Woven jacquard coverlet with red roses, blue 9-petaled flowers, 8-point stars, red birds, and blue rose trees.
Center field: alternate stripes of blocks of red roses with blue 9-petaled flowers encircled by small 8-point stars with 2 larger stars between flowers.
Outer border: Alternate redbirds and blue rose treets on 3 sides.
Head edge: Bound with commercial red twill tape.
Center seam: Self fringe on 3 edges. Side wool fringes are looped.
Corner blocks: "Made by J. Witmer Manor Township for Hennah Sauder 1839"
Coverlet of red wool and blue-green cotton. 2 loom widths decoratively and strongly seamed in the center with red wool. This coverlet is comparatively light weight. Self-fringes of red wool on both sides. Foot end is rolled and hand-stitched. Red wool fringes appear to have been individually applied.Top/head edge is finished with a 1.5-inch wide folded silky red binding. Some machine stitching in black thread and also hand-stitching to attach the binding.
Center field contains rows of circular designs. Roses border the lower edge and foliage in urns border the sides.
Unlike most coverlets, Satler's weaver's blocks in bottom corners are oriented to be read from the top of the coverlet.
Pencil drawings with white highlights on brown paper. Shows a rocky hill with trees on both sides. Artist signed "Wm Sanford Mason/1854" in pencil on a rock on right side of the drawing. In lower right corner "Safe Harbor, PA" is written in pencil. Below is a window cut in the tan mat showing a white piece of paper with the following written cursively in brown ink: "Presented to F. D. S. ?/ Artist - 1860/ Phil-"
A clipping is pasted on the back (obituary/bio) giving details of his life and career. William Sanford Mason (1824-1864)
Sticker on Reverse: The Frame Shop, Santa Rosa, Calif.
Birth Record in German for Nancy Haberstich is hand executed on laid paper. The folksy design is a central heart with rope-like edging. Within is written Nancy Haberst / ich Ist Gebohren den 22 den / October 1799 Conostogo / Town Ship." Letter colors vary from black to red to yellow. Below text is a running stag and a nearby tree. Resting atop the heart is a large crown with red, yellow and green bands. Painted into the yellow band is "AM US 1812", perhaps indicating an artist w/ date of execution. Flanking crown are two angels with black wings, additional red wings on footheels and a snake-like object encircling their loins. Each angel extends a leafy branch toward the crown as in homage. Large red tulips with black leaves fill sides of fraktur, sheltering a pair of confronting birds standing at bottom.
Mounted in a modern brown natural wood frame with white window mat. Kraft paper dust paper on back has "#3" written in lower right corner. Inscribed at top left in pencil is "Anna ? " Inscribed in pencil on back is "#3".
Paper has light acid burn overall with several darker brown stains such as one above right tulip.overall yellowed from age and acid burn. Strong fold lines, especially the three vertical ones at center. Cellophane tape mends tears in fold lines at center and left. Fold lines are breaking and one is separated and curling. Several scattered brown stains. Paper losses, particularly at right top corner, some at top left corner and top center. Small holes at various points and tears extend into paper from edges. Bottom edge particularly damaged. Strong losses and breaks especially at bottom center and at left.
Object ID
2017.999.7
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988.
oil on canvas portrait of two standing girls. Taller girl faces slightly right; shorter girl's body faces sister, embracing her waist, while face is turned sharply to nearly fully front. Tall ggirl has light brown hair with center part, tied with blue bows at back. Gray eyes. Multiple strand coral beaded necklace and gold hoop earrings. Blue wide necked dress with elbow length sleeves and buttons on sleeve cuff ans well as down front of dress. Skirt is pleated with 3 flounces. Lace trim at neckline and sleeve edge. lace blooms show below blue skirt. Red shoes with lback toe. younger girl has brown hair with center part. Multiple strand coral beadednecklace. Same ensemble only pink. Bows at shoulder. Older girl has flowers in right hand and corner of gold fringed shawl that drape down to bottom right. Basket of flowers at lower left. Large trees behind and to right of girls. Pastoral scene in distance through an open gate at background. Back has paper sticker at upper left "ART 64/120" Canvas stamped "A.Armstrong/Artist/Lancaster, Pa." "1849" painted below.
Painting: Oil on linen, Fair/Good, canvas sagging, cracking throughout, some paint loss in faces, abrasions.
Painting conservation needs: Surface clean.
Frame: None.
Frame conservation needs: None.
(eta, 08/08/2017,VAP) sagging cavas; semi-gloss, sheen on overall surface. Four areas of paint loss along older sister's nose on forehead and shoulder of younger girl and fourth loss at center right, approx. 3in from edge. Canvas edges worn with paint loss. Electrical tape covers all outside edges of stretchers. No frame.
Amanda Haldeman Armstrong, this is a companion portrait to Elizabeth Groff Armstrong. (Identifications based on names on brass plaques, which were probably added for a 1989 exhibition. At least a few of the identifications are unclear/questionable/contradictory. Aug 1 2017, VAP)
Oil on canvas portrait of seated woman facing slightly left. dark hair, center part, curled at sides and gathered at back of crown. Brown eyes. Pendant earrings have stone. Light colored wide necked dress with pleats over the soulders and center front. Pink rose at center of collar. Hands clasped on lap. Ring and bracelet with stone on left arm. Tan or yellow fringed shawl end held across lap and draping over forearm to bottom right. Another shawl held across lap and draping over right arm. Upholstered reddish chair seen at right. Large reddish drapery with fringe and tassel covers background and is pulled back to reveal window at left wiht outdoor scene. Brass plaque reads "Amanda H. Armstrong/1830-1913/Armstrong." Frame is 4in wide with molded profile and gilding.
Painting: Poor, 3 previous silk patches on back, surface grime, 15" tear lower center, 13" tear left center, 5" tear right center, some minor paint loss throughout.
Frame: Poor/Fair, 4" Sully-type gold frame with plaque on bottom, mildew damage and minor losses throughout.
Frame conservation needs: Surface clean, spot patch and gild.
(eta, VAP, 08/02/2017) Poor. Sagging loose canvas with dark grime overall. Some craquelure in lower half of cnavas. Large 4in irregular hole with extended tears at arm and bracelet. 15in long verrtical tear with 3.5in offshoot tear at left in window area. Irregular tears 3.5in by 1.5in at conter right. Adjacent area of white paint is 8in by 4in. Smaller L-shaped tear at bottom right is approx 1.5in x 1.25in. Back has 3 silk patches. Frame: fair to good. very dark stain under plaque at edge. Multiple gesso chips at all edges. Gilding somewhat darkened overall with scattered dark blotches.
White porcelain commemorative plate with black printed image of Colemanville Bridge. Surrounded by, "3rd International Volksmarch / Pequea, Pennsylvania"; "IVV / AVA"; "7 - 8 October 1989 / Penn Dutch Pacers"; signature, "G. Robert Wagner"
