Communion altar from Brickerville United Lutheran Church (originally Emanuel Evangelical Lutheran Church). Rectangular altar of painted softwood, panelled construction all four sides with pegged mortise and tenon joints. Small panels over large. Door in the back with a recessed panel and knob handle. Molding around base, the edge of the top, and framing the recessed panels.
Modification to altar in 1947 by Bob Helman (signature underneath when removed 10-17-00) was a long platform shelf covering the back 2/5 of the top, with holes at the back, including an electrical outlet. Entire altar has been given a new coat of paint, a light chocolate brown on top and white on the sides. The unpainted interior has one shelf with a vertical divider.
Altar has been used since circa 1800 to serve communion, using the Brickerville United Lutheran Church's ten-piece pewter communion service which is also in collections (P97.08.01-10).
Perhaps made by Emanuel Dyer of Manheim or Mr. Zartman of Brickerville.
Large crack on top, approx. 4" from front, running halfway across top. Recently painted. Some separation at moldings. Large hole bored in altar top (for electric wire) underneath the added platform, now removed. The modern base molding also removed. Repainted top with brown and attached molding at ends of top to secure plexi top. Paint removed on door.
Object ID
P.00.34.1
Place of Origin
Lancaster County
Credit
Heritage Center Collection, acquired through generosity of James Hale Steinman Foundation and V. Ronald Smith
An account of the trial of Thomas Muir, Esq. younger, of Huntershill, before the High Court of Justiciary at Edinburgh, on the 30th and 31st days of August, 1793, for sedition : [Three lines in Latin from Tacitus]
An explanation of the practice of law : containing the elements of special pleading, reduced to the comprehension of every one; also, elements of a plan for a reform: shewing that the plaintiff's costs in a common action, which at present amount to from 25 to 35-1. need not exceed 10-1. and those of the defendant, which are now from 12 to 20-1. need not exceed 6-1
Samuel R. Slaymaker II, White Chimneys Collection, Series 2
Description
The Samuel R. Slaymaker II, White Chimneys Collection, Series 2 was carefully curated by Mr. Slaymaker and contains papers dating from the mid-eighteenth century to the early twentieth century. This series is primarily composed of correspondence related to business, railroads, legal affairs, and personal matters. The personal letters are rich in details of social history and genealogy. Legal documents include estate papers for the Fleming, Slaymaker, Leech, and Boyd families. The remaining documents include land surveys, receipts, tickets, accounts, bonds, and wills.
System of Arrangement
The Samuel R. Slaymaker II, White Chimneys Collection is divided into six series according to the original order; Series 1, 2 and 4 have been cataloged and are available for research.
Preferred Citation: Title or description of item, date (day, month, year), Collection Title (MG#), Series #, Box #, Folder #, (or Object ID), LancasterHistory, Lancaster, Pennsylvania. URL if applicable. Date accessed (day, month, year).
Access Conditions / Restrictions
Restrictions are noted at the item level.
Copyright
Collection may not be photocopied. Please direct questions to Research Center Staff at Research@LancasterHistory.org. Permission for reproduction and/or publication must be obtained in writing from LancasterHistory.
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Other Numbers
MG-268, Series 2
Classification
MG0268
Description Level
Series
Custodial History
Added to database 8 August 2022.
Much of this series was microfilmed by the Pennsylvania State Archives. The microfilmed items are noted within the finding aid and the microfilm is available in LancasterHistory's Research Center.
Preferred citation: Title or description of item, date (day, month, year), Collection Title (MG#), LancasterHistory, Lancaster, Pennsylvania.
Access Conditions / Restrictions
This collection has not been cataloged. Original documents may be used by appointment--contact Research@LancasterHistory.org prior to visit. Please use digital images and transcriptions when available.
Copyright
Collection may not be photocopied. Please direct questions to Research Center Staff at Research@LancasterHistory.org.
Permission for reproduction and/or publication must be obtained in writing from LancasterHistory.
The George Steinman Papers, Series 1 contains an album, compiled by George Steinman, with many photographs of buildings, tombstones, monuments and scenes of Lancaster city and county. Ephemera and newspaper articles are among the photographs. Represented in the album are Postlethwaite's Tavern, hotels and taverns, fire houses, the Conestoga massacre, churches, cemeteries, Ephrata Cloister, prominent citizens and their homes, Stehli Silk Mill, and schools. The four boxes contain orginal correspondence, documents, photographs and ephemera or and pertaining to the same subject matter as the album.
The George Steinman Papers, Series 2 is a collection of original correspondence, documents, photographs, and ephemera primarily compiled by George Steinman. The contents of Series 2 represent Lancaster city and county events, prominent citizens, buildings, monuments, churches, cemeteries, schools, and businesses. Most of what Steinman collected relates to 18th and 19th century Pennsylvania, highlighting Lancaster and Philadelphia. One of the key events highlighted is the Revolutionary war; with documents and images related to Philadelphia, George Washington, the Atlee family, and General Edward Hand. There are images relating to the Christiana Riot and to various buildings in early Lancaster; including but not limited to the Old Jail, the British Prison, and Postlethwaite's Tavern. Also included in the collection is currency printed by Benjamin Franklin in Philadelphia in 1764, and Confederate States currency and bonds.
Preferred Citation: Title or description of item, date (day, month, year), Collection Title (MG#), Series #, Box #, Folder #, (or Object ID), LancasterHistory, Lancaster, Pennsylvania. URL if applicable. Date accessed (day, month, year).
"Mr. Geo. Steinman who started this collection of pictures. This book was presented to the Lanc. Co. Historical Society after his death by Mr. Geo. S. Franklin."
John M. Gibson is recorded as the donor, 1968, in LancasterHistory's accession records.
LancasterHistory is committed to preserving and providing access to materials chronicling Lancaster County's heritage. As a historical resource, this document reflects the racial prejudices and actions of the era. In order to maintain the historical integrity and context of collection items, LancasterHistory does not censor historical documents or edit language, titles, or organization names when transcribing original content.
Access Conditions / Restrictions
Please use digital images and transcriptions when available.
The use of the original album is restricted. Please contact Research@LancasterHistory.org with questions.
Copyright
Images have been provided for research purposes only. Please contact Research@LancasterHistory.org for a high-resolution image and permission to publish.
LancasterHistory retains the rights to the digital images and content presented. The doctrine of fair use allows limited use of copyrighted material without permission from the copyright holder. Fair use includes comment, criticism, teaching, and private scholarship. Any images and data downloaded, printed or photocopied for these purposes should provide a citation. All other uses beyond those allowed by fair use require written permission.
Permission for reproduction and/or publication must be obtained in writing from LancasterHistory. Persons wishing to publish any material from this site must assume all responsibility for identifying and satisfying any claimants of copyright or other use restrictions. Publication fees may apply.
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Other Numbers
MG-184
Classification
MG0184
Description Level
Fonds
Custodial History
Series 1 processed and finding aid prepared PK and MSH, 2008. Series 2 finding aid prepared by JE, 2018. Added to database 20 July 2021.
Digitization of this document was funded by the Pennsylvania Historical and Museum Commission, PHMC Appl ID # C980002119, 2021-2024.
Series 1, Register of enslaved women and their children who were born after 1780, is a compilation of papers filed by holders of enslaved persons that show date; name and place of residence of slaveholder; name of mother (usually an enslaved person) and child; date of birth; sex of child; age when the child will be freed; official seal and signatures; and date when filed.
17 folders, 89 items, 648 pages to scan, .25 cubic ft.
Object Name
Archive
Language
English
Object ID
MG0240_Ser01
Location of Originals
LancasterHistory, Lancaster, Pennsylvania
Related Item Notes
Copies of MG0240, Series 1, Folders 1-9 are also on microfilm in the Research Center Library (Drawer 3, sec. 2, #206) and bound (326 R294p Oversized)
Black History Collection (MG0240) https://collections.lancasterhistory.org/en/permalink/2b3d42c6-a313-4ebc-966f-516114048136
Notes
Preferred Citation: Title or description of item, date (day, month, year), Black History Collection (MG0240), Object ID, LancasterHistory, Lancaster, Pennsylvania. URL. Date accessed (day, month, year).
LancasterHistory is committed to preserving and providing access to materials chronicling Lancaster County's heritage. As a historical resource, these items reflect the racial prejudices and actions of the era. In order to maintain the historical integrity and context of collection items, LancasterHistory does not censor historical documents or edit language, titles, or organization names when transcribing original content.
Access Conditions / Restrictions
Please use digital images and transcriptions when available. Original documents may be used by appointment--contact research@lancasterhistory.org prior to visit. Restricted access for the Mayor's Register of Coloured Persons found in Series 2, Folder 2: Use transcript in Folder 3 or microfilm.
Copyright
Images have been provided for research purposes. Please contact research@lancasterhistory.org for a high-resolution image and permission to publish. There is no fee for publication of items in MG0240_Ser01.
Credit
Courtesy of Lancaster County Archives and LancasterHistory, Lancaster, Pennsylvania.
Other Numbers
MG-240, Series 1
Classification
MG0240
Description Level
Series
Custodial History
Processed prior to 1997 and updated from 2007-present. Added to database on 10 January 2022.
Digitization of this document was funded by the Pennsylvania Historical and Museum Commission, PHMC Appl ID # 202010016624, 2020-2023.
This collection contains the papers of Lloyd Mifflin, including diaries, his poetry, typescripts, galleys with marginal notes, Mifflin family material, and a scrapbook of newspaper clippings. Lloyd Mifflin was a poet and painter from Columbia, Pa. He is best known as a writer of sonnets, publishing over 500.
Admin/Biographical History
Lloyd Mifflin (1846-1921), artist of landscape and portraiture, was also "America's greatest sonneteer." He was born and lived much of his life in Columbia, Lancaster County, Pennsylvania where he was free to wander the banks of the Susquehanna River and its tributaries.
His father, J. Houston Mifflin, of English Quaker descent, was Lloyd's first teacher in drawing and sketching. His mother, Elizabeth A. Heise, came from German heritage. She was born in Columbia and died when Lloyd was very young. His father, a kind and patient man, noted that Lloyd was a rather weak child and provided equestrian and water sports to improve his health.
Lloyd was taught in the public schools in Columbia, including the Washington Classical Institute. The Mifflin family supported local education by bequeathing two houses from their estate, the cottage known as "Norwood" and the grand house, "Cloverton," as well as the estate itself. The school district annually planted a flower on his birthday, September 15, and read one of his sonnets, "A Picture of My Mother."
At the age of 14, Lloyd undertook drawing and sketching with his father. He also had Thomas Moran as an instructor in painting and worked with Isaac Williams of Philadelphia for a short time. In 1869, he traveled to Europe where he studied with Henry Herzog at Dusseldorf, Germany. His adventures also took him to Italy, France, England, and Scotland. He returned to Columbia from Europe and continued painting scenes from along the Susquehanna-from Cooperstown, NY to the Chesapeake Bay. As did most other painters of the time, he earned money from portraiture.
In his paintings, he captured the natural with refined color and light, which yielded firm and balanced forms. He preferred to capture the peacefulness of a woodland path or other quiet spots, rather than the noise of an industrial area. Later in his life he liked seasonal paintings, since they gave him a chance to probe deeper into a philosophical spirit.
Mifflin turned to poetry at the age of 51. According to what he wrote in The Hills, his first volume of poetry (1896), he claimed that the fumes of the paint made him sick. In his lifetime he filled twelve books of verse with two hundred poems and more than six hundred sonnets. He wrote more sonnets than William Shakespeare, John Milton, and William Wordworth. John Keats, however, was his favorite. He preferred Keats for his expression regarding the love of beauty, both real and ideal; his forms were always poised and dignified. During this time he also taught himself the art of etching, using this technique to illustrate The Hills.
Mifflin stressed a strong love of beauty in his poetry as he did in his painting. His imagination and beautiful sense of harmony characterize his verse. The main source of his ambition, inspiration and consolation are clearly seen in The Invocation.
He devoted his greatest efforts to the category of the sonnet, considering it the most distinguished and exalted of all forms of English poetry. He enjoyed the structure, the metrical and rhythmic beauty, the plan of metrical rhyme and diction. Mifflin found it much like a musical composition.
Sonnets bipartite in structure usually have a combination of eight lines followed by six. The rhyme schemes and diction include many metaphors and an extensive vocabulary. His one hundred and fifty nature sonnets emphasize the descriptive, not the intuitional. To sample his poetic styles, one should turn to his three hundred and fifty collected sonnets, published in 1905 with a second edition in 1907. A large number came from earlier books.
As a poet, Mifflin was an idealist and respected the ideal of Greek mythological beauty. In the Echoes of the Greek Idylls and Slopes of Helicon, we find no roughness of spirit. There was a conscience of a spiritual presence. His religious sonnets were grounded in the faith of a personal God which related more to his aesthetic feelings than to traditional Christianity. Themes of life and death occur in many sonnets. His poetry inspired faith, hope and deep emotion. These sonnets were more descriptive than philosophical.
Mifflin's personal ambition was to excel; he wanted to write the perfect sonnet. Like the classical Greeks, he hoped his poetry would obtain an immortality. Mifflin thought the world had largely ignored him, even though his poetry received high praise. At his life's end he changed his opinion and credited his readers with more accolades than he had earlier thought. Perhaps he was too hard on himself. Lloyd Mifflin carried the name "Hermit of the hills" who walked the 'world as one entranced' and 'in life's turbid wave', dropped ' the crown-jewel of his melody.'"
E. Hershey Sneath. America's Greatest Sonneteer. The Clover Press (Geo. D. Hall): Columbia, PA.,1928.
Collection consists of personal, legal, and business-related letters and documents concerning the life and affairs of J. Houston Mifflin. Also, similar documents to, from, and about other members of the extended Houston and Mifflin families. Contains typed copies of two letters from J. Houston Mifflin to his son, Lloyd Mifflin, containing an eye-witness account of the June 1863 Confederate advance into Wrightsville. Also, a legal document signed by John Passmore.
