Bookplate on a page from a Martyrs Mirror, done in the style of Ephrata Cloister with a flowing hand using strong, bold letters. Letters are black with green and orange infill. Bookplate simply reads: "Carl/ Christo/ phel." One flower is at top right and a stylized pot with plant having 3 flowers is at lower left. Page is float-mounted in a window mat with a handmade cherry frame.
Ephrata Cloister, Lancaster Co.
Removed from Martyrs Mirror by a previous owner (Evelyn Good) due to water damage to the book which was then discarded. The opposing page was also saved and is mounted in Mylar on reverse side of frame. It carries a ghost image of the bookplate; string from binding is visible.
Acquired with typewritten inscription mounted on back of frame states: "BOOKPLATE MADE FOR CARL CHRISTOPHEL FOR/ HIS COPY OF THE EPHRATA MARTYR'S MIRROR-1748./ WORK OF SISTER ANASTASIA THE PEN-ARTIST OF THE CLOISTER ABC PATTERN BOOK OF LETTERS."
According to Clarke Hess, the penwork is by an unknown Ephrata Cloister artist. Clarke notes that Carl Christophel was a deacon at New Danville Mennonite Church in Conestoga Twp.(now Pequea Twp.) He died in 1767.
In Masonic Lodge Fraktur exhibit for several years. Removed circa 2008.
On short-term exhibit at Historical Society of Cocalico Valley, 2010.
Unknown Ephrata Cloister artist
Provenance
Dr. Robbins purchased framed pages from Evelyn Yingst Good's sale, Sat., May 11, 1991, lot #152, for $3,800. Evelyn Good was an Ephrata librarian. Valued at $5000, Robbins sold to museum for $2,500, donating the other half. Irene Walsh then reimbursed museum for the $2,500.
Acid burned edges are brown; soiled along outside edges; stains and foxing. Moisture stain at top left. Remains of binding still attached at left. Moisture staining at upper left corner. Two minor tears at top center, with ragged edges overall. Paper losses within black ink.
Conserved by Marilyn Kemp Weidner of Phila.
Object ID
P.98.52.1
Place of Origin
Ephrata
Credit
Acquired through the generosity of Irene Walsh and Dr. Warren Robbins, Heritage Center Collection
Woven jacquard coverlet with red roses, blue 9-petaled flowers, 8-point stars, red birds, and blue rose trees.
Center field: alternate stripes of blocks of red roses with blue 9-petaled flowers encircled by small 8-point stars with 2 larger stars between flowers.
Outer border: Alternate redbirds and blue rose treets on 3 sides.
Head edge: Bound with commercial red twill tape.
Center seam: Self fringe on 3 edges. Side wool fringes are looped.
Corner blocks: "Made by J. Witmer Manor Township for Hennah Sauder 1839"
Coverlet of red wool and blue-green cotton. 2 loom widths decoratively and strongly seamed in the center with red wool. This coverlet is comparatively light weight. Self-fringes of red wool on both sides. Foot end is rolled and hand-stitched. Red wool fringes appear to have been individually applied.Top/head edge is finished with a 1.5-inch wide folded silky red binding. Some machine stitching in black thread and also hand-stitching to attach the binding.
Center field contains rows of circular designs. Roses border the lower edge and foliage in urns border the sides.
Unlike most coverlets, Satler's weaver's blocks in bottom corners are oriented to be read from the top of the coverlet.
Deed (indenture) printed by Ephrata Cloister on vellum for John Miller, blacksmith of Lancaster Borough, and his wife Elizabeth, for use in selling lots in the "Town Called "Millers Burgh." Blank areas are filled in by hand for sale of property to Margaret Stout for 50 pounds. Initially filled in on May 1, 1764, and completed at bottom on March 8, 1765. Pink linen ribbons and red sealing wax are affixed at bottom right. The headpieces printed at top left is done in elaborate letter style using the first two words "This indenture." Each initial line is done in the distinctive illuminated manner of Ephrata Cloister, employing floral and foliate designs.
Reverse is also used as a deed for the transfer of property for Margaret Stour to Patrick McElkar, begun 1770 and completed 1771. Red linen ribbons and red sealing wax are affixed to bottom right (of reverse).
Generally good, darkened and soiled on sections of reverse side, sprinkled stains and light soiling overall. Bottom right corner torn off. Three vertical and two horizontal fold lines.
Framed for 2006 Printed Word Exhibit.
Condition
Good
Condition Date
2004-07-28
Condition Notes
Generally good, darkened and soiled on sections of reverse side, sprinkled stains and light soiling overall. Bottom right corner torn off. Three vertical and two horizontal fold lines.
Pencil drawings with white highlights on brown paper. Shows a rocky hill with trees on both sides. Artist signed "Wm Sanford Mason/1854" in pencil on a rock on right side of the drawing. In lower right corner "Safe Harbor, PA" is written in pencil. Below is a window cut in the tan mat showing a white piece of paper with the following written cursively in brown ink: "Presented to F. D. S. ?/ Artist - 1860/ Phil-"
A clipping is pasted on the back (obituary/bio) giving details of his life and career. William Sanford Mason (1824-1864)
Sticker on Reverse: The Frame Shop, Santa Rosa, Calif.
Birth Record in German for Nancy Haberstich is hand executed on laid paper. The folksy design is a central heart with rope-like edging. Within is written Nancy Haberst / ich Ist Gebohren den 22 den / October 1799 Conostogo / Town Ship." Letter colors vary from black to red to yellow. Below text is a running stag and a nearby tree. Resting atop the heart is a large crown with red, yellow and green bands. Painted into the yellow band is "AM US 1812", perhaps indicating an artist w/ date of execution. Flanking crown are two angels with black wings, additional red wings on footheels and a snake-like object encircling their loins. Each angel extends a leafy branch toward the crown as in homage. Large red tulips with black leaves fill sides of fraktur, sheltering a pair of confronting birds standing at bottom.
Mounted in a modern brown natural wood frame with white window mat. Kraft paper dust paper on back has "#3" written in lower right corner. Inscribed at top left in pencil is "Anna ? " Inscribed in pencil on back is "#3".
Paper has light acid burn overall with several darker brown stains such as one above right tulip.overall yellowed from age and acid burn. Strong fold lines, especially the three vertical ones at center. Cellophane tape mends tears in fold lines at center and left. Fold lines are breaking and one is separated and curling. Several scattered brown stains. Paper losses, particularly at right top corner, some at top left corner and top center. Small holes at various points and tears extend into paper from edges. Bottom edge particularly damaged. Strong losses and breaks especially at bottom center and at left.
Object ID
2017.999.7
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988.
White porcelain commemorative plate with black printed image of Colemanville Bridge. Surrounded by, "3rd International Volksmarch / Pequea, Pennsylvania"; "IVV / AVA"; "7 - 8 October 1989 / Penn Dutch Pacers"; signature, "G. Robert Wagner"
