A. Pillow made of stripe of blue and white ticking machine-stitched on two sides, stuffed with straw and hand-stitched to close on one end.
B. Finely crafted pillow cover of white closely-woven satiny cotton stitched on chain-link machine. Opening at one end. Entire covering edged with commercially-made 1-inch wide cotton lace.
C. & D.: Quilts: Both quilts done sewn with chain-stitch machine and consist of printed 2-inch cotton squares. Most four-block squares contain two different prints. Entire piece backed in white muslin, no batting. Top and backing stitched with diagonal 1.5-inch lines forming diamonds in white thread with a chain-stitch machine. Edging tape, white with printed flowers is stitched to the top of the quilt.
Quilt C.,18 x 17.25, is highlighted with squares of 13 different patterns of pinks and browns. Tear in a brown-striped patch near one edge as well as front and back of one patch on same row.
Quilt D.,17.75 x 25.25, consists of 26 different prints. Overall hues are brown, with some blue and two squares of pale green and white check.
E. Unhemmed hand-stitched patchwork piece, 7.25 x 10.5 overall with similar 4-block 2 x 1.5-inch squares of two different fabrics, 8 different fabrics in all. Overall tone is brown, but six faded squares may have contained a fugitive green.
F. Heavily soiled light-weight cotton floral print (flowers are faded brown). Might have been skirt of a doll's dress with a 2.25-inch hem. The single vertical seam, 4 inches from the bottom is turned under and stitched by hand to from an opening. Stiff and fragile.
Three Cotton Quilt Squares: All 9 x 9 inches. All composed of thirteen 2-inch squares, hand-stitched. All prints with white triangles along the edges. Each is composed of 2 different prints...
G. Yellow and Green
H. Brown and Blue
I. Red and Brown
J. Larger Cotton Quilt Square with applique: 17 x 17-inch white quilt square with green leaf patterned fabric applique. 11 x 11-inch ornate cut-out design with a green leaf in each corner. (Not much allowance for a seam on the corner- .25 inch.)
K. Doll blanket. 10.5-inch square. Wool, knitted in garter stitch of coral and black/white variegated yarns. Three 3.5-inch stripes, coral stripe in middle. Scalloped crocheted edging in coral.
L. Doll blanket, a 12-inch square. Wool, crocheted three-stripe doll blanket in aqua and tan yarns. 1.5-inch wide crocheted border with scalloped edge. Mended in 4 spots. 1 aqua stitch loose near tan stripe.
M. Pillow. Handmade 4.5 inches x 3.5 inches. Cotton fabric with large floral print, hand-stitched on three sides and stuffed. Red stain near edge on one side.
N. Pillow. Handmade 3.5-inch round pillow, made of same fabric as M. White cording has overcast onto the seam around the pillow. Firmly stuffed.
O. White cotton rectangles (2), 16.25 x 13.25 ins., stitched on 3 sides, turned inside out with feather-stitch chain in yellow embroidery floss stitched around all four sides.
P. Pillow case, child's. 11.75 ins. wide x 17.50 ins. long. Fine white cotton, careful mending, especially around the embroidered red heart with a yellow arrow through it. Red feather-stitch chain on hem-line, 1 inch from the opening edge.
Q. White 10.5-inch cotton square, .25-inch hem with machine-stitching on three sides. Fourth side is selvedge. Soiled overall with brown stains.
R. White 8-inch cotton square. Same fabric as Q, with .125-inch rolled hand-stitched hem on three sides. Heavily stained with dark spots and brown liquid stains.
Year Range From
1860
Year Range To
1880
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 2
Storage Cabinet
Unit 10
Storage Shelf
Shelf 3
Storage Container
Box 0477
Object Name
Accessory, Doll
Dimension Details
a. Pillow: 5 x 7; Pillow case (Including lace trim): 8 x 11
b. Small quilt: 18 x 17.25
c. Larger quilt: 17.75 x 25.25
d. unhemmed patchwork: 10.5 x 7.25
e. hemmed remnant
Condition Date
2023-03-13
Condition Notes
Varies, excellent to poor:
Excellent: Pillow is in excellent condition.
Good: Larger quilt has a defined quarter of brown acidification due to storage (maybe against wood or paper product. Both quilts have some minor fiber separation on backs.
Good: Raw-edged piece shows some fraying on edges.
Poor:Hemmed remnant print has holes and separated fibers-maybe a fugitive red dye; as well as brown and black stains.
Advertisement for John Sidney Jones Wholesale Fancy Empoirum
Description
Full-page newspaper ad with top headline: "JEWLERY & LOOKING GLASSES. / CARPETING. / WHOLESALE FANCY EMPORIUM. / JOHN SIDNETY JONES," In bottom margin: "Whips , Canes, Combs, & Blinds." The central portion consists of four vertical columns listing categories of items for sale: Baskets, Brushes, Whips, Spectacles, Beads, Combs, Jewelry, Brooms, Britannia Ware, Reeds, Cedar Ware, Pocket-books, Wooden Ware, Curls, Japanned Ware, Blinds, Looking-glasses, Cords, Mats, Curled Maple Ware Varnished, Fancy Articles. Printed by Wm. F. Racklife, South-West Corner of George and Swanwick Sts.
John Sidney Jones is listed under "Wholesale Fancy Emporium," and Philadelphia addresses are listed: 18 N. 2nd St. and 2 Church Alley.
The center listings are surrounded by a border of 24 U.S. states' emblems in circles.
Year Range From
1822
Year Range To
1836
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Cabinet
Cabinet 2
Storage Shelf
Shelf 5
Storage Container
Box 0542
Object Name
Advertisement
Length (cm)
43.18
Length (ft)
1.4166666667
Length (in)
17
Width (cm)
30.48
Width (ft)
1
Width (in)
12
Condition
Good to Fair
Condition Date
2023-07-27
Condition Notes
Brown overall with obvious center crease and some darker spots especially in the right margin. The newsprint has been glued to a piece of Masonite, with edges folded over. They are now loose.
Heat sensitive fire alarm invented by Anthony Iske (1831-1920). Patented by Iske on Aug. 19,1890.
Inside the wooden case, on alarm mechanism/movement, printed in black ink: "J.A. Neiss, Sr." There is also the key to wind the alarm, loose on the floor of the holder.
Anthony Iske was born in France and immigrated to the U.S. in 1847. He moved to Lancaster in 1853 and became an American citizen in 1858. Along with his son, Albert, he held over 200 patents. Most notable of his inventions was the first meat-slicing machine, a model of which is in the collections of the Smithsonian Institution.
The Heat Motor was designed to turn the energy held by heated water into rotational movement. Heating the water in the trough would cause the air in the submerged cylinders to rise. As the engine began to turn, the cylinders would rise above the water, the air inside would cool, and the cylinders would fall on the opposing side, adding to the circular motion of the engine.
Portrait of young gentleman. Fairly faded out. Water marks/stains, one around right eye of man (viewer's left) in decorative bronze-colored frame with glass narrow gold-colored braid around edge. All with a red velvet rectangle. On the red velvet lining of the lid/cover: "Addis (?) s Lancaster Gallery/ NE Corner of Centre Square & N. Queen St." Black container has decorative motifs on front and back.
This pair of American Empire brass andirons feature large turned finials with a mushroom cap. The finials surmount small canisters with turnings at the top and base. The uprights are supported by raised scroll bases on ball feet and a wrought iron back for holding logs.
One pair of Chippendale brass and iron andirons. Contains large reeded ball at top, three graduated small balls center and large ball at base. Snake turned base with two small balls each side of snake turning. Rear of base small turned ball with double column base.
American empire-transitional Victorian armchair. Walnut frames the upholstered back and crest, arm rests have upholstered cushions terminating in a wide scroll surmounting the seat frame that features a serpentine apron. Brocade front legs feature ring-turnings; back legs are squared and canted. Back has slightly arched crest, back rails join to legs that terminate in casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
