Chest, red-painted poplar on four straight bracket feet. Lid with molding pegged to 3 sides, supported by strap hinges. Brass escutcheon at keyhole. Wrought iron bail handles on a heart-shaped plate at each end. Till at left end of interior.
White-painted platter-shaped panels at each end, two on lid and two on front. Above the painted front panels is a very thin, long, white-painted cartouche containing a painted inscription with geometric floral/star motifs. Inscription: "17 BARBARA POTZERIN 95."
On underside of the lid, left side, is a pasted-on fraktur (6.5" x 8"), hand-drawn, hand-colored, hand-lettered, on laid paper. Text within a rectangular frame at center of document, flanked by two people: at left is a woman wearing a red gown and bonnet, and on right is a man wearing a red coat, knee breeches and tricorn hat. Red and blue flowers above.
Fraktur has a "sponsor's letter" text done for "Maria Barbarra" Potzer, born March 11, 1768 in Warwick Township, Lancaster Co. Document was given to Barbara by the godparents / sponsors, whose names appear at upper left and lower right corners: Maria Barbara Fockt [?] and Jakob Zook [?]. Central text block expresses good wishes for the child (translation in file). This form was used in the Alsace/Palatine areas according to Pastor Weiser.
The maker of the chest is unknown. The fraktur was done by Sussel-Washington artist (active c.1760-1779).
Provenance
Chest was purchased by seller, H. William Koch, in approximately June, 1979, at a sale near Harrisburg. It is a twin of the "Anna Nislesin" chest (G.95.29.1) except for paint color and feet. Several other similar chests (see file).
Multiple large marks and stains on lid, including two blotches of a varnish-stain. The edges are worn, and bits of wood are missing in several areas. Base is separating from the front and sides. The iron hinges are rusted. Top has a long split along grain.
A condition report and treatment proposal for the fraktur were done by the Conservation Center for Art and Historic Artifacts in Philadelphia in May 1986, but no treatment was done.
Object ID
P.79.103.1
Notes
Pictured on p. 180 of Corinne & Russell Earnests' Fraktur: Folk Art & Family, 1999.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Butler's desk with bookcase, cherry, Federal style. Secondary wood is poplar. Bookcase section is 54.5" high, has restrained cornice over frieze over two large double-panelled doors. Doors rails are through-tendoned into stiles. Interior bolt at bottom of left drawer missing. Stamped eagle lock escutcheon likely a replacement. Interior side dadoes support four original shelves w/ molded front edge; A fifth shallower shelf is a later addition.
Desk section is 43 1/2" high. Butler-type top drawer over three lower graduated drawers w/ diagonally striped veneer facings and cockbeaded edges that have been planed flat. Stamped oval brasses replace original round pulls (marks visible underneath). Lock escutcheons are brass insets. Large butler's desk drawer hinges down to reveal interior w/ center bank of pigeon holes under a single long center drawer, all flanked by vertical manuscript drawers which are in turn flanked by four stacked, graduated drawers at each side. Most drawers are numbered on bottom and most fitted with tiny brass pulls. Reeded quarter columns at front and back corners. Applied strips of reeding at front and side edges of top. Four turned feet with reeded cuffs.
Inscriptions: inside central drawer above cubby holes are pencilled names in modern cursive: Barbara Fisher/ Ellie McMellen, Sadie McMellen/ ( ? ) McMellen."
Maker unknown.
Provenance
According to John J. Snyder, Jr., secretary was owned by James Buchanan's physician, Dr. Henry Carpenter. Original owner was likely either father-in-law John Mathiot (elected sheriff of Lancaster Co. in 1818 and Mayor of Lancaster City in 1831) or his father Henry Carpenter (1773-1835), a surveyor and merchant. Passed down within Carpenter family until 1977 when Snyder, Jr. purchased it at public auction. Donated to Buchanan Foundation May 6, 1988 in memory of Snyder's spaniel Sukey. Transferred to HCLC due to lack of space at Wheatland.
Carpenter, born in 1819, was one of the community's leading physicians. He was founder of the Lancaster County Medical Society in 1844. Dr. Carpenter lived in a brick house on the west side of the first block of South Queen Street.
Sound;refinished. Several wide horizontal cracks at sides of desk. Scars overall; deep dent to top front edge of chest, just right of center; large burn mark at left as well as dark stains. Bottom of top drawer repaired and patched along lower edge, especially at left. Drawer hardware replaced, inside bolt on left door missing; several small interior drawer pulls missing with some large holes.
Object ID
G.04.28.1
Place of Origin
Lancaster County
Usage
Carpenter family
Credit
Gift of James Buchanan Foundation, Heritage Center Collection
Lathe-turned wooden tar bucket with fitted lid and remnants of leather straps. Cylindrical vessel has slight taper inward toward middle. Decorated with two double score marks below center. Above center are shoulders jutting outward with vertical holes through which straps of leather handle pass. Handle also passes through lid of conforming shape, although one strap broken off at shoulder while the other is broken off 3 inches above shoulder.Center hole in lid apparently accepted a now-missing stick used to apply tar to wheels. Broken-off 5-inch length of leather strap rests inside. Tar residue in bucket.
Lancaster County or region.
Provenance
Donor believes bucket descended from family members to his parents who displayed it on their mantle. Donor inherited it from parents.
Bunch of grapes, carved wood, gessoed and painted dark purple/blue with green leaves. Iron hanging ring attached at top; cluster hangs from a reproduction decorative hanger (see notes).
This bunch of grapes was said to have hung at the Grape Tavern (Sign of the Grapes) at 32-34 North Queen Street, Lancaster, most likely on the interior. This fragile object would not have stood up to outside weather. (Ellis & Evans, writing in 1883, state, "The wrought iron bunch of grapes now hanging in front of the hotel was made for, and used by, Adam Reigart.")
The Grape tavern was built in 1741 by John Harris, then sold at sherrif's sale to Adam Reigart, Sr. in 1769. He ran it from 1769 to March 3, 1794, when John Michael took over ownership. During his ownership, the tavern began its most opulent elegance as well as being called by various names including The Grape, Conestoga Waggon (sic) and Michael's Hotel. He ran it until May 5, 1821, when it was purchased by his son John Michael, Jr. who kept it until 1839, restoring the original name. According to Ellis & Evans, John Michael, Jr. moved the tavern, with the "old familiar sign" to the adjoining lot in 1839. It was then known by the original name as well as Michael House.
Provenance
Once owned by W.U. Hensel (1851-1911) who lived at the historic "Bleak House" near Kinzer, where it hung on the porch. He had a collection of early Lancaster signs.
Pictured on frontispiece of booklet of Hensel's address in 1912 on "Jacob Eichholtz, Painter." The grape sign was sold at the estate sale (March 1947?) of Hensel's daughter Elizabeth Hensel Nauman and purchased for $320 by William Lebzelter of Lancaster City, whose family owned the American House which was successor to the Grape Tavern (Groff and Wolf Dept. Store at time of sale).
No record in file later than this other than the name of seller, Marian L. Schaffner. She was the wife of physician Meade D. Schaffner, on Columbia Ave.
Paint chipping in some spots; some wood loss at tips of some individual grapes. Iron hanging ring has minor rust spots. Minor losses of gesso repaired, gesso loss between grapes at bottom. Nail repairs. Repainted at some date prior to 1984; painted at least once before. Wood at top shows deterioration.
Object ID
P.77.72
Notes
Ellis & Evans, pp. 363, 394 1/2 and 395.
Multiple references in this file including newspaper articles.
Booklet entitled "Jacob Eichholtz, Painter", an address given by W.U. Hensel Nov. 22, 1912 (eve of portrait exhibit at Woolworth's)
Hanger is a reproduction scrolling wrought iron bar with eight small swirls along the top, and is attached to a heart-shaped iron mounting plate. Made by Thomas C. Moore of Glen Rock in January 1978, based on a drawing and painting by David McNeely Stauffer (P77.31.57 and P77.31.22).
Maker is unknown.
Place of Origin
Lancaster County
Usage
Grape Tavern
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collecti
Chest is red-painted poplar. Lid has molding pegged to 3 sides, supported by plain iron strap hinges. Brass escutcheon at keyhole. Wrought iron bail handles on a heart-shaped plate, on each end. A till is at left end of interior.
White-painted platter-shaped panels at each end, two on lid and two on front. Above the painted front panels is a thin, long, white-painted cartouche containing a painted inscription along with geometric floral/star motifs. The inscription reads: "17 BARBARA POTZERIN 95."
On the underside of the lid, left side, is pasted a fraktur measuring 6.5" x 8" showing a woman in a red dress and a man in a pink coat and black pants flanking a text block, with red and blue flowers above.
The fraktur is a "baptismal sponsor's letter form" done with ink and watercolor on laid paper for "Maria Barbarra" Potzer, born March 11, 1768 in Warwick Township, Lancaster County. The central text block expresses good wishes for the child (translation in file)and in the upper left and lower right corners are the names of baptismal sponsors, Maria Barbara Fockt [?] and Jakob Zook [?]. This unusual form was used in the Alsace/Palatine areas, according to Pastor Fred Weiser.
Barbara Potzer was original owner. Maker of the chest is unknown. The fraktur is by the Sussel-Washington artist.
Provenance
Chest was purchased at a sale in Harrisburg in approximately June, 1979, by seller, H. William Koch. It
Multiple large marks and stains on lid, including two blotches of a varnish-stain. Edges are worn, and bits of wood are missing in several areas. Base is separating from the front and sides. The iron hinges are rusted. Top has a long split along grain.
A condition report and treatment proposal for the fraktur were done by the Conservation Center for Art and Historic Artifacts in Philadelphia in May 1986, but no treatment was done.
Object ID
G.79.103.1
Notes
This is a twin of the "Anna Nislesin" chest (G.95.29.1) except for paint color and feet.
There is a group of several other similar chests (see file).
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
British Royal Coat of Arms, 1786, attrib. to the "Early Ephrata Artist," (active c. 1780-1786). Manuscript watercolor version of this design is modified to depict the Germanic sentiments of the artist following our overthrow of English rule. As before, the rampant lion (England) is on the left and the rampant unicorn (Scotland) on the right. However, the lion is now chained and uncrowned. Replacing the central shield is a large flowering plant with a typical Pa-German large parrot perched on the lower branch and a crown above. Large flowers are prominently added to this image.
Lettering at bottom center reads: "Phil(i)p[sic] Horning/ hat In ge-macht/ 1786" Recipient Philip Horning's name is followed by the artist's phrase: "Made in 1786." This should not be read that Horning "made this in 1786."
Pa. Germans saw a kinship between the Royal Coat of Arms and the German Hanoverian kings who ruled the United Kingdom throught the 18th century.
Klaus Stopp, Printed B&BC of the Pa. Germans, Vol. II, pp. 108-113
Height (cm)
34.925
Height (ft)
1.1458333333
Height (in)
13.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Frame is H: 22.25 W: 25.25"
Condition
Good
Condition Date
2017-03-23
Condition Notes
Multiple vertical and horizontal creases overall. Some paint loss, especially on lion's head and face, and flower in upper right corner. Brown stains overall.
A treatment proposal made by Conservation Center for Art and Historic Artifacts, May 1986, and the following treatment was done in 1988-89: consolidated ink and paint, old backing removed, tears mended, cleaned, losses in paper filled, flattened, and matted. Details in file.
Matted and framed by Brian Howard of Carlisle in 1996
Object ID
P.77.51
Notes
This unusual watercolor gives a Germanic spin on the heraldic design. While the lion stands for England and the unicorn for Scotland, replacing the central shield is a large parrot perched on a flowering plant. Large flowers are also prominently introduced into the composition. Painted after the war of independence, the lion is now portrayed uncrowned, with a chain at his neck. This is a strong statement of the artist's Germanic sentiments.
This is one of the last known pieces done by the Early Ephrata Artist." He was given this name since he decorated early Ephrata prints having no bird-panel printed borders. The Earnests note he used heavy color and his motifs were primitive, despite the ambitious decoration and design he attempted such as this fraktur watercolor. He ranks among the earliest fraktur artists to decorated printed forms, along with Otto, Hoevelmann and Speyer.
See:
- Earnests' "Papers for Birth Dayes", pp. 213-214 for info on the Early Ephrata Artist.
- Klaus Stopp, The Printed B&BCs of the German Americans, Vol. II, pp. 108-113.
Place of Origin
Lancaster County
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Pencil drawing of Dr. Atlee's house is mounted in hinged window mat. The front, facing out to the left, has a door with a small stoop and three shuttered windows, as well as four shuttered windows on the second floor, and two gabled windows above. The side facing out to the right is in two sections: one section under the peaked roof with three rows of two windows each, and a two-story section with a flat roof, also with three rows of two windows each. In both of these sections, the top two windows are much smaller than the rest, and also without shutters. Two basement windows can barely be seen on the front and side of the house.
NOT FOUND IN BOX 0066, July 2023
There are three chimneys of various designs; one at either end of the peaked roof, and a third at the extreme right of the house.
There are two smaller sections coming off either side of the house. These can only be seen in part, and are not drawn in much detail. Fences extend off of both these sections, with a tree growing behind each section of fence. An ambiguous shape has been drawn behind the tree on the left, possibly another building. The bottom of the drawing is also ambiguous, with the sidewalk following the same lines as the house.
A hand-written caption at the bottom reads "Dr. Atlee's House". There are two bordered emblems at the upper corners of the drawing, also done in pencil. The one at upper left reads "Georg/Burckh---[?]/Anna Margari-/ta B. 1764", encircled by a floral pattern. The one at upper right reads "I.G.B./A.M.B/1764" and is encircled by two flowers.
This building was erected on the northwest corner of E. Orange and N. Duke Streets in 1764 by George Burkhart, the richest joiner of pre-Revolutionary Lancaster, as his own residence. It was one of the most highly developed stone houses with a four bay facade in Lancaster. During the 19th century, it became the residence of the Atlee family. It was demolished in 1902.
Note: P77.31.68 shows the same building.
Additional notes have been made in pencil: "S.E. cor. Lime + Middle Sts--." just above the curb of the sidewalk; "Brick" just above the basement window; and "Filled with stone." in the upper right corner above the tree. The number "25" also appears in upper right corner, and a circled "30" in the lower right corner.
Middle Street is now Howard Avenue. The Sawbuck House, also called the Powell House, was demolished before 1900.
Yellowed around the edges; the side edges and right side of the bottom edge are ragged, with small nicks all along the right side. There is a crease extending from the top edge, about 3" from the right, down to about 3/4" from the upper right corner. There is a dark brown spot about 2 1/2" up on the right side, just outside the border. Now mounted in hinged window mat.
Object ID
P.77.31.02
Place of Origin
Lancaster County
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Pen & ink drawing (over pencil sketch) of log house. The house has a single brick chimney (with smoke emerging) and a Dutch door with the top half open. There is a wooden plank porch w/ a long bench extending the length of the house front.and a gated wooden fence extending from the left front corner of the house. NOT FOUND IN BOX 0066, July 2023
The left side of the house has a shelf with various pots and bottles on it. Harness hangs on wall near right corner. Fencing encircles entire yard & garden at left and behind house. Additional large building partially seen behind house appears to be a barn with vertical board siding.
A woodpile with an axe in front of the fence, and a man with a cane watching a small child playing w/ dog on the path leading to the gate.
The drawing is black and white, but there is a light brown border around it.
The caption in the upper left corner reads '"PINE-FARM"/LANCASTER CO. PA./ Home-stead of/ Christian Stauffer/ 1847'
Christian Stauffer was a kinsman of David McNeely Stauffer, the artist.
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
18.0975
Height (ft)
0.59375
Height (in)
7.125
Width (cm)
22.5425
Width (ft)
0.7395833333
Width (in)
8.875
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
Some brown marks along the top edge. There is a brown stain or mark on the bottom center of the drawing, in the path about halfway between the gate and the dog.
The paper was previously attached to another backing, as there are pieces of the backing and glue stains along the edges of the reverse.
The piece is currently mounted in hinged window matting.
Object ID
P.77.31.09
Place of Origin
Lancaster County
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Family record in German on very small page of laid paper. Straight borders on all sides except bottom, which appears to have been cut off & perhaps removed from a book, per Fred Weiser. Written in faded black ink except for large, green initial letters. At top is Abraham Stibgen, born 18 Jan 1755. Later notation added in right margin has 50, his age at death. Next is Anna Kauffman born 13 Apr 1762, with added "65" for death age, at right. They were married 14 Dec 1783. Below is Susanna born 1784 and Christian born 1786. Mounted in off-white window mat w/ two paper hinges at top.
Overall has some age darkening. Soil and stains; large light brown stain at center left with moisture damage along left margin causing bleeding of the green letters. Soil or stain at lower right corner. Center fold is breaking, esp. at each end. Corners worn and dog-earred. Ragged edges except for bottom where cut off.
Mounted on matboard with two paper hinges at top.
Object ID
2017.999.16
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #12 during this event.
Birth record on small piece of laid paper. Mounted in off-white window mat with 2 paper hinges at top. Outside border is 0.375" wide with dotted line zig-zags and small comma like motifs decorating remaining space. Some of lower border was cut off. Appears to be a partial page, cut from the same source as the pair of full-page Tschantz family record (2017.999.29) recording 4 births. It is certainly the same handwork & almost certainly pages removed from a Bible.
This entry for Abraham Tschantz consists of 7 lines of German text, fraktur style lettering, randomly alternating from red to black ink. Reads: "Anno 1750 auf Faustinus Tag, / d 15ten Febr. ist Abraham Tschantz, / gebohren im Zeichen des Schorpian. / Gedenck im allen, was du thust, dass / du nur Gott gefallen must, dies sey dein / gantzes Werck auf Erden, wen du wilst / Gottes Burger werden." (In the year 1750 on Faustinus Day, 15, Feb., Abraham Tschantz was born in the sign of Scorpio. Ponder in everything you do that you must only please God. Let this be your whole work on earth if you wish to be God's citizen.)
10th "Series" of Penna. Archives, Vol. 156, p. 423.
See related pages (2017.999.29) executed by same scrivener/artist who recorded Tschantz births.
Height (cm)
13.0175
Height (ft)
0.4270833333
Height (in)
5.125
Width (cm)
18.415
Width (ft)
0.6041666667
Width (in)
7.25
Dimension Details
Matboard is H: 7" W: 9"
Condition
Good
Condition Date
0017-08-24
Condition Notes
Light darkened and embrittled/fragile. Edges are very ragged with losses and folded back paper. A 3 1/2 " long curved tear/break from bottom left to the word "Febr.". Bottom of page with border has been cut off.
Object ID
2017.999.20
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #24 during this event.
See pair of related pages for birth entries of (2017.999.29) executed by same scrivener/artist who recorded birth of Abraham.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
