Fraktur is a Vorschrift made for Eva Kauffman & attributed to schoolmaster Christian Alsdorff. Horizontal design is hand drawn, lettered and colored on wove paper. Alsdorff uses black iron gall ink with red and black watercolors. Very busy design has lettering surrounded by multiple flowers and leaves.
First 3 lines of text are oversize, esp. the first. Appears to be "Ihr Kinder Send / Bedenck Deinen Schopfer in deiner Ill / Gehorsam Luren Eltern Dann das ist hillis Ehre Vatter." Nine lines of German script follow, and finally a last line of numbers. An area in the bottom right corner is boxed off by a red line border. Several lines written there are "Diese Vorschrifft Gehoret / Eva Kauffman in / ??????? Schullerin 2 Merz 1793."
This design is similar to that of the Vorschift belonging to Clarke Hess pictured in Papers for Birth Dayes, p. 51.
Formerly known as the "Earl Township Artist", Alsdorff was a schoolmaster at the Hempfield School and the Earl School in Lancaster County. Kauffman families did live in the area between Marietta Pike and Rt. 283. The 1869 Directory of Lancaster Co. has 18 Kauffmans listed in East Hempfield Twp and 15 in West Hempfield Twp. None were listed in the Earl townships. On the same day (March 2nd) Eva Kauffman received hers, Alsdorff presented a similar Vorschrift to Jacob Brubacher, noting he was a student at the Hempfield School. Eva most certainly was too.
Mounted in a dark wood frame with beveled face, white window mat. Significant pieces of the fraktur are hidden behind the matboard.
Hempfield School (in area of the Hempfield Townships), Lancaster County
Christian Alsdorf (c. 1760-1838, active c.1789-1821), attributed by Weiser.
Breaking and broken at fold lines; the vertical center line appears to be completely separated. It has two 1.5" long pieces of cellophane tape at top and bottom. Large ragged hole centered on fold line. Lots of brown stains cover much of surface. Iron gall ink has bled outward from motifs have strong concentrations of the ink. Watercolors are alligatored and individual pieces are cupping and lifting. In need of conservation.
Object ID
2002.160
Notes
Pastor Fred Weiser inventoried the fraktur collection in 1988; see forms in file. Weiser refers to the article on Alsdorff by David Johnson in Der Reggeboge (copy in object file).
See pages 51-53 in Russ and Corinne Earnest's "Papers for Birth Dayes" for article on Christian Alsdorff. He was prolific in creating his fraktur; over 50 are known.
Fraktur presentation piece on wove paper, horizontal orientation. Green and brown designs and lettering. Has a foliate border w/ flowers at top center and corners. Large heart dominates design with 5 lines of religious text, and signed at the bottom stating fraktur was made for Anna Funck on 15 Dec 1824 by J. Eberman, schoolmaster. Acanthus like leaves surround heart with several flowers. Five baskets with flowers complete design.
Text: "Jesus ist der schonste nam / Aller, die von himmel kommen, / Huldereich, prachtig, tugendsam, den Gott / Selber angenommen, seiner grossen / lieblichkeit, gleicht kein name weit und breit. / Gemacht von Anna Funck, den 15ten December 1824. J. Eberman / Schul Meister".
Translation: "Jesus is the most beautiful name of all who which came from heaven full of protection, glittering, virtuous, whom God himself, except; His great loveliness is equalled by no name far and wide. Made for Anna Funck 15 December, 1824 (J. Eberman, Schoolmaster)"
Very light age coloring. Two large brown stains / burns at lower left corner. Smaller stains elsewhere. Dog-eared corners. Mounted in a white window mat hinged at top.
Fraktur birth certificate for Lydia Glasz / Glass, daughter of Leonard Glass and wife Christina, nee German. Hand drawn and colored on paper. Unusual confronting women with yellow dresses and red parasols flank central textblock within border. Tree of life above textblock; undulating plant w/ flowers sit on shelf at sides. Triple-line outside border.
German text translates to "Lydia Glasz daughter of Leonard Glasz and his wife Christina a born German. Was born 25th day of Jan. in the year of our Lord 1811.
Some buckling of paper overall. Some bleeding of ink, causing brown marks around letters; also in entire upper left corner. Small 1.4" brown streak below the word "Christina" in center panel.
Condition report of 1986 by the Conservation Center for Art and Historic Artifacts in Phila. in file. No documented treatment. Matted and framed in 1996 by conservator Brian Howard.
Object ID
P.77.12
Notes
Similar to designs of Plate #61 in Weiser & Heaney, Penna. German Fraktur of The Free Library of Phila., v.1.
Research: Ancestry.com gives the marriage of fraktur recipient Lydia Glass to John Kempfer on 20 Nov. 1828 in Ephrata at the Bethany United Church of Christ. Husband John was born 19 Feb. 1809, died 4 April 1865. Lydia died 24 June 1853. Their daughter Elizabeth Kempfer (1836-1909) married David Rudy Buch (1834-1925) and lived in Lititz.
Ancestry also gives the 1810 Census in Earl, Lancaster Co. that lists Leonard Glase with 4 household members under 16 yrs., 1 at 16-25 yrs., and 2 over 25 yrs. Total of seven in home. Lydia was born the following year in 1811.
Place of Origin
Lancaster County
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Fraktur Taufschein of Johannes Müller probably from Lancaster/Dauphin County. Artist, if not Christian Mertel, then similar. Circ 1795. (Appraisal by Pastor Frederick Weiser, 2 September 1988.)
Printed birth & baptismal certificate with infill & decoration by Francis D. Levan, made for the Werts family. Johanes Merts was born 17 Feb 1832 in Cocalico Twp. in Lancaster County and baptized 8 April 1833. He was the son of Jacob and Catharina Schweigart Werts.
Central text is in German with fraktur infill lettering. There is a border surrounding the text. On the top of the page is a cherub flanked by two boxes of text. Flanking the main text are two large angels. Below them on either side of the text are two branches, each with birds. Within the border, but below the main text is an open bible. Below this motif is an emblem with a lute and trumpet superimposed over music. The artist's signature follows, written as, "Francis D. Levane."
Moderate staining overall. Creases, especially at top and left side. Tear at bottom near center. Small loss on left side near top. Small tears and small area of soiling on lower left side. Paper is darkened at lower corners. Framed in archival materials in 2/2000 by Lancaster Galleries.
Object ID
P.00.9.1
Notes
According to Klaus Stopp, this printed form by Ritter was done c. 1843-44. Stopp uses the number 695 for this variant of the form. Papers for Birth Dayes give Levan's working dates as c. 1826-50.
Bookplate is done on wove paper that is adhered to the detached front cover of a leatherbound New Testament and framed in a modern red and black frame. Unusual borders, motifs and strong primary colors of red, blue and yellow. Borders are bands of red and blue-painted rectangles at sides and red hears on a band of yellow at top and bottom. Additional red hearts flank side borders at top. Top 1/3 of bookplate has a compass-drawn motif of overlapping circles. The middle 1/3 of page is the text in German "Dieses Neue Testament/ Gerhort/ Henrich Scherch/ Ihm zur Lehr and Gott zur/ Ehr, Geshrieben im Yahr, 1823." Bottom of page has a large design of red and yellow fruit hanging from blue leaves dotted with red. (Written by Wendell Zercher)
Paper is generally good; colors have been smeared. lifted and muddled, esp. along top edge and bottom 1/3 of bookplate, probably due to moisture damage. Tear of 1 1/2" extends from left edged ( 1 1/2" up from bottom) into center of page. BP is adhered to detached front cover of NT that is deteriorated brown leather with metal hooks for clasps still intact; residue to glue at four corners.
Bookplate done on page removed from a book (and also attached to a blank succeeding page). Vertically-oriented design fills page, done in the style of Joseph H. McGlaughlin with his 'ribbon candy' border. Top and bottom have this band of ribbon candy border done in pink, red and blue. Remnant of side border is apparent only at right edge.
Lettering fills the central space. It reads, from top: "Property of/ John B. Zook/ Talmage/ Lanc. Co./ Pa." Zook's name is written on a banner/ribbon. At bottom, above the lower border is written: "Mar. 4, 1899." Within the lower border is the name of the scrivener: "E.B.Zook Leola, Pa." (Written by Wendell Zercher)
Generally good, but age darkened with minor soiling/staning, especially along right side. Edges of pate are torn and folded under. One inch-long vertical tear at bottom right. Breaking paper along right edge.
Bookplate on white paper reads: "Dieses Buch/ gehoret Mir/ John B Stolzfus/ geschrieben April 19/ 1910". Lettering is one in blue ink, except for name which is in pink. Above and below text, in the style of Josephy McGlaughlin, is a band of 'ribbon candy' decoration done in light blue, blue and pink and gold stripes. (Written by Wendell Zercher.)
Paper has some darkening especially around edges. Some acid burn overall. Small tears on top and right edges and loss on bottom right corner. Left edge is moderately worn. Small worn area with paint loss in center of lower border.
Amish family record for John and Elizabeth Lapp family done in inks on heavy tan paper, mounted in an oak frame. Attributed to Benjamin L. Stoltzfus.
Center text is written in red, gold and black. The heading, "Family Record," is written in green and completely covered in glitter. Sprouting out of the heading are two sheaves of wheat painted in gold with a butterfly painted in brown, green and red between them in the center. Around the perimeter of the text is a border done in a "ribbon candy" design. The sides are painted in black and gold, and the top and bottom are painted in red and gold. Within each of the four corners of the border is a diecut, roses at the top and fruit at the bottom. (Written by Nicole Bangert)
(Find complete family record/list of names in the file.)
Provenance
Sold to Heritage Center Museum by Greg K.Kramer & Co., American Antiques and Decorative Objects, Robesonia, PA on Dec. 12, 2000, for $475.00.
Paper is darkened from acid burn; reverse is 'imprinted' with grain pattern of wood veneer backing. There are dark stains at the top and on the left side below center. Paper is 'surface'torn' at the center between Jacob and Mary 's entries (appears like a tear). There is a puncture tear at the 'was' in Jacob's entry. There is a 1 1/4"-long tear at the top, 4 1/4' from the left corner. There are numerous losses of ink, especially at the border. Speckled dirt/ink is scattered at top and bottom edges. Some foxing and soiling evident and paper is slightly buckled.
Amish fraktur done on off-white, wove, square paper by Elisabeth Beiler for Sahra Esch. Central text is framed by leafy branches; two encircling the bottom half of page and two more rising from middle at sides and completing a circle at top. Each of the four main branches has two flowers: one is a tulip and the other like a daisy. Leaves are colored blue and the flowers have yellow, blue and red.
Text written in German, with black in, fills central space. There is a "ghosting" on the letters of the title and many other upper case letters, and elsewhere. Several periods seem to be added to text in pencil, perhaps at a later time.
Title at top reads, "Ein Denk Zeichen" (a remembrance)...A rough translations is: "Sarah Esch, her picture written/drawn March 19, 1848. This gift, a remembrance of me, is done by my hand, made by Elisabeth Beiler." The remainder is a religious exhortation.
(Written by Wendell Zercher)
Provenance
Given by Clarke E. Hess in memory of Irene Walsh. Price/value: $1,450.00.
Many condition problems: major losses tears and soiling. Large losses along right edge along lower 13 as well as top corner. Smaller losses at left side at middle at top corner. Torn at middle of both sides, extending inward about one inch. Pinholes at corners. Paper is darkened and soiled overall with strong areas of stain, e.g., several near center of text. Moisture stains at middle of both sides at or near edges, also middle of bottom. Colors have bled at flowers and leaves at bottom right corner. Colors are deteriorated and crackled, especially on flowers and leaves.
