lindemuth(in). Baptised July 2, 1815 by Pastor Baethis; sponsor was Elisabeth Bartruff.
Reading imprint, Johann Ritter; scrivener and artist unknown, perhaps Lancaster County.
Fraktur is apparently a religious text with multiple flourishes along top and a wide margin at left filled with a large stylized tulip on a thin stem with other flowers and leaves densely filling space. Penwork is black iron gall ink on laid paper. The paper seems to be small pages from a book, pasted together to created a larger sheet. Reverse has strips of paper pasted onto seams (some replaced with later cellophane tape) from a book.
Top line of text is large fraktur lettering "Mein Gott ich Klopff(?) an(?)", with initial "M" enlarged and decorated. Seven lines of script follow, with a line of upper and lower case letters below. Across bottom is "My Child y wil you learned a Was of the bast you must butt (put) your trust of God at last" Final line is tiny script and in the center of this line is written in red ink "Hinerich Sleo(?)". With the alphabet, this piece is like a Vorschrift.
Appears to be 4 small pages pieced together to create a large one. Paper strips pasted on back at seams and some cellophane tape. Multiple problems. Paper overall is age darkened with multiple small brown stains, some large blotches. Holes in iron gall ink, esp. the large tulip. Some paper seams are breaking with with one hole just above center. Edges ragged, torn and folded back. 1' x 2" loss of top left corner; 1" x 3/4" loss of top right corner, and similar loss at bottom left corner. Paper hinged onto matboard with ivory window mat.
