8-day clock works by George Hoff, Jr. (1788-1822) installed in a curly maple Federal style case signed by either J(acob) Stein/Stine or J(osiah) Shufflebottom (inside waist section). White painted dial signed with maker's name and "Lancaster". Moon wheel above. Scroll pediment has turned roundels and urn finials. Bonnet has applied carving under center finial, free-standing turned columns at front and back, arched side lights and reeded base moldings. Chamfered quarter columns on waist and base. Reeded moldings at top and bottom of waist. Door has shield inlay at lock escutcheon and ghosting from a now-removed metal escutcheon. French bracket feet.
"Hertzler" is etched onto top surface of bonnet top. Signed inside waist: appears to be either Josiah Shufflebottom or Jacob Stein/Stine.
Provenance
Donor states clock was part of the furnishings in the home of her grandparents John B. and Emma (Groff) Hertzler at 131 E. Orange St., Lancaster. Hertzler was a banker at The Lancaster Trust Company in early 20th c..
John J. Snyder states Stine was listed on tax lists 1817-19 and Shufflebottom worked c. 1811-1848. Both were cabinetmakers in Lancaster Borough.
Dial paint is crazed. Base has large cracks on both sides and lifting veneer and crack at front. Dents and other scarring on cove molding at top of base. Small cracks on left side of hood.
Works cleaned and repaired by Paul Warfel, 1980. Glazing in door replaced by curator Bruce Shoemaker, 1983, due to crack.
Object ID
G.77.25.1
Place of Origin
Lancaster
Credit
Gift of Elizabeth H. Nichols in memory of John and Emma Groff Hertzler, Heritage Center Collection
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Small Vorschrift done for Jacob Stibgen, mounted within a white window mat. Within a thin border writing example, first line begins with enlarged, decorated letters with flowers and bird: "Allein Gott in der Hoh" with ending "Seig Ehr" in tiny letters below "Hoh". Translation: All glory to God on high. Following lines in English, then the alphabet and finally numerals.
Signed at the bottom "Diese Vorschrift gehoret mir Jacob Stibgen febreary (sic) the 10 1817." Translation: This Vorschrift belongs to me..." . Colors are muted: red, brown, dirty yellow and some black. Some notations on reverse of matboard.
Overall light brown age darkening. Several dark brown stains along bottom left and near center, above "20". Quarter inch discoloration at top, left of center. A 3" long slanted line near upper left corner is breaking, has holes and at right end extends a 1" long vertical break from top down. Also some color losses along break. Surface loss of about 1/4" at left border, 1/5" up from bottom.
Object ID
2017.999.15
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #13 during this event.
Printed fraktur taufschein (B&BC in German) for Michael Ruthisill, born Aug. 17, 1808 and baptized Aug. 30, 1808 by Pastor (Gotthilf Henry Ernestus) Muhlenberg at the Lutheran Church in Manheim Township, Lancaster County. Parents were Philip and Susanna (Schreiner) Ruthisill and the sponsors were Michael and Catharina Ruthisill (grandparents?).
Certificate printed by Lancaster printer Benjamin Grimler in 1803. Penwork & decoration attributed to the "Ruffled Tulip Artist" by the Earnests (9-14-98). See object file for info.
Printed on laid paper, fraktur has a large central heart and two smaller hearts at bottom with verses in German in each. Large heart has main text, with blanks filled in by scrivener/artist in red ink. 1/4-inch-wide yellow border around perimeter. Hand-drawn floral motifs surround the large heart: large tulip-like flowers at top and bottom center, flowering vine at sides and smaller flowers above small hearts and within large heart. Colored in red, green and yellow.
The "Ruffled Tulip Artist" was working circa 1799-1813. He drew distinctive ruffles around large and folky tulips and infilled in German on printed three-heart forms, of which seven are known - all birth & baptismal certificates.
Klaus Stopp, The Printed Birth & Baptismal Certificates of the German Americans, Vol. III, p. 128.
Ellis and Evans, History of Lancaster County, p. 498.
Earnests, Papers for Birth Dayes, Vol.II, pp. 659-60.
Provenance
Donor reports his wife has Rudisill ancestors. He and his wife received this fraktur with instructions to sell the piece upon their demise in order to pay for funeral expenses. The fraktur was never sold, even now that his own wife has died. See genealogy of Rudisill family in file, given by Lisa Garrett, cousin of donor's wife. Lisa says donor died in 1998.
Condition when received: Entire piece buckled, pasted onto brown Kraft paper. Multiple tears and losses, especially at center of right and left sides; tears and small hole at center. Some foxing, general soiling, and water damage to colors in vining at sides. Color smears and fingerprints, esp. at top and bottom floral device. Small tears and curling at most edges.
At present: Conserved, matted and placed in sealed package by Marilyn Kemp Weidner in 1999 for $1,553. Framed by Lancaster Galleries.
Object ID
G.98.27.1
Notes
Four other copies of Grimler's printed certificate known, according to Klaus Stopp (The Printed Birth and Baptismal Certificates of the German Americans Vol. III, p. 128). Three of these were filled out for Warwick Twp. residents;the other for a Manheim Twp. resident. This 1803 print preceded Grimler's partnership with brother Henry which opened in 1804. From 1799-1812, when Lancaster was the seat of State government, the two brothers were employed by the Legislature to do the State printing. Benjamin was elected to the Lower House of the Assembly in 1824 and died in 1832.
See Rudisill genealogy in file, given by Lisa Garrett. It states John Michael Rudisill was born 17 Aug 1808 and died 8 Nov 1843. He married Maria Magdalena Kurtz on 17 May 1829, daughter of Conrad Kurtz and his wife Susanna Barbara Erb.
Large 8" x 10" color transparency in object file.
Place of Origin
Manheim Twp.
Role
Artist
Credit
Gift of Daniel S. Kauffman, Heritage Center Collection
Copper pint measure or mug. Straight sides taper in toward mouth with rolled lip edge. Strap handle anchored with 2 rivets at top; one at base. Keyed seam beneath handle. Some tinning remains on interior.
Handle is stamped "(E)ICHHOLTZ". Letter "E" is partially hidden at top.
Provenance
Purchased by Gunnions at Conestoga Auction circa March 1986.
Heritage Center purchased from Gunnion Antiques Aug. 1986
Tom Ryan, The Worlds of Jacob Eichholtz., pp. 1-3 and 82.
Henry Kauffman, American Copper and Brass, p. 119.
Height (in)
4.5
Width (in)
4.5
Diameter (in)
3.25
Condition
Good
Condition Date
2013-11-18
Condition Notes
Interior worn with some corrosion. Handle split below top left rivet. Small to significantly larger dents on sides and bottom. Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn.
Object ID
P.86.3
Place of Origin
Lancaster
Credit
Heritage Center Collection, Acquired through the generosity of the James Hale Steinman Foundation.
This record group contains canceled orders that were issued by the county commissioners for payment to be made by the county treasurer. The orders show date, order number, amount, name of payee, purpose, and signatures of the county commissioners. In the case of "poor children," teachers were reimbursed by the county for tuition and/or the supplies purchased for students whose parents were unable to pay. Orders include: Poor Children, Almshouse, Bridges, Coroners' Inquests, Prisons, Roads, Court House, and Tax Exonerations.
System of Arrangement
The record group is organized chronologically, then arranged by order number within each year.
LancasterHistory is committed to preserving and providing access to materials chronicling Lancaster County's heritage. As a historical resource, this document reflects the racial prejudices and actions of the era. In order to maintain the historical integrity and context of collection items, LancasterHistory does not censor historical documents or edit language, titles, or organization names when transcribing original content.
Additional Notes
Prisons.
Payment for lumber for the use of the jail.
Smith, Stephen. Person of color.
1 item. 1 piece.
Access Conditions / Restrictions
Request at research desk. Photocopy made by staff member.
Mahogany cased square piano has curly maple? frontispiece/nameboard painted with an oval cartouche with"John Wind / Lancaster" flanked by colorful floral sprays (likely painted by Eichholtz). Crossbanded mahogany veneer, front and sides and a diamond shaped ivory lock escutcheon centered at front of folding keyboad lid. Square tapered legs terminate with brass cuffs and casters. One high stretcher at both ends. Exposed head bolts at sides. Entire top hinges up exposing soundboard with strings and hammers.
Black keys are ebonized maple topped with ebony veneer. Ivory covered white keys. Dummy key at left end.
Inscription: Pencilled script on reverse of nameboard unclear (need UV light to read).
Made by John Wind (1783-1858). Owned by Aida Shaibly Myers, Lancaster, PA, 1812.
Provenance
Donor: Aida M. Houston (estate). Info derived from archives and donor cards. Note: 2015 research found probable identity & family members of Aida, in file.
Over-cleaned finish. Overall in better shape than other known Winds, per Ray Brunner. Soundboard is twisted in length due to string tension with some replaced strings. Many fine strings unattached & snarled at right interior. Dummy key at left end of keyboard. Bolt covers at leg tops missing. Scratch across front. NOTE: Hinge at left side of top board missing its pin; inserted nail.
Object ID
1964.016
Notes
In Historical Soc. of Pennsylvania's Daybook of J. Eichholtz on page 30 is an entry dated March 1, 1810 for John Wind: "To painting frontispiece" with a charge of 15. This is presumably for this, or another, piano.
An identical entry on page 20 for organmaker Conrad Doll dated May 19, 1809 lists "To painting a frontispiece" for the same charge of 15. (Copies of these pages in file P.86.3 for Eichholtz copper measure).
Large white cotton Framed Center quilt, with extensive applique and stuffed work. The applique technique is called "broderie perse" (of cut-out chintz elements) with fruit surrounding the center medallion. Also appliqued are two types of pieced 8-point stars, and 9-patches. Extensive stuffed & corded work executed in vines, flowers, grapes, melon-like fruit and leaves. Center medallion has stuffed initials "MG" above "1810". Main quilted designs are waffle, wedding ring, shell and parallel lines. Cotton batting and white cotton back. No binding; turned edges sewn together.
Inscriptions: "JNS" (J. Nevin Schroeder) stamped on back of top right corner and "331" written in ink on back of top left corner.
Made by Ann Margaret Gundaker, daughter of wealthy Lutheran merchant Michael (1753-1815) and Barbara Walter Gundaker, residing at S.E. corner of East King & Lime Sts., before her 1816 marriage to Robert Evans (c. 1791-1831). She had been a student at the Moravian School for Girls in Lititz (now Linden Hall) in 1805-06 where she certainly received instruction in needlework. This quilt is the earliest known dated Lancaster County quilt and has descended through five generations of Evans, Locher, and Schroeder families. Trish Herr notes this quilt illustrates the English influence on quilts made in prosperous Pa.German households.
Provenance
Descent in family from Gundaker to Evans to Locher to donor (see letter from Pat K. Conner to Mrs. Shroeder). Donor received quilt from her mother-in-law Mira Locher Schroeder.
1. Documented in Quilt Harvest #419A.
2. See G.01.51.1-.6 for other signed Gundaker textiles.
3. Pat Keller wrote 2009 article in Chester Co. H.S. book LAYERS, noting similarities in stuffed work between this quilt & a Chester Co. quilt, suggesting communication via a network of sanguinity or friendship. (See copy this file)
Generally moderate wear overall with many small yellow-brown scattered stains. Torn along top edge, 13" from left corner. Chintz appliques are deterioration with somoe losses.
Object ID
G.93.08.1
Place of Origin
Lancaster
Role
Quiltmaker
Credit
Gift of Mrs. J. Nevin Schroeder in memory of Mira Loche
Pennsylvania Long Rifle; percussion cap; curly maple stock; iron barrel stamped "H. GIBBS" on top of barrel. Brass fittings and patch box. Some rust on iron and brass parts. Approximately .40 caliber muzzle. 44" barrel with an overall length of 61 inches.
See notes for information on Gibbs.
Provenance
Purchased by donor (Walt Dunlap) at auction in Lancaster County in 1956.
Henry Gibb Sr. and his son Henry Gibb were Lancaster City gunsmiths active for most of the nineteenth century. The father from 1812 until 1843 and the son from 1843 until 1880.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Oval top empire-style table with side skirt. Skirt has beaded top and bottom. Table divides to accomodate four leaves. Four-sided reeded central pillar with two turned feet underneath and four c-scrolled supports. Solid base with four radial, long legs w
Undocumented stories claim that this table was ordered by William Jenkins in 1828, the year he had the Wheatland mansion built, and that it has conveyed to each subsequent owner with the deed. The table dates from the first quarter of the nineteenth century and might attributed to the Bachman cabinetmakers.
