Scherenschnitte, freehand cutwork on light cream-colored wove paper folded horizontally, vertically, and diagonally, then cut out. Rectangular form is centered with an 8-lobed flower made of four hearts enclosing smaller hearts & a medallion with inscription Surrounded by figures of boys and girls as well as birds and hearts. Colored w/ red and blue paint/gouache and some details in blue ink.
Scotland area, Greene Twp., Franklin Co.
Handwritten in blue at center is: "Margarert [sic] Elizabeth / Farner / A present / By John Farner / March 11th 1854" Made for sister Margaret when John was age 11. Similar one is owned by Jim Gergat, done by Farner in 1854 for Isaac Shetter in Green Twp. in Franklin County. Jim has a photo of recipient Shetter. He owns an additional cutout w/ no written presentation. Gergat states Farner was a Civil War veteran and is buried in Centerville, Cumberland Co. (at intersection of Rt. 174/Walnut Bottom Rd. and Rt. 233 & associated w/ Centerville Lutheran Church, Carlisle).
Provenance
Given by Mr. and Mrs. Richard Flanders Smith to the Lancaster County Historical Society with the understanding that it would become part of the collections of The Heritage Center Museum with the establishment of that institution.
Small brown spots overall, especially in top half. Larger brown stains in top left area and central design; possibly faded brown coloring.
Matted and framed by conservator Brian Howard of Carlisle in 1996
Object ID
G.77.50.3
Notes
Earnest, Fraktur: Folk Art & Family, 1999, p. 118.
Informed 1-9-12 by Jim Gergat, former York Co. H. S. curator, of identity of John Farner. See photocopies of his two Farner cutouts in file. Gergat's phone # is (610) 473-0137.
Slide #27-2-10 and Transparency file under "Fraktur" #18.
Removed from Masonic Lodge Fraktur exhibit early 2008.
Exhibited Landis Valley Museum, scherenschnitte exhibit curated by Irwin Richman, May-Dec. 2008.
Place of Origin
Greene Twp., Franklin County, Pennsylvania
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth Record in German for Nancy Haberstich is hand executed on laid paper. The folksy design is a central heart with rope-like edging. Within is written Nancy Haberst / ich Ist Gebohren den 22 den / October 1799 Conostogo / Town Ship." Letter colors vary from black to red to yellow. Below text is a running stag and a nearby tree. Resting atop the heart is a large crown with red, yellow and green bands. Painted into the yellow band is "AM US 1812", perhaps indicating an artist w/ date of execution. Flanking crown are two angels with black wings, additional red wings on footheels and a snake-like object encircling their loins. Each angel extends a leafy branch toward the crown as in homage. Large red tulips with black leaves fill sides of fraktur, sheltering a pair of confronting birds standing at bottom.
Mounted in a modern brown natural wood frame with white window mat. Kraft paper dust paper on back has "#3" written in lower right corner. Inscribed at top left in pencil is "Anna ? " Inscribed in pencil on back is "#3".
Paper has light acid burn overall with several darker brown stains such as one above right tulip.overall yellowed from age and acid burn. Strong fold lines, especially the three vertical ones at center. Cellophane tape mends tears in fold lines at center and left. Fold lines are breaking and one is separated and curling. Several scattered brown stains. Paper losses, particularly at right top corner, some at top left corner and top center. Small holes at various points and tears extend into paper from edges. Bottom edge particularly damaged. Strong losses and breaks especially at bottom center and at left.
Object ID
2017.999.7
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988.
British Royal Coat of Arms, 1786, attrib. to the "Early Ephrata Artist," (active c. 1780-1786). Manuscript watercolor version of this design is modified to depict the Germanic sentiments of the artist following our overthrow of English rule. As before, the rampant lion (England) is on the left and the rampant unicorn (Scotland) on the right. However, the lion is now chained and uncrowned. Replacing the central shield is a large flowering plant with a typical Pa-German large parrot perched on the lower branch and a crown above. Large flowers are prominently added to this image.
Lettering at bottom center reads: "Phil(i)p[sic] Horning/ hat In ge-macht/ 1786" Recipient Philip Horning's name is followed by the artist's phrase: "Made in 1786." This should not be read that Horning "made this in 1786."
Pa. Germans saw a kinship between the Royal Coat of Arms and the German Hanoverian kings who ruled the United Kingdom throught the 18th century.
Klaus Stopp, Printed B&BC of the Pa. Germans, Vol. II, pp. 108-113
Height (cm)
34.925
Height (ft)
1.1458333333
Height (in)
13.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Frame is H: 22.25 W: 25.25"
Condition
Good
Condition Date
2017-03-23
Condition Notes
Multiple vertical and horizontal creases overall. Some paint loss, especially on lion's head and face, and flower in upper right corner. Brown stains overall.
A treatment proposal made by Conservation Center for Art and Historic Artifacts, May 1986, and the following treatment was done in 1988-89: consolidated ink and paint, old backing removed, tears mended, cleaned, losses in paper filled, flattened, and matted. Details in file.
Matted and framed by Brian Howard of Carlisle in 1996
Object ID
P.77.51
Notes
This unusual watercolor gives a Germanic spin on the heraldic design. While the lion stands for England and the unicorn for Scotland, replacing the central shield is a large parrot perched on a flowering plant. Large flowers are also prominently introduced into the composition. Painted after the war of independence, the lion is now portrayed uncrowned, with a chain at his neck. This is a strong statement of the artist's Germanic sentiments.
This is one of the last known pieces done by the Early Ephrata Artist." He was given this name since he decorated early Ephrata prints having no bird-panel printed borders. The Earnests note he used heavy color and his motifs were primitive, despite the ambitious decoration and design he attempted such as this fraktur watercolor. He ranks among the earliest fraktur artists to decorated printed forms, along with Otto, Hoevelmann and Speyer.
See:
- Earnests' "Papers for Birth Dayes", pp. 213-214 for info on the Early Ephrata Artist.
- Klaus Stopp, The Printed B&BCs of the German Americans, Vol. II, pp. 108-113.
Place of Origin
Lancaster County
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Framed fraktur birth & baptismal certificate (taufschein/B&BC) for Elisabetha Elser, drawn, lettered and colored by hand on laid paper. Symmetrical, horizontal design is attributed to the "Ehre Vater" artist. Fraktur is mounted on thick paperboard with beveled edges, and is float-mounted on a buff-colored matboard within a modern black frame.
At center is a large circle painted red and green. Inside the circle, set onto yellow ground, is a heart with blue border and pinkish interior. Interior text states Elisabetha Elser was born in Warwick Twp, Lancaster Co. on 19th Nov 1803. Her parents were Peter Elser and wife Elisabetha, born a Wachter. Baptism was held by Pastor Schulz and the sponsors were Georg Wachter and his wife Margaretha (believed to be a sister of Peter Elser). Below circle are two lines of religious verse, translated by Weiser as "A heart that loves Jesus knows no worries -- much cross, need and pain are his days of joy."
At lower right and lower left are two large compass-drawn spheres colored with green, yellow, red, blue and pink. Out of each sphere is a flowering plant on which large parrot-like birds perch, similarly colored.
Attributed to the "Ehre Vater Artist" (active c. 1782-1828).
Some surface soil. Good color retention. Needs to be removed from backing board and conserved.
Object ID
2017.999.1
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. He attributes fraktur to the Ehre Vater artist, a prolific artist who travelled far and wide producing fraktur for many years. This fraktur likely related to Johannes Schnierer B&BC, 2004.718, due to Johannes Schnierer (b. 1786) later marrying an Elser (Catharine).
Papers for Birth Dayes notes on page 227 that this fraktur was exhibited as #38 in the , Allentown Art Museum show in Allentown, PA, "Pennsylvania Folk Art," October 20-Dec. 1, 1974.
The Elser, Weidman/Weydmann, and Wachter families were intermarried.
Hand-drawn, lettered and colored fraktur is a Birth and Baptismal Certificate made for Johannes Muller b. 13 Apr 1771 in what was then Lebanon Twp. Lancaster Co. (Lebanon created 1813). Center text block has biographical information and 3 lines of scripture below mentioning the cedars of Lebanon (final 3 words). Double-line blue border surrounds top and sides of text. Along top of border are 28 green trees (likely cedars of Lebanon) and a winged cherub's head over all. A pair of identical redcoat soldiers are at each side of text block, one above the other. Each has a tall black hat with "tail", a long cane, a sword, moustaches and a long pigtail tied with a bow. Top two soldiers have a leafy twig extending from mouths, and all four stand on small green trees, similar to the above. At bottom is an arched branch of stylized leaves, a center 8-point flower and two downturned tulip-like flowers at sides. Colors used are green, yellow and red with blue line border.
Parents were Johannes(?) Muller and wife Susanna, born an Alomer(?). REb. Buchry(?) baptised him at unknown date. Witnesses were Johanes Schweigert and wife Lehnore.
Pencil calculation done under first text block is "Died Sept. 13, 1860. Aged Eighty nine years & five months."
Lebanon Twp., Lancaster Co. (now Lebanon Co., formed in 1813)
Perhaps made by Christian Mertel or similar artist (per F. Weiser).
Structurally intact but color still good. Some breaking at fold lines and some raised and folded fold lines. Brown moisture stains over most of surface with dark, heavy tide lines. Two pieces of cellophane tape along left side where soldiers' hat "tails" have iron gall ink losses. Paper edges worn, torn, with losses, creases and folds. Various losses (holes), mostly where iron gall ink was used. Frame not likely original to fraktur. High profile beaded moldings on a walnut frame; finish aged with craquelure.
Object ID
2017.999.2
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He says it was reproduced in Landis Valley catalog.
The Fraktur was included in a Landis Valley publication called "Pennsylvania German Fraktur and Color Drawings, Exhibited at Pennsylvania Farm Museum of Landis Valley, Lancaster, Pennsylvania," 1969. Plate #71. In LancasterHistory library (740 P415)
Birth and baptismal certificate imprinted 1788 at Ephrata Cloister printshop; infill and fanciful hand-decorated borders by Arnold Hoevelmann. Watercolor decoration includes various fantastical flowers on arching vines emanating from huge pumpkin-like flower at the top, with vines arching down to each side ending in large tulips. Additional flowers below. Hunter is in colonial dress with large black hat, firing his rifle at a stag on the far left side. Strongly colored with mostly red, blue, purple, and yellow. Hoevelmann consistently used a flower motif decorated with what some believe to be a capital letter "H" (his monogram). This fraktur is a rare example of human figures being depicted.
Ephrata Cloister 1788 imprint; artwork by Arnold Hoevelmann (1749-1804)
Certificate done for Jacob Stuart, born December 29, 1784. son of Jacob Stuart and wife Maria Catharina (no maiden name). It appears he was born in "Mauntschey" (Mt. Joy) Twp. Pastor Wilhelm Hendel baptized the child but no date is included. Hoevelmann wrote "Witnesses" at the end, but no names. Later ink inscription added at lower right appears to be subject's age (69) at time of death, 2nd Jan. 1854." Pencil calculation of age at top, to left of large orange flower.
Provenance
Ex-Unger collection, Pottsville.
In 1974, Richard F. and Joane Smith entrusted this BBC to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection when established.
Fragile, with overall buckling and pronounced wringling across surface. Areas of foxing.
Conserved by the Conservation Center for Art and Historic Artifacts 1988-89: cleaned, removed paper backing, mended and matted for original frame (report in file). Remounted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
G.77.50.9
Notes
Family tradition says Hoevelmann was born in Prussia in 1749, came to America along with LaFayette and served as a surgeon during the American Revolution. It is likely he and his wife Eva Susanna lived in Lancaster Co. since two sons were baptized at Holy Trinity Lutheran Church (1780 and 1793). He worked in many PA counties, including Washington Co. in MD, and is believed to be buried at Frieden's Church near Shiremanstown, Cumberland Co. Based on the many known B&BC's by Hoevelmann, it appears he used printed forms early in his career and completely hand-done certificates later in life.
Allthough born in Lancaster Co., Jacob Stuart appears to have lived in Lebanon County during much of his adult life. He and his family attended Trinity Tulpehocken Reformed Church, Jackson Twp., Lebanon Co. was where he was married, 31 Dec 1805 and appears to have had at least 7 children according to church records of 1800-1856. Jacob "Stewart", his wife Elizabeth and two daughters (Henrietta & Clementine) are buried in Mt. Hope Cemetery, Myerstown, Lebanon Co. The 1850 Census shows Jacob "Stewert", Elizabeth and Clementine living in Marion Twp, Berks Co. (Marion Twp. borders Jackson Twp., Lebanon Co.)
See:
1. Shelley, Donald A., The Fraktur-Writings or Illuminated Manuscripts of the Pa Germans, Pa. German Folklore Society, 1961, plate #84.
2. Earnest Associates, Papers for Birth Dayes, pp. 399-401.
3. Kline and Weiser, "A Fraktur Fest" in Der Regebogge, Sept-Dec., 1970, Vol. 4, pp. 3-5.
4. Stopp, Klaus, The Printed Birth & Baptismal Certificates of the German Americans, Vol. II, pp. 150-151. (This example is numbered 246.3 by Stopp)
5. Photo on p. 120 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Heritage Center slide collection #27-2-5 (now in Photo Collection)
Place of Origin
Ephrata
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur is a Vorschrift, drawn, lettered and colored by schoolmaster Christian Strenge. Mounted in a window mat of off-white, with a modern frame of dark-stained softwood. Within an outside border dark blue is a floral vine border with mostly tulips and some 4-petal flowers is the text. It begins "Ich will den herrn / loben mein lebenlang und mit meinem Gott uber die Mauren springen." (I want to praise the lord all my life long and jump over the walls with my God.). Lettering is intricately decorated and colored. The initial "I" of text is oversized. At left of this "I" is "den 1ten may / anno 1787" in the same letter style, but half size.
Following the main text are six words written in script, followed by the alphabet with both fraktur and script letters. At the end are what appears to be "A.O.U." Final line is "maria millerin." in large letters. Reverse side has "Weiser #25" in pencil.
See David R. Johnson, Christian Strenge's Fraktur, East Petersburg Historical Society, 1995.
Height (cm)
19.4945
Height (ft)
0.6395833333
Height (in)
7.675
Width (cm)
31.4325
Width (ft)
1.03125
Width (in)
12.375
Dimension Details
Frame is H: 12.5" W: 17.5".
Condition
Fair to Poor
Condition Date
2017-05-30
Condition Notes
Paper is embrittled, buckling and darkened from acid burn with extensive foxing. Some losses at edges. Large area of loss about 2.5" - 4.5" from bottom left corner. These holes/losses extend 2" up from bottom, with edges appearing to have been burned. Colors and ink have faded.
Object ID
2017.999.4
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. Weiser writes "The owner Strenge's first wife or a relative of her." Strenge's 2nd wife was Mary Eve Miller of Lancaster. This fraktur is an almost identical vorschrift done for Christian Miller on the same date, in the collection of the State Historical Society of Wisconsin. The Millers were apparently siblings.
Also in LHO collections is a religious text for Maria Miller done the following year in 1788. Another religious text was done for William Miller on the same date (also from the State Historical Society of Wisconsin).
Fraktur is a hand written New Year's wish from Johann Peter Hornberger to his sister. On laid paper -- now pasted onto acidic paperboard -- is a compass-drawn circle with a 7/8" wide outer border and scrolling penwork within, creating the appearance of a wreath. In interior, apart from the decorative scrolling penned at left center, the interior space is filled with German language script. Only the title is in fraktur script, reading "Neu Jahrs Wunsch an mer(?)." (A New Year's Wish ...). The second line reverts to German script, and includes the words "liebe Schwester" (Dear Sister). The body of the text is 13 lines expressing good wishes. At the bottom is "... / ....Johann Peter / Hornberger. / im Jahr 1725."
Paper has foxing and light brown acid burn stains over all. Three vertical and 3 horizontal fold lines darkened from acid; also large and small holes at most intersections of lines. Largest hole is at center left at the decorative scrolling penwork. It is about 1/4" in size with an irregular shape. Very dark small "burn" about 2.5" from upper right corner. Fraktur was removed from frame, old glass cleaned and thin wood backing discarded. Acidic imprint of wood still visible on back of paperboard.
Object ID
2017.999.5
Notes
The early date of 1725 precedes the founding of Lancaster Co. Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He believes this is European.
Fraktur is a simple hand done birth record in German for Adam Kindig and Anna Kindig. Page is likely removed from a Bible. Adam was born 17 Sept 1794 in Conestoga Twp. and Anna was born 22 Oct 1799 in Conestoga Twp. Layout of Fraktur lettering with serifs is simple and straightforward but not with an accomplished hand. Letter colors vary from red to ochre to green. No additional decoration except for curlicue lines surrounding the upper case "A" of both Adam and Anna.
Mounted in a brown modern frame with white window mat. Kraft paper dustcover on back. A "#10" is written small in pencil at lower right corner.
Paper has foxing, brown stains and fly specks (bottom right). Two horizontal fold lines across middle; the one with the greater crease shows breaking and some holes at several points.
Object ID
2017.999.6
Notes
See Mylin Family Genealogy 929.M513 in library.
Adam is the son of Christian Kendig and Barbara Mylin. Anne is the daughter of Michael Haverstick and Eve Bender. Adam Kendig married 1) Anne Haverstick and 2) Mary Helm. Six children by Anne, nine children by Mary Helm. Anne H. Kendig was b. 22 Oct 1799 and d. 17 Jan 1833. Likely buried in Reformed Church, Conestoga Centre or Rush Farm, New Danville.
Adam and Anna's daughter Mary Amanda Kindig was born 1821 and baptised 1837 by Pastor Martin Bruner of the Reformed Church in Lancaster City. Her Taufschein in English is done free hand by Eli Haverstick and is signed on reverse "E Haverstick / No. 11" This document is in the collections of the Evangelical & Reformed Historical Society. Eli Haverstick was likely a relative of the family and was almost certainly a schoolmaster. (See similar examples done for brothers John and Christian Bachman in the Heritage Center Collections).
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. A slide transparency is in file.
Fraktur is a birth & baptismal certificate (taufschein) for Johann Kupper, drawn, lettered and colored by hand on laid paper. Text block written with iron gall ink is centered in bottom half of the horizontal sheet of paper. Border on top and sides composed of fantastical flowers in yellow, red, black and green. Identical flowering plants fill each side of text, rising from a basket-like containers. Top has tulips and other flowers rising from wide and shallow baskets(?).
Text begins with "Johannes Kupper" in large fraktur-type letters followed by nine lines of German script regarding his birth in ?? Township, Dauphin County, 30 June 1797. Father was Johann Adam(?) Kupper and mother was Christina ?? Baptised 1 October 1797. The baptismal witnesses were Johannes Matter and his wife Elisabetha.
Mounted in a modern brown natural wood frame with white window mat. Kraft paper dust paper on back. Several puncture tears at left. In pencil at bottom right corner is "#9".
Size of certificate is approximate according to what is visible through the window mat. Size of frame is H: 11.25" W: 16.75"
Condition
Fair
Condition Date
2017-06-12
Condition Notes
Colors are still vibrant. Foxing and other brown stains, especially along center vertical fold line (tape residue?). This fold line is almost entirely broken. Approximately 16 large holes are found on flowers where iron gall ink was concentrated. Some edges of holes are folded over. Additional breaks along some fold lines and elsewhere. A long tear extends downward about 1.25" from top edge near right corner.
In need of conservation.
Object ID
2003.076
Notes
Appraisal conducted by Pastor Fred. Weiser, 2 Sept 1988.
Johann Kupper (John Cooper) was born 1797 and died November 1883. He married Mary Miller (1798-1882) and both are buried in Zion Lutheran Church Cemetery in Rife, Dauphin County.
Johann was the son of John Adam Kupper (Cooper) and Christina Margaretta Schott Kupper. He was a farmer, living in Washington Twp. in northern Dauphin County, vicinity of Lykens and Elizabethville.
Confirmation of John Cooper is found in the Price Rominger Family Tree, Ancestry.com.
This is related to other Kupper family fraktur in this collection:
