Birth Record in German for Nancy Haberstich is hand executed on laid paper. The folksy design is a central heart with rope-like edging. Within is written Nancy Haberst / ich Ist Gebohren den 22 den / October 1799 Conostogo / Town Ship." Letter colors vary from black to red to yellow. Below text is a running stag and a nearby tree. Resting atop the heart is a large crown with red, yellow and green bands. Painted into the yellow band is "AM US 1812", perhaps indicating an artist w/ date of execution. Flanking crown are two angels with black wings, additional red wings on footheels and a snake-like object encircling their loins. Each angel extends a leafy branch toward the crown as in homage. Large red tulips with black leaves fill sides of fraktur, sheltering a pair of confronting birds standing at bottom.
Mounted in a modern brown natural wood frame with white window mat. Kraft paper dust paper on back has "#3" written in lower right corner. Inscribed at top left in pencil is "Anna ? " Inscribed in pencil on back is "#3".
Paper has light acid burn overall with several darker brown stains such as one above right tulip.overall yellowed from age and acid burn. Strong fold lines, especially the three vertical ones at center. Cellophane tape mends tears in fold lines at center and left. Fold lines are breaking and one is separated and curling. Several scattered brown stains. Paper losses, particularly at right top corner, some at top left corner and top center. Small holes at various points and tears extend into paper from edges. Bottom edge particularly damaged. Strong losses and breaks especially at bottom center and at left.
Object ID
2017.999.7
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988.
Framed fraktur birth & baptismal certificate (taufschein/B&BC) for Elisabetha Elser, drawn, lettered and colored by hand on laid paper. Symmetrical, horizontal design is attributed to the "Ehre Vater" artist. Fraktur is mounted on thick paperboard with beveled edges, and is float-mounted on a buff-colored matboard within a modern black frame.
At center is a large circle painted red and green. Inside the circle, set onto yellow ground, is a heart with blue border and pinkish interior. Interior text states Elisabetha Elser was born in Warwick Twp, Lancaster Co. on 19th Nov 1803. Her parents were Peter Elser and wife Elisabetha, born a Wachter. Baptism was held by Pastor Schulz and the sponsors were Georg Wachter and his wife Margaretha (believed to be a sister of Peter Elser). Below circle are two lines of religious verse, translated by Weiser as "A heart that loves Jesus knows no worries -- much cross, need and pain are his days of joy."
At lower right and lower left are two large compass-drawn spheres colored with green, yellow, red, blue and pink. Out of each sphere is a flowering plant on which large parrot-like birds perch, similarly colored.
Attributed to the "Ehre Vater Artist" (active c. 1782-1828).
Some surface soil. Good color retention. Needs to be removed from backing board and conserved.
Object ID
2017.999.1
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. He attributes fraktur to the Ehre Vater artist, a prolific artist who travelled far and wide producing fraktur for many years. This fraktur likely related to Johannes Schnierer B&BC, 2004.718, due to Johannes Schnierer (b. 1786) later marrying an Elser (Catharine).
Papers for Birth Dayes notes on page 227 that this fraktur was exhibited as #38 in the , Allentown Art Museum show in Allentown, PA, "Pennsylvania Folk Art," October 20-Dec. 1, 1974.
The Elser, Weidman/Weydmann, and Wachter families were intermarried.
Birth and baptismal certificate imprinted 1788 at Ephrata Cloister printshop; infill and fanciful hand-decorated borders by Arnold Hoevelmann. Watercolor decoration includes various fantastical flowers on arching vines emanating from huge pumpkin-like flower at the top, with vines arching down to each side ending in large tulips. Additional flowers below. Hunter is in colonial dress with large black hat, firing his rifle at a stag on the far left side. Strongly colored with mostly red, blue, purple, and yellow. Hoevelmann consistently used a flower motif decorated with what some believe to be a capital letter "H" (his monogram). This fraktur is a rare example of human figures being depicted.
Ephrata Cloister 1788 imprint; artwork by Arnold Hoevelmann (1749-1804)
Certificate done for Jacob Stuart, born December 29, 1784. son of Jacob Stuart and wife Maria Catharina (no maiden name). It appears he was born in "Mauntschey" (Mt. Joy) Twp. Pastor Wilhelm Hendel baptized the child but no date is included. Hoevelmann wrote "Witnesses" at the end, but no names. Later ink inscription added at lower right appears to be subject's age (69) at time of death, 2nd Jan. 1854." Pencil calculation of age at top, to left of large orange flower.
Provenance
Ex-Unger collection, Pottsville.
In 1974, Richard F. and Joane Smith entrusted this BBC to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection when established.
Fragile, with overall buckling and pronounced wringling across surface. Areas of foxing.
Conserved by the Conservation Center for Art and Historic Artifacts 1988-89: cleaned, removed paper backing, mended and matted for original frame (report in file). Remounted and framed by Carlisle conservator Brian Howard in 1996.
Object ID
G.77.50.9
Notes
Family tradition says Hoevelmann was born in Prussia in 1749, came to America along with LaFayette and served as a surgeon during the American Revolution. It is likely he and his wife Eva Susanna lived in Lancaster Co. since two sons were baptized at Holy Trinity Lutheran Church (1780 and 1793). He worked in many PA counties, including Washington Co. in MD, and is believed to be buried at Frieden's Church near Shiremanstown, Cumberland Co. Based on the many known B&BC's by Hoevelmann, it appears he used printed forms early in his career and completely hand-done certificates later in life.
Allthough born in Lancaster Co., Jacob Stuart appears to have lived in Lebanon County during much of his adult life. He and his family attended Trinity Tulpehocken Reformed Church, Jackson Twp., Lebanon Co. was where he was married, 31 Dec 1805 and appears to have had at least 7 children according to church records of 1800-1856. Jacob "Stewart", his wife Elizabeth and two daughters (Henrietta & Clementine) are buried in Mt. Hope Cemetery, Myerstown, Lebanon Co. The 1850 Census shows Jacob "Stewert", Elizabeth and Clementine living in Marion Twp, Berks Co. (Marion Twp. borders Jackson Twp., Lebanon Co.)
See:
1. Shelley, Donald A., The Fraktur-Writings or Illuminated Manuscripts of the Pa Germans, Pa. German Folklore Society, 1961, plate #84.
2. Earnest Associates, Papers for Birth Dayes, pp. 399-401.
3. Kline and Weiser, "A Fraktur Fest" in Der Regebogge, Sept-Dec., 1970, Vol. 4, pp. 3-5.
4. Stopp, Klaus, The Printed Birth & Baptismal Certificates of the German Americans, Vol. II, pp. 150-151. (This example is numbered 246.3 by Stopp)
5. Photo on p. 120 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Heritage Center slide collection #27-2-5 (now in Photo Collection)
Place of Origin
Ephrata
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur is a simple hand done birth record in German for Adam Kindig and Anna Kindig. Page is likely removed from a Bible. Adam was born 17 Sept 1794 in Conestoga Twp. and Anna was born 22 Oct 1799 in Conestoga Twp. Layout of Fraktur lettering with serifs is simple and straightforward but not with an accomplished hand. Letter colors vary from red to ochre to green. No additional decoration except for curlicue lines surrounding the upper case "A" of both Adam and Anna.
Mounted in a brown modern frame with white window mat. Kraft paper dustcover on back. A "#10" is written small in pencil at lower right corner.
Paper has foxing, brown stains and fly specks (bottom right). Two horizontal fold lines across middle; the one with the greater crease shows breaking and some holes at several points.
Object ID
2017.999.6
Notes
See Mylin Family Genealogy 929.M513 in library.
Adam is the son of Christian Kendig and Barbara Mylin. Anne is the daughter of Michael Haverstick and Eve Bender. Adam Kendig married 1) Anne Haverstick and 2) Mary Helm. Six children by Anne, nine children by Mary Helm. Anne H. Kendig was b. 22 Oct 1799 and d. 17 Jan 1833. Likely buried in Reformed Church, Conestoga Centre or Rush Farm, New Danville.
Adam and Anna's daughter Mary Amanda Kindig was born 1821 and baptised 1837 by Pastor Martin Bruner of the Reformed Church in Lancaster City. Her Taufschein in English is done free hand by Eli Haverstick and is signed on reverse "E Haverstick / No. 11" This document is in the collections of the Evangelical & Reformed Historical Society. Eli Haverstick was likely a relative of the family and was almost certainly a schoolmaster. (See similar examples done for brothers John and Christian Bachman in the Heritage Center Collections).
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. A slide transparency is in file.
Fraktur is a birth & baptismal certificate (taufschein) for Johann Kupper, drawn, lettered and colored by hand on laid paper. Text block written with iron gall ink is centered in bottom half of the horizontal sheet of paper. Border on top and sides composed of fantastical flowers in yellow, red, black and green. Identical flowering plants fill each side of text, rising from a basket-like containers. Top has tulips and other flowers rising from wide and shallow baskets(?).
Text begins with "Johannes Kupper" in large fraktur-type letters followed by nine lines of German script regarding his birth in ?? Township, Dauphin County, 30 June 1797. Father was Johann Adam(?) Kupper and mother was Christina ?? Baptised 1 October 1797. The baptismal witnesses were Johannes Matter and his wife Elisabetha.
Mounted in a modern brown natural wood frame with white window mat. Kraft paper dust paper on back. Several puncture tears at left. In pencil at bottom right corner is "#9".
Size of certificate is approximate according to what is visible through the window mat. Size of frame is H: 11.25" W: 16.75"
Condition
Fair
Condition Date
2017-06-12
Condition Notes
Colors are still vibrant. Foxing and other brown stains, especially along center vertical fold line (tape residue?). This fold line is almost entirely broken. Approximately 16 large holes are found on flowers where iron gall ink was concentrated. Some edges of holes are folded over. Additional breaks along some fold lines and elsewhere. A long tear extends downward about 1.25" from top edge near right corner.
In need of conservation.
Object ID
2003.076
Notes
Appraisal conducted by Pastor Fred. Weiser, 2 Sept 1988.
Johann Kupper (John Cooper) was born 1797 and died November 1883. He married Mary Miller (1798-1882) and both are buried in Zion Lutheran Church Cemetery in Rife, Dauphin County.
Johann was the son of John Adam Kupper (Cooper) and Christina Margaretta Schott Kupper. He was a farmer, living in Washington Twp. in northern Dauphin County, vicinity of Lykens and Elizabethville.
Confirmation of John Cooper is found in the Price Rominger Family Tree, Ancestry.com.
This is related to other Kupper family fraktur in this collection:
Nearly square printed fraktur mounted in a window mat and a modern flat black frame. This three-heart design made by Friedrich Krebs has his name "F. Krebs" printed at the bottom of the large central heart. Likely custom-printed in Reading at Adler's. Text within large heart is "Geburts- und TaufSchein." Standard main text has blanks infilled by Krebs. A daughter Elisabetha Miller was born 21 Feb 1809 in Cocalico Twp. to parents Peter Miller and wife Anna, born a M-caale(?). Daughter Elisabetha was baptised 14 May 1809 by Rev. Nuszky(?) and the sponsors were Peter Ellser and his wife Elisabetha. Smaller hearts below have religious verse.
Folksy decorations include coloring the heart border lines and adding many pasted-on cutouts, six of which are imprints of well dressed medieval people, two are pattern embossed paper urns/vases at bottom and two are small birds at top (right one missing). Extensive use of ink and watercolor to portray flowers, 4 suns/moons with faces and an unusual butterfly/moth drawing at top center. Borders of hearts are embellished with watercolors.
Printed in Reading, likely by Adler's Print Shop. Infilled and decorated in Cocalico Twp by Friederick Krebs (c. 1749 - c. 1815).
Fred Weiser, "The Mad, Lovable World of Friedrich Krebs," Der Reggeboge, 1988.Vol. 22, No. 2, pp. 49-88.
Alfred Shoemaker, "Notes on Frederich Krebs, The Noted Fractur Artist," The Pennsylvania Dutchman, Nov. 1, 1951, Vol. 3, No. 11.
Klaus Stopp, The Printed B&BC of the German Americans, Vol. 1, 1997, pp. 77-78 and pp. 140-144.
Height (cm)
31.75
Height (ft)
1.0416666667
Height (in)
12.5
Width (cm)
39.37
Width (ft)
1.2916666667
Width (in)
15.5
Dimension Details
Measurements are estimated based on what is visible in window mat.
Dimensions of frame are H: 15.375" W: 20.25"
Condition
Fair to Poor
Condition Date
2017-06-20
Condition Notes
Overall age yellowing with slight foxing. Multiple fold lines and other wrinkles. Large areas in right and left corners have heavy losses (holes), folded over edges and mending with cellophane tape adhered to back and staining the paper. Many pasted-on paper cutouts are detaching with folded-over edges. At least one cutout of bird is missing at top and perhaps additional missing cutouts where holes exist at upper corners. Abrasions on lower left cutout as well as some painted motifs.
Object ID
2017.999.8
Notes
Appraised by Rev. Fred Weiser in Sept. 1888. It was numbered # . See another B&BC by Krebs, 2017.999.28.
Johann Jacob Friederich Krebs was probably born April 3, 1749 and probably died in July 1815, according to Russ & Corinne Earnest's Papers for Birthdayes, pp. 460-467, He was active circa 1784-1812 in most counties of southeast PA and even New Jersey. He is considered the most prolific of all fraktur artists. He lived between Hummelstown and Harrisburg, Dauphin Co. and was a Schoolmaster in Swatara Twp.
He went through phases of decoration such as pasted-on cutout paper, stamped-on birds, his own freehand sketches, etc. He purchased large sheets of colored Augsburg brocade paper having Baroque decoration with pictures of Saints, animals and flowers. He cut out these figures to paste on fraktur as well as cut out his own shapes.
He used Adler's printshop in Reading for most of his printed B&BCs, often supplying the paper himself. He preferred 3-heart prints having no decoration, since he provided his own decoration.
A Peter Miller was a West Cocalico Twp. Supervisor in 1850 (Ellis & Evans, p. 722). The 1860 Atlas shows two "Pr. Miller" properties in East Cocalico Twp. just south of Knops Ridge. The 1869 Co. Directory lists 14 Millers in E. Cocalico, including a Peter Sr., a Peter Jr. and a Peter K. Miller, all in Reamstown or Swartzville.
Liebesbriefe (love letter) papercut or scherenschnitte on laid paper, mounted on green paperboard within a black wooden frame. Intricately cut circular design has narrow sawtooth border and cutout hearts, urns and flowers (tulips and carnations) in a repeated design. Center has a large flower-like, scalloped edged shape outlined in blue and lines of text written in red ink around periphery. It reads: "Lieben und nicht haben ist harter dann stein graben, und nicht bey sammen seyn(?) / ist fur wahr die groste pein." Appears to read: To love and not have (have love requited) is harder than stone (graben?) and not by ? ? ? is in truth the greatest pain.
16 inverted hearts dominate outer area, arranged in a staggered fashion around periphery. Each heart is alternately edged in blue or red and each is numbered and infilled with an expression of love written in red ink. Eight 2-handled urns radiate outward from center filled with tulip plants that connect with the hearts. Vasiform paper shapes alternate with urns and are decorated with drawings of tulips and blue flowers. Watercolor decoration is typical color palette of red, yellow, blue and what originally was green foliage. On back of acidic paperboard is written "This is probably Christian Strange (sic) Cut-Out." Old paper label taped to back is printed "An Old Pennsylvania / German Valentine."
See David R. Johnson, Christian Strenge's Fraktur, East Petersburg Historical Society, 1995, for two other examples.
Diameter (cm)
33.3375
Diameter (ft)
1.09375
Diameter (in)
13.125
Dimension Details
Diameter of frame is 19.5"
Condition
Fair
Condition Date
2017-06-26
Condition Notes
Delicate cutout has heavy losses, especially sawtooth border, parts of flowers & leaves as well as 3 missing vasiform (resembling a tube/duct) shapes with the floral drawings. Fold lines are broken and breaking. Paper generally age-darkened with some scattered light brown stains. Multiple repairs detached elements and pieces of paper pasted onto back for support. Black painted frame has abrasions. Glass has some light molding on inside surface.
Object ID
2017.999.9
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He notes that the condition restrains the value. There is a large B & W transparency in the file.
See other examples in David R. Johnson's "Christian Strenge's Fraktur", 1995. (Copies in file, including translation of German).
Haus segen (House Blessing) printed by John Bauman and mounted in an old walnut veneered frame with flat face and projecting edge. Three heart design has very large heart dominating design, its outline printed with a "snowflake" type motif. Within, at top, in large letters is the title "Haus-Segen." followed by a short line break composed of "S * T"s in alternating pattern. Then 7 lines of text begin "IR GOTTES Namen geh ich aus, Ach HERR! regier du heut das haus: / Die Hausfrau und die kinder mein, Lasz dir, O GOTT! besohlen seyn." Text block followed by a short row of circular motifs. At very bottom of heart is "EPHRATA: / gedruckt, und zu ha- / ben bey JOHN BAUMAN. / 1801" Woodcut designs printed in red ink fill space outside of heart. At top is a tulip & carnation plant, parrots at both upper corners perched on flowering branches, and along very bottom are two hearts flanked with birds; flowering plant rising from top of hearts. Inside hearts is religious text printed in black. Tiny donor inscription in blue ink at edge of bottom center is "Presented to the Lancaster County Historical Society / by Albert K. Hostetter, -- February 2 - 1906." This info repeated at top of frame back in inked hand.
Pasted onto very acidic paperboard. (Fred Weiser notes "Should be removed from board even if it costs what the piece is worth as it will only fox and deteriorate more). Darkened from acid burn and small scattered brown stains & foxing. Ink has faded. Liquid stains along right side as well as paper losses due to insect damage. Tape apparently used along edge of right side. Significant tears especially along top and left edge. Finish on frame is good but dark, with some cracking of veneer at bottom left. Abrasions.
Object ID
1906.01.1
Notes
Klaus Stopp, The Printed B & BCs of the German Americans, Vol. II, p. 98 ff. Pages 194 and 197 depict two imprints of B&BCs similar to this Haus Segen, except of course for the text. This 1801 imprint of a Haus Segen is one of Bauman's earliest products. Stopp states He started printing "relatively late, at the age of 35 years, in his business as a printer, after he worked with his father as a papermaker in the Ephrata paper mill. He printed from 1800 to 1809, the year of his death."
Lee Stoltzfus of "Black Arts" website states: "John and his wife were married Cloister members. John purchased the Ephrata Cloister printing press in 1800, and moved it to his nearby Ephrata home. He previously had worked as a papermaker with his father Benjamin."
On accession record in file, curator Randall Snyder noted in May 1989: "Recorded in the minutes of the Lancaster County Historical Society, February 2nd, 1906, Vol. 10 No. 2, page 56. Also recorded in the "Catalog" kept by Librarian, S.M. Sener from 1896-1908, #1863.
See Fraktur Worksheet #31" for 1988 appraisal by Pastor Fred Weiser.
Birth & Baptismal Certificate (B&BC) is a printed angel type fraktur on wove paper. Mounted in modern silver frame by The Country Framer of West Chester.
Putto on blue-colored cloud at top; standing angels with paint-decorated clothing stand on blue clouds at sides of center text. Birds on branches at bottom corners. A small block of German verse within border is at each top corner. A large bordered text block at center extends to bottom, entitled "Geburts-und Tauf-schein". Text in upper half has subject's infill done with accomplished hand. At center of text block is a rarely used pair of billing birds. Four stanzas of verse within bottom section have tailpiece of cornucopia & wheat between. Under a line border at bottom is "Reading: / Gedruckt bey Johann Ritter und Comp. / im jahr 1812." Ritter's imprints were never dated except for 1811 & 1812.
Infill gives birth of Elisabeth Lang (Long) born in Rapho Twp. to Johann Lang and wife Margaretha, nee Lindemuth(in). Baptised July 2, 1815 by Pastor Baethis; sponsor was Elisabeth Bartruff.
Reading imprint, Johann Ritter; scrivener and artist unknown, perhaps Lancaster County.
Fraktur is a heart form B&BC on horizontal wove paper recording birth of Johann Adam Kupper in German script. Large central heart has a scallop and sawtooth outer edge and text within. At top is "Johann Adam Kupper" followed by his birth 1 July 1759 and baptism by Pastor Lothar Stoewer, 5 Aug 1759. Godparents were Georg Ulrich and his sister. Parents were Georg Kupper and his wife Elisabeth, daughter of Michael Zimmerman.with later dates of 1777 and 1783. Johann was confirmed by Pastor Koebrecht 29 July 1783. A very unusual addition is the final sentence that records his marriage to Christina Margareta Schotten by Pastor Samuel Dubbener. Thus, this B&BC was done after the marriage.
Mounted in a white hinged window mat, secured at corners. Foamboard backing.
Outside of heart is a profusion of multicolored stylized flowers; flowers at sides grow out of a basket.
Good due to great color, but structurally the paper is fragile. There are 5 vertical breaks that appear to be mended w/ cellophane tape. Some tape stains visible. Various size holes in center of 5 flowers. All edges tattered, but especially bottom edge that has losses and folded edges. Surface appears to be soiled with light scattered stains.
Object ID
2017.999.11
Notes
Appraised 2 Oct 1988 by Rev. Fred Weiser and designated #7. It is related to the following Kupper family fraktur in this collection:
2003.076 Johannes
2004.749 Sara
2004.752 Allen
2017.999.11 Johann Adam Kupper 1788
This fraktur translated Oct. 2017 by Elsbeth Steffensen (friend of Mary Alice Wheeler & Andre Dominguez). See object file.
Fraktur is apparently a religious text with multiple flourishes along top and a wide margin at left filled with a large stylized tulip on a thin stem with other flowers and leaves densely filling space. Penwork is black iron gall ink on laid paper. The paper seems to be small pages from a book, pasted together to created a larger sheet. Reverse has strips of paper pasted onto seams (some replaced with later cellophane tape) from a book.
Top line of text is large fraktur lettering "Mein Gott ich Klopff(?) an(?)", with initial "M" enlarged and decorated. Seven lines of script follow, with a line of upper and lower case letters below. Across bottom is "My Child y wil you learned a Was of the bast you must butt (put) your trust of God at last" Final line is tiny script and in the center of this line is written in red ink "Hinerich Sleo(?)". With the alphabet, this piece is like a Vorschrift.
Appears to be 4 small pages pieced together to create a large one. Paper strips pasted on back at seams and some cellophane tape. Multiple problems. Paper overall is age darkened with multiple small brown stains, some large blotches. Holes in iron gall ink, esp. the large tulip. Some paper seams are breaking with with one hole just above center. Edges ragged, torn and folded back. 1' x 2" loss of top left corner; 1" x 3/4" loss of top right corner, and similar loss at bottom left corner. Paper hinged onto matboard with ivory window mat.
Small Vorschrift done for Jacob Stibgen, mounted within a white window mat. Within a thin border writing example, first line begins with enlarged, decorated letters with flowers and bird: "Allein Gott in der Hoh" with ending "Seig Ehr" in tiny letters below "Hoh". Translation: All glory to God on high. Following lines in English, then the alphabet and finally numerals.
Signed at the bottom "Diese Vorschrift gehoret mir Jacob Stibgen febreary (sic) the 10 1817." Translation: This Vorschrift belongs to me..." . Colors are muted: red, brown, dirty yellow and some black. Some notations on reverse of matboard.
Overall light brown age darkening. Several dark brown stains along bottom left and near center, above "20". Quarter inch discoloration at top, left of center. A 3" long slanted line near upper left corner is breaking, has holes and at right end extends a 1" long vertical break from top down. Also some color losses along break. Surface loss of about 1/4" at left border, 1/5" up from bottom.
Object ID
2017.999.15
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #13 during this event.
Watercolored drawing on wove paper. Symmetrical design has a heart at bottom center with religious text. It reads: "Gottes brune/lein hat wasser / die Fulle Amen." (God's little well has an abundance of water). Growing out of the heart is a tall flowered stem extending to top of page. Top flower is a large tulip of yellow, red and blue. Large, confronting birds perch on small side branches terminating with small tulips. Birds have yellow bodies, blue wings and head, with red beaks and neck ring. Red and yellow carnations on side branching stems below. Heart is flanked at bottom by two birds with blue bodies, yellow wings and red heads. Mounted in an off-white window mat with two paper hinges at top. This is drawn by the same artist as 2017.999.18 and executed at the same time. Colors are the same.
Overall light brown age darkening. Several small brown stains; worst one is under top left bird. Very light creases/buckling across surface. Right edge is wavy. Upper left corner has crease where folded back.
Object ID
2017.999.17
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #28 during this event.
Watercolored drawing on wove paper. Symmetrical design has a heart just below center with religious text written in red. It reads: "Das blut Jesu Christ des sohnes Gottes macht und rein von allen sunden Amen." (The blood of Jesus Christ, the Son of God, purifies us from all sins. Amen). Growing out of the heart are three stems: the center one has a small flower but the side ones terminate with tulips and have birds perching just below. Tulips are red and blue; birds have red bodies, blue wings and yellow heads. In each bottom corner is a prancing blue horse.
Mounted in an off-white window mat with two paper hinges at top. This is drawn by the same artist and at the same time as 2017.999.17. Identical colors used.
Overall light brown age darkening. Several small brown stains appear similar to foxing. Wavy horizontal wrinkle across page near top. Three light creases in bottom half. Bottom left corner has crease where folded. A 1/2" tear at bottom, one inch from right corner.
Object ID
2017.999.18
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #16 during this event.
Birth record on small piece of laid paper. Mounted in off-white window mat with 2 paper hinges at top. Outside border is 0.375" wide with dotted line zig-zags and small comma like motifs decorating remaining space. Some of lower border was cut off. Appears to be a partial page, cut from the same source as the pair of full-page Tschantz family record (2017.999.29) recording 4 births. It is certainly the same handwork & almost certainly pages removed from a Bible.
This entry for Abraham Tschantz consists of 7 lines of German text, fraktur style lettering, randomly alternating from red to black ink. Reads: "Anno 1750 auf Faustinus Tag, / d 15ten Febr. ist Abraham Tschantz, / gebohren im Zeichen des Schorpian. / Gedenck im allen, was du thust, dass / du nur Gott gefallen must, dies sey dein / gantzes Werck auf Erden, wen du wilst / Gottes Burger werden." (In the year 1750 on Faustinus Day, 15, Feb., Abraham Tschantz was born in the sign of Scorpio. Ponder in everything you do that you must only please God. Let this be your whole work on earth if you wish to be God's citizen.)
10th "Series" of Penna. Archives, Vol. 156, p. 423.
See related pages (2017.999.29) executed by same scrivener/artist who recorded Tschantz births.
Height (cm)
13.0175
Height (ft)
0.4270833333
Height (in)
5.125
Width (cm)
18.415
Width (ft)
0.6041666667
Width (in)
7.25
Dimension Details
Matboard is H: 7" W: 9"
Condition
Good
Condition Date
0017-08-24
Condition Notes
Light darkened and embrittled/fragile. Edges are very ragged with losses and folded back paper. A 3 1/2 " long curved tear/break from bottom left to the word "Febr.". Bottom of page with border has been cut off.
Object ID
2017.999.20
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #24 during this event.
See pair of related pages for birth entries of (2017.999.29) executed by same scrivener/artist who recorded birth of Abraham.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
Printed Birth & Baptismal Certificate infilled in German script for Elizabeth Meyle, born 12 Feb 1788 to parents Martin and Barbara (nee Bar(in) ) Meyle in Lampeter Twp. Even though the certificate is printed with a space to record the baptism, there was no child baptism because of being Mennonite.
Three heart form has one large heart created with a foliate line. Flanking the tip are two small slanted hearts. A fancy urn is in each bottom corner with flowering vine running around sides and top. Large heart has text block arranged in two sections; small hearts have religious verse. Decorated with some dark watercolors; red, blue-gray and yellowish tan are used. This 3-heart form was the first edition printed by Lepper alone, c. 1799.
On back at top in cursive is "Elizabeth Miller(?) / died March 10/67"
Printed by Wilhelm Lepper. Infill and decoration by unknown artist.
Infill & decoration likely done in Lampeter Twp.; Printed in Hanover, York Co.
Fragile certificate is pasted onto a brown paper backing, with some taped mends at some breaks. There are multiple breaks at fold lines and many irregularly shaped holes. Dark with soil and stains. Abrasions/loss of definition in some places, as in upper right corner.
Object ID
1980.01.2
Notes
In Fraktur Collection appraised by Rev. Fred Weiser, Sept. 1988. Numbered #30.
Copy of the original typed accession card found in Fraktur Box #537. It records both 80.1.1 and 80.1.2, framed. Donor is Mr. Norman B. McCulloch of Durham, NC, dated Dec. 30, 1979.
See Klaus Stopp, The Printed B & BCs of the German Americans, Vol. 2, pp. 226-227. This B & BC is listed on page 226. Form was printed c. 1799.
Printed angel form B & BC for Elizabeth Eichholtz, born 23 Jan 1810 to parents Johann David Eichholtz and wife Catharina nee Bott(in) in Lancaster City. Baptised 15 July by Rev. H. Hoffmeier. Sponsor was Elizabeth Bott(in).
Conventional form has 2 side angels with tall text block between. Imprint at bottom is "Reading, / Gedruckt und zu haben bey / Johann Ritter und Comp." On same line is written "und / H Keyser, Lancaster County". Keyser used bold black penwork in very large ornate letters on back at top, "Elizabeth Eichholtz." Heavy black ink has bled through to front. Below name is pencilled in German script: Died 14 April 1851 / her age was 41 yrs, 2 months and 22 days.
Infill in Lancaster by Heinrich Keyser, born c.1776 (active 1810-1856). Printed by J. Ritter.
Provenance
Unknown. Listed in "Papers for Birth Dayes", p. 441 as being sold at Horst Auction, Nov. 29, 1991. Purchased by LCHS??
Light soil, small stains and some foxing -- particularly around edges. Masking tape affixed to back at bottom center. Stain bled through to front. Small masking tape patch at lower left has also bled through. Scrivener used bold black penwork in very large ornate letters on back at top: "Elizabeth Eichholtz." This heavy black ink has bled through to front. Edges of paper has small nicks and is ragged.
Object ID
2017.999.25
Notes
One of the Fraktur Collection appraised by Rev. Fred Weiser, Sept. 1988. Numbered #2. No worksheet found. However, an Accession / Pre-Process Form lists Clarke Hess as the donor of this fraktur with a "Transfer Date" of 12/09/1993. This form has Collection # "MG-226." "Initial accession date" has entry of 2/10/1994. Form states it was in "Oversized Items Box 7, Item #2 / Compact Shelves, Side 17." This form is in object file.
Book of Wills for 1863-1867: The following is probable father of Elizabeth & husband of Catharine.
Reading imprint is an early 3-heart design on wove paper in German. Mounted in white matboard window frame. Large central heart outline composed of tulips; text block within; never used (no infill). Just above the tip of heart is "READING: / Gedruckt von / Jungmann und Gruber, / Im Jarh / 1794." Two smaller hearts in lower corner composed of filled ovals with German religious verse within.
Reading, Berks County and Swatara Twp, Dauphin County
Large, bold decoration around borders. Stamped four times is a woodcut design of a single red & green goose-like bird, head pointing up, perched on flowering branch. Two "geese" appear in upper corners and 2 are below at tip of large heart. Other hand-drawn floral motifs fill in borders: a large red & green tulip at top center is flanked by 2 red and yellow elongated "daisies". Smaller flowers at sides and lower border.
Krebs was the most prolific of all fraktur artists. Coming to America as a Hessian soldier, he became a schoolmaster in Swatara Twp, Dauphin Co. He was active throughout S.E. PA & New Jersey. Between 1801 and 1813, he bought nearly 7,000 taufscheins printed by Adlers in Reading. He preferred 3-heart prints. After his death c. 1815, numerous blank printed B&BCs were found in his estate; many were later scattered & sold by others.
The document was printed in Reading by Jungmann & Gruber; the decoration was created by artist Friedrich Krebs (c.1749-c.1815), Swatara Twp., Dauphin County, who was active from c.1784-1812. The certificate was not used.
Significant losses, especially at upper corners; smaller losses along bottom edge.Large holes in several flowers near lower left corner as well as bird at upper right corner; smaller holes in other flowers. Age-darkened paper has two worn and wrinkled fold lines. Long tear extends downward from top center edge; tape mends here as well as bottom center have stained paper dark brown. Scattered brown stains. Mounted in matboard window frame.
Object ID
2017.999.28
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. He states "Should be restored." This fraktur is #32. (Another Weiser worksheet with #20 lists the same Taufschein, Never used. Has less info than #32.
Johann Jacob Friederich Krebs was probably born April 3, 1749 and probably died in July 1815, according to Russ & Corinne Earnest's Papers for Birthdayes, pp. 460-467, He was active circa 1784-1812 in most counties of southeast PA and even New Jersey. He is considered the most prolific of all fraktur artists. He lived between Hummelstown and Harrisburg, Dauphin Co. and was a Schoolmaster in Swatara Twp.
He went through phases of decoration such as pasted-on cutout paper, stamped-on birds, his own freehand sketches, etc. He purchased large sheets of colored Augsburg brocade paper having Baroque decoration with pictures of Saints, animals and flowers. He cut out these figures to paste on fraktur as well as cut out his own shapes.
He used Adler's printshop in Reading for most of his printed B&BCs, often supplying the paper himself. He preferred 3-heart prints having no decoration, since he provided his own decoration.
See Vol. 4 of K. Stopp's The Printed B&BCs of the German Americans, p. 106. He notes that most copies of the #626 edition "were used by Friedrich Krebs."
Mounted Family Record on 2 pages of laid paper, almost certainly from a Bible, with entries for children of Abraham Tschantz (See his record by the same artist/scrivener as 2017.999.20). Page edges have a border decorated with dotted line zig zag motif with squiggles. In fraktur hand in German, the birth entries are listed under a heading "Verzeichnis" (record/list) on first page that translates "Register of my children when they were born." Lettering is done in either black or red ink.
Two births listed on first page are Jacob born 31 Dec 174(?) on St. Silvester's Day in the Sign of Aquarius. Next is Johannes born 29 Feb 1748 on St. Nestor's Day in the Sign of the Lion. Horizontal border under heading and also between birth entries. Each has a few religious lines exhorting them to follow Jesus.
Second page lists Barbara born 28 Jan 1754 on St. Charles Day in the Sign of the Ram, immediately followed by "In the year 1767 on Sept 4th the Lord took her from this world into eternity. Next entry is David born 17 Sept 1759 on St. Lambert's Day in the Sign of the Lion, but in the year 1767 on Aug 25 the Lord took him into eternity. Both children died within about 10 days of each other.
See related half page birth entry for father Abraham Tschantz (2017.999.20) executed by same scrivener/artist who recorded births of Tschantz children.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
Height (cm)
30.48
Height (ft)
1
Height (in)
12
Width (cm)
17.78
Width (ft)
0.5833333333
Width (in)
7
Dimension Details
Mount is 16" x 20"
Condition
Fair
Condition Date
2017-10-02
Condition Notes
Mounted together in double window. Pages are brown with age and have some small stains. All edges are battered with small tears, small-to-medium losses, and folds. Significant number of red letters have bled. Most edges of each page have cellophane type tape on back to stabilize.
Conservation needed.
Object ID
2017.999.29
Notes
Appraised by Rev. Fred Weiser 2 Sept 1988 as # 25. Valued at $800.
Abraham "Shannts", born 1750, is listed in Ten "Series" of "Pennsylvania Archives", Vol. 156, p. 423.
A Lancaster Menno. Hist. Society record states he is listed in the Hannes Eby Burial Record: death ca.26 May 1838 in Leacock, PA.
In 1810 Census, an Abraham Tschantz is listed with 9 household members in Warwick Twp.
LHO library's Family File for JOHNS family notes Abraham is buried near Mechanicsburg, Upper Leacock Twp., apparently along with his brothers Jacob (b. 1746) and Johannes (b. 1748). Reference is made to the Tschantz Family Bible in LHO collections which records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822.
Transcription & translation Oct 2017 by Elsbeth Steffensen.
Printed B&BC on laid paper, in German, decorated and infilled by artist & scrivener Georg Friedrich Speyer. Johannes Schnierer was born 17 May 1786 in Cocalico Twp., sign of Capricorn. He was the son of Johannes Schnierer and wife Catharina, nee Meynsser(in). Baptism was done 7 July 1786 by Rev. Immanuel Schultz in the Lutheran Church; sponsors were Michael and Elizabeth Pilz. This church was the Warwick Lutheran congregation, now called the Brickerville United Lutheran Church.
Fraktur has been pasted onto heavy, acidic paperboard, then fraktur-on-board was heavily trimmed on all four sides, removing portions of Speyer's decoration. Printed heart design has faded red ink infill in text. Strongly decorated with Speyer's colored drawings. A carnation at center of top has flanking parrots in horizontal position hovering over heart. At upper sides are cross-legged putti at lower sides are two tall, elegantly dressed ladies. Confronting mermaids at bottom center. See Notes.
Infill & decoration in Brickerville area; printed in unknown.
Some light soil and age yellowing with minor foxing. Edges have attractive "torn" look. A 3/4" tear at bottom center has cellophane tape mend creating some staining. Small tear at bottom, near right corner. Small L-shaped tear at center left. small 1/8" hole near top edge 3.75" from right corner. Small inked "D" at top near left corner. Very small hole near bottom, 4" from right corner.
Object ID
2004.718
Notes
Appraised by Rev. Fred Weiser 2 Sept 1988. Assigned #18. A large 5.75" x 6.75" B&W negative is in file. This fraktur likely related to Elizabeth Elser B&BC, 2017.999.1, due to Johannes Schnierer (b. 1786) later marrying an Elser (Catharine).
Georg Friedrich Speyer was a schoolmaster, among other places, the Warwick Lutheran Church ( or Emanuel Church -- today known as Brickerville United Lutheran Church). He became schoolmaster at Warwick in August 1780. Speyer preferred 3-heart printed B&BCs, like Friedrick Krebs, and infilled them with German script, rarely using the fraktur alphabet. He had very poor handwriting, commonly using red ink that has faded over time.
His decoration consisted of motifs borrowed from other artists (Otto, Krebs, the Cross-Legged Angel Artist, etc.). He decorated the fraktur with in a loose and very folksy manner with little sense of proportion or neatness. He fitted them into the space available around the 3 central hearts, leaving little empty space. Parrots, cross-legged angels, and mermaids are some of his favorite motifs. Speyer worked mostly in northern Lancaster Co. and southern Berks and Dauphin Co.
See file for church record listing the son Johannes and his wife Catharine (nee Elser) and the births of their 6 children. Also see "Find A Grave" listing for Johannes "Schnuerer" b. 1786 and d. 1829, buried in Brickerville United Lutheran Church Cemetery.
