Colored political print or broadside by Nathaniel Currier of New York, depicting James Buchanan and his running mate John C. Breckenridge beneath an eagle and the word "Union." Created for the election of 1855-56. Framed in a natural reddish-brown softwood frame & block corners with cream-colored window mat. Window mat reveal is 12 1/4" high by 8 5/8" wide.
President and Vice-President are depicted in 1/4-length portraits within ovals surrounded with acanthus leaves with their names below them. At top and sides is stage drapery. Above portraits is the American eagle with wings outstretched over U.S. flags and the motto "ONE COUNTRY__ONE CONSTITUTION___ONE DESTINY" above and "UNION" below. Below portraits is a female figure posing with helmet, shield and spear, below which is curling ribbon emblazoned with the words: "THE DEMOCRATS CHOICE FOR PRESIDENT AND VICE PRESIDENT FROM 1857 TO 1861."
Title at bottom reads: "GRAND NATIONAL DEMOCRATIC BANNER/ PRESS ONWARD." Above this in small print is: "Entered according to act of Congress in the (year) 1856 by N Currier, in the Clerk's Office in the Distr. Court of the Southern Distr. of N.Y." Partially hidden by the window mat is "LITHOGRAPH BY N. CURRIER, 152 NASSAU ST. N.Y."
Note: James Merritt Ives was not promoted to partner with Currier until 1857.
Provenance
Acquired from the estate sale of Anne Bausman Woodcock; descended in her family until offered for sale at Conestoga.
Generally good conditon with surface losses (silverfish?) at top right, top center, around Buchanan's face and bottom center through wording. Pressure sensitive tape two inches long visible at bottom left edge. Frame has been refinished and abraded. Recent reframing.
Object ID
P.01.58.1
Place of Origin
New York, New York
Credit
Gifted in memory of Doris Herr by her friends, Heritage Center Collection
Scherenschnitte, freehand cutwork on light cream-colored wove paper folded horizontally, vertically, and diagonally, then cut out. Rectangular form is centered with an 8-lobed flower made of four hearts enclosing smaller hearts & a medallion with inscription Surrounded by figures of boys and girls as well as birds and hearts. Colored w/ red and blue paint/gouache and some details in blue ink.
Scotland area, Greene Twp., Franklin Co.
Handwritten in blue at center is: "Margarert [sic] Elizabeth / Farner / A present / By John Farner / March 11th 1854" Made for sister Margaret when John was age 11. Similar one is owned by Jim Gergat, done by Farner in 1854 for Isaac Shetter in Green Twp. in Franklin County. Jim has a photo of recipient Shetter. He owns an additional cutout w/ no written presentation. Gergat states Farner was a Civil War veteran and is buried in Centerville, Cumberland Co. (at intersection of Rt. 174/Walnut Bottom Rd. and Rt. 233 & associated w/ Centerville Lutheran Church, Carlisle).
Provenance
Given by Mr. and Mrs. Richard Flanders Smith to the Lancaster County Historical Society with the understanding that it would become part of the collections of The Heritage Center Museum with the establishment of that institution.
Small brown spots overall, especially in top half. Larger brown stains in top left area and central design; possibly faded brown coloring.
Matted and framed by conservator Brian Howard of Carlisle in 1996
Object ID
G.77.50.3
Notes
Earnest, Fraktur: Folk Art & Family, 1999, p. 118.
Informed 1-9-12 by Jim Gergat, former York Co. H. S. curator, of identity of John Farner. See photocopies of his two Farner cutouts in file. Gergat's phone # is (610) 473-0137.
Slide #27-2-10 and Transparency file under "Fraktur" #18.
Removed from Masonic Lodge Fraktur exhibit early 2008.
Exhibited Landis Valley Museum, scherenschnitte exhibit curated by Irwin Richman, May-Dec. 2008.
Place of Origin
Greene Twp., Franklin County, Pennsylvania
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Jacquard coverlet. Cotton warp, dyed blue weft. Dyed wools are two tones of blue and two tones of red. Center seam. Head binding, madder brown print cotton. Center field- fronds in pinwheel cofiguration. Outer border- 2 alternating 2-storied bldgs. with windows. Corner blocks have
"Made by J. Witmer Manor Township for Catherine Sauder 1850"
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Color printed Fraktur is a Birth & Baptismal Certificate for Emma Matilda Ried. Angel type print in German has standing angels flanking the text block and four perching birds in lower corners. An eagle is at top center and baskets of flowers & flower sprays below text block.
Text block infilled in red in a very accomplished, controlled hand. Emma was born 3 Oct 1838 in Lancaster City and baptized 22 Jan 1839 by Samuel Trumbauer. Parents are Peter Ried and his wife Margaretha, daughter of Johannes & Catharina Bard.
Printed in Harrisburg; infilled likely in Lancaster City. Printer: G.S. Peters; Infill unknown
Overall very brittle and age darkened. Broken broken at fold lines, creating 5 separate pieces. Cellophane tape at both the top and bottom of the vertical break, taped on the front! Tape is staining paper. Very large loss 1.75" x .50" at left edge near top. Small tears and losses around edges.
Printed B&BC on wove paper infilled for Elizabeth Martin, born 9 July 1842 in Lykens Twp., Dauphin Co. Parents were Samuel P. Martin and wife Mary, nee Dubindorf. Elizabeth was baptized 15 Aug 1842 by Rev. John Peter Schindel. The parents were the sponsors.
This is the first English edition printed by Werner in Pottsville, c. 1840 (see Notes). Title at top is "Birth and Christening / Certificate" Central text block with infill is flanked by two of the 3 virtues done with woodcuts. The third, usually above the text block is replaced by the tailpiece of a lady playing a piano. A tailpiece of 2 flowers separates the text block from 2 smaller blocks with religious verse, at bottom. Printed in blue, red and yellow. A perching bird is in each corner of bottom. At bottom center is the imprint: "Printed and sold by J.T. Werner, Pottsville, Schuylkill County, Pa." An "H" is written in top left corner.
Fair condition largely due to the large chunk out of the edge at top center, obliterating half of the title. Tape stains indicate it had been mended with tape before being lost. Two other places where tape is bleeding through is at left near top (3/4" tear) and at right near bottom corner (1" tear). Several large nicks or losses, esp. at left near mend.
Pronounced brown spot stains along right edge and 2 round liquid stains on left edge adjacent to tape mend. Lighter stains elsewhere. A 1/8" hole near the "Pa." of imprint at bottom. Color printed in yellow, red and blue.
Object ID
2004.748
Notes
Appraised by Rev. Fred Weiser 2 Sept 1988. Assigned #48.
Printer J.T. Werner was born in Lebanon Co. in 1814. He printed in various places, finally in Pottsville from 1837 on. He died there in 1882.
In The B&BCs of the German American, Vol. 4, Klaus Stopp lists this fraktur for Elizabeth on page 14, numbered #562. This is the first English edition by Werner in Pottsville. Instead of one of the virtues (Love) above text block a lady playing a piano is shown. This little tailpiece is also known since it was used with BBCs in his printshop in Orwigsburg, PA.
Color lithographed Memento Mori on heavy tan paper depicts a scene in a church graveyard. A grieving couple, likely the parents, dressed in early 19th c. black mourning clothes, stand by a church with a large urn-topped tombstone underneath a green weeping willow tree. Gentleman gestures toward the stone with the side printed at top "IN / MEMORY / OF", followed by 2 sets of 4 lines in ink. First is "Henry Augustus was / born Sept, 10th 1829, / Departed this life / August 27th 1833,". Next is "Nathaniel was born / January the 24th 1835 / Died January 25th / Anno Domini 1835". These 2 sons both died an early death. No surname is given.
Printed underneath the border of this scene is "LITH. & PUB. BY N. CURRIER" at left and "2 SPRUCE ST. N. Y." at right. The number "280" is at center. Printed in New York City.
Printer: Nathaniel Currier, Infill by unknown
Provenance
Memento Mori - Remember that you have to die. Printed by Nathaniel Currier, circa 1830s
Artwork designed to remind the viewer of their mortality and of the unpredictable nature and fragility of life. This scene depicts a church graveyard and a grieving couple all in black mourning clothes. The urn on top of the tombstone symbolizes death since urns were often used in Greece and Rome to store cremated remains. The weeping willow, so named because of the way raindrops run down its long leaves causing some to think it looks like the tree is crying, serves to reinforce the emotions of grief and mourning.
The remembrance is particularly somber since it mentions the name of two children - Henry Augustus (1829-1833) and Nathaniel (1833).
Considerable foxing with gray soil darkening the paper at upper corner area but smaller areas extending along both right edge and top edge. Some soil at upper left side. All edges have been hand-cut. Reverse has heavy foxing with streaks of dark brown soil and acid burn from backing. Some ink spots. Stamped "PROPERTY OF / LANCASTER HISTORICAL SOCIETY".
Object ID
2004.744
Notes
Appraised by Rev. Fred Weiser, 2 Sept 1988. This certificate designated #44.
Memento mori is a Latin phrase meaning 'remember you must die'. It is the medieval Latin Christian theory and practice of reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits.
Nathaniel Currier (1813-1888) in 1840 began to move away from job printing and into independent print publishing. He printed this and other versions of this scene in the 1840s.
Birth and baptismal certificate lithographed in German by Augustus Kollner of Phila. is infilled for the Frankhausser (Frankhauser) family of East Cocalico Twp. Image is colored with yellow border and smaller details in blues and pink. Frame is walnut veneer on flat, angled profile.
Titled "Geburts- und Taufschein", the vertical design on wove paper (14 1/4" x 10 1/4") features elaborate foliate scrolling along architectural sides & base borders, culminating in a leafy broken arch at top, flanked by putti & verses from the gospel of Matthew. Under arch is a nativity scene and within niches at side columns are two men, apparently John the Baptist at left and Jesus at right. Jesus' baptism is pictured within architectural border at bottom, flanked with religious verse. Printed at bottom is "For Sale by Augs. Kollner, corner of Second & Dock Sts. Phil.a / Entered according to act of Congress, in the year 1849, by Augs. Kollner, in the Clerks Office of the District Court of the Eastern District of Pa."
German text is printed within open center area; infilled by unknown scrivener in a large, flowing script that contains several spelling errors. To Heinrich Frankhauser and his wife Marie nee Leath was born a son John Lamon the 7th of April, 1854 in East Cocalico Twp. He was baptized the 5th of October, 1854 by Pastor Ries and sponsored by the parents. (Rev. Charles Reese was the pastor 1852-1857 at Muddy Creek Evangelical Lutheran Church, Ellis & Evans, p. 713).
Printed Philadelphia by Augustus Kollner; Infilled in Cocalico Twp. by unknown scrivener
Generally very good condition. Moderate darkening along edges and light darkening overall. Small stains & foxing sprinkled within text and elsewhere. Reverse side shows yellow liquid stain, apparently bleed-through from watercolored column & arch.
Framed with acidic wood backboard, now replaced with acid free Foam core. Frame refinished w/ minor damage & wear.
Object ID
P.07.07.1
Notes
Most Frankhausers were living in Brecknock Twp. during the late 1800s. The 1864 ATLAS has two properties labeled "H. Frankhauser", one SE of Napierville (E. Cocalico) & one SE of Muddy Creek (Brecknock) (See file). The 1890 Directory has widow Maria F. living in Muddy Creek.
Printer was born in Dusseldorf, Germany in 1813, studied painting & lithography & emigrated to Phila. in 1839 or 1840. He was active independently as a lithographer before 1849 & an artist in watercolor until the 1870s. From 1849-1951 he was associated with the German printer Johann Henry Camp.
Printed angel-type birth and baptisimal certificate (B&BC) in German on wove paper. Jacob Leininger was born in 1852, the son of Friederich Leininger and wife Elisabeth nee Ksander of West Cocalico Twp. Baptized by Rev. Carl Ries.
Border surrounds the central text block with infill, flanked by two angels. At top center is a putto with two boxes of text at sides. On the top of the page is a cherub flanked by two boxes of text. Flanking the main text are two large angels, facing toward the center. Two perching birds at lower sides. Bordered text block at bottom center has religious verse with two tailpieces filling space: above text is woman with shield reading "IN GOD WE HOPE" and below is an emblem with horns over flowering branches. Below this is the imprint: "Gedruckt und zu haben bei A. Puwelle, Reading, Penn."
Birds, putto and angels are fancifully decorated with yellow, blue, red, brown and various shades of green. Mounted in black frame with cream colored mat.
Printed: Reading by Arnold Puwelle; Infill & decoration: unknown.
Large tear on top, near center. Tear on right side. below center. Two tears on left side. Moderate creasing, especially lower left corner. Moderate staining, especially on left side.
Framed in archival materials in 2/2000 by Lancaster Galleries.
Object ID
P.00.09.2
Notes
Reference: The Printed B & B C of the German Americans, Klaus Stopp, vol. 4, p. 292. According to Stopp, this variant of Puwelle's printed form was done c. 1852 and is assigned #769. Stopp lists this Puwelle fraktur for the Leininger family as an example.
Functioning commemorative speaking trumpet with 5 sections: ornate bell and a spiraling portion of the stem have a brass colored finish. Others appear to be silver. Four ropelike silver coils separate portions. Two of these have eyes with a brass ring. A sash of 2.5in wide faded red silk ribbon tied in a bow hangs from one ring. Engraved: "Presented to the/Friendship Fire Company/by Henry E. Leman/1858."
