Photocopy of letter from Eliza Haldeman to her father, Samuel Haldeman, regarding her friend Mary Cassatt, art, “Jack Cade”, Edwin Forrest, and theater. Eliza also shares her thoughts on slavery and family life. Philadelphia.
Haldeman Mansion Preservation Society https://www.haldeman-mansion.org/
Related Item Notes
Curatorial Collection
S. S. Haldeman Papers, MG0344
Haldeman Family Papers and Business Records (MG0736) https://collections.lancasterhistory.org/en/permalink/7dbdd094-b41c-40ef-b16d-538502636080
Notes
Preferred Citation: Title or description of item, date (day, month, year), Collection Title (MG#), Object ID, LancasterHistory, Lancaster, Pennsylvania. URL if applicable. Date accessed (day, month, year).
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Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Other Numbers
MG-736
Other Number
MG-736, Folder 28, Item 1
Classification
MG0736
Description Level
Item
Custodial History
The letters and record book in this collection were kept by Eliza Haldeman and later sold by her son, S. Haldeman Figyelmessy, to his cousin and the donor's father, Guy K. Haldeman.
Cataloged by RR and SM in Summer and Fall 2015; and SW in Spring 2016. Added to database 6 January 2022.
by Percy Jewett Burrell, master of the pageant; Alice Kraft, associate and dance director; Harry A. Sykes ... composer and musical director; presented by the people of the city and county of Lancaster, Pennsylvania, June 24th, 25th and 26th, 1929, 7:45 o'clock in the evening.
Percy Jewett Burrell, pageant director and co-author with Laura F. Kready and H. Clifton Thorbahn. Presented upon Williamson athletic field by the people of Lancaster, Pennsylvania, July 5th, 6th and 7th, 1926.
Includes bibliographical references (p. [179]-218) and index.
Contents
Theater, nation, and state in early America -- Cato and company : a genealogy of performance -- Free-born poeples : the politics of professional theater in early America -- A school for patriots : colonial college theater -- Bellicose letters : propaganda plays of the Revolution -- Epilogue : Post-revolutionary patriotism and the American theater.
Summary
Performing Patriotism examines the role of theatrical performance and printed drama in the development of early American political culture. Building on the eighteenth-century commonplace that the theater could be a school for public virtue, Jason Shaffer illustrates the connections between the popularity of theatrical performances in eighteenth-century British North America and the British and American national identities that colonial and Revolutionary Americans espoused. The result is a wide-ranging survey of eighteenth-century American theater history and print culture. [from the publisher]
